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SOUNDCHECK 03 2017 Leseprobe

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SOUNDCHECK 03 2017 Leseprobe 80% 2 3 4 100% 80% 40% 2 3 4 1 CB 3 4 1 100% 80% 40% 3 4 1 2 CB 4 1 2 100% 80% 40% 4 1 2 3 80% 1 2 3 100% 80% 40% 1 2 3 4 80% 1 2 3 4 1 2 3 4 80% 1 2 3 4 1 2 3 4 80% 2 3 4 100% 80% 40% 2 3 4 1 CB 3 4 1 100% 80% 40% 3 4 1 2 CB 4 1 2 100% 80% 40% 4 1 2 3 80% 1 2 3 100% 80% 40% 1 2 3 4 80% 1 2 3 4 1 2 3 4 80% 1 2 3 4 1 2 3 4 80% 2 3 4 100% 80% 40% 2 3 4 1 CB 3 4 1 100% 80% 40% 3 4 1 2 CB 4 1 2 100% 80% 40% 4 1 2 3 80% Instrumente | Beschallung | Recording | Bühnenlicht | Management Instrumente | Beschallung | Recording | Bühnenlicht | Management B 1977 E B 1977 E Nr. 03/ 2017 3 Nr. 03/ 2017 3 März 2017 0 März 2017 0 Deutschland EUR 5,20 Deutschland EUR 5,20 6 6 Österreich EUR 5,90 0 Österreich EUR 5,90 0 Schweiz sfr 10,90 2 Schweiz sfr 10,90 2 Luxemburg EUR Luxemburg EUR 6,00 005 6,00 005 Italien EUR 6,90 Italien EUR 6,90 bei facebook! bei facebook! www.facebook.com/ www.facebook.com/ 4 197277 4 197277 03 soundcheckmagazin 03 soundcheckmagazin Das Bandmagazin 03|17 Das Bandmagazin 03|17 EWINNEN EWINNEN G POWERED BY G POWERED BY U Leser POLL U Leser POLL Z 1.000 EUR 2017 Z 1.000 EUR 2017 GESAMTWERT GESAMTWERT PRONOMIC-DIGITAL-ENDSTUFEN PRONOMIC-DIGITAL-ENDSTUFEN FUNKEN WIE FUNKEN WIE DIE PROFIS DIE PROFIS Guter Klang bei einfacher Bedienung: Guter Klang bei einfacher Bedienung: Sennheiser XSW 1 machts möglich Sennheiser XSW 1 machts möglich ¦ ¦ Alan Parsons SPECIAL Alan Parsons SPECIAL zur Produktion zur Produktion Im Vertrieb von Im Vertrieb von Alle Infos zur neuen JBL EON One des neuen Alle Infos zur neuen JBL EON One des neuen www.audiopro.de Blackfield-Albums www.audiopro.de Blackfield-Albums Instrumente | Beschallung | Recording | Bühnenlicht | Management Instrumente | Beschallung | Recording | Bühnenlicht | Management B 1977 E B 1977 E Nr. 03/ 2017 3 Nr. 03/ 2017 3 März 2017 0 März 2017 0 Deutschland EUR 5,20 Deutschland EUR 5,20 6 6 Österreich EUR 5,90 0 Österreich EUR 5,90 0 Schweiz sfr 10,90 2 Schweiz sfr 10,90 2 Luxemburg EUR Luxemburg EUR 6,00 005 6,00 005 Italien EUR 6,90 Italien EUR 6,90 bei facebook! bei facebook! www.facebook.com/ www.facebook.com/ 4 197277 4 197277 03 soundcheckmagazin 03 soundcheckmagazin Das Bandmagazin 03|17 Das Bandmagazin 03|17 EWINNEN EWINNEN G POWERED BY G POWERED BY U Leser POLL U Leser POLL Z 1.000 EUR 2017 Z 1.000 EUR 2017 GESAMTWERT GESAMTWERT PRONOMIC-DIGITAL-ENDSTUFEN PRONOMIC-DIGITAL-ENDSTUFEN FUNKEN WIE FUNKEN WIE M-0058_PPV_UM DIE PROFIS DIE PROFIS Guter Klang bei einfacher Bedienung: Guter Klang bei einfacher Bedienung: Sennheiser XSW 1 machts möglich Sennheiser XSW 1 machts möglich ¦ ¦ Alan Parsons SPECIAL Alan Parsons SPECIAL zur Produktion zur Produktion Im Vertrieb von Im Vertrieb von Alle Infos zur neuen JBL EON One des neuen Alle Infos zur neuen JBL EON One des neuen www.audiopro.de Blackfield-Albums www.audiopro.de Blackfield-Albums M-0058_PPV_UM-SD INTERVIEW ALA N PA RSONS INTERVIEW ALA N PA RSONS Der fünfte Streich Für das fünfte, schlicht „V“ betitelte Blackfield-Album konnten die beiden Multitalente Aviv Geffen und Steven Wilson die lebende Legende Alan Parsons als Pro du- zenten gewinnen. Grund genug, den Briten zum Interview zu bitten. m 2012 war Parsons bereits an den Aufnahmen zu Ste- ven Wilsons Soloalbum „The Raven That Refused to I Sing“ beteiligt. Anders als damals engagierten die beiden Produzenten- und Musiker-Okonen Aviv Geffen und Steven Wil- son (Porcupine Tree), alias Blackfield, ihn nun jedoch nicht allein als Toningenieur, sondern auch für die Produktion von drei 360° Songs. Wir haben mit Parsons über seine Arbeit an „V“ und mehr gesprochen. geballte LED Power SOUNDCHECK: Alan, was hat dich dazu bewogen, mit Blackfield zu arbeiten? Ich glaube, Aviv ist ein sehr cleverer Song- IMON LOWERY Alan Parsons: S writer. Und Stevens Einfluss auf Aviv ist sehr deutlich erkenn- D bar – sowohl, was das Songwriting betrifft, wie auch das ge- samte Ergebnis der Produktion. Ich weiß nicht, ob es dir be- kannt ist, aber Aviv ist in seinem Heimatland Israel ein Superstar. Sozusagen das, was bei uns Eltonlton John oder Lady Gaga sind. Dementsprechend tritt er in Israel auch auf, sehr RGB LED Sticks mit Lithium-Ionen-Akku und D-Fi-wireless-DMX für maximale Kreativität extravagant, fast schon skandalös. Und er arbeitet mit hervor- FOTO: DOMINIK FRITZ AN 20 SOUNDCHECK.DE www.chauvetdj.com chauvetdj.de chauvetDJde Vertrieb Deutschland & Österreich: KORG & MORE – Division of Musik Meyer GmbH • Postfach 1729 • 35007 Marburg INTERVIEW ALA N PA RSONS Aufträge … Unglaublich, dass er da noch Zeit für Blackfield fin- Diplomatisches Geschick det. Es ist gut, dass so eine Band wie Blackfield existiert. Ich war »ist die wichtigste Fähigkeit mir, als wir mit dem Projekt anfingen, ehrlich gesagt, auch gar nicht sicher, ob das Ganze wirklich unter dem Label Blackfield eines Produzenten.« laufen würde. Wenn ich mich recht erinnere, haben wir einen Song auch für Aviv als Solokünstler gemacht. Das Stück habe ich ragenden Musikern, hat eine tolle Band. Ich hab Aviv das erste aber lange nicht mehr gehört. Mal in Berlin getroffen, als ich auf Tour war. Wir verstanden uns gleich sehr gut und vereinbarten, dass wir etwas zusammen ma- SC: Waren die Rollen im Studio dann strikt aufgeteilt? chen würden. Ich hatte ursprünglich gehofft, dass ich das ganze Alan: Nun ja, wie du weißt, ist Steven selbst ein sehr fähiger Album produzieren würde, aber es gab für uns beide zeitliche Produzent und Tontechniker. Entsprechend hat er sich auch nicht Beschränkungen, die das letztlich nicht zuließen. gerade zurückgehalten, wenn er Ideen für die Produktion hatte oder ihm etwas bezüglich der Performance aufgefallen ist. Trotz- SC: Als du schließlich nach Tel Aviv geflogen bist, um die Songs zu produ- dem hatte ich jederzeit das Gefühl, die Kontrolle über alles zu zieren, war Steven dann auch vor Ort oder hast du nur mit Aviv gearbeitet? besitzen. Ich war definitiv der Produzent der Songs. Und ich glau- Alan: Nein, Steven war dort. Was mich im Grunde überrascht be, deswegen haben Aviv und Steven mich schließlich engagiert hat, denn ich weiß einfach nicht, wie er dafür noch die Zeit ge- – sie wollten von einer dritten Person produziert werden. Ich muss funden hat. Er macht ja noch so viele andere Sachen – Steven hat gerade daran denken, dass Aviv immer sagte: „Mach die Streicher seine eigene Band, ist ständig auf Tour, macht all die Remix- lauter!“ Er liebt echte Orchestrierungen (lacht). Ich glaube, wir stehen jetzt mit einem guten Ergebnis dar. BIO ALAN PARSONS SC: Sind Steven und Aviv, schon bevor ihr im Studio wart, mit bestimmten Als Toningenieur des bahnbrechenden Pink-Floyd-Albums „The Dark Side of Sound-Vorstellungen an dich herangetreten? the Moon“ hat Alan Parsons Musikgeschichte geschrieben. Der Brite war aber Alan: Es gab nur einige sehr elementare Demos. Und ich bin mir zum Beispiel auch an den „Abbey Road“- und „Let It Be“-Sessions der Beatles ziemlich sicher, dass Aviv die Demos alleine erstellt hat; Steven beteiligt und hat Al Stewarts Erfolgsalbum „Year of the Cat“ produziert. Einer war in der Demophase noch nicht involviert. Wie die beiden das größeren Öffentlichkeit wurde er schließlich als Kopf des Alan Parsons Pro- Songwriting untereinander aufteilen, weiß ich nicht. Darüber ha- jects bekannt, das in den 70er- und 80er-Jahren zu den erfolgreichsten Pro- ben wir uns nie wirklich unterhalten. Steven hörte die Demos gressive-Rock-Formationen zählte. aber zum ersten Mal, als Aviv sie mir vorspielte. 360° geballte LED Power SIMON LOWERY D RGB LED Sticks mit Lithium-Ionen-Akku und D-Fi-wireless-DMX für maximale Kreativität FOTO: DOMINIK FRITZ AN www.chauvetdj.com chauvetdj.de chauvetDJde SOUNDCHECK.DE 21 Vertrieb Deutschland & Österreich: KORG & MORE – Division of Musik Meyer GmbH • Postfach 1729 • 35007 Marburg SPECIAL AUDIOINTERFACES SPECIAL➥ Inhalt Special Intro Analog trifft digital Seite 30 Die 7 goldenen Regeln … … Audiointerfaces richtig einsetzen Seite 36 Auf zum Kauf Von Nullen und Einsen Seite 40 ✖ Mark Schwarzmayr SPECIAL INTRO Audiointerface – Analog trifft digital Egal ob Homerecorder, Keyboarder, Youtuber, Livemusiker oder professioneller Studiobetreiber, an ihnen kommt keiner vorbei: Audiointerfaces. Wir zeigen euch, auf was es ankommt und wie vielfältig der Markt ist. in Audiointerface stellt meist das Herz eines Setups dar. haben sich die Interfaces zur Schaltzentrale mit zahlreichen Auf- Ganz gleich, ob Studio oder Bühne, bei ihm laufen Signa- gaben und Möglichkeiten gewandelt. Doch was macht ein gutes E le zusammen, werden von der analogen in die digitale Audiointerface aus? Welchen Herausforderungen müssen sich Welt transportiert, weiterverarbeitet und schließlich wieder als Entwickler stellen und wie setze ich mein Interface und mein analoges Signal ausgegeben, auf dass sie das Ohr des Zuhörers investiertes Geld optimal ein? mit Wohlklang erfreuen. Dass es sich dabei nicht um langweilige, Die grundsätzliche Aufgabe eines Audiointerfaces war und ist unscheinbare schwarze Kästchen handelt, wird jedem klar, der die Wandlung analoger Signale in digitale Datenströme. Nur diese einen Blick auf die Details wirft. Vom reinen AD-DA-Wandler endlosen Zahlenkolonnen versteht ein Computer und die auf ihm 30 SOUNDCHECK.DE SPECIAL AUDIOINTERFACES laufende DAW-Software (ProTools, Cubase, Logic, Studio One, luftig und klar. Wer also keine Höhenab- Ableton live …). Wer also noch ganz vintagemäßig mit Mischpult senkung und Klangveränderung durch sein und Bandmaschine arbeitet, kann beim Thema Audiointerface Audiointerface haben möchte, sollte das Saiten- getrost weghören – zumindest solange, bis es um das Mastering schätzchen nur direkt in die Hi-Z-Eingänge stöp- geht.
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