Quadraphonicquad All Polls Combined
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RHYTHM & BLUES...63 Order Terms
5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R -
Live Among the White Trash: a History of Nono----Manman on Stage
Live Among the White Trash: A history of nono----manman on stage “There are no No-Man concerts scheduled for the foreseeable future.” (from the official no-man website) Anyone who has followed no-man’s career over the previous ten years or so will be acutely aware that the band does not play live. If no-man “exist” as a band at all – and their infrequent releases mean they are more an ongoing understanding between two men rather than an active unit – it is only in the studio. Over a series of uncompromising albums no-man’s music has become ever more complex, yet ironically, “live sounding” than the release which proceeded it. But this organic “liveness” is mainly an illusion; the feeling of spontaneity often the result of numerous edits and takes which only the precision of studio work can produce. Others have tried to perform equally difficult music live: Radiohead ambitiously thrusting their clicks-and- cuts post-rock upon the world’s stadiums, for example. But for a variety of reasons, no-man simply haven’t tried – at least, not since 1994 and not until a one-off performance in 2006. The only comparable case is Talk Talk’s retreat into the studio in the late 1980s. Both bands have undoubtedly crafted their best work without going near an audience. 1 But it wasn’t always so. no-man were once very much a live act, promoting singles and albums with dates and undertaking two full-blown tours – though they rarely played outside London, never went further north than Newcastle, and never played outside Great Britain. -
Opeth – Sorceress
Opeth – Sorceress (56:36, CD, Moderbolaget/Nuclear Blast/Warner, 2016) Old School-Fans, die Opeth auf Growls und Death Metal reduzieren, werden mit dem dritten „Just clean vocals“- Album in Folge erneut Schwierigkeiten haben und also weiterhin nur noch bei Konzerten bedient. Wer aber bereits zwischen „Heritage“ und “ Pale Communion“ eine deutliche Steigerung und Weiterentwicklung wahrgenommen hat und sich vielleicht für die Ausrichtung von Songs wie ‚Faith In Others‘ besonders erwärmen kann, wird diesem Zauber nun komplett verfallen. Obwohl kein wirkliches Konzeptalbum ist bei allem Abwechslungs- und Ideenreichtum doch eine deutliche atmosphärische Geschlossenheit spürbar – sowohl was musikalische wie textliche Themen angeht (vgl. dazu auch den Interview-Link bei den Surftipps unten). „Sorceress“ gelingt der Trick, den Eindruck von kompakter Zusammengehörigkeit, den „Heritage“ vermittelt, mit stärker anhaftenden, ohrwurmigeren Melodien wie bei „Pale Communion“ zu kombinieren. Akustische Gitarren und analoge Keyboardsounds sind nochmals wichtiger geworden – vgl. etwa die Ouvertüre ‚Persephone‘, das Album-Finale ‚Persephone (Slight Return)‘, oder das nach einem heftig zerrenden E-Piano-Intro in Midtempo majestätisch losrockende ‚Sorceress‘. Zum Schutz Ihrer persönlichen Daten ist die Verbindung zu YouTube blockiert worden. Klicken Sie auf Video laden, um die Blockierung zu YouTube aufzuheben. Durch das Laden des Videos akzeptieren Sie die Datenschutzbestimmungen von YouTube. Mehr Informationen zum Datenschutz von YouTube finden Sie hier Google – Datenschutzerklärung & Nutzungsbedingungen. YouTube Videos zukünftig nicht mehr blockieren. Video laden Das folkige ‚Will O The Wisp‘ (Irrlicht) bringt vor einem zarten Hintergrund von Mellotron-Flöten einige der schönsten Gesangsarrangements von Mikael Åkerfeldt seit „A Fair Judgement“ (2002), gekrönt von einem jazzigen Gitarrensolo zum Niederknien. Zum Schutz Ihrer persönlichen Daten ist die Verbindung zu YouTube blockiert worden. -
List of Available Videos
Artist Concert 3 Doors Down Live at the Download Festival 3 Doors Down Live At The Tabernacle 2014 30 Odd Foot Of Grunts Live at Soundstage 30 Seconds To Mars Live At Download Festival 2013 5 Seconds of Summer How Did We End Up Here? 6ft Hick Notes from the Underground A House Live on Stage A Thousand Horses Real Live Performances ABBA Arrival: The Ultimate Critical Review ABBA The Gold Singles Above And Beyond Acoustic AC/DC AC/DC - No Bull AC/DC In Performance AC/DC Live At River Plate\t AC/DC Live at the Circus Krone Acid Angels 101 A Concert - Band in Seattle Acid Angels And Big Sur 101 Episode - Band in Seattle Adam Jensen Live at Kiss FM Boston Adam Lambert Glam Nation Live Aerosmith Rock for the Rising Sun Aerosmith Videobiography After The Fire Live at the Greenbelt Against Me! Live at the Key Club: West Hollywood Aiden From Hell with Love Air Eating Sleeping Waiting and Playing Air Supply Air Supply Live in Toronto Air Supply Live in Hong Kong Akhenaton Live Aux Docks Des Sud Al Green Everything's Going To Be Alright Alabama and Friends Live at the Ryman Alain Souchon J'veux Du Live Part 2 Alanis Morissette Guitar Center Sessions Alanis Morissette Live at Montreux 2012 Alanis Morissette Live at Soundstage Albert Collins Live at Montreux Alberta Cross Live At The ATO Cabin Alejandro Fernández Confidencias Reales Alejandro Sanz El Alma al Aire en Concierto Ali Campbell Live at the Shepherds Bush Empire Alice Cooper AVO Session Alice Cooper Brutally Live Alice Cooper Good To See You Again Alice Cooper Live at Montreux Alice Cooper -
Visions Presents Steven Wilson Mp3, Flac, Wma
Steven Wilson Visions Presents Steven Wilson mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Visions Presents Steven Wilson Country: Germany Released: 2013 Style: Prog Rock, Art Rock MP3 version RAR size: 1715 mb FLAC version RAR size: 1315 mb WMA version RAR size: 1759 mb Rating: 4.9 Votes: 230 Other Formats: AU AA VOX VQF TTA AUD MPC Tracklist 1 –Steven Wilson Luminol 12:12 2 –Blackfield Blackfield 4:08 3 –Porcupine Tree I Drive The Hearse (Live) 6:50 4 –No-Man True North (Radio Edit) 4:25 5 –Steven Wilson Harmony Korine 5:09 6 –Blackfield Pills 3:36 7 –Porcupine Tree Even Less 7:13 8 –No-Man Back When We Were Beautiful 5:07 Companies, etc. Phonographic Copyright (p) – Steven Wilson Copyright (c) – Steven Wilson Notes Given away in a cardboard sleeve with German magazine "Visions" issue 240 March 2013. Information on backcover: For promotional use only. Not for resale 1 - (taken from the album "The Raven That Refused To Sing And Other Stories") 2 - (taken from the album "Blackfield") 3 - (taken from the album "Octane Twisted") 4 - (taken from the album "Schoolyard Ghosts") 5 - (taken from the album "Insurgentes") 6 - (taken from the forthcoming album "IV") 7 - (taken from the album "Stupid Dream") 8 - (taken from the album "Together We're Stranger") The copyright in this compilation is owned by Steven Wilson/Blackfield/Porcupine Tree/No-Man under exclusive license to Kscope This compilation ℗ 2013 Steven Wilson This compilation © 2013 Steven Wilson Made in Germany Track timings are not appearing on this release. -
Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
Steven Wilson, 17.07.18, Bonn, Kunst!Rasen
Steven Wilson, 17.07.18, Bonn, Kunst!Rasen Der Prince of PopProg als (teils) übellauniger Bademeister »You look wet!« Was die Galligkeit seiner Ansagen angeht, ist Steven Wilson offensichtlich bei seinem Storm Corrosion-Buddy Mikael Akerfeldt in die Lehre gegangen. Allerdings ohne die Leichtigkeit von dessen Humor kopieren zu können. Apropos Sturm und Unwetter: ein solches hatte sich unbemerkt von wetter.de und Regenradar an den Kunst!Rasen angeschlichen und alle frühzeitig Erschienenen einmal gründlich gebadet. Bis der Regen dann nachließ. Nicht nur der ausnahmsweise mal mit dem Fahrrad entlang des Rheins angereiste Autor war – wie man sagen könnte – wet to the bone, ein anderer Betreuer ließ sich von den kurzzeitig wahrnehmbaren Blitzen und Donner sogar leider komplett in die Flucht schlagen. Allen, die zu bleiben riskiert haben, ward auf Wunsch ein rosa Cape zum Lohn (was ein weiteres Steven- Bonmot provozierte: „I see a lot of Pink –Nick (Beggs)‘ favourite colour!“). Zum Schutz Deiner persönlichen Daten ist die Verbindung zu www.flickr.com blockiert worden. Klicke auf Inhalt laden, um die Blockierung zu www.flickr.com aufzuheben. Durch das Laden des Inhalts akzeptierest Du die Datenschutzbestimmungen von www.flickr.com. Für mehr Informationen zum Datenschutz des Anbieters www.flickr.com bitte auf dessen Website informieren, bevor Du den Inhalt nachlädst. Inhalt von www.flickr.com laden Im Folgenden die strukturierte Kurzkritik von Betreuer Wolfgang zum weiteren Geschehen auf dem Rasen: Der Spaß stand wesentlich mehr im Vordergrund als das etwas programmhafte Musizieren der letzten Jahre (das jedoch auch seinen Reiz hatte). Live wirkten die Stücke des letzten Albums wesentlich besser und der Spannungsbogen des Konzerts war auch gut gewählt. -
Beatles, Pink Floyd Engineer, Alan Parsons Rips Audiophiles
Beatles, Pink Floyd Engineer, Alan Parsons Rips Audiophiles Alan Parsons, producer, musician and sound engineer of Pink Floyd's Dark Side of the Moon, says audiophiles overpay for equipment while ignoring room acoustics. In an exclusive interview with CE Pro, Alan Parsons, renowned sound engineer for Pink Floyd's Dark Side of the Moon and for the Beatles, says hi-fi pros focus too much on equipment and brand names, when they should put more energy into room acoustics. He also says some surround- sound systems “really aren’t that bad.” All this from the audio wizard behind Dark Side of the Moon, and the name sake of the Alan Parson’s Project. Parsons broke into the music industry in the late 1960s when he was hired by Abbey Road Studios to work as an assistant engineer. As an assistant engineer, Parsons’ career started at a point where most music lovers only dream of reaching - working on the last two Beatles’ albums. As a full-fledged engineer, Parsons worked on projects with Paul McCartney and the Hollies, but it was his efforts on the benchmark album Dark Side of the Moon that launched his career. Throughout the rest of the 1970s and 1980s, Parsons released several albums under the name of Alan Parsons Project (APP). The 1990s marked a shift in direction for Parsons that was highlighted by his dropping of “Project” from his band name. As he entered the 2000s, Parsons continued to release new music, which includes his first foray into the electronica genre when he released 2004’s A Valid Path. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
MUSIC PRODUCTION GUIDE Official News Guide from Yamaha & Easy Sounds for Yamaha Music Production Instruments
MUSIC PRODUCTION GUIDE OFFICIAL NEWS GUIDE FROM YAMAHA & EASY SOUNDS FOR YAMAHA MUSIC PRODUCTION INSTRUMENTS 04|2014 SPECIAL EDITION Contents 40th Anniversary Yamaha Synthesizers 3 40 years Yamaha Synthesizers The history 4 40 years Yamaha Synthesizers Timeline 5 40th Anniversary Special Edition MOTIF XF White 23 40th Anniversary Box MOTIF XF 28 40th Anniversary discount coupons 30 40th Anniversary MX promotion plan 31 40TH 40th Anniversary app sales plan 32 ANNIVERSARY Sounds & Goodies 36 YAMAHA Imprint 41 SYNTHESIZERS 40 YEARS OF INSPIRATION YAMAHA CELEBRATES 40 YEARS IN SYNTHESIZER-DESIGN WITH BRANDNEW MOTIF XF IN A STUNNIG WHITE FINISH SARY PRE ER M V IU I M N N B A O X H T 0 4 G N I D U L C N I • FL1024M FLASH MEMORY Since 1974 Yamaha has set new benchmarks in the design of excellent synthesizers and has developed • USB FLASH MEMORY (4GB) innovative tools of creativity. The unique sounds of the legendary SY1, VL1 and DX7 have influenced a INCL. SOUND LIBRARIES: whole variety of musical styles. Yamaha‘s know-how, inspiring technique and the distinctive sounds of a - CHICK’S MARK V - CS-80 40-years-experience are featured in the new MOTIF XF series that is now available in a very stylish - ULTIMATE PIANO COLLECTION white finish. - VINTAGE SYNTHESIZER COLLECTION YAMAHASYNTHSEU YAMAHA.SYNTHESIZERS.EU YAMAHASYNTHESIZEREU EUROPE.YAMAHA.COM MUSIC PRODUCTION GUIDE 04|2014 40TH ANNIVERSARY YAMAHA SYNTHESIZERS In 1974 Yamaha produced its first portable Yamaha synthesizers and workstations were and still are analog synthesizer with the SY-1. The the first choice for professionals and amateurs in the multi- faceted music business. -
UDFB Catalog2016 WEB.Pdf
The University District Food Bank Presents Its Annual Benefit Auction Saturday, Oct. 15, 2016 St. Demetrios Hall www.udistrictfoodbank.org Welcome Friends of the University District Food Bank! Thank you so very much for joining us for the 21st annual “Take a Bite Out of Hunger” Benefit Auction! I’m honored and proud to welcome you on behalf of our board of directors, staff and, most importantly, our customers. This event continues to serve as the primary generator of funding for our daily operations. So please give generously this evening. We are also very grateful for the underwriting and support of this event from our sponsors. Without them we would not be able to make this evening possible. Please help us thank our sponsors by supporting their businesses. This year has been an amazing one for the University District Food Bank. July 11 marked the first day of operations in our beautiful new facility, located near the corner of 50th and Roosevelt Ave NE. We are very excited about the opportunities this new facility will bring to the community. It’s bigger and it’s better! Thank you to all of you who made it possible through the success of the multi-year Capital Campaign. You may already be aware of the impact of the University District Food Bank, but I can’t emphasize enough how vital the lifeline is that University District Food Bank provides to those in our community in need. By year- end, the food bank will provide over 2.3 million pounds of food to over 5,200 families. -
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay By: Daniel Levitin (Guest Post)*
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay by: Daniel Levitin (guest post)* Dark Side of the Moon Angst. Greed. Alienation. Questioning one's own sanity. Weird time signatures. Experimental sounds. In 1973, Pink Floyd was a somewhat known progressive rock band, but it was this, their ninth album, that catapulted them into world class rock-star status. “The Dark Side of the Moon” spent an astonishing 14 years on the “Billboard” album charts, and sold an estimated 45 million copies. It is a work of outstanding artistry, skill, and craftsmanship that is popular in its reach and experimental in its grasp. An engineering masterpiece, the album received a Grammy nomination for best engineered non-classical recording, based on beautifully captured instrumental tones and a warm, lush soundscape. Engineer Alan Parsons and Mixing Supervisor Chris Thomas, who had worked extensively with The Beatles (the LP was mastered by engineer Wally Traugott), introduced a level of sonic beauty and clarity to the album that propelled the music off of any sound system to become an all- encompassing, immersive experience. In his 1973 review, Lloyd Grossman wrote in “Rolling Stone” magazine that Pink Floyd’s members comprised “preeminent techno-rockers: four musicians with a command of electronic instruments who wield an arsenal of sound effects with authority and finesse.” The used their command to create a work that introduced several generations of listeners to art-rock and to elements of 1950s cool jazz. Some reharmonization of chords (as on “Breathe”) was inspired by Miles Davis, explained keyboardist Rick Wright.