The Friday Mosque of Golpayegan
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The Sasanian Tradition in ʽabbāsid Art: Squinch Fragmentation As The
The Sasanian Tradition in ʽAbbāsid Art: squinch fragmentation as The structural origin of the muqarnas La tradición sasánida en el arte ʿabbāssí: la fragmentación de la trompa de esquina como origen estructural de la decoración de muqarnas A tradição sassânida na arte abássida: a fragmentação do arco de canto como origem estrutural da decoração das Muqarnas Alicia CARRILLO1 Abstract: Islamic architecture presents a three-dimensional decoration system known as muqarnas. An original system created in the Near East between the second/eighth and the fourth/tenth centuries due to the fragmentation of the squinche, but it was in the fourth/eleventh century when it turned into a basic element, not only all along the Islamic territory but also in the Islamic vocabulary. However, the origin and shape of muqarnas has not been thoroughly considered by Historiography. This research tries to prove the importance of Sasanian Art in the aesthetics creation of muqarnas. Keywords: Islamic architecture – Tripartite squinches – Muqarnas –Sasanian – Middle Ages – ʽAbbāsid Caliphate. Resumen: La arquitectura islámica presenta un mecanismo de decoración tridimensional conocido como decoración de muqarnas. Un sistema novedoso creado en el Próximo Oriente entre los siglos II/VIII y IV/X a partir de la fragmentación de la trompa de esquina, y que en el siglo XI se extendió por toda la geografía del Islam para formar parte del vocabulario del arte islámico. A pesar de su importancia y amplio desarrollo, la historiografía no se ha detenido especialmente en el origen formal de la decoración de muqarnas y por ello, este estudio pone de manifiesto la influencia del arte sasánida en su concepción estética durante el Califato ʿabbāssí. -
Commerce and Exchange Buildings Listing Selection Guide Summary
Commerce and Exchange Buildings Listing Selection Guide Summary Historic England’s twenty listing selection guides help to define which historic buildings are likely to meet the relevant tests for national designation and be included on the National Heritage List for England. Listing has been in place since 1947 and operates under the Planning (Listed Buildings and Conservation Areas) Act 1990. If a building is felt to meet the necessary standards, it is added to the List. This decision is taken by the Government’s Department for Digital, Culture, Media and Sport (DCMS). These selection guides were originally produced by English Heritage in 2011: slightly revised versions are now being published by its successor body, Historic England. The DCMS‘ Principles of Selection for Listing Buildings set out the over-arching criteria of special architectural or historic interest required for listing and the guides provide more detail of relevant considerations for determining such interest for particular building types. See https:// www.gov.uk/government/publications/principles-of-selection-for-listing-buildings. Each guide falls into two halves. The first defines the types of structures included in it, before going on to give a brisk overview of their characteristics and how these developed through time, with notice of the main architects and representative examples of buildings. The second half of the guide sets out the particular tests in terms of its architectural or historic interest a building has to meet if it is to be listed. A select bibliography gives suggestions for further reading. This guide treats commercial buildings. These range from small local shops to huge department stores, from corner pubs to Victorian ‘gin palaces’, from simple sets of chambers to huge speculative office blocks. -
Dwelling on Courtyards
18 2014 Dwelling on Courtyards Exploring the energy efficiency and comfort potential of courtyards for dwellings in the Netherlands Mohammad Taleghani Dwelling on Courtyards Exploring the energy efficiency and comfort potential of courtyards for dwellings in the Netherlands Mohammad Taleghani Delft University of Technology, Faculty of Architecture and the Built Environment, Department of Architectural Engineering + Technology i i Dwelling on Courtyards Exploring the energy efficiency and comfort potential of courtyards for dwellings in the Netherlands Proefschrift ter verkrijging van de graad van doctor aan de Technische Universiteit Delft, op gezag van de Rector Magnificus prof.ir. K.C.A.M. Luyben, voorzitter van het College voor Promoties, in het openbaar te verdedigen op 3 december 2014 om 12.30 uur door Mohammad TALEGHANI Master of Science in Architecture Engineering University of Tehran, Tehran, Iran geboren te Shahrood, Iran i Dit proefschrift is goedgekeurd door de promotor: Prof.dr.ir. A.A.J.F. van den Dobbelsteen Copromotor Dr.ir. M.J. Tenpierik Samenstelling promotiecommissie: Rector Magnificus, voorzitter Prof.dr.ir. A.A.J.F. van den Dobbelsteen, Technische Universiteit Delft, promotor Dr.ir. M.J. Tenpierik, Technische Universiteit Delft, copromotor Prof. Dr. D.J. Sailor, Portland State University, USA Prof. Dr. K. Steemers, MPhil PhD RIBA University of Cambridge, UK Prof.dr.ir. L. Schrijver, University of Antwerp, Belgium Prof.dr.ir. B.J.E. Blocken, Technische Universiteit Eindhoven Prof.dr.ir. P.M. Bluyssen, Technische Universiteit -
Exhibit-1 Task Order# Bc-21186-K Erickson
EXHIBIT-1 TASK ORDER# BC-21186-K ERICKSON COURTYARD IMPROVEMENTS AND STAIRS REPAIR APRIL 10, 2020 ISSUED TO UMB On Call GC’s ISSUING OFFICE John Kenny Procurement & Strategic Sourcing Office Administration Building, Room 726 1000 Hilltop Circle Baltimore, MD 21250 Phone: 410-455-3945 The sole point of contact at UMBC for this Task Order is the Procurement & Strategic Sourcing Office. Submit all questions and clarifications for this Task Order in writing to John Kenny at [email protected]. In order to be considered, questions or clarifications must be received by the Procurement & Strategic Sourcing Office prior to 4:00 PM on Friday, April 17, 2020. Clarifications or modifications of the Task Order documents, if required, will be issued by Addendum. PROJECT IDENTIFICATION Project Number: 20-103 Project Name: Erickson Courtyard Improvements and Stairs Repair Building: Erickson Hall DESCRIPTION OF WORK Remove existing site features within the limit disturbance and construct new site features and furnishings. Remove existing concrete stairs and construct new concrete stairs per A. Morton Thomas and Associates Inc’s 100% CD and Specifications dated 4/13/2020 with MDE Permit 20-SF-0065. Any variations in the scope of work during the process will be notified and processed by issuance of addenda. TASK ORDER DOCUMENTS Task Order Documents are available at https://umbc.box.com/v/EricksonCourtyardBC-21186-K Drawings: 33 sheets including coversheet Specifications: 238 pages including coversheet ALTERNATES None TYPE OF PROPOSAL Proposals are requested on a Lump Sum basis with supplemental breakdown of trades. Page 1 of 3 TASK ORDER# BC-21186-K EXHIBIT-1 Page 2 of 3 TIME OF COMPLETION Project is to be fully completed by August 28, 2020. -
Courtyard As Passive Design Solution for School Buildings in Hot Area
Proceedings of the 2nd World Congress on Civil, Structural, and Environmental Engineering (CSEE’17) Barcelona, Spain – April 2 – 4, 2017 Paper No. AWSPT 141 ISSN: 2371-5294 DOI: 10.11159/awspt17.141 Courtyard as Passive Design Solution for School Buildings in Hot Area Muna Salameh1,2, and Hanan Taleb3 1Ajman University UAE [email protected] 2Architecture and Sustainable Built Environment, British University in Dubai UAE 3Sustainable Design of Built Environment, British University in Dubai UAE [email protected] Abstract - Sustainability in architecture must produce buildings that give satisfaction for people with less energy consumption and less environmental problems. The sustainable design in architecture adopts passive design strategies like courtyards that produce buildings which use the wind for cooling and the sun for lighting and heating. The courtyard was a climate responsive design in the past, that provided people with easy direct solutions for their problems with the climate, and it was able to satisfy their social needs. In this study there will be an investigating for the effect of closed courtyard with different proportions on school building in UAE, to test the capability of the closed courtyard in improving the thermal performance of the school building consequently minimize the energy consumption. The study adopted a school building as a case study because courtyards are used mostly in houses while it can be beneficial for public buildings like schools. Courtyard can provide the school with private outdoor space, and can improve the thermal and ventilation properties of the school building thus minimize the energy consumption. Moreover the courtyard can provide the school with safe inner playground and learning scientific atmosphere for the students. -
Courtyard by Marriott®
COURTYARD BY MARRIOTT® FRANCHISE HOTEL PERFORMANCE* Marriott’s largest brand by distribution, Courtyard® has a legacy of impressive Average Occupancy Rate: 73.1% performance that includes consistent delivery of high returns and solid RevPAR to owners. Courtyard owners also benefit from Marriott’s robust Average Daily Room Rate: $139.27 demand generation engine that drives top-line revenue while maximizing bottom-line savings. Average RevPAR: $101.82 Courtyard has long led the industry when it comes to meeting the needs of Average RevPAR Index: 108.9 the modern business traveler. Since breaking into the market 35 years ago as a brand built for business, Courtyard has continuously evolved, pushing the Loyal Customer Base: boundaries of design, style and service in the upscale category. Average Percentage of Loyalty Program Contribution to Occupancy at Courtyard is 55.2% Courtyard has introduced game-changing amenities like The Bistro — a Lower Cost Bookings: leading fast casual restaurant and collaborative lobby spaces. With a new, Marriott’s channels generate 71.0% of Courtyard’s more flexible prototype that fits a wide range of site needs and the largest reservations global rooms pipeline in the Marriott portfolio, Courtyard is poised to deliver owners even greater success in the future. COMPETITIVE FEE STRUCTURE* Application Fee: The greater of $90,000 plus $500 per Key Competitors: Hilton Garden Inn, Hyatt Place, Holiday Inn guestroom in excess of 150 guestrooms Royalty Fee: 6.0% of Gross Room Sales DISTRIBUTION (YE 2018) Program Services Contribution: 3.35% of gross room Courtyard currently has nearly 1,200 hotels with locations in all 50 U.S. -
2008 Romanesque in the Sousa Valley.Pdf
ROMANESQUE IN THE SOUSA VALLEY ATLANTIC OCEAN Porto Sousa Valley PORTUGAL Lisbon S PA I N AFRICA FRANCE I TA LY MEDITERRANEAN SEA Index 13 Prefaces 31 Abbreviations 33 Chapter I – The Romanesque Architecture and the Scenery 35 Romanesque Architecture 39 The Romanesque in Portugal 45 The Romanesque in the Sousa Valley 53 Dynamics of the Artistic Heritage in the Modern Period 62 Territory and Landscape in the Sousa Valley in the 19th and 20th centuries 69 Chapter II – The Monuments of the Route of the Romanesque of the Sousa Valley 71 Church of Saint Peter of Abragão 73 1. The church in the Middle Ages 77 2. The church in the Modern Period 77 2.1. Architecture and space distribution 79 2.2. Gilding and painting 81 3. Restoration and conservation 83 Chronology 85 Church of Saint Mary of Airães 87 1. The church in the Middle Ages 91 2. The church in the Modern Period 95 3. Conservation and requalification 95 Chronology 97 Castle Tower of Aguiar de Sousa 103 Chronology 105 Church of the Savior of Aveleda 107 1. The church in the Middle Ages 111 2. The church in the Modern Period 112 2.1. Renovation in the 17th-18th centuries 115 2.2. Ceiling painting and the iconographic program 119 3. Restoration and conservation 119 Chronology 121 Vilela Bridge and Espindo Bridge 127 Church of Saint Genes of Boelhe 129 1. The church in the Middle Ages 134 2. The church in the Modern Period 138 3. Restoration and conservation 139 Chronology 141 Church of the Savior of Cabeça Santa 143 1. -
Romanesque Architecture and Arts
INDEX 9 PREFACES 17 1ST CHAPTER 19 Romanesque architecture and arts 24 Romanesque style and territory: the Douro and Tâmega basins 31 Devotions 33 The manorial nobility of Tâmega and Douro 36 Romanesque legacies in Tâmega and Douro 36 Chronologies 40 Religious architecture 54 Funerary elements 56 Civil architecture 57 Territory and landscape in the Tâmega and Douro between the 19th and the 21st centuries 57 The administrative evolution of the territory 61 Contemporary interventions (19th-21st centuries) 69 2ND CHAPTER 71 Bridge of Fundo de Rua, Aboadela, Amarante 83 Memorial of Alpendorada, Alpendorada e Matos, Marco de Canaveses ROMANESQUE ARCHITECTURE AND ARTS omanesque architecture was developed between the late 10th century and the first two decades of the 11th century. During this period, there is a striking dynamism in the defi- Rnition of original plans, new building solutions and in the first architectural sculpture ex- periments, especially in the regions of Burgundy, Poitou, Auvergne (France) and Catalonia (Spain). However, it is between 1060 and 1080 that Romanesque architecture consolidates its main techni- cal and formal innovations. According to Barral i Altet, the plans of the Romanesque churches, despite their diversity, are well defined around 1100; simultaneously, sculpture invades the building, covering the capitals and decorating façades and cloisters. The Romanesque has been regarded as the first European style. While it is certain that Romanesque architecture and arts are a common phenomenon to the European kingdoms of that period, the truth is that one of its main stylistic characteristics is exactly its regional diversity. It is from this standpoint that we should understand Portuguese Romanesque architecture, which developed in Portugal from the late 11th century on- wards. -
1A Proposed Site Plan 8
PROPOSED PARKING SPACES REGULAR ACCESSIBLE TOTAL OFF-STREET PARKING DECK FLOOR 1 28 2 30 PH CRAIG LOT 31 31 LEASED LOT LEASED LOT 20 20 20 SPACES PARKING DECK FLOOR 2 29 29 PARKING DECK FLOOR 3 31 31 TOTAL OFF-STREET 141 ON-STREET ROBERSON ST. 6 6 FRANKLIN ST. 5 5 TOTAL ON-STREET 11 PROPOSED GROSS SQUARE FOOTAGE BUILDING "A" 6,442 SF NO INCREASE BUILDING "B" 4,030 SF ADD LOFT BUILDING "C" 5,101 SF DEMOLISH & REBUILD BUILDING "D" 6,178 SF ADD 3RD STORY ADD 3RD STORY AND BUILDING "E" 11,250 SF NO INCREASE ROOFTOP TERRACE RESIDENTIAL UNITS ON 2ND BUILDING "F" 1,172 SF NO INCRREASE FLOOR & NEW LOFT TOTAL BUILDING AREA 34,173 SF NEW (3) STORY PARKING STRUCTURE NEW (4) STORY BUILDING "BUILDING B" "BUILDING C" "BUILDING D" 1ST FLOOR - RETAIL 1ST FLOOR - RETAIL SPECIAL USE 2ND FLOOR - RESIDENTIAL 2ND, 3RD, 4TH FLOORS - 1ST FLOOR - RETAIL PERMIT COMMON RESTROOM RESIDENTIAL 2ND, 3RD FLOORS - RESIDENTIAL BOUNDARY ACCESS TO ADJACENT PARKING NEW EXTERIOR WALKWAYS "PARKING DECK" 90 SPACES PH CRAIG PARKING FOR RESIDENTIAL UNITS 31 SPACES EXPAND EXISTING PATIO RETAIL "BUILDING E" FIRE HYDRANT 1ST FLOOR - RETAIL 2ND, 3RD FLOORS - RESIDENTIAL "BUILDING A" RESTAURANT FRANKLIN STREET RESTAURANT "BUILDING F" COVERED WALKWAY NEW PATIO RESTAURANT FIRE DEPARTMENT CONNECTION NEW DUMPSTER & FIRE ROBERSON STREET RECYCLING BIN ENCLOSURE HYDRANT GRAPHIC SCALE NEW RESIDENTIAL UNITS ADDITIONAL SITE IMPROVEMENTS ON 2ND & 3RD FLOOR 0 16 32 48 64 1. New uniform signage throughout the property including “guild” signs and property “branding” signs PROPOSED SITE PLAN 2. -
Design Review Committee Agenda Item
DESIGN REVIEW COMMITTEE AGENDA ITEM AGENDA DATE: OCTOBER 17, 2012 TO: Chair Woollett and Members of the Design Review Committee THRU: Leslie Aranda Roseberry, Planning Manager FROM: Daniel Ryan, Historic Preservation Planner SUBJECT: DRC No. 4644-12 – NV PROPERTIES- COURTYARD & LANDSCAPING SUMMARY The applicant is proposing to upgrade existing front and rear landscaping, reconstruct a front entry courtyard, install a water feature, and provide new walkways for a contributing commercial building within the Old Towne Orange Historic District. At its October 3rd, meeting, the Design Review Committee recommended changes to the layout, materials and alignment of walkways and continued the project with the applicant’s concurrence. RECOMMENDED ACTION-FINAL DETERMINATION Staff recommends the Design Review Committee approve the proposed landscape plan as submitted. BACKGROUND INFORMATION Applicant/Owner: Mr. Nick Vertucci – NV Properties Property Location: 1015 E. Chapman Avenue General Plan Designation: NOP (Neighborhood Office Professional District – Max 0.5 FAR) Zoning Classification: OP (Office Professional District) Existing Development: Contributing one-story 1924 Spanish Colonial Revival building Property Size: .19 Acre (8,258 sq. ft.) Associated Applications: Continued from DRC Meeting of October 3, 2012 PUBLIC NOTICE No Public Notice was required for this project. ENVIRONMENTAL REVIEW The proposed project is categorically exempt from the provisions of the California Environmental Quality Act (CEQA) per State CEQA Guidelines Section 15301 (Class 1 Existing Facilities) that consists of the repair, maintenance, or minor alteration of existing public or Design Review Committee Staff Report October 3, 2012 Page 2 of 5 private structures, facilities, mechanical equipment, involving negligible or no expansion. There is no public review required. -
Arh 362: Islamic Art
ARH 362: ISLAMIC ART CLUSTER REQUIREMENT: 4C, THE NATURE OF GLOBAL SOCIETY COURSE DESCRIPTION This course surveys the art and architecture of the Islamic world from the 7th through the 20th centuries. By looking at major themes and regional variations of Islamic art and architecture, the course examines how meanings in various socio-political and historical contexts have been encoded through forms, functions, as well as the aesthetic features of arts, crafts, and the built environment. The last portion of the course, spanning the 19th to the late 20th centuries, examines the West’s discovery of the Islamic arts as well as the integration of Western ideas into indigenous ones. This course can only briefly address some of the major themes. The topics (especially those pertinent to the modern period) are introduced through a number of key readings, but they should be merely seen as introductions, providing possible directions for future and more advanced studies. Discussions and questions are always encouraged. The readings, which have been selected to supplement the required textbooks, are particularly chosen to serve this purpose. COURSE-SPECIFIC OUTCOMES Gain valuable information about Islamic art and design as well as the cultures that gave shape to them Read critically and interpret and evaluate art historical issues in relation to socio-political conditions in non-Western contexts Develop a foundation for writing good critical essays about non-Western art and material culture Research non-Western art in a museum context Comparative studies of Western and Non-Western styles in a variety of media, including 2D and 3D art and design as well as architecture. -
Little People Sit N Stand Skyway Instructions
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