Historical Tradition and Modern Transformations of the Algerian and Persian Housing Environment
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Old Buildings, New Views Recent Renovations Around Town Have Uncovered Views of Manhattan That Had Been Hiding in Plain Sight
The New York Times: Real Estate May 7, 2021 Old Buildings, New Views Recent renovations around town have uncovered views of Manhattan that had been hiding in plain sight. By Caroline Biggs Impressions: 43,264,806 While New York City’s skyline is ever changing, some recent construction and additions to historic buildings across the city have revealed some formerly hidden, but spectacular, views to the world. These views range from close-up looks at architectural details that previously might have been visible only to a select few, to bird’s-eye views of towers and cupolas that until The New York Times: Real Estate May 7, 2021 recently could only be viewed from the street. They provide a novel way to see parts of Manhattan and shine a spotlight on design elements that have largely been hiding in plain sight. The structures include office buildings that have created new residential spaces, like the Woolworth Building in Lower Manhattan; historic buildings that have had towers added or converted to create luxury housing, like Steinway Hall on West 57th Street and the Waldorf Astoria New York; and brand-new condo towers that allow interesting new vantages of nearby landmarks. “Through the first decades of the 20th century, architects generally had the belief that the entire building should be designed, from sidewalk to summit,” said Carol Willis, an architectural historian and founder and director of the Skyscraper Museum. “Elaborate ornament was an integral part of both architectural design and the practice of building industry.” In the examples that we share with you below, some of this lofty ornamentation is now available for view thanks to new residential developments that have recently come to market. -
Arh 362: Islamic Art
ARH 362: ISLAMIC ART CLUSTER REQUIREMENT: 4C, THE NATURE OF GLOBAL SOCIETY COURSE DESCRIPTION This course surveys the art and architecture of the Islamic world from the 7th through the 20th centuries. By looking at major themes and regional variations of Islamic art and architecture, the course examines how meanings in various socio-political and historical contexts have been encoded through forms, functions, as well as the aesthetic features of arts, crafts, and the built environment. The last portion of the course, spanning the 19th to the late 20th centuries, examines the West’s discovery of the Islamic arts as well as the integration of Western ideas into indigenous ones. This course can only briefly address some of the major themes. The topics (especially those pertinent to the modern period) are introduced through a number of key readings, but they should be merely seen as introductions, providing possible directions for future and more advanced studies. Discussions and questions are always encouraged. The readings, which have been selected to supplement the required textbooks, are particularly chosen to serve this purpose. COURSE-SPECIFIC OUTCOMES Gain valuable information about Islamic art and design as well as the cultures that gave shape to them Read critically and interpret and evaluate art historical issues in relation to socio-political conditions in non-Western contexts Develop a foundation for writing good critical essays about non-Western art and material culture Research non-Western art in a museum context Comparative studies of Western and Non-Western styles in a variety of media, including 2D and 3D art and design as well as architecture. -
Proceedings of Science and Technology
http://www.press.ierek.com ISSN (Print: 2537-0731, online: 2537-074X) International Journal on: Proceedings of Science and Technology DOI: 10.21625/resourceedings.v1i2.330 Towards a Stylistic Characterization of the French Colonial Architecture Produced in Southern Algeria. Case Study of Public Buildings Nassiba Benghida1, Leila Sriti2 1Department of Architecture, College of Architecture, Mohamed Khidher University, P.O Box: 145 RP - 07000 Biskra - Algeria 2Laboratory of Design and Modeling of Forms and Environments (LaCoMoFA) Abstract Algeria, like the other Maghreb countries, had a long period of colonization. At independence, most Algerian cities inherited an important architectural legacy, which appears mainly at the level of public buildings and more clearly in institutional buildings to symbolize the presence, power and domination of France on the colonized Algerian territory. This architecture was expressed in a particular stylistic register based on the re-employment of architectural elements used in the local architecture and on the import of western exogenous models, whether historical or modern. Most studies which were interested in colonial architecture in Algeria have focused on northern cities. According to these studies, the colonial architectural legacy has been identified with a set of formal characteristics concerned with the so-called neo-Moorish style (or arabisance). However, the question of the stylistic identification of the colonial architecture produced in the south of the country remains posed. Have a unique style been adopted for all Algerian territory, in this fact a Moorish one? Or was each region characterized by its own style (a local style)? Does the institutional colonial architecture produced in the south of the country admit a specific style compared to the north of the country? Can we speak about a Saharan colonial architecture? To answer these questions, a comparative study was carried out on a corpus of some public buildings facades dating from the colonial era. -
When Senegalese Tidjanis Meet in Fez: the Political and Economic Dimensions of a Transnational Sufi Pilgrimage
Johara Berriane When Senegalese Tidjanis Meet in Fez: The Political and Economic Dimensions of a Transnational Sufi Pilgrimage Summary The tomb of Ahmad Al-Tidjani in Fez has progressively become an important pilgrimage centre for the Tidjani Sufi order. Ever since the Tidjani teachings started spreading through- out the sub-Saharan region, this historical town has mainly been attracting Tidjani disciples from Western Africa. Most of them come from Senegal were the pilgrimage to Fez (known as ziyara) has started to become popular during the colonial period and has gradually gained importance with the development of new modes of transportation. This article analyses the transformation of the ziyara concentrating on two main aspects: its present concerns with economic and political issues as well as the impact that the transnationalisation of the Tid- jani Senegalese community has on the Tidjani pilgrims to Morocco. Keywords: Sufi shrine; political and economic aspects; tourism; diaspora Dieser Beitrag befasst sich mit der Entwicklung der senegalesischen Tidjaniyya Pilgerreise nach Fès. Schon seit der Verbreitung der Tidjani Lehren im subsaharischen Raum, ist der Schrein vom Begründer dieses Sufi Ordens Ahmad al-Tidjani zu einem bedeutsamen Pilger- ort für westafrikanische und insbesondere senegalesische Tidjaniyya Anhänger geworden. Während der Kolonialzeit und durch die Entwicklung der neuen Transportmöglichkeiten, hat dieser Ort weiterhin an Bedeutung gewonnen. Heute beeinflussen zudem die politi- schen und ökonomischen Interessen Marokkos -
The First Gothic Cathedrals
From the World Wisdom online library: www.worldwisdom.com/public/library/defauIt.aspx The Eiret Gothic qatbedrale LMOST at the same time as Suger's re-building of Saint,Denis, the cathedral of Sens, the first cathedral in Gothic style, was built. Its main nave is still of squat proportions, less upward* striving than many a late-Romanesque minster, and originally, before the windows of the clerestory had been erected and the spaces between the vaulting filled in, it seemed wen more solid. Nevertheless, the Brib vaulting, and the way in which its sinews run together like a bundle of shafts and continue to the ground, is thoroughly Gothic. The logical coherence of the Gothic style of construction is already there, seemingly at one stroke. Whence came the idea, and also the technical knowledge, without which no one would have been able to build these audacious arches? Certain elements are already present in Romanesque architecture, but the decisive model derives from far away, namely from Islamic art, with which the Franks had for long (since the beginning of the Christian reconquest of Spain) been in touch, and which now from many sides, at the time of the crusades, exerted an influence on the European world of forms. It is important to remember that from the year 11ooJerusalem was the capital of a Frankish kingdom, and that the Order of Templars, which was founded in 1118 under the spiritual protection of St. Bernard of Clairvaux, raised on both sides of the Mediterranean its own army of building workers. In Moorish Spain, in CBrdoba and Toledo, there were cupolas supported on intersecting stone ribs. -
Hana Taragan HISTORICAL REFERENCE in MEDIEVAL ISLAMIC ARCHITECTURE: BAYBARS's BUILDINGS in PALESTINE
the israeli academic center in cairo ¯È‰˜· Èχ¯˘È‰ ÈÓ„˜‡‰ ÊίӉ Hana Taragan HISTORICAL REFERENCE IN MEDIEVAL ISLAMIC ARCHITECTURE: BAYBARS’S BUILDINGS IN PALESTINE Hana Taragan is a lecturer in Islamic art at Tel Aviv University, where she received her Ph.D. in 1992. Her current research concerns Umayyad and Mamluk architecture in Eretz Israel in the medieval period. She is the author of Art and Patronage in the Umayyad Palace in Jericho (in Hebrew) and of numerous articles in the field of Islamic art. In the year 1274, al-Malik al-Zahir also changed a structure’s function Baybars, the first Mamluk ruler of from church to mosque, as he did Palestine (1260–1277), ordered the in Qaqun.5 addition of a riwaq (porch) to the Baybars’s choice of Yavne may tomb of Abu Hurayra in Yavne.1 be explained by the ruin of the The riwaq, featuring a tripartite coastal towns, or by Yavne’s loca- portal and six tiny domes, had two tion on the main road from Cairo arches decorated with cushion to Damascus. However, it seems to voussoirs and one with a zigzag me that above and beyond any frieze (Figure 1). Baybars also strategic and administrative con- installed a dedicatory inscription siderations, Baybars focused on naming himself as builder of the this site in an attempt to exploit riwaq.2 The addition of a portal to Abu Hurayra’s tomb as a means of the existing tomb structure typifies institutionalizing the power of the Baybars’s building policy in Pales- Mamluk dynasty in general and tine. -
TOMBS and FOOTPRINTS: ISLAMIC SHRINES and PILGRIMAGES IN^IRAN and AFGHANISTAN Wvo't)&^F4
TOMBS AND FOOTPRINTS: ISLAMIC SHRINES AND PILGRIMAGES IN^IRAN AND AFGHANISTAN WvO'T)&^f4 Hugh Beattie Thesis presented for the degree of M. Phil at the University of London School of Oriental and African Studies 1983 ProQuest Number: 10672952 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10672952 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 abstract:- The thesis examines the characteristic features of Islamic shrines and pilgrimages in Iran and Afghan istan, in doing so illustrating one aspect of the immense diversity of belief and practice to be found in the Islamic world. The origins of the shrine cults are outlined, the similarities between traditional Muslim and Christian attitudes to shrines are emphasized and the functions of the shrine and the mosque are contrasted. Iranian and Afghan shrines are classified, firstly in terms of the objects which form their principal attrac tions and the saints associated with them, and secondly in terms of the distances over which they attract pilgrims. The administration and endowments of shrines are described and the relationship between shrines and secular authorities analysed. -
The Aesthetics of Islamic Architecture & the Exuberance of Mamluk Design
The Aesthetics of Islamic Architecture & The Exuberance of Mamluk Design Tarek A. El-Akkad Dipòsit Legal: B. 17657-2013 ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tesisenxarxa.net) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del s eu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tesisenred.net) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. -
Neogothic Orthodox Churches and Chapels Built Near St. Petersburg and in the Russian Province (The Second Half of XVIII – the Early XIX Centuries)
MATEC Web of Conferences 5 3, 02006 (2016) DOI: 10.1051/matecconf/201653002 06 C Owned by the authors, published by EDP Sciences, 2016 Neogothic Orthodox Churches and Chapels Built Near St. Petersburg and in the Russian Province (the Second Half of XVIII – the Early XIX Centuries) a Igor Yamshanov1, 1St. Petersburg State Polytechnical University, Politekhnicheskaya ul., 29, 195251, Saint Petersburg, Russia Abstract. The article is devoted to the development of religious buildings of Neogothic style and their stylistic features in the second half of the XVIII century. During the preromantic period the hobby for a Neogothic style in Russia has been connected with idealized idea of customers about the Middle Ages. The gothic style attracted them with exotic shapes. The desire of customers to create illusion of travel to the past over the different countries, typical for a sentimentalism era. was one of the reasons for the emergence of neogothic constructions in the Russian Empire. 1 Introduction In the first period of Neogothic style in the Russian Empire on the territory of its capital - St. Petersburg was not built a single church in the Neogothic forms, but those can be seen in the vicinity of the city. It should also be noted that the religious buildings of St. Petersburg in its appearance virtually no features characteristic of Old Russian architecture, differing from that of Moscow. 2 The Neogothic orthodox churches and chapels built near St. Petersburg in the 2nd half of the XVIII century The first of them is the church of St John the Baptist (Figure 1) on Kamenniy Island - Orthodox church built near the city border, (now it is the centre of St. -
Miracles of Ziyarat Ashura Bismillahir Rahmanir Rahim
MIRACLES OF ZIYARAT ASHURA BISMILLAHIR RAHMANIR RAHIM Ziyarat Ashura was sent by Almighty Allah to the Holy Prophet (s.a.) through angel Jibrail to console him on the unique tragedy of Karbala. Prophet Muhammad (s.a.) said: “The difficulties I had to face were unlike anything faced by the earlier prophets (a.s.).” Regarding this tradition, Ayatullah Shaykh Iraqi writes that, here the Prophet (s.a.) apart from his other afflictions, wishes to tell us about a tribulation in particular that was unique in nature, in the sense that none of the previous prophet were subjected to it. And that tribulation was the hostile treatment meted out to the Ahl ul Bayt (a.s.) after the demise of Prophet (s.a.). Among the hardships that the Ahl ul Bayt (a.s.) were made to face, was Karbala. Allah had informed the Prophet (s.a.) about the incident of Karbala through Jibrail. The Prophet (s.a.) was always very grievous and sorrowful about the incidents that were to follow him. So Allah (as to console him) taught the prophet (s.a.) Ziyarat Ashura and enumerated its benefits in the world and the hereafter. And Allah took it up on Himself to grant all the requests and ease all hardships through its recitation. 1 Allah gave this Ziyarat to Jibrail and asked him to present it to the Prophet (s.a.), so as to gladden the Ahl ul Bayt (a.s.) and their Shias, the reciters of this Ziyarat would be contented and pleased with its benefits in the hereafter and gain relief from the adversities of this world. -
The Elements of Local and Non-Local Mosque Architecture for Analysis of Mosque Architecture Changes in Indonesia
The International Journal of Engineering and Science (IJES) || Volume || 7 || Issue || 12 Ver.I || Pages || PP 08-16 || 2018 || ISSN (e): 2319 – 1813 ISSN (p): 23-19 – 1805 The Elements of Local and Non-Local Mosque Architecture for Analysis of Mosque Architecture Changes in Indonesia Budiono Sutarjo1, Endang Titi Sunarti Darjosanjoto2, Muhammad Faqih2 1Student of Doctoral Program, Department of Architecture, Institut Teknologi Sepuluh Nopember (ITS), Surabaya, Indonesia 2Senior Lecturer, Department of Architecture, Institut Teknologi Sepuluh Nopember (ITS), Surabaya, Indonesia Corresponding Author : Budiono Sutarjo --------------------------------------------------------ABSTRACT---------------------------------------------------------- The mosque architecture that deserves to use as a starting point in the analysis of architectural changes in Indonesian mosques is the Wali mosque as an early generation mosque in Indonesia. As a reference, the architectural element characteristic of Wali mosque (local mosque) needs to be known, so that this paper aims to find a description of a local mosque (Wali mosque), and also description of architectural elements of non- local mosques (mosques with foreign cultural context) because one of the causes of changes in mosque architecture is cultural factors. The findings of this paper are expected to be input for further studies on the details of physical changes in the architectural elements of mosques in Indonesia. The study subjects taken were 6 Wali mosques that were widely known by the Indonesian Muslim community as Wali mosques and 6 non-local mosques that were very well known and frequently visited by Indonesian Muslim communities. Data obtained from literature studies, interviews and observations. The analysis is done by sketching from visual data, critiquing data, making interpretations, making comparisons and compiling the chronology of the findings. -
Islamic Architecture Islam Arose in the Early Seventh Century Under the Leadership of the Prophet Muhammad
Islamic Architecture Islam arose in the early seventh century under the leadership of the prophet Muhammad. (In Arabic the word Islam means "submission" [to God].) It is the youngest of the world’s three great monotheistic religions and follows in the prophetic tradition of Judaism and Christianity. Muhammad leads Abraham, Moses and Jesus in prayer. From medieval Persian manuscript Muhammad (ca. 572-632) prophet and founder of Islam. Born in Mecca (Saudi Arabia) into a noble Quraysh clan, he was orphaned at an early age. He grew up to be a successful merchant, then according to tradition, he was visited by the angel Gabriel, who informed him that he was the messenger of God. His revelations and teachings, recorded in the Qur'an, are the basis of Islam. Muhammad (with vailed face) at the Ka'ba from Siyer-i Nebi, a 16th-century Ottoman manuscript. Illustration by Nakkaş Osman Five pillars of Islam: 1. The profession of faith in the one God and in Muhammad as his Prophet 2. Prayer five times a day 3. The giving of alms to the poor 4. Fasting during the month of Ramadan 5. The hajj, or pilgrimage to Mecca Kaaba - the shrine in Mecca that Muslims face when they pray. It is built around the famous Black Stone, and it is said to have been built by Abraham and his son, Ishmael. It is the focus and goal of all Muslim pilgrims when they make their way to Mecca during their pilgrimage – the Hajj. Muslims believe that the "black stone” is a special divine meteorite, that fell at the foot of Adam and Eve.