3. Nonlinear Cochlear Signal Processing and Masking in Speech Perception Nonlinearj

Total Page:16

File Type:pdf, Size:1020Kb

3. Nonlinear Cochlear Signal Processing and Masking in Speech Perception Nonlinearj 27 3. Nonlinear Cochlear Signal Processing and Masking in Speech Perception NonlinearJ. B. Allen Co 3.1 Basics .................................................. 27 Part A There are many classes of masking, but two major 3.1.1 Function of the Inner Ear .............. 28 classes are easily defined: neural masking and 3.1.2 History of Cochlear Modeling ......... 31 dynamic masking. Neural masking characterizes the internal noise associated with the neural 3 representation of the auditory signal, a form 3.2 The Nonlinear Cochlea .......................... 35 3.2.1 Cochlear Modeling........................ 35 of loudness noise. Dynamic masking is strictly 3.2.2 Outer-Hair-Cell Transduction......... 41 cochlear, and is associated with cochlear outer- 3.2.3 Micromechanics ........................... 42 hair-cell processing. This form is responsible for dynamic nonlinear cochlear gain changes associated with sensorineural hearing loss, the 3.3 Neural Masking .................................... 45 3.3.1 Basic Definitions .......................... 47 upward spread of masking, two-tone suppression 3.3.2 Empirical Models.......................... 51 and forward masking. The impact of these various 3.3.3 Models of the JND ........................ 51 forms of masking are critical to our understanding 3.3.4 A Direct Estimate of speech and music processing. In this review, of the Loudness JND ..................... 52 the details of what we know about nonlinear 3.3.5 Determination of the Loudness SNR 54 cochlear and basilar membrane signal processing is 3.3.6 Weber–Fraction Formula............... 54 reviewed, and the implications of neural masking is modeled, with a comprehensive historical review 3.4 Discussion and Summary ....................... 55 of the masking literature. This review is appropriate 3.4.1 Model Validation.......................... 55 for a series of graduate lectures on nonlinear 3.4.2 The Noise Model........................... 55 cochlear speech and music processing, from an auditory point of view. References .................................................. 56 3.1 Basics Auditory masking is critical to our understanding of inner ear is the organ that converts signals from acous- speech and music processing. There are many classes tical to neural signals. The loudness JND is a function of masking, but two major classes are easily defined. of the partial loudness L(X), defined as the loudness These two types of masking and their relation to nonlin- contribution coming from each cochlear critical band, ear (NL) speech processing and coding are the focus of or more generally, along some tonotopic central audi- this chapter. tory representation. The critical band is a measure of The first class of masking, denoted neural mask- cochlear bandwidth at a given cochlear place X.The ing, is due to internal neural noise, characterized in loudness JND plays a major role in speech and music terms of the intensity just noticeable difference, denoted coding since coding quantization noise may be masked ΔI(I, f, T) (abbreviated JNDI) and defined as the just by this internal quantization (i. e., loudness noise). discriminable change in intensity.TheJNDI is a func- The second masking class, denoted here as dy- tion of intensity I, frequency f and stimulus type T (e.g., namic masking, comes from the NL mechanical action noise, tones, speech, music, etc.). As an internal noise, of cochlear outer-hair-cell (OHC) signal processing. It the JNDI may be modeled in terms of a loudness (i. e., can have two forms, simultaneous and nonsimultane- perceptual intensity) noise density along the length of ous, also known as forward masking,orpost-masking. the cochlea (0 ≤ X ≤ L), described in terms of a partial Dynamic-masking (i. e., nonlinear OHC signal process- loudness JND (ΔL(X, T), a.k.a. JNDL). The cochlea or ing) is well known (i. e., there is a historical literature 28 Part A Production, Perception, and Modeling of Speech on this topic) to be intimately related to questions lives and even talk on the phone. However they cannot of cochlear frequency selectivity, sensitivity, dynamic understand speech in noise. It is at least possible that range compression and loudness recruitment (the loss this loss is due to the lack of NL OHC processing. of loudness dynamic range). Dynamic masking includes A third example of the application of NL OHC pro- the upward spread of masking (USM) effect, or in neu- cessing to speech processing is still an underdeveloped ral processing parlance, two-tone suppression (2TS). It application area. The key open problem here is: How Part A may be underappreciated that NL OHC processing (i. e., does the auditory system, including the NL cochlea, fol- dynamic masking) is largely responsible for forward lowed by the auditory cortex, processes human speech? masking (FM, or post-stimulus masking), which shows There are many aspects of this problem including speech 3.1 large effects over long time scales. For example OHC coding, speech recognition in noise, hearing aids and effects (FM/USM/2TS) can be as large as 50 dB, with an language learning and reading disorders in children. If FM latency (return to base line) of up to 200 ms. Forward we can solve the robust phone decoding problem,we masking (FM)andNLOHC signal onset enhancement will fundamentally change the effectiveness of human- are important to the detection and identification of per- machine interactions. For example, the ultimate hearing ceptual features of a speech signal. Some research has aid is the hearing aid with built in robust speech feature concluded that forward masking is not related to OHC detection and phone recognition. While we have no idea processing [3.1, 2], so the topic remains controversial. when this will come to be, and it is undoubtedly many Understanding and modeling NL OHC processing is key years off, when it happens there will be a technology to many speech processing applications. As a result, a vi- revolution that will change human communications. brant research effort driven by the National Institute of In this chapter several topics will be reviewed. First Health on OHC biophysics has ensued. is the history of cochlear models including extensions This OHC research effort is paying off at the high- that have taken place in recent years. These models in- est level. Three key examples are notable. First is the clude both macromechanics and micromechanics of the development of wide dynamic-range multiband com- tectorial membrane and hair cells. This leads to com- pression (WDRC) hearing aids. In the last 10–15 years parisons of the basilar membrane, hair cell, and neural WDRC signal processing (first proposed in 1937 by frequency tuning. Hearing loss, loudness recruitment, as researchers at Bell Labs [3.3]), revolutionized the well as other key topics of modern hearing health care, hearing-aid industry. With the introduction of compres- are discussed. The role of NL mechanics and dynamic sion signal processing, hearing aids now address the range are reviewed to help the reader understand the recruitment problem, thereby providing speech audibil- importance of modern wideband dynamic range com- ity over a much larger dynamic range, at least in quiet. pression hearing aids as well as the overall impact of The problems of the impaired ear given speech in noise NL OHC processing. is poorly understood today, but this problem is likely Any reader desiring further knowledge about related to the effects of NL OHC processing. This pow- cochlear anatomy and function or a basic description erful circuit (WDRC) is not the only reason hearing aids of hearing, they may consult Pickles [3.4], Dallos [3.5], of today are better. Improved electronics and transducers Yost [3.6]. have made significant strides as well. In the last few years the digital barrier has finally been broken, with digital 3.1.1 Function of the Inner Ear signal processing hearing aids now becoming common. A second example is the development of otoacoustic The goal of cochlear modeling is to refine our under- emissions (OAE) as a hearing diagnostic tool. Pioneered standing of how auditory signals are processed. The by David Kemp and Duck Kim, and then developed by two main roles of the cochlea are to separate the input many others, this tool allows for cochlear evaluation of acoustic signal into overlapping frequency bands, and neonates. The identification of cochlear hearing loss in to compress the large acoustic intensity range into the the first month has dramatically improves the lives of much smaller mechanical and electrical dynamic range these children (and their parents). While it is tragic to of the inner hair cell. This is a basic question of infor- be born deaf, it is much more tragic for the deafness to mation processing by the ear. The eye plays a similar go unrecognized until the child is three years old, when role as a peripheral organ. It breaks the light image into they fail to learn to talk. If you cannot hear you do not rod- and cone-sized pixels, as it compresses the dynamic learn to talk. With proper and early cochlear implant range of the visual signal. Based on the intensity JND, intervention, these kids can lead nearly normal-hearing the corresponding visual dynamic range is about nine to Nonlinear Cochlear Signal Processing and Masking in Speech Perception 3.1 Basics 29 a) Secreting epithelium y Area vascularis z SV scala vestibuli (periotic space) Ductus cochlearis (endotic space) Part A Vestibular membrane External SM spiral sulcus (Reissner) Tectorial membrane Spiral artery P RL 3.1 Limbus spiralis TM SS BM d Christa Spiral ligament Spiral ganglion Internal basilaris spiral sulcus Basilar Spiral organ Capsule of (Corti) gang cell mambrane Scala tympani ST Myelin sheath (periotic space) b) Outer hair cells Tectorial membrane TM Reticular lamina RL Vestibular lip Limbus Space of Nuel Outer tunnel Inner hair cell Cells of SS Hensen Spiral nerve fibers Nerve fibers Cells of Border Claudius cells Inner tunnel (Corti) Basilar cells Nucleus Connective tissue Pillar (rod Blood BM of Corti) vessel Transverse fibers basilar membrane Nerve fibers Homogeneous substance entering the epithelium of Inner phalangeal cells Outer phalangeal cells organ of Corti Fig.
Recommended publications
  • Modeling of the Head-Related Transfer Functions for Reduced Computation and Storage Charles Duncan Lueck Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 Modeling of the head-related transfer functions for reduced computation and storage Charles Duncan Lueck Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Electrical and Electronics Commons Recommended Citation Lueck, Charles Duncan, "Modeling of the head-related transfer functions for reduced computation and storage " (1995). Retrospective Theses and Dissertations. 10929. https://lib.dr.iastate.edu/rtd/10929 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This mamiscr^t has been reproduced fFom the microfilin master. UMI films the text directly from the origmal or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from ai^ type of con^ter printer. Hie qnallQr of this repfodnction is dqiendent opon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, prim bleedthroug^ substandard marginc^ and in^^rqper alignment can adverse^ affect rq)roduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyri^t material had to be removed, a note will indicate the deletion. Oversize materials (e.g^ maps, drawings, charts) are reproduced sectioning the original, beginning at the upper left-hand comer and continuing from left to light in equal sections with small overk^ Each original is also photogrs^hed in one exposure and is included in reduced form at the bade of the book.
    [Show full text]
  • 1 Study Guide for Unit 5 (Hearing, Audition, Music and Speech). Be
    Psychology of Perception Lewis O. Harvey, Jr.–Instructor Psychology 4165-100 Andrew J. Mertens –Teaching Assistant Spring 2021 11:10–12:25 Tuesday, Thursday Study Guide for Unit 5 (hearing, audition, music and speech). Be able to answer the following questions and be familiar with the concepts involved in the answers. Review your textbook reading, lectures, homework and lab assignments and be familiar with the concepts included in them. 1. Diagram the three parts of the auditory system: Outer, middle and inner ear. How is sound mapped onto the basilar membrane? Know these terms: pinna, concha, external auditory canal, tympanic membrane, maleus, incus, stapes, semicircular canals, oval and round windows, cochlea, basilar membrane, organ of Corti, Eustachian tube, inner, outer hair cells. 2. What are the three main physical dimensions of the sound stimulus? What are the three main psychological dimensions of the sound experience? What are the relationships and interdependencies among them? 3. How does the basilar membrane carry out a frequency analysis of the physical sound stimulus? 4. What are roles of the inner and the outer hair cells on the organ of Corti? 5. What is the critical band? Describe three different methods for measuring the critical band. 6. According to Plomp and Levelt (1965), how far apart in frequency must two sine wave tones be in order to sound maximally unpleasant? Why do some musical notes (e.g., the octave or the fifth) sound consonant when played together with the tonic and some other notes (e.g., the second or the seventh) sound dissonant when played with the tonic? 7.
    [Show full text]
  • The Human Ear  Hearing, Sound Intensity and Loudness Levels
    UIUC Physics 406 Acoustical Physics of Music The Human Ear Hearing, Sound Intensity and Loudness Levels We’ve been discussing the generation of sounds, so now we’ll discuss the perception of sounds. Human Senses: The astounding ~ 4 billion year evolution of living organisms on this planet, from the earliest single-cell life form(s) to the present day, with our current abilities to hear / see / smell / taste / feel / etc. – all are the result of the evolutionary forces of nature associated with “survival of the fittest” – i.e. it is evolutionarily{very} beneficial for us to be able to hear/perceive the natural sounds that do exist in the environment – it helps us to locate/find food/keep from becoming food, etc., just as vision/sight enables us to perceive objects in our 3-D environment, the ability to move /locomote through the environment enhances our ability to find food/keep from becoming food; Our sense of balance, via a stereo-pair (!) of semi-circular canals (= inertial guidance system!) helps us respond to 3-D inertial forces (e.g. gravity) and maintain our balance/avoid injury, etc. Our sense of taste & smell warn us of things that are bad to eat and/or breathe… Human Perception of Sound: * The human ear responds to disturbances/temporal variations in pressure. Amazingly sensitive! It has more than 6 orders of magnitude in dynamic range of pressure sensitivity (12 orders of magnitude in sound intensity, I p2) and 3 orders of magnitude in frequency (20 Hz – 20 KHz)! * Existence of 2 ears (stereo!) greatly enhances 3-D localization of sounds, and also the determination of pitch (i.e.
    [Show full text]
  • A Biological Rationale for Musical Consonance Daniel L
    PERSPECTIVE PERSPECTIVE A biological rationale for musical consonance Daniel L. Bowlinga,1 and Dale Purvesb,1 aDepartment of Cognitive Biology, University of Vienna, 1090 Vienna, Austria; and bDuke Institute for Brain Sciences, Duke University, Durham, NC 27708 Edited by Solomon H. Snyder, Johns Hopkins University School of Medicine, Baltimore, MD, and approved June 25, 2015 (received for review March 25, 2015) The basis of musical consonance has been debated for centuries without resolution. Three interpretations have been considered: (i) that consonance derives from the mathematical simplicity of small integer ratios; (ii) that consonance derives from the physical absence of interference between harmonic spectra; and (iii) that consonance derives from the advantages of recognizing biological vocalization and human vocalization in particular. Whereas the mathematical and physical explanations are at odds with the evidence that has now accumu- lated, biology provides a plausible explanation for this central issue in music and audition. consonance | biology | music | audition | vocalization Why we humans hear some tone combina- perfect fifth (3:2), and the perfect fourth revolution in the 17th century, which in- tions as relatively attractive (consonance) (4:3), ratios that all had spiritual and cos- troduced a physical understanding of musi- and others as less attractive (dissonance) has mological significance in Pythagorean phi- cal tones. The science of sound attracted been debated for over 2,000 years (1–4). losophy (9, 10). many scholars of that era, including Vincenzo These perceptual differences form the basis The mathematical range of Pythagorean and Galileo Galilei, Renee Descartes, and of melody when tones are played sequen- consonance was extended in the Renaissance later Daniel Bernoulli and Leonard Euler.
    [Show full text]
  • Laminar Fine Structure of Frequency Organization in Auditory Midbrain
    letters to nature ICC from edge to edge17–19. Anatomical studies indicate that a prominent structural feature of the ICC is a preferred orientation of Laminar fine structure of its principal neurons which are arranged in distinctive, parallel fibrodendritic laminae with a thickness of 120 to 180 mm (refs 20– frequency organization 25). In the cat ICC, this allows for 30 to 45 stacked anatomical laminae. They seem to be of functional significance because laminae in auditory midbrain defined by electrophysiology17–19,25,26, by activity-dependent markers27,28, or by neuroanatomical methods20–25 are of similar Christoph E. Schreiner* & Gerald Langner† spatial orientation and extent. * W. M. Keck Center for Integrative Neuroscience, Sloan Center for Theoretical We consider that a layered but largely continuous frequency Neuroscience, Coleman Laboratory, 513 Parnassus Avenue, University of organization exists in the ICC and that it is the neuronal substrate California at San Francisco, San Francisco, California 94143-0732, USA at which critical bands emerge. The spatial relationship of a † Zoologisches Institut, Technische Hochschule Darmstadt, D-64287 Darmstadt, laminated anatomical structure and a specific distribution of func- Germany tional properties within and across laminae, such as complex local ......................................................................................................................... inhibition and integration networks, appears to be particularly The perception of sound is based on signal processing by a bank
    [Show full text]
  • The Speech Critical Band (S-Cb) in Cochlear Implant Users: Frequency Resolution Employed During the Reception of Everyday Speech
    THE SPEECH CRITICAL BAND (S-CB) IN COCHLEAR IMPLANT USERS: FREQUENCY RESOLUTION EMPLOYED DURING THE RECEPTION OF EVERYDAY SPEECH Capstone Project Presented in Partial Fulfillment of the Requirements for the Doctor of Audiology In the Graduate School of The Ohio State University By Jason Wigand, B.A. ***** The Ohio State University 2013 Capstone Committee: Approved by: Eric W. Healy, Ph.D. - Advisor Eric C. Bielefeld, Ph.D. Christy M. Goodman, Au.D. _______________________________ Advisor © Copyright by Jason Wigand 2013 Abstract It is widely recognized that cochlear implant (CI) users have limited spectral resolution and that this represents a primary limitation. In contrast to traditional measures, Healy and Bacon [(2006) 119, J. Acoust. Soc. Am.] established a procedure for directly measuring the spectral resolution employed during processing of running speech. This Speech-Critical Band (S-CB) reflects the listeners’ ability to extract spectral detail from an acoustic speech signal. The goal of the current study was to better determine the resolution that CI users are able to employ when processing speech. Ten CI users between the ages of 32 and 72 years using Cochlear Ltd. devices participated. The original standard recordings from the Hearing In Noise Test (HINT) were filtered to a 1.5-octave band, which was then partitioned into sub-bands. Spectral information was removed from each partition and replaced with an amplitude-modulated noise carrier band; the modulated carriers were then summed for presentation. CI subject performance increased with increasing spectral resolution (increasing number of partitions), never reaching asymptote. This result stands in stark contrast to expectation, as it indicates that increases in spectral resolution up to that of normal hearing produced increases in performance.
    [Show full text]
  • Psychoacoustics: a Brief Historical Overview
    Psychoacoustics: A Brief Historical Overview William A. Yost From Pythagoras to Helmholtz to Fletcher to Green and Swets, a centu- ries-long historical overview of psychoacoustics. Postal: Speech and Hearing Science 1 Arizona State University What is psychoacoustics? Psychoacous- PO Box 870102 tics is the psychophysical study of acous- Tempe, Arizona 85287 tics. OK, psychophysics is the study of USA the relationship between sensory per- ception (psychology) and physical vari- Email: ables (physics), e.g., how does perceived [email protected] loudness (perception) relate to sound pressure level (physical variable)? “Psy- chophysics” was coined by Gustav Fech- ner (Figure 1) in his book Elemente der Psychophysik (1860; Elements of Psycho- physics).2 Fechner’s treatise covered at least three topics: psychophysical meth- ods, psychophysical relationships, and panpsychism (the notion that the mind is a universal aspect of all things and, as Figure 1. Gustav Fechner (1801-1887), “Father of Psychophysics.” such, panpsychism rejects the Cartesian dualism of mind and body). Today psychoacoustics is usually broadly described as auditory perception or just hearing, although the latter term also includes the biological aspects of hearing (physiological acoustics). Psychoacoustics includes research involving humans and nonhuman animals, but this review just covers human psychoacoustics. With- in the Acoustical Society of America (ASA), the largest Technical Committee is Physiological and Psychological Acoustics (P&P), and Psychological Acoustics is psychoacoustics. 1 Trying to summarize the history of psychoacoustics in about 5,000 words is a challenge. I had to make difficult decisions about what to cover and omit. My history stops around 1990. I do not cover in any depth speech, music, animal bioacoustics, physiological acoustics, and architectural acoustic topics because these may be future Acoustics Today historical overviews.
    [Show full text]
  • Psychoacoustics & Hearing
    Abstract: In this lecture, the basic concepts of sound and acoustics are introduced as they relate to human hearing. Basic perceptual hearing effects such as loudness, masking, and binaural localization are described in simple terms. The anatomy of the ear and the hearing function are explained. The causes and consequences of hearing loss are shown along with strategies for compensation and suggestions for prevention. Examples are given throughout illustrating the relation between the signal processing performed by the ear and relevant consumer audio technology, as well as its perceptual consequences. Christopher J. Struck CJS Labs San Francisco, CA 19 November 2014 Frequency is perceived as pitch or tone. An octave is a doubling of frequency. A decade is a ten times increase in frequency. Like amplitude, frequency perception is also relative. Therefore, a logarithmic frequency scale is commonly used in acoustics. The normal range for healthy young humans is 20 –20 kHz. The frequency range of fundamental tones on the piano is 27 to 4186 Hz, as shown. The ranges of other instruments and voices are shown. The Threshold of Hearing at the bottom of the graph is the lowest level pure tone that can be heard at any given frequency. The Threshold of Discomfort, at the top of the graph represents the loudest tolerable level at any frequency. The shaded centre area is the range of level and frequency for speech. The larger central area is the range for music. Level Range is also commonly referred to as Dynamic Range. The subjective or perceived loudness of sound is determined by several complex factors, primarily Masking and Hearing Acuity.
    [Show full text]
  • Musical Acoustics the Human
    Musical Acoustics Lecture 11 The Human Ear - I Musical Acoustics, C. Bertulani 1 Anatomy of Ear The human ear is a highly sensitive sound receptor in which pressure fluctuations in the outer ear are transformed into vibrations of small bones (the ossicles) in the middle ear that are ultimately communicated to the cochlea located in the inner ear, where the vibrations are further transformed by stereocilia (hair cells) into neural impulses distributed by frequency. Middle Ear Outer Ear Inner Ear 2 Outer ear Pinna – (the feather) Pinna matches ear canal to outside world. Meatus – ( the passageway) conducts sound into head. Meatus Tympanum – (the drum) Tympanic transforms pressure membrane fluctuations into displacement. 3 Middle ear – The ossicles (little bones) Malleus ― (the hammer) Incus moved by Tympanum. Malleus Incus ― (the anvil) supported by ligaments that protect against loud percussion. Stapes ― (the stirrup) force multiplied by 1.3 Stapes because of lever action. 4 Tympanum (ear drum) (view from inside) Tympamium Malleus and ligaments 5 The Ossicles Malleus Incus Malleus Stapes Tympanum Incus Stapes Malleus Incus Stapes 6 Inner Ear Cochlea – (the Snail) converts displacement into neural impulses. Semicircular Canals Auditory Nerve – neural impulses to brain Cochlea Oval Window Semicircular canals – detect motion and orientation Round Window Cochlea (micrograph) “The Snail” • o~ oval window • r~ round window 2 mm 7 Structure of Cochlea 1. Spiral cone 2. Divided by Basilar Membrane 3. In on top half 4. Out on bottom 5. “Sloshing “ Basilar Membrane ↑Organ of Corti Auditory Nerve 8 ↑ Structure of Cochlea Stereocilia (Hair Cells) Outer Hair Cell 9 ↑ Structure of Cochlea Connection to nerves Synapse ⇘ Afferent Efferent Outer Vibration Hair Cells Organ of Corti and Basilar Membrane ↑ Inner Hair Cells 10 Detail of Hair Cell Hair cells have nothing to do with hair that grows in the skin.
    [Show full text]
  • Binaural Response Organization Within a Frequency-Band Representation of the Inferior Colliculus: Implications for Sound Localization
    The Journal of Neuroscience April 1986, 6(4): 962-973 Binaural Response Organization Within a Frequency-Band Representation of the Inferior Colliculus: Implications for Sound Localization Jeffrey J. Wenstrup, Linda S. Ross, and George D. Pollak Department of Zoology, University of Texas at Austin, Austin, Texas 78712 The auditory system of the mustache hat (Pteronotus parnellii) 1968; Guinan et al., 1972; Rose et al., 1959; Tsuchitani, 1977) contains a disproportionately large representation of a narrow yet their topographically ordered projections converge on a sin- frequency band, corresponding to the dominant, 60 kHz com- gle tonotopic organization in the ICC (Fitzpatrick, 1975; Mer- ponent of its echolocation signal. In the inferior colliculus (IC), zenith and Reid, 1974; Semple and Aitkin, 1979; Serviere et the 60 kHz representation comprises an architectonically dis- al., 1984). Collicular neurons that are most sensitive to nearly tinct region called the dorsoposterior division (DPD), which is the same frequency of sound are grouped within characteristic accessible for detailed physiological study. We examined the laminae of the ICC (Merzenich and Reid, 1974; Morest, 1964; topographic distribution of binaural responses within this one Oliver and Mores& 1984; Rockel and Jones, 1973; Semple and frequency-band representation of the inferior colliculus. Aitkin, 1979; Serviere et al., 1984). These frequency-band lam- We describe two primary results. First, neurons with different inae receive convergent input from the corresponding frequen- binaural response properties are spatially segregated into one cy-band representations of brain stem auditory nuclei (Brunso- of four binaural response-specific regions of the DPD: a large Bechtold et al., 1981; Roth et al., 1978; Zook and Casseday, region of monaural (EO) responses; two regions containing neu- 1982b).
    [Show full text]
  • COMPLEX SOUNDS and CRITICAL BANDS1 BERTRAM SCHARF Northeastern University
    Psychological Bulletin 1961, Vol. 58, No. 3, 205-217 COMPLEX SOUNDS AND CRITICAL BANDS1 BERTRAM SCHARF Northeastern University Studies of the responses of human given by the top curve in Figure 1. observers to bands of noise and other The ordinate gives the width (AF), complex sounds have led to the meas- in cycles per second, of the critical ure of what appears to be a basic unit band; the abscissa gives the center of hearing, the critical band. When frequency. As the frequency at the the frequency spectrum of a stimu- center of a complex sound increases, lating sound is narrower than the the critical band that is measured critical band, the ear reacts one way; around the center frequency becomes when the spectrum is wider, it reacts wider. another way. For example, experi- Not only does the critical band ments show that at values less than have the same values when measured the critical bandwidth, both loud- for several kinds of auditory response, ness and absolute threshold are in- it is also independent of such stimu- dependent of bandwidth; only when lus parameters as the number of the critical bandwidth is exceeded components in the complex (Scharf, do the loudness and the absolute 1959b) and the sound pressure level threshold increase with the width (Feldtkeller, 1955; Feldtkeller & (Gassier, 1954; Zwicker & Feldtkel- Zwicker, 1956). ler, 1955; Zwicker, Flottorp, & Prior to the experimental measures Stevens, 1957). of the critical band, Fletcher (1940) The critical band has also been had hypothesized the existence of a measured in experiments on auditory critical band for masking.
    [Show full text]
  • Neurophysiological Correlates of the Critical Bandwidth in the Human Auditory System
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2015-11-01 Neurophysiological Correlates of the Critical Bandwidth in the Human Auditory System Grace Ann Bentley Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Communication Sciences and Disorders Commons BYU ScholarsArchive Citation Bentley, Grace Ann, "Neurophysiological Correlates of the Critical Bandwidth in the Human Auditory System" (2015). Theses and Dissertations. 5619. https://scholarsarchive.byu.edu/etd/5619 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Neurophysiological Correlates of the Critical Bandwidth in the Human Auditory System Grace Ann Bentley A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Science David McPherson, Chair Richard Harris Martin Fujiki Department of Communication Disorders Brigham Young University November 2015 Copyright © 2015 Grace Ann Bentley All Rights Reserved ABSTRACT Neurophysiological Correlates of the Critical Bandwidth in the Human Auditory System Grace Ann Bentley Department of Communication Disorders, BYU Master of Science The critical bandwidth (CBW) is an auditory phenomenon that has been used to study various aspects of auditory processing, including auditory masking, complex tone processing, and loudness perception. Although the psychoacoustic aspects of the CBW have been well studied, the underlying neurophysiology of the CBW has not been as thoroughly examined. The current study examined the neurophysiology of the CBW in young adults, as well as loudness perception in response to the CBW.
    [Show full text]