Samhain Festival Press Kit 2019

Total Page:16

File Type:pdf, Size:1020Kb

Samhain Festival Press Kit 2019 Event Press Kit Experience a day of Celtic culture at the Ceili of the Valley’s fourth annual Samhain Celtic New Year Festival. Samhain, pronounced “sow-in” (“ow” like in cow), is a Gaelic festival that marks the end of the harvest season and the beginning of winter or the "darker half" of the year. It is traditionally recognized on November 1 and considered the Celtic New Year. Samhain Celtic New Year Festival When: 10 a.m. to 5 p.m. Sunday, October 27, 2019 ​ Where: Spinning Room at Willamette Heritage Center, 1313 Mill St. SE ​ Cost: $10 adult and $5 students. Free for children younger than 12. ​ ​ Information: [email protected] or visit www.celticfestival.info ​ ​ ​ 2019 Samhain Celtic New Year Festival Press Kit | 1 Event Highlights: ● 2016 was the inaugural Samhain Celtic New Year Festival ● The only event of its kind (focusing on Celtic culture) in the Willamette Valley ● A hands-on educational event featuring demonstrations, workshops, speakers, live music, vendors and more ● Recognizes the seven Celtic nations (Ireland, Scotland, Wales, Cornwall, Brittany, Galicia and Isle of Man) ● 2019 event features headlining band Na Rósaí ​ ● Features traditional foods such as Scottish Cock-a-leekie soup, Welsh Bubble & Squeak soup and Irish Potato Soup, plus scones, shortbread, tea, coffee and more. ● Made possible with support from Fred W. Fields Funds of the Oregon Community ​ Foundation, AFSCME Local 2067, Duncan Construction, Real Systems, Capitol Toyota, The Summit Group of Oregon, S&A IrishPdx.com, Bliss Sequoia & Huggins Insurance, Salem Health & Hospitals, Friends of CVS and KMUZ Community Radio. Ceili Dancing at the 2018 Samhain Festival 2019 Samhain Celtic New Year Festival Press Kit | 2 Headline Band: Na Rósaí - Portland Based Traditional Irish Music Na Rósaí performs traditional Irish, Appalachian, Scottish, and Breton tunes and songs featuring fiddle, flute, uilleann pipes, bouzouki, and whistles. Their focus has been exploring the links between the musical traditions of the Celtic regions and North America by arranging tunes from the two regions with a traditional sensibility. Na Rósaí is Irish Gaelic for “The Roses” in honor of Portland, the City of Roses. In 2010, Erik Killops returned to Portland, Oregon, after studying Irish Fiddle at the University of Limerick in Ireland. Shortly after his homecoming, he met recent New Hampshire transplant and bouzouki player Richie Rosencrans and California native and piper Preston Howard at sessions around town. After realizing common musical interests they began a weekly performance at a local pub. In the autumn of 2012, flute player Conor Ó Bryan moved to Portland from Chico, California and immediately joined the ranks of the group. 2019 Samhain Celtic New Year Festival Press Kit | 3 Organization Overview: The Samhain Celtic New Year Festival is organized by the Céilí of the Valley Society, a Salem-based 501(c)(3) nonprofit organization dedicated to promoting and perpetuating Irish heritage and culture in the Willamette Valley primarily through social events that incorporate music and dance. An all-volunteer organization, the society teaches weekly classes, and holds dances with live music on the second Friday of the month. For more information, visit www.ceiliofthevalley.org. ​ The Céilí of the Valley Society’s purpose is: ● To educate the public about Irish dance and culture by providing public access to the same; ● To research the history of Irish dance and preserve that cultural knowledge through educational outreach to the public; ● To nurture and develop Irish dance callers and musicians for the purposes of ensuring the continuation of a vibrant cultural community; ● To enhance the community by creating a cultural organization dedicated to Irish music, dance and other Irish cultural activities; ● To support the local Irish community and to enhance relationships between the local Irish, Scottish and other Celtic cultural communities in the Salem area and the larger Willamette Valley of Oregon. Learn the social dances of the seven Celtic nations at the Samhain Celtic New Year Festival 2019 Samhain Celtic New Year Festival Press Kit | 4 The Samhain Celtic New Year Festival is organized by the Ceili of the Valley Society, a nonprofit organization that can be found dancing and sharing culture at events throughout the Willamette Valley Contact and Connect: Email: [email protected] or [email protected] ​ On the Web: celticfestival.info ​ ​ Facebook: facebook.com/orcelticfest ​ ​ Twitter: twitter.com/orcelticfest ​ ​ Instagram: instagram.com/orcelticfest ​ ​ 2019 Samhain Celtic New Year Festival Press Kit | 5 Press Release: Celebrate the Celtic New Year Step into a world of Celtic culture at the Ceili of the Valley’s fourth annual Samhain Celtic New Year Festival 10 a.m. to 5 p.m. Sunday, Oct. 27, 2019, in the Spinning Room at the Willamette Heritage Center, 1313 Mill St. SE. Honoring the seven Celtic nations (Ireland, Scotland, Wales, Cornwall, Brittany, Galicia and Isle of Man), the event is a day of immersive live music, speakers, workshops and educational hands-on activities that are fun for the whole community. Learn about Celtic history and heritage. See demonstrations of art, cooking and dance. Take part in a workshop for fiddle, whistle, uilleann pipes and bodhran. Listen to stories of the wee folk and faeries. Visit the children’s area for opportunities in printmaking, clay working, coloring, knot creation and more, plus don’t forget to step outside where kids can take part in mini highland games and test their skills at the caber toss, sheaf toss, and welly throw. This year’s headlining band is the traditional Irish group Na Rósaí. Na Rósaí performs traditional Irish, Appalachian, Scottish, and Breton tunes and songs featuring fiddle, flute, uilleann pipes, bouzouki, and whistles. Their focus has been exploring the links between the musical traditions of the Celtic regions and North America by arranging tunes from the two regions with a traditional sensibility. Na Rósaí is Irish Gaelic for “The Roses” in honor of Portland, the City of Roses. Come hungry and ready for lunch as Celtic culinary delights, such as potato soup, cock-a-leekie soup, and bubble and squeak soup (prepared by local eatery Sassy Onion), as well as other sweet and savory treats, will be available for purchase. Festival admission is $10 adult and $5 students. Free for children younger than 12. Keep an eye on www.celticfestival.info for more information about the festival. Interested in being ​ ​ a sponsor, vendor or performer? Contact us at [email protected]. ​ ​ The Samhain Celtic New Year Festival is supported by Fred W. Fields Funds of the Oregon Community Foundation, AFSCME Local 2067, Duncan Construction, Real Systems, Capitol Toyota, The Summit Group of Oregon, S&A IrishPdx.com, Bliss Sequoia & Huggins Insurance, Salem Health & Hospitals, Friends of CVS and KMUZ Community Radio. __________ The Samhain Celtic New Year Festival is organized by the Ceili of the Valley Society, a Salem-based nonprofit organization dedicated to promoting and perpetuating Irish heritage and culture in the Willamette Valley primarily through social events that incorporate music and dance. An all-volunteer organization, the society teaches weekly classes and holds dances with live music on the second Friday of the month. For more information, visit www.ceiliofthevalley.org. ​ ​ 2019 Samhain Celtic New Year Festival Press Kit | 6 .
Recommended publications
  • Celtic-International-Fund-2019.Pdf
    CELTIC INTERNATIONAL FUND BBC ALBA (with funding from MG ALBA), S4C, TG4 and Northern Ireland Screen’s Irish Language Broadcast Fund (ILBF) are delighted to announce the second round of the ‘Celtic International Fund’, a yearly joint-commissioning round between the indigenous Celtic language television broadcasters and funders of Scotland, Wales, Ireland and Northern Ireland The aim of the ‘Celtic International Fund’ is to promote co-development and then co-production through Scottish Gaelic, Welsh and Irish, and to encourage a broader European and worldwide internationalisation of productions which are originally conceived in those Celtic languages. The Celtic International Fund hopes to provide film-makers with an opportunity to co-develop and coproduce distinctive, ambitious works to enrich primetime programme schedules, to have a national impact with audiences in the territories of Scotland, Wales, Ireland and Northern Ireland and seek to reach audiences worldwide. This call-out encompasses three genres, Factual, Formats and Drama. For all projects, we envisage a development phase where funding would be provided to develop ideas but also to develop the co- production framework which must have a production element in Scotland, Wales and either Ireland or Northern Ireland. Feedback from producers regarding genres to be included in ensuing Celtic International Fund call-outs is welcome. The Celtic International Fund will be administered by a joint commissioning team drawn from the Celtic language broadcasters and funders who are partners
    [Show full text]
  • E.E. Fournier D'albe's Fin De Siècle: Science, Nationalism and Monistic
    Ian B. Stewart E.E. Fournier d’Albe’s Fin de siècle: Science, nationalism and monistic philosophy in Britain and Ireland Article (Accepted version) (Refereed) Original citation: Stewart, Ian B. (2017). E.E. Fournier d’Albe’s Fin de siècle: Science, nationalism and monistic philosophy in Britain and Ireland Cultural and Social History. pp 1-22. ISSN 1478-0038 DOI: 10.1080/14780038.2017.1375721 © 2017 Taylor & Francis This version available at: http://eprints.lse.ac.uk/84274/ Available in LSE Research Online: September 2017 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. 1 E.E. Fournier d’Albe’s Fin de siècle: Science, Nationalism and Monistic Philosophy in Britain and Ireland* Ian B. Stewart The aim of this article is to reconstruct the intellectual biography of the English physicist Edmund Edward Fournier d’Albe (1868-1933) in order to shed new light on disparate aspects of the British fin de siècle.
    [Show full text]
  • Revisiting the Achievements of the Ancient Celts
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository College of Arts & Sciences Senior Honors Theses College of Arts & Sciences 5-2013 Revisiting the achievements of the Ancient Celts : evidence that the Celtic civilization surpassed contemporary European civilizations in its technical sophistication and social complexity, and continues to influence later cultures. Adam Dahmer University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/honors Part of the Political Science Commons Recommended Citation Dahmer, Adam, "Revisiting the achievements of the Ancient Celts : evidence that the Celtic civilization surpassed contemporary European civilizations in its technical sophistication and social complexity, and continues to influence later cultures." (2013). College of Arts & Sciences Senior Honors Theses. Paper 11. http://doi.org/10.18297/honors/11 This Senior Honors Thesis is brought to you for free and open access by the College of Arts & Sciences at ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in College of Arts & Sciences Senior Honors Theses by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. Dahmer 1 A Lost Civilization as Great as Any Scholars traditionally associate the advancement of Western culture from antiquity to the Renaissance with the innovations of the Romans and their Mediterranean cultural predecessors, the Greeks and Etruscans, to the extent that the word "civilization" often seems synonymous with Romanization. In doing so, historians unfairly discount the cultural achievements of other Indo-European peoples who achieved civilization in their own right and contributed much to ancient and modern life.
    [Show full text]
  • SPACE, RELIGION, and the CREATURELINESS of APPALACHIA Dissertation Submitted to the College of Arts and Scie
    OF MOUNTAIN FLESH: SPACE, RELIGION, AND THE CREATURELINESS OF APPALACHIA Dissertation Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in Theology By Scott Cooper McDaniel UNIVERSITY OF DAYTON Dayton, Ohio May 2018 OF MOUNTAIN FLESH: SPACE, RELIGION, AND THE CREATURELINESS OF APPALACHIA Name: McDaniel, Scott Cooper APPROVED BY: ____________________________________________ Vincent J. Miller, Ph.D. Faculty Advisor ____________________________________________ Silviu Bunta, Ph.D. Faculty Reader ____________________________________________ Kelly Johnson, Ph.D. Faculty Reader ____________________________________________ Anthony Smith, Ph.D. Faculty Reader _____________________________________________ Norman Wirzba, Ph.D. Outside Faculty Reader _____________________________________________ Daniel S. Thompson, Ph.D. Chairperson ii © Copyright by Scott Cooper McDaniel All rights reserved 2018 iii ABSTRACT OF MOUNTAIN FLESH: SPACE, RELIGION, AND THE CREATURELINESS OF APPALACHIA Name: McDaniel, Scott Cooper University of Dayton Advisor: Dr. Vincent J. Miller The following dissertation articulates a constructive theology of creatureliness that speaks from within the particularities of Appalachia’s spatial topography and religious culture. I analyze the historical development and ecological implications of industrial resource extraction, specifically the practice of mountaintop removal, within the broader framework of urbanization and anthropocentricism. Drawing on the unique religio-cultural traditions of the region, particularly its 19th century expressions of Christianity, I employ a spatial hermeneutic through which I emphasize the region’s environmental and bodily elements and articulate a theological argument for the “creaturely flesh” of Appalachia. iv Dedicated to Jade and Beatrice v ACKNOWLEDGEMENTS There are numerous individuals that have made this dissertation possible. I would first like to thank Dr.
    [Show full text]
  • Botanie L. Paper
    Nexus: The Canadian Student Journal of Anthropology, Volume 24, 2016: 13-34 Controlling Celtic Pasts: The Production of Nationalism in Popular British Archaeology of Celtic Peoples Nicholas Healey University of Victoria A textual analysis of four popular archaeology books addressing Celtic peoples was conducted to examine how these materials enable the imagination of nations into the past. A prominent British archaeologist has authored each subject of analysis, which they have intended for a general audience. I argue that the analyzed texts variously enable and inhibit differing forms of British Unionist, Celtic and European integrationist nationalisms by projecting Celtic identities into a primordial past or erasing Celtic histories. This research calls attention to the need for archaeologists to engage with the political ramifications of their work and provides a basis for future research examining the contexts of archaeological knowledge production and consumption in their relationship to nationalism. Having found that these narratives may serve to further British colonialism, I suggest an alternative approach to understanding and representing Celtic identities. I understand contemporary Celtic identities as both recent and historical, recognizing that their identities cannot be projected into a primordial past. Introduction renouncing use of the term ‘Celt’ (Collis, 1996; Karl, 2010, pp. 42-44). Since the introduction of Archaeology has been integral to the elaboration these disciplinary innovations in the 1990s, of many forms of nationalism. The discipline is however, little analysis has examined the ongoing concerned with creating origin stories, such as the relationship between nationalism and archaeology Soviet history of the Slavs (Shnirel’man, 1996), on the Celts. and with linking peoples to land, such as the Jewish people in the state of Israel (Abu El-Haj, British archaeologists, though, have continued to 1998, 2001).
    [Show full text]
  • Thesis&Preparation&Appr
    THESIS&PREPARATION&APPROVAL&FORM& & Title&of&Thesis:& Scottish&Fiddling&in&the&United&States:&Reviving&a&Tradition&and&Maintaining&a&Community& & & I. To&be&completed&by&the&Student:& & I&certify&that&this&document&meets&the&preparation&guidelines&as&presented&in&the& Style&Guide&and&Instructions&for&Preparing&Theses&and&Dissertations.&& & & _________________________________& &_______________& (Signature&of&Student)&& & (Date)& & & II. To&be&completed&by&thesis&advisor:& & I&certify&that&this&document&is&suitable&for&submission.& & & _________________________________&& _______________& (Signature&of&Advisor)&& & (Date)& & III. To&be&completed&by&School&Director:& & I&certify,&to&the&best&of&my&knowledge,&that&the&required&procedures&have&been& followed&and&the&preparation&criteria&have&been&met&for&this&thesis/dissertation.&& & & _________________________________& &_______________& (Signature&of&Director)&& & (Date)& & & xc:&Graduate&Coordinator& SCOTTISH FIDDLING IN THE UNITED STATES: REVIVING A TRADITION AND MAINTAINING A COMMUNITY A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts By Deanna T. Nebel May, 2015 Thesis written by Deanna T. Nebel B.M., Westminster College, 2013 M.A., Kent State University, 2015 Approved by ____________________________________________________ Jennifer Johnstone, Ph.D., Advisor ____________________________________________________ Ralph Lorenz, Ph.D., Acting Director, School of Music ____________________________________________________
    [Show full text]
  • Complexity of Celtic Culture and Museum Practices
    Complexity of Celtic Culture and Museum Practices Shannon Eileen Barry University of Oregon Masters in Arts Management 2014-2016 Research Capstone Barry, 1 Abstract: Presenting cultural communities in museums is challenging. Each of these groups has nuances that make them difficult to accurately display in an exhibit. I chose to look at this particular issue through the lens of Celtic culture. To be able to display Celtic culture in museums, those creating an exhibit need to have certain knowledge. Most people assume that the Celts only inhabited the British Isles, as they are most associated with that region today. In fact, the Celts emerged in what is now central Austria. Their history was one of expansion and movement. At its farthest, there were Celtic settlements from Turkey to Spain, yet the Celts were never a single, unified kingdom. This complicated history leads to a debate among scholars about how to define the term ‘Celt.’ Popular opinions include arguments that the Celts are a genetic group, a linguistic group, an artistic style, or a cultural group with shared beliefs and practices. Another important discussion that surfaces while researching these varied definitions is the ‘Anti-Celt’ idea, which argues that the term is not broad enough to describe the numerous Celtic groups spread across Europe. After gaining an understanding of Celtic culture by exploring its history and definitions, this knowledge can be incorporated into the phases of creating an exhibit – planning, display, text (writing and interpretation), and evaluation. All of this information comes together to create a strategic process for museums to implement a comprehensive exhibition on Celtic culture.
    [Show full text]
  • English Victorian Values and the Emergence of Welsh Literature Written in the English Language
    HOW THE DRAGON GOT TWO TONGUES: ENGLISH VICTORIAN VALUES AND THE EMERGENCE OF WELSH LITERATURE WRITTEN IN THE ENGLISH LANGUAGE COMO O DRAGÃO TEM DUAS LÍNGUAS: VALORES VITORIANOS INGLESES E A EMERGÊNCIA DA LITERATURA GALESA ESCRITA EM LÍGUA INGLESA Alan Peter Fear1 ABSTRACT: The genesis of a Welsh literature written in the English language can be found in the turbulent middle ages, from the earliest Anglo-Saxon settlements on the island of Britain, to the Norman invasion and occupations of the late Medieval period. However, the emergence of this body of literature, sometimes referred to as Anglo-Welsh writing, can be attributed to many socio-political factors and events of the Victorian Age. At the apex of the British Empire the English educational system was implemented in Wales and an industrialization process meant that thousands of foreign immigrants were effectively diluting the native population driving the Welsh language and ancient culture to near extinction and promoting the use of the English language. As a consequence, Anglo-Welsh writing emerged fully towards the end of the 19th century to the beginning of the 20th century. KEY WORDS: Anglo-Welsh Literature, Wales, Culture, RESUMO: A gênese de uma literatura galesa escrita na língua inglesa pode ser encontrada na turbulenta idade média, desde os primeiros assentamentos anglo-saxões na ilha da Grã- Bretanha, até a invasão normanda e ocupações do final do período medieval. No entanto, o surgimento desse corpo de literatura, às vezes referido como escrita anglo-galesa, pode ser atribuído a muitos fatores e eventos sociopolíticos da era vitoriana. No ápice do Império Britânico, o sistema educacional inglês foi implementado no País de Gales e um processo de industrialização provocou o afluxo de milhares de imigrantes estrangeiros, efetivamente diluindo a população nativa, levando a língua e cultura galesas à quase extinção e promovendo o uso da língua inglesa.
    [Show full text]
  • Cormorant's Fancy: Brazenly Trad
    Cormorant’s Fancy: brazenly trad music of Ireland, Scotland, and the Celtic Nations www.cormorantsfancy.com | www.facebook.com/cormorantsfancy | [email protected] Venues and reviewers characterize Cormorant's Fancy as "spellbinding," "with a knack for gorgeous arrangements.” The award-winning Celtic and Irish Music Podcast named them to 2017’s top 20 Celtic bands! From tenderly passionate love songs to growling soul-rousers, and from captivating a cappella to swirling instrumentals blending concertina, fiddle, penny whistles, guitar, keyboards and bodhrán, Cormorant’s Fancy propels audiences into the living Celtic tradi- tion. Their compelling cross-generational lineup unites the past, present and future, so that whether they are stirring the crowd from the festival or concert stage, gracing the parlor, leading the pub in song, or accompanying step dancers, their music rings true. They’ve been called “the area’s most energetic” Celtic band, yet they do it all with finesse! Lead singer and whistle player Margaret Folkemer is joined by parents Beth and Stephen Folkemer (guitar, concertina keyboards), fiddler Chuck Krepley and young percus- sionist Ricky Czar. Celtic music is in their blood, their heritage in Ireland’s County Down, Clan Donald of the Scottish Isles, Wales and Cornwall. They visit their ancestral homes every chance they get! Cormorant’s Fancy versatile programming includes high-energy St. Paddy’s parties/all-Irish Celebrations, authen- tic all-Scottish programs including Burns Suppers, fun sing- along events, romantic wedding sets, lively tunes for dancers and cèilidhean, laid-back restaurant sets, pumped-up pub shows, lovely Celtic Christmas programs, happy New Year’s events (Hogmanay), engaging school presentations, and Celtic worship services too! Add to these endless combina- tions of the band’s styles.
    [Show full text]
  • Take a Tour of “America's Oldest…
    Take a Tour of “America’s Oldest… CELTIC City” - St. Augustine ! by Albert Syeles, President of Romanza Every March “Spanish” St. Augustine, Florida, USA, celebrates its Celtic roots with the only St. Patrick Day Parade in Northeast Florida, and the nationally recognized “St. Augustine Celtic Music and Heritage Festival”. We tend to think of St. Augustine’s history as being primarily Spanish. Even the significant British Colonial period here, which spans the American Revolution, only gets occasional attention. But in recent years, tens of thousands of heritage tourism visitors have discovered and celebrated St. Augustine’s CELTIC roots. Although over half of the citizens of St. Augustine can claim Irish, Scottish, Welch, or other Celtic ancestry, residents and visitors alike are still learning how Celts are prominent in our fair City’s long and remarkable heritage. St. Augustine’s has an amazing Celtic history, including Colonial Governors and historic vicars of Celtic decent, stories of romance and mystery, and most extraordinarily: St. Augustine was founded by Celts! We begin our City tour at City Hall /The Alcazar and the Statue of Don Pedro Menendez Was the founder of St. Augustine and Governor of La Florida in 1565, Don Pedro Menendez, Celtic? Menedez and his 800 colonists were from the northern, Celtic region of Spain. The people of his home town, Aviles, and the surrounding regions: Asturias, Galicia, and Basque, are of Celtic decent! They have their own language, closer to Portuguese than Spanish. The people of Northern Spain are Spanish- Celtic and share many traditions with the Scots and Irish.
    [Show full text]
  • Cultural Identity Represented: Celticness in Ireland
    Ethnologie Cultural identity represented: Celticness in Ireland Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Westfälischen Wilhelms-Universität zu Münster (Westf.) vorgelegt von Sabine Hezel aus Oberhausen 2006 Tag des Abschlusses: 16.11.2006 Dekan: Univ.-Prof. Dr. Dr. Wichard Woyke Referent: Univ.-Prof. Dr. Josephus D.M. Platenkamp Korreferent: Univ.-Prof. Dr. Andreas Hartmann Acknowledgements I would like to express my thanks to all the people in Ireland who gave me valuable assistance in the researching of this thesis. First of all I want to thank Ann Tighe and Claire Sheridan. Without their friendship and help in distributing questionnaires and introducing me to a number of people, my stay in Galway would have been a lot less informative (and less pleasant). Thanks also to all the people who filled out questionnaires and were willing to give interviews. I am especially grateful for the opportunity to work in my own office, which was provided by the Department of Political Science and Sociology of the National University Ireland, Galway, and the help that was provided by Dr. Niall O Dochartaigh. Special thanks also to my PhD tutor Prof. Dr. J. Platenkamp. His continually constructive and helpful critique substantially contributed to the completion of this thesis. But above all my thanks go to Dave Hegarty. His love, patience and understanding were an inexhaustible source for strength and support. Ohne die Hilfe meiner Eltern, Anne und Johann Hezel, wäre es mir nicht möglich gewesen, ein Jahr in Irland zu verbringen. Ihnen gilt daher mein ganz besonderer Dank. Ohne ihr stets wohlwollendes Verständnis und ihre Unterstützung wäre diese Arbeit nicht zustande gekommen.
    [Show full text]
  • Globalizing Cricket: Englishness, Empire and Identity
    Malcolm, Dominic. "Cricket and the Celtic Nations." Globalizing Cricket: Englishness, Empire and Identity. London: Bloomsbury Academic, 2013. 89–105. Globalizing Sport Studies. Bloomsbury Collections. Web. 30 Sep. 2021. <http://dx.doi.org/10.5040/9781849665605.ch-006>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 30 September 2021, 15:21 UTC. Copyright © Dominic Malcolm 2013. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Cricket and the Celtic Nations1 he paradox of two widely-held ideas lies at the heart of this chapter. Cricket Tis universally accepted as the quintessential English game, a game which encapsulates and generates Englishness. But cricket, as exemplifi ed in Chapters 3, 4 and 5, is also the game par excellence of the British Empire. This chapter seeks to address this apparent contradiction for while cricket is so closely associated with England, it is generally perceived to have had little popular appeal in Ireland, Scotland and Wales. Indeed, ‘the temperament of the Welsh, Scots, Irish and French were (sic) often used to explain the limited impact of cricket there’ (Bradley 1995: 37). Pycroft, it will be remembered referred to the limitations of the ‘volatile spirits’ of the Irish and the ‘phlegmatic caution’ of the Scots. The co-existence of these contradictory beliefs therefore seems to rest on one of two rationales. Either cricket was played throughout the British Isles and therefore its distinctively English character has been exaggerated, or cricket refl ects and continues to be subject to the traditional elision of English and British identities, the perception that Great Britain is simply ‘Greater England’ (Haselar 1996: 30).
    [Show full text]