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Full Spectrum of Selves in Modern Chinese Literature: from Lu Xun to Xiao Hong
UCLA UCLA Electronic Theses and Dissertations Title Full Spectrum of Selves in Modern Chinese Literature: From Lu Xun to Xiao Hong Permalink https://escholarship.org/uc/item/5022k8qv Author Ho, Felicia Jiawen Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Full Spectrum of Selves in Modern Chinese Literature: From Lu Xun to Xiao Hong A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in East Asian Languages and Cultures by Felicia Jiawen Ho 2012 © Copyright by Felicia Jiawen Ho 2012 ABSTRACT OF THE DISSERTATION Full Spectrum of Selves in Modern Chinese Literature: From Lu Xun to Xiao Hong by Felicia Jiawen Ho Doctor of Philosophy in East Asian Languages and Cultures University of California, Los Angeles, 2012 Professor Shu-mei Shih, Chair Despite postcolonial theory’s rejection of legacies of Western imperial dominance and cultural hierarchy, the superiority of Euro-American notions of subjectivity remains a persistent theme in third world cross-cultural literary analysis. Interpretations of the Chinese May Fourth era often reduce the period to one of wholesale westernization and cultural self- repudiation. Euro-American notions of the self often reify ideologies of individuality, individualism, rationalism, evolution, and a “self-versus-society” dichotomy, viewing such positions as universal and applicable for judging decolonizing others. To interrogate this assumption, I examine the writing of Lu Xun and Xiao Hong, two May Fourth writers whose fictional characters present innovative, integrated, heterogeneous selves that transcend Western ii critical models. This “full spectrum of selves” sustains contradicting pulls of identity—the mental (the rational, the individual), the bodily (the survivalist, the affective), the cerebral (the moral), the social (the relational, the organismic), as well as the spiritual and the cosmic. -
體驗中樂無窮魅力 Where Chinese Music Is a Universe of Magical Possibilities Tour Map.Indd 1 17年10月23日 下午3:25 香港中樂團齊心致力於奉獻卓越的中樂藝術, 緊貼時代脈搏,發揮專業精神,追求音樂至高境界, 成為香港人引以為榮的世界級樂團。
香港中樂團有限公司 Hong Kong Chinese Orchestra Limited 2016-17 年報 Annual Report 年報 Annual Report 2016-2017 體驗中樂無窮魅力 Where Chinese music is a universe of magical possibilities tour map.indd 1 17年10月23日 下午3:25 香港中樂團齊心致力於奉獻卓越的中樂藝術, 緊貼時代脈搏,發揮專業精神,追求音樂至高境界, 成為香港人引以為榮的世界級樂團。 Hong Kong Chinese Orchestra is united in its commitment to offering excellence in Chinese music. With a contemporary momentum and a professional spirit, we aim to strive for the peak in music and attain the status of a world-class orchestra that is the pride of Hong Kong people. 香港中樂團 Hong Kong Chinese Orchestra 2 目 錄 目錄 Table of Contents Table of Contents 1 使命宣言 Mission Statement 3 公司資訊 Corporate Information 4 主席報告 Statement from the Chairman 6 總監報告 Directors’ Review 藝術總監報告 Artistic Director’s Review 行政總監報告 Executive Director’s Review 10 業務回顧 Business Review 演出及活動統計 Statistics of Performances and Activities 年內點滴 Highlights 年度音樂會、場地伙伴計劃、 List of Regular Concerts, 外訪活動、新創作及首演作品 Venue Partnership Activities, 一覽表 Touring Activities and Commission Works 51 企業管治報告 Statement on Corporate Governance 理事會 The Council 委員會 The Committees 與權益相關者的關係 Stakeholders Relations 理事會及總監簡介 Brief Biodata of Council Members and Principal Executive 72 財務摘要 Financial Highlights 73 財務報表 Financial Statements 理事會成員報告 Report of the Council Members 獨立核數師報告 Independent Auditors’ Report 綜合收益賬 Consolidated Statement of Income and Expenditure 全面綜合收益賬 Consolidated Statement of Comprehensive Income 綜合財務狀況表 Consolidated Statement of Financial Position 綜合權益變動表 Consolidated Statement of Changes in Equity 綜合現金流量表 Consolidated -
Singapore Chinese Orchestra Instrumentation Chart
Singapore Chinese Orchestra Instrumentation Chart 王⾠威 编辑 Version 1 Compiled by WANG Chenwei 2021-04-29 26-Musician Orchestra for SCO Composer Workshop 2022 [email protected] Recommendedabbreviations ofinstrumentnamesareshown DadiinF DadiinG DadiinA QudiinBb QudiinC QudiinD QudiinEb QudiinE BangdiinF BangdiinG BangdiinA XiaodiinBb XiaodiinC XiaodiinD insquarebrackets ˙ ˙ ˙ #˙ ˙ ˙ #˙ ˙ ˙ 2Di ‹ ˙ ˙ ˙ ˙ #˙ [Di] ° & ˙ (Transverseflute) & ˙ ˙ ˙ ˙ ¢ ˙ ˙ ˙ ˙ b˙ ˙ ˙ ˙ s˙ounds 8va -DiplayerscandoubleontheXiaoinForG(samerangeasDadiinForG) -ThischartnotatesmiddleCasC4,oneoctavehigherasC5etc. #w -WhileearlycompositionsmightdesignateeachplayerasBangdi,QudiorDadi, -8va=octavehigher,8vb=octavelower,15ma=2octaveshigher 1Gaoyin-Sheng composersareactuallyfreetochangeDiduringthepiece. -PleaseusethetrebleclefforZhonghupartscores [GYSh] ° -Composerscouldwriteonestaffperplayer,e.g.Di1,Di2andspecifywhentousewhichtypeofDi; -Pleaseusethe8vbtrebleclefforZhongyin-Sheng, (Sopranomouthorgan) & ifthekeyofDiislefttotheplayers'discretion,specifyatleastwhetherthepitchshould Zhongyin-GuanandZhongruanpartscores w soundasnotatedor8va. w -Composerscanrequestforamembranelesssound(withoutdimo). 1Zhongyin-Sheng -WhiletheDadiandQudicanplayanother3semitonesabovethestatedrange, [ZYSh] theycanonlybeplayedforcefullyandthetimbreispoor. -ForeachkeyofDi,thesemitoneabovethelowestpitch(e.g.Eb4ontheDadiinG)sounds (Altomouthorgan) & w verymuffledduetothehalf-holefingeringandisunsuitableforloudplaying. 低⼋度发⾳ ‹ -Allinstrumentsdonotusetransposednotationotherthantranspositionsattheoctave. -
February 2019 a Winter Wonderland That Warms Your Spirit
CHINAINSIGHT Fostering business and cultural harmony between China and the U.S. VOL. 18 NO. 2 February 2019 A winter wonderland that warms your spirit . News, p. 4 Business & Economy, p. 5 Language, p. 7 The 35th Harbin International Ice and Snow Festival, the largest in the world, is celebrated during Harbin’s Sister Cities Conference. See pages 8-9. Books, p. 11 Community Minneapolis artist Paul Kwok exhibits at Chung Chi College in Hong Kong By Greg Hugh More than 100 guests recently attended Kwok currently lives in Minneapolis an exhibit of landscape paintings titled “In with his partner Pat Hui where they also and Out of Tradition” by Paul Ka Yin Kwok share a studio at Traffic Zone Center for Arts & Culture, p. 14 held at Chung Chi College of The Chinese Visual Art. The studio was the site of the University of Hong Kong from which Kwok recent group discussion of “Crazy Rich graduated in 1967. Asians” held by the Chinese Heritage Foundation. ♦ In This Issue Arts & Culture 12-14 Right: Books 10-11 Pat Hui Business & Economy 5 and Kwok in front of Community 8-9 one of his Events 15-16 paintings Government & Politics 6 Language 7 Officiating at the ribbon cutting ceremony was News 3-4 (far left Professor Fong Wing Ping, head of Pronouncements 2 college; and artist Kwok (second from left). Recent CHF discussion at studio. PAGE 2 / February 2019 pronouncements www.chinainsight.info Publisher’s Pronouncements CHINAINSIGHT Greetings and Gung Hay Fat Choy (Happy New Year): As we went to press with this issue of We also are pleased to announce that a team player. -
2018 Available in Carbon Fibre
NFAc_Obsession_18_Ad_1.pdf 1 6/4/18 3:56 PM Brannen & LaFIn Come see how fast your obsession can begin. C M Y CM MY CY CMY K Booth 301 · brannenutes.com Brannen Brothers Flutemakers, Inc. HANDMADE CUSTOM 18K ROSE GOLD TRY ONE TODAY AT BOOTH #515 #WEAREVQPOWELL POWELLFLUTES.COM Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 408 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2018 available in Carbon Fibre. Orlando! 00 44 (0)20 8778 0752 [email protected] www.wisemanlondon.com MAKE YOUR MUSIC MATTER Longy has created one of the most outstanding flute departments in the country! Seize the opportunity to study with our world-class faculty including: Cobus du Toit, Antero Winds Clint Foreman, Boston Symphony Orchestra Vanessa Breault Mulvey, Body Mapping Expert Sergio Pallottelli, Flute Faculty at the Zodiac Music Festival Continue your journey towards a meaningful life in music at Longy.edu/apply TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ................................................................ 14 From the Convention Program Chair ................................................. 21 2018 Lifetime Achievement and Distinguished Service Awards ........ 22 Previous Lifetime Achievement and Distinguished -
University of California Santa Cruz the Vietnamese Đàn
UNIVERSITY OF CALIFORNIA SANTA CRUZ THE VIETNAMESE ĐÀN BẦU: A CULTURAL HISTORY OF AN INSTRUMENT IN DIASPORA A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in MUSIC by LISA BEEBE June 2017 The dissertation of Lisa Beebe is approved: _________________________________________________ Professor Tanya Merchant, Chair _________________________________________________ Professor Dard Neuman _________________________________________________ Jason Gibbs, PhD _____________________________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Table of Contents List of Figures .............................................................................................................................................. v Chapter One. Introduction ..................................................................................................................... 1 Geography: Vietnam ............................................................................................................................. 6 Historical and Political Context .................................................................................................... 10 Literature Review .............................................................................................................................. 17 Vietnamese Scholarship .............................................................................................................. 17 English Language Literature on Vietnamese Music -
Westernisation, Ideology and National Identity in 20Th-Century Chinese Music
Westernisation, Ideology and National Identity in 20th-Century Chinese Music Yiwen Ouyang PhD Thesis Royal Holloway, University of London DECLARATION OF AUTHORSHIP I, Yiwen Ouyang, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 19 May 2012 I To my newly born baby II ABSTRACT The twentieth century saw the spread of Western art music across the world as Western ideology and values acquired increasing dominance in the global order. How did this process occur in China, what complexities does it display and what are its distinctive features? This thesis aims to provide a detailed and coherent understanding of the Westernisation of Chinese music in the 20th century, focusing on the ever-changing relationship between music and social ideology and the rise and evolution of national identity as expressed in music. This thesis views these issues through three crucial stages: the early period of the 20th century which witnessed the transition of Chinese society from an empire to a republic and included China’s early modernisation; the era from the 1930s to 1940s comprising the Japanese intrusion and the rising of the Communist power; and the decades of economic and social reform from 1978 onwards. The thesis intertwines the concrete analysis of particular pieces of music with social context and demonstrates previously overlooked relationships between these stages. It also seeks to illustrate in the context of the appropriation of Western art music how certain concepts acquired new meanings in their translation from the European to the Chinese context, for example modernity, Marxism, colonialism, nationalism, tradition, liberalism, and so on. -
Taiwan Yangqin (Dulcimer) Orchestra
2021 Taiwanese Canadian Cultural Festival Performance – Taiwan Yangqin (Dulcimer) Orchestra Established in 2002, the Taiwan Yangqin (Dulcimer) Orchestra keeps moving towards its vision of “Setting base in Taichung, glorifying Taiwan, and marching to the international arena.” Up to now, it has had more than 300 performances in various counties and cities in Taiwan, China, Southeast Asia, Europe and America. Our efforts and achievements have deeply affected the mainland China and the United States, Hong Kong, Malaysia, Macau, Switzerland, Japan and other places with the establishment of the dulcimer orchestra in these countries. They have learned and communicated with us, and also exported Taiwanese traditional music materials for adaptation or novel creations, contributing to the promotion of Taiwanese music art and the spread of the dulcimer ensemble. Since 2008, throughout the mainland China (currently with more than one hundred dulcimer orchestras), Malaysia, Hong Kong, Macau, Japan, Singapore and other places, dulcimer orchestra has been established one after another, and jointly perform and share the musical scores with us. Taiwan dulcimer orchestra has become the bellwether in terms of the dulcimer orchestra. Awards 2008, 2011-2017, 2019: Outstanding performing art team in Taichung 2011: In the fierce competition with Taichung City's dance, music and drama teams, we were elected as the only representative team of Taichung City to participate in the National Outstanding Performing Arts Show. 2010: Elected as the NTCH’s Flagship Orchestra in an album for introducing Taiwan's outstanding music by National Chung Cheng Cultural Center for foreign distribution 2010-2017: The orchestra’s programs had repeatedly been recognized and subsidized by the Ministry of Culture, the National Arts Association, the National Center for Traditional Arts, the Taipei Arts and Culture Promotion Office, and the Cultural Bureaus of various counties and cities. -
MAA AMC 8 C Summary of Results and Awards
A 2009 25th Annual M MAA AMC 8 C Summary of Results and Awards Learning Mathematics Through Selective Problem Solving amc.maa.org Examinations prepared by a subcommittee of the American Mathematics Competitions 8 and administered by the office of the Director ©2010 The Mathematical Association of America The American Mathematics Competitions are sponsored by The Mathematical Association of America and The Akamai Foundation Contributors: Academy of Applied Sciences American Mathematical Association of Two-Year Colleges American Mathematical Society American Statistical Association Art of Problem Solving Awesome Math Canada/USA Mathcamp Casualty Actuarial Society D.E. Shaw & Company IDEA Math Institute for Operations Research and the Management Sciences Math Zoom Academy Mu Alpha Theta National Council of Teachers of Mathematics Pi Mu Epsilon Society of Actuaries U.S.A. Math Talent Search W. H. Freeman and Company Wolfram Research Inc. Table Of COnTenTs 2010 USAMO Winners meet with John P. Holdren ............................................ 2 Report of the Director ..........................................................................................3 I. Introduction .................................................................................................... 3 II. General Results .............................................................................................. 3 III. Statistical Analysis of Results ......................................................................... 3 Table 1 - School & Student Registrations -
Full Curriculum Vitae
Chenxiao.Atlas.Guo [email protected] Updated Aug 2021 atlasguo @cartoguophy atlasguo.github.io CURRICULUM VITAE EDUCATION University of Wisconsin-Madison (UW-Madison) (Madison, WI, USA; 2022 Expected) • Ph.D. in Geography (Cartography/GIS), Department of Geography - Core Courses: Graphic Designs in Cartography, Interactive Cartography & Geovisualization; Advanced Quantitative Analysis, Advanced Geocomputing and Big Data Analytics, Geospatial Database, GIS Applications; Seminars in GIScience (VGI; Deep Learning; Storytelling); Natural Hazards and Disasters (audit) • Doctoral Minor in Computer Science, Department of Computer Science - Core Courses: Data Structure, Algorithms, Artificial Intelligence, Computer Graphics, Human-Computer Interaction, Machine Learning (audit) • Research Direction: Spatiotemporal Analytics, Cartographic Visualization, Social Media Data Mining, Natural Disaster Management (bridging geospatial data science, cartography, and social good) • Current GPA: 3.7/4.0 University of Georgia (UGA) (Athens, GA, USA; 2017) • M.S. in Geography (GIS), Department of Geography - Core Courses: Statistical Method in Geography, Geospatial Analysis, Community GIS, Programming for GIS, Seminars in GIScience, Geographic Research Method, Satellite Meteorology and Climatology, Seminar in Climatology, Urban Geography (audit), Psychology (audit) • Research Direction: Location-based Social Media, Sentiment Analysis, Urban Spatiality, Electoral Geography • GPA: 3.7/4.0 Sun Yat-Sen University (SYSU) (Guangzhou, China; 2015) • B.S. in Geographic -
Woodwind Family
Woodwind Family What makes an instrument part of the Woodwind Family? • Woodwind instruments are instruments that make sound by blowing air over: • open hole • internal hole • single reeds • double reed • free reeds Some woodwind instruments that have open and internal holes: • Bansuri • Daegeum • Fife • Flute • Hun • Koudi • Native American Flute • Ocarina • Panpipes • Piccolo • Recorder • Xun Some woodwind instruments that have: single reeds free reeds • Clarinet • Hornpipe • Accordion • Octavin • Pibgorn • Harmonica • Saxophone • Zhaleika • Khene • Sho Some woodwind instruments that have double reeds: • Bagpipes • Bassoon • Contrabassoon • Crumhorn • English Horn • Oboe • Piri • Rhaita • Sarrusaphone • Shawm • Taepyeongso • Tromboon • Zurla Assignment: Watch: Mr. Gendreau’s woodwind lesson How a flute is made How bagpipes are made How a bassoon reed is made *Find materials in your house that you (with your parent’s/guardian’s permission) can use to make a woodwind (i.e. water bottle, straw and cup of water, piece of paper, etc). *Find some other materials that you (with your parent’s/guardian’s permission) you can make a different woodwind instrument. *What can you do to change the sound of each? *How does the length of the straw effect the sound it makes? *How does the amount of water effect the sound? When you’re done, click here for your “ticket out the door”. Some optional videos for fun: • Young woman plays music from “Mario” on the Sho • Young boy on saxophone • 9 year old girl plays the flute. -
The Rivers Awards Composition Competition (RACC)
附件二 / ANNEX II The Rivers Awards Composition Competition(RACC) Designated Traditional Chinese Instruments Introduction Erhu Erhu Erhu Performance Demonstration (by LU Yiwen) The Erhu generally has two strings, namely the inner string and the outside string, with a bow between them. It is almost always tuned to the interval of a fifth and the treble clef is applied in Erhu music notation based on the actual pitch. Pipa Pipa and the artificial fingernails (right hand) Pipa Performance Demonstration (by SHU Yin) The strings of the Pipa are conventionally tuned to A-D-E-A. Players always wear the artificial fingernails for Pipa performance. The grand stave is applied in Pipa music notation based on the actual pitch. 1 / 2 附件二 / ANNEX II Dizi - Bamboo Flute (including Xiao) From top to bottom: Bangdi in G key, Qudi in D key, Xindi in G key and Xiao in G key Dizi Performance Demonstration (By WANG Junkan) Xiao Performance Demonstration (By WANG Junkan) The Dizi is a traditional Chinese transverse flute usually made of bamboo. It has six finger-holes, one blowing hole and one membrane hole. The membrane has a great influence on the sound produced by the flute. Qudi and Bangdi are the most predominant among the many varieties of Chinese flute. To satisfy the needs of different music, professional players usually have a set of dizi, each in a different key and size, where the Bangdi in G key and the Qudi in D key are most commonly used. A low octave approach in treble staff is applied to Dizi music notation.