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Revolution, Reform and Regionalism in Southeast Asia
Revolution, Reform and Regionalism in Southeast Asia Geographically, Cambodia, Laos and Vietnam are situated in the fastest growing region in the world, positioned alongside the dynamic economies of neighboring China and Thailand. Revolution, Reform and Regionalism in Southeast Asia compares the postwar political economies of these three countries in the context of their individual and collective impact on recent efforts at regional integration. Based on research carried out over three decades, Ronald Bruce St John highlights the different paths to reform taken by these countries and the effect this has had on regional plans for economic development. Through its comparative analysis of the reforms implemented by Cam- bodia, Laos and Vietnam over the last 30 years, the book draws attention to parallel themes of continuity and change. St John discusses how these countries have demonstrated related characteristics whilst at the same time making different modifications in order to exploit the strengths of their individual cultures. The book contributes to the contemporary debate over the role of democratic reform in promoting economic devel- opment and provides academics with a unique insight into the political economies of three countries at the heart of Southeast Asia. Ronald Bruce St John earned a Ph.D. in International Relations at the University of Denver before serving as a military intelligence officer in Vietnam. He is now an independent scholar and has published more than 300 books, articles and reviews with a focus on Southeast Asia, -
“What Are Marines For?” the United States Marine Corps
“WHAT ARE MARINES FOR?” THE UNITED STATES MARINE CORPS IN THE CIVIL WAR ERA A Dissertation by MICHAEL EDWARD KRIVDO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2011 Major Subject: History “What Are Marines For?” The United States Marine Corps in the Civil War Era Copyright 2011 Michael Edward Krivdo “WHAT ARE MARINES FOR?” THE UNITED STATES MARINE CORPS IN THE CIVIL WAR ERA A Dissertation by MICHAEL EDWARD KRIVDO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Joseph G. Dawson, III Committee Members, R. J. Q. Adams James C. Bradford Peter J. Hugill David Vaught Head of Department, Walter L. Buenger May 2011 Major Subject: History iii ABSTRACT “What Are Marines For?” The United States Marine Corps in the Civil War Era. (May 2011) Michael E. Krivdo, B.A., Texas A&M University; M.A., Texas A&M University Chair of Advisory Committee: Dr. Joseph G. Dawson, III This dissertation provides analysis on several areas of study related to the history of the United States Marine Corps in the Civil War Era. One element scrutinizes the efforts of Commandant Archibald Henderson to transform the Corps into a more nimble and professional organization. Henderson's initiatives are placed within the framework of the several fundamental changes that the U.S. Navy was undergoing as it worked to experiment with, acquire, and incorporate new naval technologies into its own operational concept. -
AN EXAMINATION of PLAYS in MANUSCRIPT ET ME Begin by Stating As Clearly As I Can the Purpose L.4 of This Exploratory Study
TEXTUAL DEGENERATION OF ELlZABETHAN AND STUART PLAYS: AN EXAMINATION OF PLAYS IN MANUSCRIPT ET ME begin by stating as clearly as I can the purpose l.4 of this exploratory study. It has seemed to me that in accounting for variation among Elizabethan and post-Eliza- bethan dramatic texts too little weight has been given to the activities of prompters and actors as compared with those of printers and copyists. According to R. B. McKerrow and Evelyn Albright,l the incompetence of printers has been greatly exaggerated, and the defense they offer seems sound and just, and, as for copyists, they seem, as a class, to have been the most efficient of those who worked on plays. On the other hand, the conditions of play production, now, in the Elizabethan age and in general, are such as not only to pro- voke alteration of texts but to necessitate it. The simplest in- vestigation of the history of Shakespeare on the stage (and on the screen) will reveal habitual and not infrequently vio- Ient modifications of his texts and even of his intentions. A visit to a production lot will convince any visitor that the pro- ducer feels free to alter the script without any reference to the author or what he has written. I remember a conversa- tion in 1908 with Eugene Walter, whose Paid in Full was then en uogue, and of hearing him describe without the least of- fense, indeed with pride, the great changes made in his play when it was produced on Broadway, Stage aIterations are and have been since the Elizabethan age and before the merest commonplace and by no means inconsiderable. -
The Summons of Death on the Medieval and Renaissance English Stage
The Summons of Death on the Medieval and Renaissance English Stage The Summons of Death on the Medieval and Renaissance English Stage Phoebe S. Spinrad Ohio State University Press Columbus Copyright© 1987 by the Ohio State University Press. All rights reserved. A shorter version of chapter 4 appeared, along with part of chapter 2, as "The Last Temptation of Everyman, in Philological Quarterly 64 (1985): 185-94. Chapter 8 originally appeared as "Measure for Measure and the Art of Not Dying," in Texas Studies in Literature and Language 26 (1984): 74-93. Parts of Chapter 9 are adapted from m y "Coping with Uncertainty in The Duchess of Malfi," in Explorations in Renaissance Culture 6 (1980): 47-63. A shorter version of chapter 10 appeared as "Memento Mockery: Some Skulls on the Renaissance Stage," in Explorations in Renaissance Culture 10 (1984): 1-11. Library of Congress Cataloging-in-Publication Data Spinrad, Phoebe S. The summons of death on the medieval and Renaissance English stage. Bibliography: p. Includes index. 1. English drama—Early modern and Elizabethan, 1500-1700—History and criticism. 2. English drama— To 1500—History and criticism. 3. Death in literature. 4. Death- History. I. Title. PR658.D4S64 1987 822'.009'354 87-5487 ISBN 0-8142-0443-0 To Karl Snyder and Marjorie Lewis without who m none of this would have been Contents Preface ix I Death Takes a Grisly Shape Medieval and Renaissance Iconography 1 II Answering the Summon s The Art of Dying 27 III Death Takes to the Stage The Mystery Cycles and Early Moralities 50 IV Death -
Biographical Appendix
Biographical Appendix The following women are mentioned in the text and notes. Abney- Hastings, Flora. 1854–1887. Daughter of 1st Baron Donington and Edith Rawdon- Hastings, Countess of Loudon. Married Henry FitzAlan Howard, 15th Duke of Norfolk, 1877. Acheson, Theodosia. 1882–1977. Daughter of 4th Earl of Gosford and Louisa Montagu (daughter of 7th Duke of Manchester and Luise von Alten). Married Hon. Alexander Cadogan, son of 5th Earl of Cadogan, 1912. Her scrapbook of country house visits is in the British Library, Add. 75295. Alten, Luise von. 1832–1911. Daughter of Karl von Alten. Married William Montagu, 7th Duke of Manchester, 1852. Secondly, married Spencer Cavendish, 8th Duke of Devonshire, 1892. Grandmother of Alexandra, Mary, and Theodosia Acheson. Annesley, Katherine. c. 1700–1736. Daughter of 3rd Earl of Anglesey and Catherine Darnley (illegitimate daughter of James II and Catherine Sedley, Countess of Dorchester). Married William Phipps, 1718. Apsley, Isabella. Daughter of Sir Allen Apsley. Married Sir William Wentworth in the late seventeenth century. Arbuthnot, Caroline. b. c. 1802. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. She did not marry. Arbuthnot, Marcia. 1804–1878. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. Married William Cholmondeley, 3rd Marquess of Cholmondeley, 1825. Aston, Barbara. 1744–1786. Daughter and co- heir of 5th Lord Faston of Forfar. Married Hon. Henry Clifford, son of 3rd Baron Clifford of Chudleigh, 1762. Bannister, Henrietta. d. 1796. Daughter of John Bannister. She married Rev. Hon. Brownlow North, son of 1st Earl of Guilford, 1771. Bassett, Anne. Daughter of Sir John Bassett and Honor Grenville. -
Appendix the Queen Or the Excellency of Her Sex
Appendix The Queen or The Excellency of her Sex HISTORY OF THE PLAY The Queen was published anonymously in 1653 and remained anonymous until1906 when Professor W. Bang edited the play and attributed it to Ford. Sherman in 1908, H. Dugdale Sykes in 1924 and Joan Sargeaunt in 1935 were all in agreement.' More recent I y Professor H. J. 0 liver in 1955 and Professor O.K. Anderson Jr. in 1972 both confirm Bang's opinion and most scholars would now attribute the play in its entirety to Ford.2 MAJOR THEMES The theme underlying the main plot is the cure of misogyny by arousing jealous suspicions in order to stimulate sexual attraction. This therapeutic idea has been attributed to the influence of Burtonian psychology. The subject is Alphonso, sentenced to death for rebellion but pardoned and married to the Queen, whose sex, however, he abhors. The agent is his counsellor Muretto who, by dropping into his master's mind suspicions of the Queen's relations with the young lord Petruchi, rouses him to a fury of sexual jealousy. Out of this theme three others develop. First is the trial of love, for the Queen endures with fortitude Alphonso's refusal to accept her as a wife and his subsequent accusation of unchastity. Second is the theme of honour; the Queen remains entirely loyal to her husband and also to her responsibilities towards her subjects, for she will allow none of them to risk life and limb by taking up the challenge of her cause. The theme of honour recurs in the secondary plot in Velasco's unwillingness to break the oath which he has sworn to the imperious Salassa even when she frees him from it. -
The Gordon Book
IMC . /-3 . I National Library of Scotland llilllllllill *B000359763* BOUND BY JAMES D. YEADON. Bookbinder & Station. 85 HIGH STREET, The Duke of Richmond and Gordon, K.G. From the painting by Sir George Reid, P.R.S.A., in Gordon Castle. The Gordon Book EDITED BY JOHN MALCOLM BULLOCH Published for Set Forth in the Bazaar of Type Produced the Fochabers and p R i NTED by Reading Room The Rosemount September mcmii Press Aberdeen D.RY J Of 9 $ The Object of this Book. " I " HIS Book has been prepared in connection with the Bazaar held to raise funds to build a Public Institute at Fochabers. An attempt has been made to make the Book one of strong local interest. It has been built tip round the family of the Duke of Richmond and Gordon, in view of the close relationship of his House with the town of Fochabers, and the keen interest which His Grace, and the members of his family, have always displayed in the Library and Reading-room. The Editor (who has never set foot in Foch- abers) has to thank the various contributors, and the local Committee, notably Mr. John Tully, for their assistance. Digitized by the Internet Archive in 2012 with funding from National Library of Scotland http://www.archive.org/details/gordonbookOObull £be IRicbmonb anb (Borbons at CBorbon Castle. O ICHMOND, Gordon, Lennox ! How these illustrious and noble -*-^ titles and names make our memories and imaginations course through the history of Scotland, England—even of the Continent of Europe. By one retrospective bound, we are in the earldom of Lennox with King Malcolm Canmore. -
University of Massachusetts Boston Coininenceinent 1 9 9 8
University of Massachusetts Boston Coininenceinent 1 9 9 8 Saturday, May 30 at 11:00 am After the Main Ceremony Diploma presentation ceremonies for individual UMass Boston colleges will be held after the main ceremony. Some graduates will leave the main hall and move to other locations in the Expo Center, followed by their families and friends. Other graduates, families, and friends will remain where they are. To make the Commencement experience as pleasant as possible for everyone involved, we ask all graduates and their guests to follow the instructions below. Information for Graduating Students College of Arts and Sciences graduates, including recipients of graduate degrees, should remain seated after the main ceremony. Graduates of the McCormack Institute should also remain seated. The diploma presentation ceremony for these graduates will be held in the main hall. All other graduates, including recipients of graduate degrees, will be asked to leave in groups, college by college. Graduates should wait until their college is announced. They should then march down the main aisle, following color coded banners for their colleges, to the locations of their ceremonies. The color codes are: College of Management Dark blue College of Public and Community Service Red Graduate College of Education Light blue College of Nursing and Human Performance Peach and Fitness Program Information for Guests As courtesy to the graduating students, we ask family members and friends to remain in their seats until all the graduates have been escorted to their indi vidual college ceremony locations. Guests of College of Arts and Sciences graduates, including recipients of graduate degrees, should remain seated after the main ceremony. -
UNIVERSITY of DETROIT
UNIVERSITY of DETROIT EXCERPT from the GRADUATE BULLETIN, 1935· 1937 PaBe Nine Use of Theses and Thesis M aterials . The University of Detroit always encourages, and even urges, the use of theses, thesis ma terials, and term papers submitted to instructors or departments of the Unive rsity in in partial fulfillment of the requirements for cred it or degrees, Such use may be oral (before meetings or conv entions) or through publication (period icals, monographs, or books.) However, as such theses, thesis materials, and term papers become the property of the University once they are sub mitted, --- it is expected that the permission of the University be secured for such oral or printed use , and a suitable credit line arranged, T his permis sion, and arrangement of credit line, should also be obser ved in the cas e of the publication of rna terials which the student intends to use later in partial fullfillment of the requirements for credit or degrees, Failure to observe such courtesy may be followed by the withdrawal of the credit or degree, Application for the use of materials and arrang ements mentioned must be made with the Graduate Office of the University of Detroit. THE UNIVERSITY OF DETROIT SOME ASPE CTS OF THE RENAISSANCE AS REFLECTED I N THE WORKS OF CHRISTOPHER MAR LOWE A THES IS SUBMI TTED TO THE GRADUATE FA CULTY IN PARTIAL FULFILLMENT OFTHE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF ENGLI SH BY SISTER M. ROSE ELLEN BROWN, O.P . DETR OIT, MICHIGAN J UNE, 1947 PREFACE The purpose of this thesis is to show t h a t Chri s topher Ma r l owe is an exponent of the Renaissance in that on e can detect some aspects of that a g e reflected i n his wo r ks . -
THE UNITED STATES MARINES Tn
MARINECORPS HISTORICAT REFERENCE PAMPHLET THEUNITED STATES MARINES tN |CELAND,tg4t -t942 @ HtsToRtcALDtvtstoN HEADQUARTERS,U.S. MARINE CORPS WASHINGTON,D.C. t970 .t .c J o o B tr lr : J1 \o c) c) OE c. p2 qJ9 r, c r-.1 o -ed uo s Z:J o0) TIIE UNITED STATES MARINES ]N ICEI]AND,].941-1942 Lieutenant Col-onel Kenneth ,f. Clifford. USMCR JloaEor Historical Division Headquarters, U. S. Marine Corps Washington, D. c" 20380 197 0 DEPARTITlENTOF THE NAVY HEAOOUARTERSUNITED STATES MAR]'!E CORPS WASHTNGTON,D. C 20340 PREFACE The material in tlris pamphl et has been extracted from chapter 4 of Pearl Harbor to Guadalcanal---Historv of the United States Marine corps Operations in World War If, Volume I by Lieutenant Colonel Frank O. Hough, USMCR, Major Verle E, Ludwig, USMCand Mr. Henry I. Stiaw. .Tr. In addition, a bibliography and appendix has been added. Ttii s pamphlet supersedes Marine Corps Historical Reference Series pamphlet number 34. The United states Marines Ln Iceland, L94L-1942, published and l-ast reviewed in 1962t by the Historical Branch, G-3 Division. Headquarters, U. s. Marine corps. The Marine defense of lcel,and is one of the many actions categorized by Admiral sanuel Eliot Morison as rrshort of war operations." It is an important story and this pamphlet is published for the information of tttose interested in this h:r+i^,r'lrr ar2 ih ^!rr lic+^.".- --rY. nrr, Q/ z i'{//42" 't'Yt" w. J. v4N RYZrN ' LjeuLenani Ceneral, U.S. Morine CoLps Chjef oF SLaff, HeadcLu€rEe!s, Marine Corps Reviewed and Approved: 29 J arLrrary 1970 aaa TABI,E OF CONTENTS Extracts fron Chapter 4' volune 1, Pearl Harbor to cuaalal-canal"---Historv of U. -
The Making of the Modern Marine Corps Through Public Relations, 1898-1945
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Aquila Digital Community The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 12-1-2018 Esprit De Marine Corps: The Making of the Modern Marine Corps through Public Relations, 1898-1945 Colin Colbourn University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Mass Communication Commons, Military History Commons, Public Relations and Advertising Commons, and the United States History Commons Recommended Citation Colbourn, Colin, "Esprit De Marine Corps: The Making of the Modern Marine Corps through Public Relations, 1898-1945" (2018). Dissertations. 1593. https://aquila.usm.edu/dissertations/1593 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. ESPRIT DE MARINE CORPS: THE MAKING OF THE MODERN MARINE CORPS THROUGH PUBLIC RELATIONS, 1898-1945 by Colin M. Colbourn A Dissertation Submitted to the Graduate School, the College of Arts and Sciences and the School of Humanities at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved by: Dr. Andrew Wiest, Committee Chair Dr. David Davies Dr. Kyle Zelner Dr. Andrew Haley Dr. Heather Stur ____________________ ____________________ ____________________ Dr. Andrew Wiest Dr. Luis Iglesias Dr. Karen S. Coats Committee Chair Director of School Dean of the Graduate School December 2018 COPYRIGHT BY Colin M. -
Sculpture & Curios Trail
Sculpture & Curios Trail Interesting objects in Aberdeen city centre #aberdeentrails #aberdeentrails Welcome to Aberdeen, our beautiful and historic city by the sea! The city centre has a hugely diverse range of sculptures ranging from traditional to contemporary and perform many functions such as the expression of ideas, commemoration, memorial, and remembrance. Find out which one is a magnificent granite lion, which one is William Wallace, which one perhaps Scotland’s greatest king, and which one was originally intended as a taunt to a complaining neighbour! Have fun roaming around our beautiful city and finding out a bit about its history through the City Centre Sculpture & Curios Trail. Credits Thanks to Sheila Towns for her contribution to the conception, development, writing and research for this booklet Picture Credits All images © Aberdeen City Council unless otherwise stated No 15 King Edward VII Photograph reproduced with the kind permission of Aberdeen Journals Ltd No 16 Kelly’s Cats Photograph reproduced with the kind permission of Ian Watt Key to Symbols Uneven or steep slope STEEP Wheelchair accessible Show off your photos on Not wheelchair accessible Instagram @aberdeen_cc #beautifulABDN 1 Mannie and Castlegate Well 3 Gordon Situated at Castle Street, next to Shiprow Highlanders (cobbled surface nearby) Monument From 1708 until 1852, the Castlegate Situated at Castle Street Well was a central part of the next to King Street burgh’s water supply. In the late This three-dimensional 18th century a lead figure, commonly bronze statue was known as the Mannie, was added to the top of commissioned by Aberdeen the well. The Mannie and Well were moved to City Council and unveiled the Green in 1852 and then returned to the by the Colonel-in-Chief of Castlegate in 1973.