Hani Zurob CV
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The United Nations and Palestinian Refugees the United Nations and Palestinian Refugees
UNRWA CONTACTS: Public Information Office Gaza HQ P.O. Box 140157 Amman, Jordan 11814 Tel.: +972 8 677 7527 Fax: +972 8 677 7697 E-mail: [email protected] Website: www.unrwa.org UNHCR CONTACTS: United Nations High Commissioner for Refugees 94, Rue de Montbrillant Case Postale 2500 CH-1211 Genève 2 Dépôt Switzerland Tel.: +41 22 739 8111 Fax: +41 22 739 7334 E-mail: [email protected] Website: www.unhcr.org Front cover: Palestinians fleeing to Jordan,June 1967 / UNRWA Back cover: Tents had just been replaced by cement block houses at Khan Younis refugee camp, Gaza Strip, 1955 / UNRWA Inside cover: Baqa’a refugee camp, Jordan, 1969 / UNRWA Opposite: A Palestine refugee with her grandson in Beach refugee camp, Gaza Strip / UNRWA All UNRWA photographs courtesy of UNRWA Photo Archive & Steve Sabella January 2007 2 The United Nations and Palestinian Refugees The United Nations and Palestinian Refugees n December 1949, the United Nations General IAssembly established the United Nations Relief and Works Agency for Palestine Refugees in the Near East (UNRWA) to provide humanitarian relief to the more than 700,000 refugees and displaced persons who had been forced to flee their homes in Palestine as a result of the 1948 Arab-Israeli war. Also in December 1949, the United Nations General Assembly decided to set up the Office of the United Nations High Commissioner / 1950s UNRWA for Refugees (UNHCR), as Suffering and fortitude of young and old in of 1 January 1951, with the Jalazone refugee camp, West Bank principal aim of dealing with refugees in Europe of Palestine refugees, that is, refugees left homeless by World War from the territory that had been under II. -
An Abstract Painter Rooted in Palestine's Reality | the Electronic Intifada 7/3/13 8:08 PM
Hani Zurob: an abstract painter rooted in Palestine's reality | The Electronic Intifada 7/3/13 8:08 PM The Electronic Intifada ﺍﻻﻧﺘﻔﺎﺿﺔ ﺍﻹﻟﻜﺘﺮﻭﻧﻴﺔ Art, Music & Culture Hani Zurob: an abstract painter rooted in Palestine’s reality Sarah Irving The Electronic Intifada 17 June 2013 A Palestinian painter from Gaza, Hani Zurob may have only been practicing as a fine artist since the late 1990s, but he already has an enviable list of solo shows — twelve, spread between Qatar, France, Palestine and Morocco — and joint exhibitions. The latter have included shows in venues as prestigious as L’Institut du Monde Arabe in Paris, the national museums of Bahrain and Syria, and the Henry Moore Institute in the UK. And in January, he was listed as one of The Huffington Post’s “10 international artists to watch in 2013.” Zurob’s reputation and profile will be further enhanced by the publication of Between Exits, a monograph on his life and work. Despite his comparative youth (he is just 37), this collection of images, alongside a wide-ranging text by Kamal Boullata (probably best known for his monumental book Palestinian Art: From 1850 to the Present), shows just how versatile and energetic an artist Zurob is. Boullata’s text does not pull any punches in asserting Zurob’s place as an artist whose work deserves attention not because of his national origin or life story, but because of its artistic quality. http://electronicintifada.net/content/hani-zurob-abstract-painter-rooted-palestines-reality/12546 Page 1 of 6 Hani Zurob: an abstract painter rooted in Palestine's reality | The Electronic Intifada 7/3/13 8:08 PM The preface opens with this challenge: “In a homeland enduring over 40 years of military occupation, where art is saturated with nationalist clichés and tired iconographic images, how does a young and ambitious talent like Hani Zurob break away from the binds of the local mainstream to explore his own originality in painting?” “No boundaries” This doesn’t mean that Zurob seeks somehow to place himself “above” his Palestinian origins. -
University of Bath PHD the Grief of Nations
University of Bath PHD The Grief of Nations: An analysis of how nations behave in the wake of loss: does it constitute grief? Malamah-Thomas, Ann Award date: 2011 Awarding institution: University of Bath Link to publication Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 07. Oct. 2021 The Grief of Nations An Analysis of How Nations Behave in the Wake of Loss: Does it Constitute Grief? Ann Malamah-Thomas A thesis submitted for the degree of Doctor of Philosophy University of Bath Department of Social and Policy Sciences July 2011 COPYRIGHT Attention is drawn to the fact that copyright of this thesis rests with the author. A copy of this thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that they must not copy it or use material from it except as permitted by law or with the consent of the author. -
Becoming PALESTINE
Becoming PALESTINE TOWARD AN ARCHIVAL IMAGINATION OF THE FUTURE GIL Z. HOCHBERG Becoming P ALESTINE GIL Z. HOCHBERG Becoming PALESTINE TOWARD AN ARCHIVAL IMAGINATION OF THE FUTURE © All rights reserved Printed in the United States of Amer i ca on acid- free paper ∞ Cover designed by Aimee C. Harrison Text designed by Matthew Tauch Typeset in Portrait Text Regular by Compositor Library of Congress Cataloging- in- Publication Data Names: Hochberg, Gil Z., [date] author. Title: Becoming Palestine: toward an archival imagination of the future / Gil Z. Hochberg. Description: Durham: Duke University Press, 2021. | Includes bibliographical references and index. Identi«ers: ¬¬ 2021005977 (print) ¬¬ 2021005978 (ebook) ´ 9781478013884 (hardcover) ´ 9781478014829 (paperback) ´ 9781478022138 (ebook) Subjects: ¬ : Visual communication— Political aspects— Palestine. | Archival materials— Palestine. | Ethnomusicology— Palestine. | Arab- Israeli con»ict— Mass media and the con»ict. | Palestine— In motion pictures. | ´¬: / Middle Eastern | / History / Con temporary (1945-) Classi«cation: ¬¬ 95.82. 19 634 2021 (print) | ¬¬ 95.82. 19 (ebook) | ¬ 302.2095694— dc23 ¬ rec ord available at https: // lccn . loc . gov / 2021005977 ¬ ebook rec ord available at https: // lccn . loc . gov / 2021005978 Cover art: Steve Sabella, 38 Days of Re-Collection, 2014. b&w «lm negatives (generated from digital images), printed with b&w photo emulsion spread on paint fragments peeled o¾ Jerusalem’s Old City house walls. The photograph was taken in a Palestinian -
Steve Sabella. Archaeology of the Future
STEVE SABELLA ARCHAEOLOGY OF THE FUTURE STEVE SABELLA ARCHAEOLOGY OF THE FUTURE Verona, Centro Internazionale di Fotografia Scavi Scaligeri 8 OTTOBRE - 16 NOVEMBRE 2014 Il Sindaco | Mayor Visite guidate | Guided Tours Davide D’Agostino Mostra a cura di | Curated by Assessore alla Cultura | The Culture Councillor Karin Adrian von Roques Valentina Ferrazzi Flavio Tosi Giulia Magnabosco Consigliera incaricata alla Cultura Valeria Marchi Counsellor for Cultural Affairs Valeria Nicolis Antonia Pavesi Lorenza Roverato | Catalogo a cura di | Catalog edited by Si ringrazia | Many thanks to Direzione Area Cultura | Culture Department Director Servizio guardiania Gallery Attendants Service Beatrice Benedetti Un ringraziamento particolare a Mauro Fiorese. Gabriele Ren Auser Con lui abbiamo preso parte alla Biennale Coordinamento e organizzazione Servizio Sicurezza/Security Testi di | Texts by di Fotografia FotoFest di Houston in veste Società Servizi Socio Culturali Flavio Tosi di portfolio reviewer. Coordination and Organisation Giusi Pasqualini Antonia Pavesi Grazie a quell’esperienza abbiamo Servizio Civile/Civilian Service Karin Adrian von Roques incontrato Karin e Steve Silvano Campedelli Davide Papetti Steve Sabella Progetto e coordinamento manageriale Nadia Johanne Kabalan Special thanks go to Mauro Fiorese, Tirocinio/Internship Project and Managerial Coordination Alice Malesani Leda Manosur who was with us when we took part Giorgio Gaburro Beatrice Benedetti in the FotoFest Biennial of Photography Logistica mostra | Exhibition Logistics in -
SOWC-2005.Pdf
THE STATE OF THE WORLD’S CHILDREN 2005 CHILDHOOD UNDER THREAT CHILDHOOD I Number of children in the world: 2.2 billion. I Number of children living in developing countries: 1.9 billion. I Number of children living in poverty: 1 billion – every second child. I The under-18 population in Sub-Saharan Africa: 340 million; in Middle East and North Africa: 153 million; in South Asia: 585 million; in East Asia and Pacific: 594 million; in Latin America and Caribbean: 197 million; and in Central and Eastern Europe and the Commonwealth of Independent States (CEE/CIS): 108 million. I SHELTER, WATER AND HEALTH CARE I 640 million children in developing countries live without adequate shelter: one in three. I 400 million children have no access to safe water: one in five. I 270 million children have no access to health services: one in seven. I EDUCATION, COMMUNICATION AND INFORMATION I More than 121 million primary- school-age children are out of school; the majority of them are girls. I Number of tele- phones per 100 people in Sweden, 162; in Norway, 158; in South Asia, 4. I Number of Internet users per 100 people in Iceland, 65; in Liechtenstein, 58; in Sweden, 57; in the Republic of Korea and the United States, * 55; in Canada, Denmark, Finland and the Netherlands, 51; and in South Asia, 2. I SURVIVAL I Total number of children younger than five living in France, Germany, Greece and Italy: 10.6 million I Total num- ber of children worldwide who died in 2003 before they were five: 10.6 million. -
Building a Successful Palestinian State
CHILD POLICY This PDF document was made available from www.rand.org as CIVIL JUSTICE a public service of the RAND Corporation. EDUCATION ENERGY AND ENVIRONMENT Jump down to document HEALTH AND HEALTH CARE 6 INTERNATIONAL AFFAIRS NATIONAL SECURITY The RAND Corporation is a nonprofit research POPULATION AND AGING organization providing objective analysis and PUBLIC SAFETY SCIENCE AND TECHNOLOGY effective solutions that address the challenges facing SUBSTANCE ABUSE the public and private sectors around the world. TERRORISM AND HOMELAND SECURITY TRANSPORTATION AND INFRASTRUCTURE Support RAND Purchase this document Browse Books & Publications Make a charitable contribution For More Information Visit RAND at www.rand.org Explore the RAND Corporation View document details Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non-commercial use only. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents. This product is part of the RAND Corporation monograph series. RAND monographs present major research findings that address the challenges facing the public and private sectors. All RAND monographs undergo rigorous peer review to ensure high standards for research quality and objectivity. Building a Successful Palestinian State The RAND Palestinian State Study Team Supported by a gift from David and Carol Richards Research for this study was carried out from September 2002 through May 2004 by a multidisciplinary team of RAND researchers, working under the direction of the RAND Health Center for Domestic and International Health Security in conjunction with the Center for Middle East Public Policy (CMEPP), one of RAND’s international programs. -
The Palestine Israel Journal
Culture The Parachute Paradox (Chapter from a Jerusalem memoir) Steve Sabella Steve Sabella, born 1975 in Jerusalem, Palestine, is a Berlin-based artist whose work is exhibited and held in collections around the world. He holds a MA in photographic studies from the University of Westminster and a MA in art business from Sotheby’s Institute of Art. He received the 2008 Ellen Auerbach Award from the Akademie der Künste Berlin, which included the subsequent publication of his monograph Steve Sabella— Photography 1997–2014, spanning his two decade career. This is an excerpt from chapter fourteen of The Parachute Paradox. In September 2016 Kerber Verlag published the Berlin-based artist’s memoir, which explores three decades of his life under Israeli occupation and the arduous search for liberation from within. …A year earlier I had rented the occupied house in Ein Karim, Jerusalem, that once belonged to a Palestinian family who in all likelihood had been forced into a refugee camp and then condemned to a lifetime of exile following Israel’s creation in 1948. For those thirty-eight days I struggled with my identity, the Palestinian Right of Return, and morality. I would often think about what Najwan [Darwish] said in the 2007 documentary Jerusalem in Exile, I can’t understand how a nation can take the land of another. Who could live in someone else’s home, without a problem, not even on a psychological level? Isn’t it surprising that the people who live in these houses don’t think about who used to live there? When I took my first step onto the arabesque tiled floor, I felt it shatter under my feet. -
Hani Zurob: the Painting As Real
32 Profiles The Painting as Real: Hani Zurob By Adania Shibli References to photographs as a reflection or a Zurob continues to describe how he eventually found representation of the real, or even as hyperreal, are quite a refuge during these prolonged days of curfew in the common. Visual theorists, such as Martin Jay, explain furthest corner of their house which was full of his such references not only to photographs but also to father’s books and magazines, with several of them paintings that are a produce of perspectival gaze, by the containing drawings in them. These drawings, in their fact that the camera obscura model, assigns a place for turn, prompted the young Zurob to copy them using a viewer who is disconnected from the viewed scene; transparent paper; and as he got better and better, he for example, an objective viewer of the world. Other started adding his personal touch to them. It is this theorists, namely Norman Bryson, explain that such type personal touch then, one can hold accountable for the of images, generate this sense of resemblance to the real deformed bodies and faces, composed of thick dark world, based on the ratio of the depicted objects in the lines of bitumen piled in the centre of the frame. And frame. this personal touch is again nothing but a personal experience of a deformation, or to be more precise, a Still it never occurred to me that paintings, which are deliberate destruction of bodies in the real world of the not even generated based on perspectivalism, could also artist. -
Colours of Hope Is UNDP
Colours of Hope is UNDP/ PAPP’s Fourth Annual Art Auction and features a collection that covers a diverse group of young male and female artists from across the West Bank, East Jerusalem and the Gaza Strip. The exhibition includes the work of many of Palestine’s most promising up-and- coming artists including Saadeh Radhy, Hani Zo’rob, Basel Magoussi, Nazih Moughrabi and Colours of Mohammed Shanti. The 2005 paintings are reflective of Hope the rich Palestinian artistic an exhibition of Palestinian art and cultural diversity and UNDP/PAPP’s Fourth Annual Art Auction were carefully selected so as to reflect the wealth of talent in the West Bank, East Jerusalem and Gaza. 1 Colours of 2005 Curator: Ehab Shanti Assistant Curator: Dania Darwish and Zoi Constantine HopeH Project Assistant: Murad Bakri an exhibition of Palestinian art Design and Print: Shadi Darwish - Al Nasher Ad. Paintings photography: Steve Sabella UNDP/PAPP’s Fourth Annual Art Auction The United Nations Development Programme (UNDP) launched its Programme of Assistance to the Palestinian People (PAPP) in 1978, following the passing of a UN General Assembly resolution in support of the economic and social development of Palestinians. With this objective in mind, UNDP/PAPP has since implemented hundreds of projects throughout the West Bank and Gaza Strip, funded by a number of international donors. Initial funding was provided by UNDP and five bilateral donors: Germany, Italy, Japan, Netherlands and the United States of America. Since then, UNDP/PAPP has expanded and has now received a total of $600 million from countries around the world. -
Steve SABELLA Fragments 7 MARCH - 10 MAY
63 MARGARET STREET.LONDON.W1W 8SW Steve SABELLA fragments 7 MARCH - 10 MAY Berloni Gallery is proud to present the first UK solo exhibition of Berlin-based Palestinian artist Steve Sabella. From March 7 - May 10, 2014, Cecile Elise Sabella (2008), In Exile (2008), Metamorphosis (2012) and 38 Days of Re-Collection (2014) will be on display. Hubertus Von Amelunxen, writer of Sabella’s upcoming monograph to be published by Hatje Cantz and the Academy of the Arts (Sept 2014), cites how his collages, “form a dazzling tableau of possible transitions and detachment processes between world and image, image and world. Sabella uses photography as an artistic language of existential exile. His relationship with the medium is penetrating.” Sabella came to terms with his exile preferring to remain in transition. As Vilém Flusser writes, “Emigres become free, not when they deny their lost homeland, but when they come to terms with it”. In his works, In Exile, he gives form to the symptoms or side effects of exile, where as in Cecile Elise Sabella, photographs of his daughter’s clothing are stitched to canvas mirroring the duality of exile––a simultaneous presence and absence. But, in Metamorphosis, he confronts the core components that shaped his feeling of alienation. As he writes, “The hard work was finding how to allow for a new transformation, while accepting that my DNA will always stay the same.” It was through the investigation of his state of exile, a process of self-interrogation and introspection, that Sabella was able to dig deeper into the relationship between images and the reality they create. -
Hani Zurob: an Abstract Painter Rooted in Palestine's Reality | the Electronic Intifada 12/3/18, 2 25 PM Hani Zurob: an Abstract Painter Rooted in Palestine’S Reality
Hani Zurob: an abstract painter rooted in Palestine's reality | The Electronic Intifada 12/3/18, 225 PM Hani Zurob: an abstract painter rooted in Palestine’s reality Sarah Irving The Electronic Intifada 17 June 2013 A Palestinian painter from Gaza, Hani Zurob may have only been practicing as a fine artist since the late 1990s, but he already has an enviable list of solo shows — twelve, spread between Qatar, France, Palestine and Morocco — and joint exhibitions. The latter have included shows in venues as prestigious as L’Institut du Monde Arabe in Paris, the national museums of Bahrain and Syria, and the Henry Moore Institute in the UK. And in January, he was listed as one of The Huffington Post’s “10 international artists to watch in 2013.” Zurob’s reputation and profile will be further enhanced by the publication of Between Exits, a monograph on his life and work. Despite his comparative youth (he is just 37), this collection of images, alongside a wide-ranging text by Kamal Boullata (probably best known for his monumental book Palestinian Art: From 1850 to the Present), shows just how versatile and energetic an artist Zurob is. Boullata’s text does not pull any punches in asserting Zurob’s place as an artist whose work deserves attention not because of his national origin or life story, but because of its artistic quality. The preface opens with this challenge: “In a homeland enduring over 40 years of military occupation, where art is saturated with nationalist clichés and tired iconographic https://electronicintifada.net/content/hani-zurob-abstract-painter-rooted-palestines-reality/12546 Page 1 of 4 Hani Zurob: an abstract painter rooted in Palestine's reality | The Electronic Intifada 12/3/18, 225 PM images, how does a young and ambitious talent like Hani Zurob break away from the binds of the local mainstream to explore his own originality in painting?” “No boundaries” This doesn’t mean that Zurob seeks somehow to place himself “above” his Palestinian origins.