University of Bath PHD the Grief of Nations
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Mural Initiative Brochure Page1
mural initiative 2018 lebanon unrwa UNRWA Ein el Assal school compound, Rashidieh Palestine refugee camp, Tyre Each year since 2013, the UNRWA Operations Support Office Between October 2017 and November 2018, Palestine refugee team (OSO) in Lebanon has taken the lead on initiatives to paint children painted the walls of 14 UNRWA installations including 9 colourful murals on the walls of UNRWA installations in schools, 2 camp services office, 2 health clinic and 1 water tank Palestine refugee camps across Lebanon. Through these and sanitation office across 6 Palestine refugee camps in murals, the initiative aims to promote creativity in portraying Lebanon; Ein el Hilweh camp, Rashidieh camp, Beddawi camp, positive messages, to increase community engagement in Burj el Barajneh camp, Mar Elias camp and Wavel camp. relation to the camp environment, and in addition preserving the neutrality of UNRWA installations in the camps and gatherings. This document enlists the 2018 mural initiatives completed in the four areas of operation in Lebanon (North Lebanon, Central The mural painting included positive messaging related to water, Lebanon, Tyre and Saida) to address neutrality issues in the sanitation and hygiene, sports, inclusion of all communities, following installations: four UNRWA Schools (Sammou, Bissan, friendship and peace. Artists from the community were selected Safad and Naqoura) in Ein el Hilweh Palestine refugee camp, by UNRWA OSO teams to design mural paintings, with the involve- Saida; UNRWA health clinic in Rashidieh Palestine refugee ment of Palestine refugees in Lebanon (PRL) and Palestinian camp, Tyre; UNRWA Ein el Assal school in Rashidieh Palestine refugees from Syria (PRS) children to decide on the themes and refugee camp, Tyre; UNRWA Majeddo and Mazar schools in designs. -
Survey of Palestinian Refugees and Internally Displaced Persons 2010 - 2012 Volume VII
BADIL Resource Center for Palestinian Residency and Refugee Rights is an independent, community-based non- This edition of the Survey of Palestinian Survey of Palestinian Refugees and profit organization mandated to defend Refugees and Internally Displaced Persons BADIL Internally Displaced Persons 2010-2012 and promote the rights of Palestinian (Volume VII) focuses on Palestinian Vol VII 2010-2012 refugees and Internally Displaced Persons Survey of refugees and IDPs. Our vision, mission, 124 Pages, 30 c.m. (IDPs) in the period between 2010 and ISSN: 1728-1679 programs and relationships are defined 2012. Statistical data and estimates of the by our Palestinian identity and the size of this population have been updated Palestinian Refugees principles of international law, in in accordance with figures as of the end Editor: Nidal al-Azza particular international human rights of 2011. This edition includes for the first law. We seek to advance the individual time an opinion poll surveying Palestinian Editorial Team: Amjad Alqasis, Simon and collective rights of the Palestinian refugees regarding specific humanitarian and Randles, Manar Makhoul, Thayer Hastings, services they receive in the refugee Noura Erakat people on this basis. camps. Demographic Statistics: Mustafa Khawaja BADIL Resource Center was established The need to overview and contextualize in January 1998. BADIL is registered Palestinian refugees and (IDPs) - 64 Internally Displaced Persons Layout & Design: Atallah Salem with the Palestinan Authority and years since the Palestinian Nakba Printing: Al-Ayyam Printing, Press, (Catastrophe) and 45 years since Israel’s legally owned by the refugee community Publishing and Distribution Conmpany represented by a General Assembly belligerent occupation of the West Bank, including eastern Jerusalem, and the 2010 - 2012 composed of activists in Palestinian Gaza Strip - is derived from the necessity national institutions and refugee to set the foundations for a human rights- community organizations. -
An Abstract Painter Rooted in Palestine's Reality | the Electronic Intifada 7/3/13 8:08 PM
Hani Zurob: an abstract painter rooted in Palestine's reality | The Electronic Intifada 7/3/13 8:08 PM The Electronic Intifada ﺍﻻﻧﺘﻔﺎﺿﺔ ﺍﻹﻟﻜﺘﺮﻭﻧﻴﺔ Art, Music & Culture Hani Zurob: an abstract painter rooted in Palestine’s reality Sarah Irving The Electronic Intifada 17 June 2013 A Palestinian painter from Gaza, Hani Zurob may have only been practicing as a fine artist since the late 1990s, but he already has an enviable list of solo shows — twelve, spread between Qatar, France, Palestine and Morocco — and joint exhibitions. The latter have included shows in venues as prestigious as L’Institut du Monde Arabe in Paris, the national museums of Bahrain and Syria, and the Henry Moore Institute in the UK. And in January, he was listed as one of The Huffington Post’s “10 international artists to watch in 2013.” Zurob’s reputation and profile will be further enhanced by the publication of Between Exits, a monograph on his life and work. Despite his comparative youth (he is just 37), this collection of images, alongside a wide-ranging text by Kamal Boullata (probably best known for his monumental book Palestinian Art: From 1850 to the Present), shows just how versatile and energetic an artist Zurob is. Boullata’s text does not pull any punches in asserting Zurob’s place as an artist whose work deserves attention not because of his national origin or life story, but because of its artistic quality. http://electronicintifada.net/content/hani-zurob-abstract-painter-rooted-palestines-reality/12546 Page 1 of 6 Hani Zurob: an abstract painter rooted in Palestine's reality | The Electronic Intifada 7/3/13 8:08 PM The preface opens with this challenge: “In a homeland enduring over 40 years of military occupation, where art is saturated with nationalist clichés and tired iconographic images, how does a young and ambitious talent like Hani Zurob break away from the binds of the local mainstream to explore his own originality in painting?” “No boundaries” This doesn’t mean that Zurob seeks somehow to place himself “above” his Palestinian origins. -
Draft Chapter 1
UvA-DARE (Digital Academic Repository) Palestine online : cyber Intifada and the construction of a virtual community 2001-2005 Aouragh, M. Publication date 2008 Document Version Final published version Link to publication Citation for published version (APA): Aouragh, M. (2008). Palestine online : cyber Intifada and the construction of a virtual community 2001-2005. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:07 Oct 2021 Palestine Online Dit proefschrift werd mogelijk gemaakt met de financiële steun van: Amsterdam School voor Social Science Research (ASSR) Netherlands Organisation for Scientific Research (NWO) Netherlands Foundation for the Advancement of Tropical Research (WOTRO) Palestine Online Cyber Intifada and the Construction of a Virtual Community 2001-2005 ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof. -
Green Roofing for Rashidieh Early Action Project
CONCEPT NOTE GREEN ROOFING FOR RASHIDIEH (EHS 2018-2019) Activities: - Green Roof project on 100 EARLY ACTIONdemonstration PROJE houses CT - Awareness raising campaign for importance of green roofs - School green roof project in 2 schools including horticultural inputs, water saving devices, solar pump, and panels, and water storage tanks. - UNRWA staff and camp leaders environmental awareness, waste management system, carbon footprint, and energy needs to develop training of trainers capacity. - Production of guidance materials, GREEN ACTION factsheets and posters, manual for green roofs in Rashidieh FOR RASHIDIEH - Study tour to Green Roofs in Beirut or other areas in Lebanon - Coastal zone on shore protection of INTRODUCTION The Tyre-Rashidieh camp 2018 Environmental Health dunes and upper shore area, including Strategy provides a clear action plan for eco-action in the 12 Palestinian refugee waste project camps in Lebanon. Of the 227 recommended actions within the EHS, greening space, and linked Methodology: environmental education have been identified as providing significant opportunity - Practical action demo project activities for lower-cost, high impact, and high upscaling potential (over 2000 roofs - Local Self- Help Delivery by key potential). selected groups within Rashidieh In order to give momentum to the recommendations and subsequent studies - Preparation of subcontract for project (BMGM and UPM 2018) UNRWA is proposing the following early action project. execution support provided by LOCAl NGO and local environmental expert - Study tours (Tyre and Shouf, Beirut) Utilisising a practical green action approach, this project is set to further - Campaigns and events environmental context in UNRWA external and internal operations, donor policies (Environmental education including event, surveys, and competition) and program design. -
Tel Aviv Elite Guide to Tel Aviv
DESTINATION GUIDE SERIES TEL AVIV ELITE GUIDE TO TEL AVIV HIGHLIGHTS OF TEL AVIV 3 ONLY ELITE 4 Elite Traveler has selected an exclusive VIP experience EXPERT RECOMMENDATIONS 5 We asked top local experts to share their personal recommendations ENJOY ELEGANT SEA-FACING LUXURY AT THE CARLTON for the perfect day in Tel Aviv WHERE TO ➤ STAY 7 ➤ DINE 13 ➤ BE PAMPERED 16 RELAX IN STYLE AT THE BEACH WHAT TO DO ➤ DURING THE DAY 17 ➤ DURING THE NIGHT 19 ➤ FEATURED EVENTS 21 ➤ SHOPPING 22 TASTE SUMPTUOUS GOURMET FLAVORS AT YOEZER WINE BAR NEED TO KNOW ➤ MARINAS 25 ➤ PRIVATE JET TERMINALS 26 ➤ EXCLUSIVE TRANSPORT 27 ➤ USEFUL INFORMATION 28 DISCOVER CUTTING EDGE DESIGNER STYLE AT RONEN ChEN (C) ShAI NEIBURG DESTINATION GUIDE SERIES ELITE DESTINATION GUIDE | TEL AVIV www.elitetraveler.com 2 HIGHLIGHTS OF TEL AVIV Don’t miss out on the wealth of attractions, adventures and experiences on offer in ‘The Miami of the Middle East’ el Aviv is arguably the most unique ‘Habuah’ (‘The Bubble’), for its carefree Central Tel Aviv’s striking early 20th T city in Israel and one that fascinates, and fun-loving atmosphere, in which century Bauhaus architecture, dubbed bewilders and mesmerizes visitors. the difficult politics of the region rarely ‘the White City’, is not instantly Built a mere century ago on inhospitable intrudes and art, fashion, nightlife and attractive, but has made the city a World sand dunes, the city has risen to become beach fun prevail. This relaxed, open vibe Heritage Site, and its golden beaches, a thriving economic hub, and a center has seen Tel Aviv named ‘the gay capital lapped by the clear azure Mediterranean, of scientific, technological and artistic of the Middle East’ by Out Magazine, are beautiful places for beautiful people. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
No Place Like Home
D ISplACED WOMEN’SRIGHTS TO HOUSING, LAND AND PROPERTY NO PLACE LIKE HOME: A n Assessment of the Housing, Land and Property Rights of Palestinian Refugee Women in Camps and Gatherings in Lebanon Researched and written by: Majida Rasul, with assistance from NRC ICLA Lebanon Edited by: Kathleen Gibson Photographs by: Christian Jepsen (front and back cover), and Majida Rasul This document has been produced with the financial assistance of the UK Department for International Development and the Norwegian Ministry of Foreign Affairs. The contents of the document are the sole responsibility of the Norwegian Refugee Council and can under no circumstances be regarded as reflecting the position of the UK Department for International Development. Norwegian Refugee Council (NRC) The Norwegian Refugee Council (NRC) is an independent, interna- tional, humanitarian non-governmental organisation which provides assistance, protection and contributes to durable solutions for refugees and internally displaced people worldwide. For more information, please contact [email protected]. D ISplACED WO S MEN’ RIGHTS TO HOUSING, LAND AND PROPERTY NO PLACE LIKE HOME: AN ASSESSMENT of THE HOUSING, LAND and PROPERTY RIGHTS OF PALESTINIAN REFUGEE WOMEN in CAMPS and GaTHERINGS in LEBANON TaE BL OF CONTENTS Executive Summary 3 Acronyms 9 NRC Lebanon and the ICLA Programme 10 Scope and Methodology of this Assessment 12 1. Introduction 14 Understanding the Context of Challenges to HLP Rights of Palestinian Refugee 1.1 16 Women in Lebanon 1.1.1 Palestinian Refugees in Lebanon 16 2. Profiling Refugee Camps and Gatherings 18 2.1 Camps 19 2.1.1 Al Rashidieh Camp 20 2.2 Gatherings 20 2.2.1 Al Qasmieh Gathering 21 2.2.2 Jal al Baher Gathering 22 3. -
MICHAL ROVNER Nofim May 10-July 12, 2014 Reception May 10, 2014 5Pm-7Pm
MICHAL ROVNER Nofim May 10-July 12, 2014 Reception May 10, 2014 5pm-7pm Shoshana Wayne Gallery is pleased to present Nofim, a new exhibition by Michal Rovner. This is the artist’s third solo exhibition with the gallery. Working in video, sculpture, drawing, photography, painting, sound, and installation, Rovner begins with reality and creates situations that illuminate themes of change and the human condition. With imagery taken from Israel, the landscapes and figures are at once familiar and foreign, calming and disconcerting, personal and political. The figures sway and move yet they do not escape the scene. The scenes are ambiguous enough as to refuse definitive identification yet they are familiar enough as to evoke deep visceral connections. The power of Rovner’s work rests in her ability to evoke visceral responses to her art. Her landscapes are stripped down, fragmented, and homogenized in such a way that they could be almost any mountainside, desert, or ocean. The human figures are abstracted so as to blur distinctions not only between male and female but also between nationalities –humanity in its most essential form. The cypress trees that are central in this particular body of Rovner’s work, have varied and rich cultural significance worldwide. In the Mediterranean region, it is one of the most ancient trees with scholars noting its presence in biblical writings. In Greek and Roman culture, the cypress symbolizes mourning and hope. For Rovner’s purposes, it is not the cypresses inscribed meanings that are significant, but it is the fact that they exist in the landscape. -
Magistri Thietmari Peregrenatio Pilgerreise Nach Palästina Und Auf Den Sina in Den Jahren 1217/1218
Magistri Thietmari Peregrenatio Pilgerreise nach Palästina und auf den Sina in den Jahren 1217/1218 herausgegeben von ULF KOPPITZ, Geretsried Vorbemerkung des Herausgebers S. 121 Edition: Magistri Thietmari Peregrenatio S. 127 Anhänge S. 176 Anhang: „Karten und Bilder“ (in der Reihenfolge von Thiet- mars Reise) - Übersichtskarte des Pilgerweges mit Ortsangaben und Verweisen auf Anhänge S. 176 - Übersichtskarte des Pilgerweges, farbige Reliefkarte ohne Ortsangaben, um einen Eindruck von der Land- schaft zu geben S. 177 - Kartenskizze Akkon S. 178 - Historische Ansicht Berg Tabor S. 178 - Karte Damaskus S. 179 - Karte und zwei Bilder des ersten tiefen Wadis im Ostjordanland S. 180 - Ansicht und Grundriss Kerak S. 181 - Zwei Ansichten Monreal/Shaubak S. 182 - Karte des zweiten tiefen Wadis im Ostjordanland S. 183 - Bild eines Wüstentals S. 183 Anhang: „Jordanquellen“ (mit Karte) S. 184 Anhang: „Petra“ (mit Karte und Bildern) S. 191 Anhang: „Pharao-Insel“ (mit Karten und Bildern) S. 194 Anhang: „Katharinenkloster und Mosesberg“ (mit Karte und Bildern) S. 200 Geographische Angaben S. 208 Quellen- und Literaturverzeichnis S. 214 Concilium medii aevi 14 (2011) 121–221 http://cma.gbv.de,cma,014,2011,a,10.pdf ULF KOPPITZ: Magistri Thietmari Peregrenatio Vorbemerkungen des Herausgebers Zur Person Thietmars Thietmar(us) – auch Thetmarus, Detmarus und Ditmarus – war ver- mutlich im Sächsischen beheimatet; er muss ein höher gestellter Kleriker gewesen sein. Die Identifizierung mit einem sonst belegten Träger seines Namens ist bisher nicht gelungen. Er könnte der 1220–1221 als Kanoniker am Hl.-Kreuz-Stift in Hildesheim überlieferte Themar sein. Zeitgleich war dort auch Willebrand von Oldenburg, der kurz vor Thiet- mar (1211) ebenfalls eine Pilgerfahrt ins Heilige Land unternommen hatte und darüber in seinem Itinerarium Terrae Sanctae1 berichtet.2 Sein Werk3 ist in insgesamt 19 Handschriften des 13.–15. -
The Israel National Trail
Table of Contents The Israel National Trail ................................................................... 3 Preface ............................................................................................. 5 Dictionary & abbreviations ......................................................................................... 5 Get in shape first ...................................................................................................... 5 Water ...................................................................................................................... 6 Water used for irrigation ............................................................................................ 6 When to hike? .......................................................................................................... 6 When not to hike? ..................................................................................................... 6 How many kilometers (miles) to hike each day? ........................................................... 7 What is the direction of the hike? ................................................................................ 7 Hike and rest ........................................................................................................... 7 Insurance ................................................................................................................ 7 Weather .................................................................................................................. 8 National -
Locating Digital Art Using the Test Case of Israeli Digital Artists
Susan Hazan Curator of New Media The Israel Museum, Jerusalem November 2004 [email protected] http://www.imj.org.il Locating [Israeli] digital art - artists think global and act local Introduction The Israel Museum, Jerusalem Global Versus Local Barriers of Language Online Beyond the Physical Museum and the National Anchor Simply denoted online Introduction This paper focuses on the problem of locating digital art using the test case of Israeli digital artists. Acting either globally or locally depends on three factors. The first would be concerned with affixing the national label, (such as Israeli artist), which would mean that at least the artist, if not the art work, could be actually located in a specific country. Through the Israeli case study it is apparent that many Israeli artists are not actually located in Israel and even if they are, they often reside and exhibit abroad. The second factor that determines how artistic [digital] work is disseminated and consumed globally or locally is a matter of artistic content. One of the ways that digital art becomes localised is through language, and through the incorporation of the Hebrew language into their palette, Israeli artists effectively limit their global reach. Of course this is not only a problem for Israeli artists but for all artists who draw on the written word as a crucial element of their digital creativity. The third issue this paper explores is concerned with locating digital art. When artists choose to exhibit their works online discarding both the physical museum and often their own national affiliation, the provenance of netart as a result becomes somewhat obscure.