University of Bath PHD the Grief of Nations

Total Page:16

File Type:pdf, Size:1020Kb

University of Bath PHD the Grief of Nations University of Bath PHD The Grief of Nations: An analysis of how nations behave in the wake of loss: does it constitute grief? Malamah-Thomas, Ann Award date: 2011 Awarding institution: University of Bath Link to publication Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 07. Oct. 2021 The Grief of Nations An Analysis of How Nations Behave in the Wake of Loss: Does it Constitute Grief? Ann Malamah-Thomas A thesis submitted for the degree of Doctor of Philosophy University of Bath Department of Social and Policy Sciences July 2011 COPYRIGHT Attention is drawn to the fact that copyright of this thesis rests with the author. A copy of this thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that they must not copy it or use material from it except as permitted by law or with the consent of the author. This thesis may be made available for consultation within the University Library and, with the exception of the visual images it contains, may be photocopied or lent to other libraries for the purposes of consultation. CONTENTS INTRODUCTION 1 CHAPTER 1. THE NATURE OF GRIEF 9 Defining Grief 10 Approaching Grief 12 Analysing Grief: The Fundamentals 23 Summary 44 CHAPTER 2. COLLECTIVE GRIEF: THE GRIEF OF NATIONS 46 Collective Grief 47 Studies of Grieving Groups 54 The Nation 64 The Grieving Nation 70 Summary 83 CHAPTER 3. TRACING THE CONTOURS OF NATIONAL GRIEF: METHODOLOGY 84 Research Design 85 Case Selection 88 History Data Sources 91 Current Identity Data Sources 93 Ethical Issues 103 Limitations and Potential 108 CHAPTER 4. PALESTINE: A CASE OF DISENFRANCHISED GRIEF?111 The Nation 112 The Loss 118 The Emotional Reaction 127 Making Sense of the Loss 135 Context and Consequences 145 Summary 152 CHAPTER 5. ISRAEL: A NATION BUILT ON GRIEF? 154 The Nation 155 The Loss 162 The Emotional Reaction 170 Making Sense of the Loss 179 Context and Consequences 189 Summary 196 CHAPTER 6. THE PICTURE TODAY: ISRAELI AND PALESTINIAN CONTEMPORARY VISUAL ARTS 198 The Land 201 The Life 224 The Dream 250 Summary 262 CHAPTER 7. GRIEF AND NATIONS 267 National Grief 267 Nations 285 Grief 289 REFERENCES 296 The Grief of Nations Abstract This dissertation is concerned with the question of whether nations grieve, whether the behaviour they exhibit in the wake of loss can be said to constitute grief. Initially exploring the concepts of both grief and nation in order to establish the feasibility of national grief as a notion, it goes on to examine the applicability of grief theory, traditionally developed in the context of the individual suffering bereavement, to large-scale national collectives which have undergone significant shared loss. The investigation is conducted with reference to two case studies: the Palestinian people in the aftermath of the loss of their land to the creation of Israel in the nakba of 1948; and Israel itself, as a manifestation of the European Jewish response to the holocaust and the centuries of loss and suffering which led up to it. In both cases, the relevant periods of history are scanned to see to what extent, if any, historical accounts reflect the contours and parameters of the grieving experience as the latter is described and defined in the grief theory literature. In addition, and serving to triangulate the evidence thus gleaned from national history, the contemporary visual arts of both nations, with their observation of and comment on the dominant features and issues of current national identity, are employed as data sources and explored with a view to ascertaining whether they reflect any themes expressive of or pertinent to collective historical loss and grief. The findings from this research into national history and identity within a grief experience framework may serve to open up a new direction for the further development of grief theory. They may also, in revealing the insights afforded by a grief theory perspective on long-term interactions within the global community, offer some contribution to the study of international relations. INTRODUCTION “Scholarly research is often motivated by personal experiences” (Sand 2009, p.1) The motivation for this particular piece of research into national grief certainly fits into that category. It arose from personal experiences gained in the context of a career overseas in the field of international cultural relations. Not perhaps so inherently prone to either the power-games which can plague international relations per se, nor the inequality in relationships which can bedevil international development programmes, international cultural relations, at their most professional, involve the genuine attempt, from a position of respect and equality, to understand another way of life, to work out what makes another people tick. Cultural relations are often used in the service of the political or economic agendas of international relations practitioners; they can equally be employed in the furtherance of international development strategies and the facilitation of development projects. At their worst and most naive, international cultural relations can amount to little more than tub-thumping a nation’s opinions and showcasing their achievements. But at their best and most effective, they entail engagement and dialogue with another society to an extent that enhances the understanding of how that society functions; of its hopes and fears, its values and concerns; of what makes it proud and what gives it cause for shame and embarrassment; of what problems it has faced during the course of its history and how it has coped with those problems. For well over three decades, I worked at this international coal face, arriving in a new country every three or four years, trying to get to grips with its society and culture so as to more easily and relevantly present our own, and thus embark on a meaningful interchange conducted in cultural terms. Arriving at an appreciation of another nation’s way of life was my bread-and- butter, with the result that the acquisition of such an appreciation through everyday experiences and interactions became second nature over time, as 1 taken-for-granted as breathing. So much so that, whenever experience presented a challenge in terms of understanding, whenever some puzzling instances of collective conduct did not seem to easily fit into any previously acquired patterns, I could do nothing other than sit up and take notice. The specific experiences which gave direction to this research date from my time in the Lebanon, six years in the nineties from shortly after the Taif Accord which brought the fifteen year multi-faceted civil war there to an end. But they did not concern the Lebanese themselves. During my time in Lebanon, I learned a great deal about the highly complex and sophisticated society in which I was living (or, rather, societies, plural, since every bend in the road seemed to lead to another distinct culture in this tiny nation of over a dozen different ‘confessions’, or religious groupings). I slowly got to grips with its complicated demography and equally convoluted history, and grew to love it as no other country I had ever worked in. While fully aware that one can never completely understand another nation, in the same way as one can never wholly comprehend another individual, I managed to peel away a few layers of obfuscation in Lebanon and gain some degree of understanding of what makes the Lebanese tick. But what really intrigued me, and what I could not so readily explain, was the behaviour of two other peoples that I did not have such easy access to: the Israeli neighbours, and the Palestinians living around Lebanon, for the most part in various refugee camps. When I first arrived in Beirut, Israeli planes would fly over the city every day around lunchtime, breaking the sound barrier, presumably just to remind the inhabitants, if they needed any reminding, that Israel was there. After a few years, these regular daily forays were discontinued, and replaced by more irregular fly-overs, often at two or three in the morning, and frequently resulting in shattered windows in many parts of the city. These muscle- flexing, threatening gestures were accompanied by actions intended as reprisals for Hizbollah attack from the south of Lebanon, actions which from a Beirut-based perspective seemed way out of proportion to what in the mid- nineties amounted largely to the firing of old Katyusha rockets into the fields of northern Israel. The Israelis, for example, would send F16s up the coast on an almost annual basis to take out the main power station for Lebanon, 2 situated in the north of Beirut, and leave half the country in the dark, reliant on private and neighbourhood generators, for several weeks. Once, I remember, these planes even turned back, halfway home to Israel, so that they could take out the fire engines racing up the highway from central Beirut to put out the fires at the bombed power station.
Recommended publications
  • Mural Initiative Brochure Page1
    mural initiative 2018 lebanon unrwa UNRWA Ein el Assal school compound, Rashidieh Palestine refugee camp, Tyre Each year since 2013, the UNRWA Operations Support Office Between October 2017 and November 2018, Palestine refugee team (OSO) in Lebanon has taken the lead on initiatives to paint children painted the walls of 14 UNRWA installations including 9 colourful murals on the walls of UNRWA installations in schools, 2 camp services office, 2 health clinic and 1 water tank Palestine refugee camps across Lebanon. Through these and sanitation office across 6 Palestine refugee camps in murals, the initiative aims to promote creativity in portraying Lebanon; Ein el Hilweh camp, Rashidieh camp, Beddawi camp, positive messages, to increase community engagement in Burj el Barajneh camp, Mar Elias camp and Wavel camp. relation to the camp environment, and in addition preserving the neutrality of UNRWA installations in the camps and gatherings. This document enlists the 2018 mural initiatives completed in the four areas of operation in Lebanon (North Lebanon, Central The mural painting included positive messaging related to water, Lebanon, Tyre and Saida) to address neutrality issues in the sanitation and hygiene, sports, inclusion of all communities, following installations: four UNRWA Schools (Sammou, Bissan, friendship and peace. Artists from the community were selected Safad and Naqoura) in Ein el Hilweh Palestine refugee camp, by UNRWA OSO teams to design mural paintings, with the involve- Saida; UNRWA health clinic in Rashidieh Palestine refugee ment of Palestine refugees in Lebanon (PRL) and Palestinian camp, Tyre; UNRWA Ein el Assal school in Rashidieh Palestine refugees from Syria (PRS) children to decide on the themes and refugee camp, Tyre; UNRWA Majeddo and Mazar schools in designs.
    [Show full text]
  • Survey of Palestinian Refugees and Internally Displaced Persons 2010 - 2012 Volume VII
    BADIL Resource Center for Palestinian Residency and Refugee Rights is an independent, community-based non- This edition of the Survey of Palestinian Survey of Palestinian Refugees and profit organization mandated to defend Refugees and Internally Displaced Persons BADIL Internally Displaced Persons 2010-2012 and promote the rights of Palestinian (Volume VII) focuses on Palestinian Vol VII 2010-2012 refugees and Internally Displaced Persons Survey of refugees and IDPs. Our vision, mission, 124 Pages, 30 c.m. (IDPs) in the period between 2010 and ISSN: 1728-1679 programs and relationships are defined 2012. Statistical data and estimates of the by our Palestinian identity and the size of this population have been updated Palestinian Refugees principles of international law, in in accordance with figures as of the end Editor: Nidal al-Azza particular international human rights of 2011. This edition includes for the first law. We seek to advance the individual time an opinion poll surveying Palestinian Editorial Team: Amjad Alqasis, Simon and collective rights of the Palestinian refugees regarding specific humanitarian and Randles, Manar Makhoul, Thayer Hastings, services they receive in the refugee Noura Erakat people on this basis. camps. Demographic Statistics: Mustafa Khawaja BADIL Resource Center was established The need to overview and contextualize in January 1998. BADIL is registered Palestinian refugees and (IDPs) - 64 Internally Displaced Persons Layout & Design: Atallah Salem with the Palestinan Authority and years since the Palestinian Nakba Printing: Al-Ayyam Printing, Press, (Catastrophe) and 45 years since Israel’s legally owned by the refugee community Publishing and Distribution Conmpany represented by a General Assembly belligerent occupation of the West Bank, including eastern Jerusalem, and the 2010 - 2012 composed of activists in Palestinian Gaza Strip - is derived from the necessity national institutions and refugee to set the foundations for a human rights- community organizations.
    [Show full text]
  • An Abstract Painter Rooted in Palestine's Reality | the Electronic Intifada 7/3/13 8:08 PM
    Hani Zurob: an abstract painter rooted in Palestine's reality | The Electronic Intifada 7/3/13 8:08 PM The Electronic Intifada ﺍﻻﻧﺘﻔﺎﺿﺔ ﺍﻹﻟﻜﺘﺮﻭﻧﻴﺔ Art, Music & Culture Hani Zurob: an abstract painter rooted in Palestine’s reality Sarah Irving The Electronic Intifada 17 June 2013 A Palestinian painter from Gaza, Hani Zurob may have only been practicing as a fine artist since the late 1990s, but he already has an enviable list of solo shows — twelve, spread between Qatar, France, Palestine and Morocco — and joint exhibitions. The latter have included shows in venues as prestigious as L’Institut du Monde Arabe in Paris, the national museums of Bahrain and Syria, and the Henry Moore Institute in the UK. And in January, he was listed as one of The Huffington Post’s “10 international artists to watch in 2013.” Zurob’s reputation and profile will be further enhanced by the publication of Between Exits, a monograph on his life and work. Despite his comparative youth (he is just 37), this collection of images, alongside a wide-ranging text by Kamal Boullata (probably best known for his monumental book Palestinian Art: From 1850 to the Present), shows just how versatile and energetic an artist Zurob is. Boullata’s text does not pull any punches in asserting Zurob’s place as an artist whose work deserves attention not because of his national origin or life story, but because of its artistic quality. http://electronicintifada.net/content/hani-zurob-abstract-painter-rooted-palestines-reality/12546 Page 1 of 6 Hani Zurob: an abstract painter rooted in Palestine's reality | The Electronic Intifada 7/3/13 8:08 PM The preface opens with this challenge: “In a homeland enduring over 40 years of military occupation, where art is saturated with nationalist clichés and tired iconographic images, how does a young and ambitious talent like Hani Zurob break away from the binds of the local mainstream to explore his own originality in painting?” “No boundaries” This doesn’t mean that Zurob seeks somehow to place himself “above” his Palestinian origins.
    [Show full text]
  • Draft Chapter 1
    UvA-DARE (Digital Academic Repository) Palestine online : cyber Intifada and the construction of a virtual community 2001-2005 Aouragh, M. Publication date 2008 Document Version Final published version Link to publication Citation for published version (APA): Aouragh, M. (2008). Palestine online : cyber Intifada and the construction of a virtual community 2001-2005. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:07 Oct 2021 Palestine Online Dit proefschrift werd mogelijk gemaakt met de financiële steun van: Amsterdam School voor Social Science Research (ASSR) Netherlands Organisation for Scientific Research (NWO) Netherlands Foundation for the Advancement of Tropical Research (WOTRO) Palestine Online Cyber Intifada and the Construction of a Virtual Community 2001-2005 ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof.
    [Show full text]
  • Green Roofing for Rashidieh Early Action Project
    CONCEPT NOTE GREEN ROOFING FOR RASHIDIEH (EHS 2018-2019) Activities: - Green Roof project on 100 EARLY ACTIONdemonstration PROJE houses CT - Awareness raising campaign for importance of green roofs - School green roof project in 2 schools including horticultural inputs, water saving devices, solar pump, and panels, and water storage tanks. - UNRWA staff and camp leaders environmental awareness, waste management system, carbon footprint, and energy needs to develop training of trainers capacity. - Production of guidance materials, GREEN ACTION factsheets and posters, manual for green roofs in Rashidieh FOR RASHIDIEH - Study tour to Green Roofs in Beirut or other areas in Lebanon - Coastal zone on shore protection of INTRODUCTION The Tyre-Rashidieh camp 2018 Environmental Health dunes and upper shore area, including Strategy provides a clear action plan for eco-action in the 12 Palestinian refugee waste project camps in Lebanon. Of the 227 recommended actions within the EHS, greening space, and linked Methodology: environmental education have been identified as providing significant opportunity - Practical action demo project activities for lower-cost, high impact, and high upscaling potential (over 2000 roofs - Local Self- Help Delivery by key potential). selected groups within Rashidieh In order to give momentum to the recommendations and subsequent studies - Preparation of subcontract for project (BMGM and UPM 2018) UNRWA is proposing the following early action project. execution support provided by LOCAl NGO and local environmental expert - Study tours (Tyre and Shouf, Beirut) Utilisising a practical green action approach, this project is set to further - Campaigns and events environmental context in UNRWA external and internal operations, donor policies (Environmental education including event, surveys, and competition) and program design.
    [Show full text]
  • Tel Aviv Elite Guide to Tel Aviv
    DESTINATION GUIDE SERIES TEL AVIV ELITE GUIDE TO TEL AVIV HIGHLIGHTS OF TEL AVIV 3 ONLY ELITE 4 Elite Traveler has selected an exclusive VIP experience EXPERT RECOMMENDATIONS 5 We asked top local experts to share their personal recommendations ENJOY ELEGANT SEA-FACING LUXURY AT THE CARLTON for the perfect day in Tel Aviv WHERE TO ➤ STAY 7 ➤ DINE 13 ➤ BE PAMPERED 16 RELAX IN STYLE AT THE BEACH WHAT TO DO ➤ DURING THE DAY 17 ➤ DURING THE NIGHT 19 ➤ FEATURED EVENTS 21 ➤ SHOPPING 22 TASTE SUMPTUOUS GOURMET FLAVORS AT YOEZER WINE BAR NEED TO KNOW ➤ MARINAS 25 ➤ PRIVATE JET TERMINALS 26 ➤ EXCLUSIVE TRANSPORT 27 ➤ USEFUL INFORMATION 28 DISCOVER CUTTING EDGE DESIGNER STYLE AT RONEN ChEN (C) ShAI NEIBURG DESTINATION GUIDE SERIES ELITE DESTINATION GUIDE | TEL AVIV www.elitetraveler.com 2 HIGHLIGHTS OF TEL AVIV Don’t miss out on the wealth of attractions, adventures and experiences on offer in ‘The Miami of the Middle East’ el Aviv is arguably the most unique ‘Habuah’ (‘The Bubble’), for its carefree Central Tel Aviv’s striking early 20th T city in Israel and one that fascinates, and fun-loving atmosphere, in which century Bauhaus architecture, dubbed bewilders and mesmerizes visitors. the difficult politics of the region rarely ‘the White City’, is not instantly Built a mere century ago on inhospitable intrudes and art, fashion, nightlife and attractive, but has made the city a World sand dunes, the city has risen to become beach fun prevail. This relaxed, open vibe Heritage Site, and its golden beaches, a thriving economic hub, and a center has seen Tel Aviv named ‘the gay capital lapped by the clear azure Mediterranean, of scientific, technological and artistic of the Middle East’ by Out Magazine, are beautiful places for beautiful people.
    [Show full text]
  • Annual Report 1995
    19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p.
    [Show full text]
  • No Place Like Home
    D ISplACED WOMEN’SRIGHTS TO HOUSING, LAND AND PROPERTY NO PLACE LIKE HOME: A n Assessment of the Housing, Land and Property Rights of Palestinian Refugee Women in Camps and Gatherings in Lebanon Researched and written by: Majida Rasul, with assistance from NRC ICLA Lebanon Edited by: Kathleen Gibson Photographs by: Christian Jepsen (front and back cover), and Majida Rasul This document has been produced with the financial assistance of the UK Department for International Development and the Norwegian Ministry of Foreign Affairs. The contents of the document are the sole responsibility of the Norwegian Refugee Council and can under no circumstances be regarded as reflecting the position of the UK Department for International Development. Norwegian Refugee Council (NRC) The Norwegian Refugee Council (NRC) is an independent, interna- tional, humanitarian non-governmental organisation which provides assistance, protection and contributes to durable solutions for refugees and internally displaced people worldwide. For more information, please contact [email protected]. D ISplACED WO S MEN’ RIGHTS TO HOUSING, LAND AND PROPERTY NO PLACE LIKE HOME: AN ASSESSMENT of THE HOUSING, LAND and PROPERTY RIGHTS OF PALESTINIAN REFUGEE WOMEN in CAMPS and GaTHERINGS in LEBANON TaE BL OF CONTENTS Executive Summary 3 Acronyms 9 NRC Lebanon and the ICLA Programme 10 Scope and Methodology of this Assessment 12 1. Introduction 14 Understanding the Context of Challenges to HLP Rights of Palestinian Refugee 1.1 16 Women in Lebanon 1.1.1 Palestinian Refugees in Lebanon 16 2. Profiling Refugee Camps and Gatherings 18 2.1 Camps 19 2.1.1 Al Rashidieh Camp 20 2.2 Gatherings 20 2.2.1 Al Qasmieh Gathering 21 2.2.2 Jal al Baher Gathering 22 3.
    [Show full text]
  • MICHAL ROVNER Nofim May 10-July 12, 2014 Reception May 10, 2014 5Pm-7Pm
    MICHAL ROVNER Nofim May 10-July 12, 2014 Reception May 10, 2014 5pm-7pm Shoshana Wayne Gallery is pleased to present Nofim, a new exhibition by Michal Rovner. This is the artist’s third solo exhibition with the gallery. Working in video, sculpture, drawing, photography, painting, sound, and installation, Rovner begins with reality and creates situations that illuminate themes of change and the human condition. With imagery taken from Israel, the landscapes and figures are at once familiar and foreign, calming and disconcerting, personal and political. The figures sway and move yet they do not escape the scene. The scenes are ambiguous enough as to refuse definitive identification yet they are familiar enough as to evoke deep visceral connections. The power of Rovner’s work rests in her ability to evoke visceral responses to her art. Her landscapes are stripped down, fragmented, and homogenized in such a way that they could be almost any mountainside, desert, or ocean. The human figures are abstracted so as to blur distinctions not only between male and female but also between nationalities –humanity in its most essential form. The cypress trees that are central in this particular body of Rovner’s work, have varied and rich cultural significance worldwide. In the Mediterranean region, it is one of the most ancient trees with scholars noting its presence in biblical writings. In Greek and Roman culture, the cypress symbolizes mourning and hope. For Rovner’s purposes, it is not the cypresses inscribed meanings that are significant, but it is the fact that they exist in the landscape.
    [Show full text]
  • Magistri Thietmari Peregrenatio Pilgerreise Nach Palästina Und Auf Den Sina in Den Jahren 1217/1218
    Magistri Thietmari Peregrenatio Pilgerreise nach Palästina und auf den Sina in den Jahren 1217/1218 herausgegeben von ULF KOPPITZ, Geretsried Vorbemerkung des Herausgebers S. 121 Edition: Magistri Thietmari Peregrenatio S. 127 Anhänge S. 176 Anhang: „Karten und Bilder“ (in der Reihenfolge von Thiet- mars Reise) - Übersichtskarte des Pilgerweges mit Ortsangaben und Verweisen auf Anhänge S. 176 - Übersichtskarte des Pilgerweges, farbige Reliefkarte ohne Ortsangaben, um einen Eindruck von der Land- schaft zu geben S. 177 - Kartenskizze Akkon S. 178 - Historische Ansicht Berg Tabor S. 178 - Karte Damaskus S. 179 - Karte und zwei Bilder des ersten tiefen Wadis im Ostjordanland S. 180 - Ansicht und Grundriss Kerak S. 181 - Zwei Ansichten Monreal/Shaubak S. 182 - Karte des zweiten tiefen Wadis im Ostjordanland S. 183 - Bild eines Wüstentals S. 183 Anhang: „Jordanquellen“ (mit Karte) S. 184 Anhang: „Petra“ (mit Karte und Bildern) S. 191 Anhang: „Pharao-Insel“ (mit Karten und Bildern) S. 194 Anhang: „Katharinenkloster und Mosesberg“ (mit Karte und Bildern) S. 200 Geographische Angaben S. 208 Quellen- und Literaturverzeichnis S. 214 Concilium medii aevi 14 (2011) 121–221 http://cma.gbv.de,cma,014,2011,a,10.pdf ULF KOPPITZ: Magistri Thietmari Peregrenatio Vorbemerkungen des Herausgebers Zur Person Thietmars Thietmar(us) – auch Thetmarus, Detmarus und Ditmarus – war ver- mutlich im Sächsischen beheimatet; er muss ein höher gestellter Kleriker gewesen sein. Die Identifizierung mit einem sonst belegten Träger seines Namens ist bisher nicht gelungen. Er könnte der 1220–1221 als Kanoniker am Hl.-Kreuz-Stift in Hildesheim überlieferte Themar sein. Zeitgleich war dort auch Willebrand von Oldenburg, der kurz vor Thiet- mar (1211) ebenfalls eine Pilgerfahrt ins Heilige Land unternommen hatte und darüber in seinem Itinerarium Terrae Sanctae1 berichtet.2 Sein Werk3 ist in insgesamt 19 Handschriften des 13.–15.
    [Show full text]
  • The Israel National Trail
    Table of Contents The Israel National Trail ................................................................... 3 Preface ............................................................................................. 5 Dictionary & abbreviations ......................................................................................... 5 Get in shape first ...................................................................................................... 5 Water ...................................................................................................................... 6 Water used for irrigation ............................................................................................ 6 When to hike? .......................................................................................................... 6 When not to hike? ..................................................................................................... 6 How many kilometers (miles) to hike each day? ........................................................... 7 What is the direction of the hike? ................................................................................ 7 Hike and rest ........................................................................................................... 7 Insurance ................................................................................................................ 7 Weather .................................................................................................................. 8 National
    [Show full text]
  • Locating Digital Art Using the Test Case of Israeli Digital Artists
    Susan Hazan Curator of New Media The Israel Museum, Jerusalem November 2004 [email protected] http://www.imj.org.il Locating [Israeli] digital art - artists think global and act local Introduction The Israel Museum, Jerusalem Global Versus Local Barriers of Language Online Beyond the Physical Museum and the National Anchor Simply denoted online Introduction This paper focuses on the problem of locating digital art using the test case of Israeli digital artists. Acting either globally or locally depends on three factors. The first would be concerned with affixing the national label, (such as Israeli artist), which would mean that at least the artist, if not the art work, could be actually located in a specific country. Through the Israeli case study it is apparent that many Israeli artists are not actually located in Israel and even if they are, they often reside and exhibit abroad. The second factor that determines how artistic [digital] work is disseminated and consumed globally or locally is a matter of artistic content. One of the ways that digital art becomes localised is through language, and through the incorporation of the Hebrew language into their palette, Israeli artists effectively limit their global reach. Of course this is not only a problem for Israeli artists but for all artists who draw on the written word as a crucial element of their digital creativity. The third issue this paper explores is concerned with locating digital art. When artists choose to exhibit their works online discarding both the physical museum and often their own national affiliation, the provenance of netart as a result becomes somewhat obscure.
    [Show full text]