Annual Report

ANNUAL REPORT

of the

ART GALLERY OF SOUTH AUSTRALIA

for the year

1 July 2002–30 June 2003

The Hon. Mike Rann MP, Minister for the Arts

Sir, I have the honour to present the sixty-second Annual Report of the Art Gallery Board of South Australia for the Gallery’s 122nd year, ended 30 June 2003.

Michael Abbott QC, Chairman

Art Gallery Board 2002–2003

Chairman Michael Abbott QC

Members Mr Max Carter AO Mrs Susan Cocks Mr David McKee Mrs Candy Bennett Mr Richard Cohen Ms Virginia Hickey Mrs Sue Tweddell Mr Adam Wynn

TABLE OF CONTENTS

Principal Objectives 5

Major Achievements 2002-2003 6

Issues and Trends 9

Major Objectives 2003–2004 11

Resources and Administration 13

Collections 21

3 APPENDICES

Appendix A Charter and Goals of the Art Gallery of South Australia 26

Appendix B1 Art Gallery Board 28

Appendix B2 Members of the Art Gallery of South Australia 28 Foundation Council and Friends of the Art Gallery of South Australia Committee

Appendix B3 Art Gallery Organisational Chart 29

Appendix B4 Art Gallery Staff and Volunteers 30

Appendix C Staff Public Commitments 34

Appendix D Conservation 37

Appendix E Donors, Funds, Sponsorships 38

Appendix F Acquisitions 39

Appendix G Inward Loans 51

Appendix H Outward Loans 54

Appendix I Exhibitions and Public Programs 56

Appendix J Schools Support Services 62

Appendix K Gallery Guide Tour Services 62

Appendix L Gallery Publications 63

Appendix M Annual Attendances 65

Information Statement 66

Appendix N Financial Statements 67

PRINCIPAL OBJECTIVES

The Art Gallery of South Australia’s objectives and functions are effectively prescribed by the Art Gallery Act, 1939 and can be described as follows:

• To collect heritage and contemporary works of art of aesthetic excellence and art historical or regional significance.

• To display the collections.

• To program temporary exhibitions.

• To ensure the preservation and conservation of Gallery collections.

• To research and evaluate the collections, and to make the collections and documentation accessible to others for the purposes of research, as a basis for teaching and communication.

• To document the collections within a central cataloguing system.

• To provide interpretative information about collection displays and temporary exhibitions and other public programs.

• To promote the Gallery’s collections and temporary exhibitions.

• To ensure that the Gallery’s operations, resources and commercial programs are managed efficiently, responsibly and profitably.

• To advise the South Australian Government on the allocation of South Australian resources to works of art, art collections, art museums and art associations.

These objectives can be summarised as: preservation, research and communication. They are consistent with the objectives of all major art museums and galleries throughout the world.

5 ART GALLERY OF SOUTH AUSTRALIA

MAJOR ACHIEVEMENTS 2002–2003

• The Gallery received a record number of gifts of works of art.

• The value of gifts and purchases of works of art is nearly $4.8 million.

• Heading the list of major international heritage acquisition are a large Renaissance altarpiece by Passerotti, a twelfth century sculpture of a Jain saint, a sculpture by the French nineteenth century sculptor Carpeaux, a rare watercolour design and a valuable handknotted William Morris carpet, a collection of Japanese woodcuts and a significant collection of ancient Islamic ceramics. Major twentieth century and contemporary acquisitions include works by Stella Bowen, Horace Trenerry, Clarice Beckett, Jeffrey Smart, Tony Tuckson, Robert Hunter, Marcel Breuer, Donald Judd, Robert Rooney, Juan Davila, Patricia Piccinini, Fiona Hall and John Mowanjul.

• For the second year fifty-seven percent of the Gallery’s more than $13,808,000 in cash revenue, donated works of art and in-kind sponsorship was raised privately or through the Gallery’s commercial activities. This is a much higher proportion of self-funding than other art institutions.

• The Gallery has received acquisition bequest funds amounting to nearly $1.6 million, a record amount.

• The Gallery’s large collection has been officially revalued and is now worth approximately $540 million, $200 million more than the last official valuation five years ago; The Art Gallery of South Australia is the state’s single most valuable asset.

• Over 460,000 people visited the Gallery, the third highest Australian Gallery visitation (after Melbourne and Sydney).

• 60,000 people visited Gallery touring exhibitions.

• There was a record number of visits to the Gallery’s website of over 1.2 million and for the first time the Gallery introduced virtual tours of exhibitions.

• The Gallery staged a well-balanced and successful program of nine exhibitions, most of which were curated by the Gallery. They included Arid Arcadia: Art of the Flinders Ranges, Stella Bowen, Morris & Co., Art of Arnhem Land: 1940s–

1970s, SEEING THE CENTRE: The art of Albert Namatjira, JOURNEY TO NOW: John Kaldor Art Projects & Collection and The Morgan Thomas Bequest Centenary Exhibition.

• In its third year, the post-graduate Art History Course, which the Gallery conducts jointly with the University of Adelaide, achieved record enrolments.

• The Gallery reviewed and updated its risk management policies.

• The Gallery reviewed Occupational Health, Safety and Welfare policies, improved Occupational Health, Safety and Welfare systems and upgraded facilities at the Unley Store to meet requirements.

• Plans were developed for a refurbishment and expansion of the Bookshop and the creation of a fundraising lounge.

• The Gallery completed a review of its Public Programs section and implemented major changes.

• Nearly 4,234 digital images were added to the Gallery’s collections database making a total of 14, 685 representing almost half of the Gallery’s collect on.

• The Gallery stock-checked the European and Australian painting collections and European and Australian ceramic collections.

• The international tour of the Gallery’s exhibition Love & Death: Art in the Age of Queen Victoria was completed this year.

• A new benefactors’ group was successfully launched for contemporary art called the Contemporary Collectors.

• The Gallery toured its Lionel Lindsay exhibition to Carrick Hill and to four South Australian regional galleries.

• The Gallery continued to build on its reputation as a major art publisher and published two major books including its most elaborately illustrated book Morris & Co. with a broad international market.

• The Gallery’s publications Morris & Co. and The Encounter 1802 both won national prizes for printing.

• The Gallery won the Golden Service Award for excellent cleaning of a public institution.

• As an initiative of the State Government, solar panels were installed on the roof of the Gallery to help reduce electricity consumption.

ISSUES AND TRENDS

• The Gallery’s enhanced collection displays, exhibitions, publications and marketing program have continued to result in increases in attendances and visitor enjoyment.

• There has been a steady increase in international and interstate tourists visiting the Gallery making it one of the State’s major tourist attractions.

• There is growing support for the Gallery both within South Australia and interstate resulting in the steady increase in gifts of money and works of art.

• The Gallery now operates in an environment of intense competition in the ‘leisure and entertainment industry’ and is having to compete with many more events to keep and develop its audience.

• The national and international trend of declining attendances to paid exhibitions continues, mainly through significant changes in work and leisure patterns.

• The costs of staging exhibitions, including insurance, has increased markedly over the last five years.

• The Gallery’s unique self-funded exhibition program faces difficulties absent in other state capitals, including a smaller audience base, lower average income, a diminishing number of Adelaide-based corporations to provide sponsorship, no Government funding for exhibitions and fierce competition from other arts, entertainment and sporting organisations.

• Cultural institutions are becoming increasingly aware that they need to attract more diverse audiences. • The community now has greater expectations of state-owned cultural resources such as the Gallery.

• There is some pressure from the community for the Gallery to remain open every day of the week as well as to open later on weekends and one evening per week.

• There is demand from other galleries for the Gallery’s travelling exhibitions.

• There is an international demand to borrow the Gallery’s major works for important overseas exhibitions.

• Declining rates of return have effectively reduced the income from the Gallery’s Foundation and other investment funds by more than 50% over the last decade or so.

• Over the last five years the falling value of the Australian dollar has decreased opportunities for acquiring major works overseas.

• There is an ever-growing demand for popular and scholarly publications on the Gallery’s collections and exhibitions.

• The Gallery has a growing reputation as a prestigious art publisher both in Australia and abroad.

• There is burgeoning demand for the Gallery’s postcards, greeting cards and reproductions of works in the Gallery's collection.

• There is increasing demand to disseminate information about the collections through lectures, seminars, special guided tours and the internet. • The Gallery increasingly relies on funds generated through its commercial activities, sponsorship and fund-raising activities to support major aspects of its operation.

• The Gallery continues to find it difficult to meet rising salary costs from the government’s salary allocation and only meets its budget by saving by long delays in filling staff vacancies.

• The diminishing maintenance grant for the Gallery’s heritage buildings is inadequate to maintain the Gallery at an acceptable standard.

• There is increasing pressure to reduce the security and cleaning budget.

• Increased emphasis is being placed on risk management and planning contingencies in South Australian institutions.

• There is increased emphasis on Occupational Health, Safety and Welfare issues and greater time being expended on staff training in this area.

MAJOR OBJECTIVES 2003–2004

• To continue to implement the three-year plan.

• To continue to implement the Ten-Year Acquisition Strategy and to acquire the highest quality works of art relevant to the Gallery’s permanent collection display.

• To continue to plan an extensive, balanced and high quality exhibitions program for the next three years and beyond.

• To stage at least nine temporary exhibitions.

• To tour the Australian Surrealism: The Agapitos/Wilson Collection and Clifford Possum Tjapaltjarri Retrospective exhibitions.

• To continue to research and document the Gallery’s collections.

• To continue the Gallery’s role as a prestigious art publisher in Australia and produce the following publications: John Glover and the Colonial Picturesque 20th Century Style: Furniture Clifford Possum Tjapaltjarri Retrospective Morris & Co. Design and Pattern Book Ivor Francis Autobiography 2004 Adelaide Biennial Reprint of Modern Australian Women: paintings and prints 1925–1945 Japanese Print booklet

• To continue the market research programs to assist in audience development. • To broaden and increase the Gallery’s audience through a wide range of Gallery exhibitions and programs including: Family Days, Spring Lecture series, seminars, school holiday programs, Eye Spy Club tours and Tuesday lunch-time floor talks.

• To maintain corporate sponsorship for exhibitions and public programs.

• To continue to develop a revenue stream from the Gallery’s commercial operations in support of the Gallery’s exhibition and other programs.

• To continue to implement and monitor the new occupational health and safety policies and procedures.

• To increase fundraising by constructing a donors’ lounge within the Gallery building.

11 • To extend and refurbish the Bookshop.

• To upgrade the electronic security system.

• To upgrade the Gallery’s web site and further explore its marketing potential.

• To continue to press for funds to complete the relighting program of the Elder and Melrose Wings.

• To continue the redisplay program of the European collection in the Melrose Wing with the refurbishment and redisplay of gallery 13.

• To continue the program for high-quality sculpture pedestals throughout the Gallery, in particular for the sculptures by Rodin.

• To continue to upgrade storage at the Unley Store and improve occupational health and safety conditions throughout the Gallery.

• To continue the retro-conversion of the collection databases and expand the image bank on the collections database by 25%.

• To stock-check the Gallery’s European and Australian decorative arts (other than ceramics) collection.

• To review the Gallery’s photographic services and image processing systems.

RESOURCES AND ADMINISTRATION

LEGISLATIVE RESPONSIBILITY AND THE ART GALLERY BOARD The role and function of the Art Gallery of South Australia is described in the Art Gallery Act, 1939. The Art Gallery Board is a body corporate and consists of nine members appointed by the Minister for the Arts. Members of the Board as at 30 June 2003 were: Mr Michael Abbott QC (Chairman), Mrs Candy Bennett, Mr Max Carter AO, Mrs Susan Cocks, Mr David McKee, Mr Richard Cohen, Ms Virginia Hickey, Mrs Sue Tweddell and Mr Adam Wynn.

FINANCIAL MANAGEMENT AND RESOURCES Operating Revenues Sales $1,126,000 Fees for services and admissions $717,000 Interest $457,000 Bequests and Donations $2,798,000 Other revenue $1,080,000 Grant from State Government - operations $5,725,000 - capital Total Operating Revenues $14,346,000

ACCOUNT PAYMENT PERFORMANCE

Number of % of Total Particulars % of Total Value in $A of accounts accounts paid accounts paid accounts paid paid Paid by due date 3,177 71% $3,302,865 75% Paid late & paid <30 days from due date 975 22% $861,143 20% Paid late & paid >30 days from due date 290 7% $208,125 5% Total 4,442 100% $4,372,133 100%

SPONSORSHIP, GRANTS, DONATIONS AND FOUNDATION DEVELOPMENT All commercial sponsorship and development activities undertaken by the Art Gallery are divided into four areas of equal importance: commercial Sponsorship, Grants, Foundation Development and direct gifts of money for acquisitions. Total sponsorship, grants and in-kind support received during 2002–2003 was $875,000.

The Art Gallery of South Australia sought to enlist the support of many partners for its programs. Support secured during the 2002–2003 financial year included:

CASH: (AS PER FINANCIAL STATEMENT) Santos $40,900 Bank SA $75,000 Ord Minnett $40,000 Thales $50,000 Philip Bacon $22,727 AGL $50,000 SA Tourism Commission $7,500

Total cash sponsorship 2002–2003 as at 30 June 2003: $270,855

IN-KIND:

13 Hyatt Adelaide Channel 9 Radio 5AA Boral Scaffolding Solver The Advertiser Van Gastel Printing Integrated Vision Yalumba Wines Penny’s Hill Vineyards Total in-kind sponsorship 2002–2003 as at 30 June 2003: $269,690 GRANTS: Gordon Darling Foundation $34,727 Health Promotion through the Arts $20,000 Australia Council: 2004 Biennial $80,000

Total grants 2002–2003 as at 30 June 2003: $134,727

DONATIONS FOR ACQUISITIONS There was a total of $1,492,589 in direct gifts and bequests of money for acquisitions apart from money given to the Foundation.

SELF-INSURANCE/INDEMNIFICATION The Gallery’s fund for self-insurance against minor claims below $20,000 was maintained at satisfactory levels.

ORGANISATIONAL STRUCTURE AND SENIOR GALLERY MANAGEMENT The Art Gallery of South Australia, founded in 1881, is governed by the Art Gallery Board of South Australia. The Gallery comprises four distinct divisions: Collection Curators, Public Programs, Administration and Security Services.

STAFF Belinda Powles resigned from the position of Bookshop Assistant in March 2003. Veronika Emamy resigned from the position of Library Assistant in February 2003. Elspeth Reid resigned from the position of Publications Officer in May 2003. Alisa Bunbury resigned from the position of Associate Curator of Prints, Drawings and Photographs in October 2002. Jane Messenger commenced in the position of Associate Curator of Prints, Drawings and Photographs in November 2002. Jon Grotto commenced in the position of Library Assistant/Publications Assistant in May 2003. Sue Smith commenced in the position of Collection Database Assistant in July 2002. Miranda Starke commenced in the position of Public Relations and Communications Manager in February 2003.

FRAUD There have been no instances of fraud detected.

OVERSEAS TRAVEL

No. of employees Destination Reasons for travel Total cost

1 - Ron Radford Auckland and Speak at opening of Art Gallery of $2,835 Wellington, New South Australia exhibition Love & Zealand Death, meet with Director, Auckland Art Gallery, and Director, Te Papa Tongarewa Museum of New Zealand, to discuss possible exhibition exchanges

1 - Tracey Lock-Weir Los Angeles, Gordon Darling Travel Grant $12,000 (no Washington, New York, cost to AGSA) London, Paris and Rome

3 - Jan Robison, Adam Auckland New Zealand Courier Love & Death exhibition $9,615 Free, Tracey Lock- Weir

1 – Sarah Thomas Auckland, New Zealand Courier Stanley Spencer works $1,893 (no cost to AGSA)

1 – Adam Free The Netherlands Courier of J.W. Waterhouse, Circe $2,700 (no Invidiosa cost to AGSA)

DISABILITY ACTION PLAN The Art Gallery endeavors to support the plan in the following manner:

ENSURE ACCESSIBILITY TO SERVICES All patrons are encouraged to avail themselves of disability services including wheelchair access, wheelchair lifters, toilets for the disabled and disability reserved car parking

ENSURE INFORMATION ABOUT THE ART GALLERY IS INCLUSIVE OF THOSE WITH DISABILITIES Information was available to those with disabilities via the website, printed guides to the Art Gallery, telephone enquiry services

PROVIDE SERVICES WITH AWARENESS AND UNDERSTANDING OF ISSUES AFFECTING PEOPLE WITH DISABILITIES The Art Gallery provided guided tours for persons with disabilities and also conducted public events that were accompanied by Auslan sign language interpretation for people with hearing disability.

OPPORTUNITIES FOR CONSULTATION The Art Gallery consulted with the Royal Society for the blind and service provision and also conducted a disability audit.

ENERGY EFFICIENCY ACTION PLAN The Art Gallery has put systems into place to monitor energy consumptions. Metering systems have been improved to isolate electricity consumption from the other North Terrace cultural institutions. Detailed and reliable energy consumption data will become available for the next financial year.

EQUAL EMPLOYMENT OPPORTUNITY The Art Gallery upholds Equal Employment Opportunity principles.

15 AGE PROFILE OF STAFF

Age Group Number of employees % of all agency % of Australian % of Australian employees Workforce Population Male Female Total

15-19 - - - 0.0 8.0 7.0 20-24 - 3 3 6.25 11.4 7.0 25-29 1 8 9 18.75 11.9 7.5 30-34 1 7 8 16.7 11.9 7.5 35-39 3 6 9 18.75 11.8 7.6 40-44 1 3 4 8.3 12.3 7.6 45-49 1 4 5 10.4 11.5 7.0 50-54 4 3 7 14.6 9.9 6.6 55-59 2 0 2 4.2 6.7 5.1 60-64 - - - 0.0 3.1 4.1 65+ - 1 1 2.08 1.6 12.5

WORKFORCE DIVERSITY

Total Female % of Number of Number of Number of employees employees employees employees employees employees who are identifying as with a accessing female indigenous permanent family related disability workplace policies Executives 1 0 0 0 1 0 Senior 1 0 0 0 0 1 Managers Middle 7 4 57 0 1 2 Managers First line 2 1 50 0 0 0 supervisors Others 36 31 86 0 0 7 TOTAL 47 36 76 0 2 10

EXECUTIVE EMPLOYMENT, STAFF EMPLOYMENT AND OTHER HUMAN RESOURCES MATTERS

PUBLIC SECTOR MANAGEMENT ACT EMPLOYEES BY STREAM, LEVEL, APPOINTMENT TYPE AND GENDER as at June 2003 Ongoing Contract Contract Casual Total STREAM Short Term Long Term

M F M F M F M F M F Total Total Total Total Total Total

Administrative Services ASO1 3 1 9 1 12 13 ASO2 8 8 8 ASO3 5 5 5 ASO4 2 2 2 ASO5 2 2 2 ASO6 1 1 1 ASO7 ASO8 1 1 1 MAS1 MAS2 MAS3 Total 4 17 9 30 Administrative Services Operational Services OPS1 OPS2 5 5 5 OPS3 1 1 1 1 2 OPS4 OPS5 OPS6 OPS7 Total 6 1 6 1 7 Operational Services Professional Services PSO1 2 2 2 PSO2 4 4 4 PSO3 2 2 2 2 4 PSO4 PSO5 Total 2 8 10 Professional Services

17 EXECUTIVE STREAM Ongoing Contract Contract Total Short Term Long Term M F Total M F Total M F Total M F Total Executives EL -2 1 1 1

The number of employees whose remuneration was over $100,000 fell within the following bands:

Number of Employees 2003 Number of Employees 2002 $160 000 – 169 999 0 1 $170 000 – 179 999 1 0

BUILDING RESOURCES The Gallery continued with its program of minor building improvements and maintenance. The focus this year was on Occupational Health, Safety & Welfare issues. A crate store, loading bay, furniture store and additional textile racking were constructed at the Unley Store.

ART GALLERY CAFÉ The operator of the Art Gallery Café Patika Pty Ltd continued to operate successfully and profitably. The Café continued to attract strong patronage and bookings for catered functions.

STAFF DEVELOPMENT AND TRAINING The Gallery continued its programs of staff training in a range of areas including Database Management, Business Office Administration and Occupational Health and Safety Training. Considerable informal leadership and management development occurred via the mechanisms of delivering a highly challenging exhibition program and public programs specifically in the areas of: • Working with community groups • Working with indigenous communities • Dealing with media • Dealing with national and other arts organizations

OCCUPATIONAL HEALTH AND SAFETY The Art Gallery continues to address this issue through the Art Gallery’s Occupational Health and Safety Committee, chaired by Manager Physical Resources, Syd Bower. Syd Bower, together with Kaj Lindstrom, General Manager, were the Art Gallery’s representatives on the Arts SA OHS&W Central Consultation Committee (ACCC). The ACCC is the body set up to ensure that Arts SA divisions conform to the new system and audit requirements of WorkCover for self-insurers. The Gallery continues to review its OHS&W policies and procedures and work practices.

FACILITIES HIRE The Gallery continued to be a popular hire venue for a wide range of functions. This year 240 functions were held in the Gallery including cocktail parties, formal dinners, wedding receptions, conferences, award presentations, product launches and concerts.

CLEANING CONTRACT The contract for the provision of cleaning services to the Gallery continues to be provided by Tempo Services Ltd.

SECURITY The contract for the provision of Security Services to the Gallery continues to be provided by Group 4 Securitas, a division of Tempo Services Ltd.

ART GALLERY OF SOUTH AUSTRALIA FOUNDATION This financial year the Art Gallery, through the Foundation has been endowed with many major donations of both financial gifts and works of art, combined they total $2.02 million.

The Collectors’ Club for 2002 was again a great success for the Foundation, with the annual dinner being hosted on 16th August in Gallery one in the MJM Carter Gallery of the historic Elder Wing. Nineteen members joined at $5,000 each and with additional donations $106,000 was raised. Five important works of art were acquired for our collection through this initiative.

At the Annual General Meeting of the Foundation on 15 October 2002, Mr Max Carter AO retired from the position of Chairman after three very successful years in the role. Justice John Mansfield was elected as Chairman for the Foundation for the ensuing year.

Foundation Chairman, John Mansfield hosted a benefactor’s ‘thank you’ lunch on 5 December 2002. This small gathering (approx 20 guests) was held for the Foundation’s major benefactors during 2002 and to thank the former Chairman.

On 15 February 2003 the Foundation hosted a fundraising lecture with international celebrity Sir Roy Strong attended by an audience of 550 people. Following the lecture a buffet dinner for 300 people was held at the Gallery. Twenty thousand dollars was raised and the event was also successful in bringing many non- members to the lecture, dinner and into the Gallery. In addition to the $20,000 raised, a further $12,000 was received with in-kind sponsorships.

The Centenary of the Morgan Thomas Bequest was celebrated with a Foundation fundraising dinner and exhibition launch on 23 May 2003. This special black tie dinner was held in the exhibition space and was attended by sixty-two guests. Mrs Diana Ramsay AO generously sponsored this celebratory dinner. The event raised $20,000 for which funds will be put towards the purchase of the rare William Morris watercolour design for the wallpaper Wreath (in conjunction with the balance of the Morgan Thomas fund and the Mary Overton gift fund).

In March 2003 the Foundation Executive Officer, Kerry deLorme was also appointed Executive Officer of the new fundraising initiative Contemporary Collectors.

At 30 June 2003, membership of Membership/Fundraising income for the the Foundation was as follows: financial year 2002/2003: Founders 11 General Subscriptions $53, 220 Governors 7 Donations $286, 633 Principals 10 The Mayne Contemporary Art Fund $25,000 Guardians 10 Executive Fund $140,000 Benefactors 30 The Collectors Club $93,000 Fellows 112 Investment Income $222,244 Members 494 Function Income $35,646 Collectors Club 2002 19 Tiffany Windows Fund $100,000 TOTAL CASH RECEIVED $955, 743 TOTAL MEMBERSHIP 693 In-Kind sponsorships $14,000 Gifts of Works of Art (waiting on values) $966,235 TOTAL RAISED $1,935,978

19 FRIENDS OF THE ART GALLERY In the year 2002-2003 the Friends held a successful membership drive in conjunction with the major exhibitions Arid Arcadia: Art of the Flinders Ranges, Burke & Wills: From Melbourne to Myth and SEEING THE CENTRE: The Art of Albert Namatjira resulting in 150 new memberships.

The Friends presented a total of fifty-one functions and three interstate tours. Functions included curatorial talks, after-hours viewings, lectures, collaborative events with Friends of Carrick Hill and the Fleurieu Art Prize, visits to other museums and galleries and a new series of Conversations with leading artists, collectors, donors and administrators. Tours travelled to Melbourne for The Italians exhibition and to visit regional galleries on the Mornington Peninsula; to Sydney for the exhibitions Picasso:the last decades and Islamic Art and Patronage and to the Flinders Ranges in association with the exhibition Arid Arcadia: Art of the Flinders Ranges guided by curator Alisa Bunbury.

At the end of the financial year the membership of the Friends comprised:

Friends Memberships 1,682 Corporate Memberships 4 Life Benefactor and Supporting Donor Memberships 179 Honorary members 100 New Member Drive Memberships 293 TOTAL MEMBERSHIP 2,258

CONTEMPORARY COLLECTORS The Contemporary Collectors was successfully launched on 11 June as a new initiative for the Art Gallery to raise funds for the purchase of contemporary Art and foster appreciation of Contemporary art.

This committee chaired by Richard Frolich and is a sub-committee under the Art Gallery Board (run independently of Foundation and Friends). Kerry DeLorme has been appointed as Executive officer for the first 12-month period.

It has been very successful in obtaining new interest to the Gallery and many members. Membership at 30 June was 82. Total funds raised through membership was about $30,000.

COLLECTIONS

COLLECTIONS DEVELOPMENT It has been another very significant year for major acquisitions. The Gallery acquired 313 works, of which 237 were gifts, 74 were purchased and 2 were bequeathed. Of these 227 were European, Asian and Australian heritage works produced before 1960 and 86 were works produced after 1960. The total value of gifts and purchases this year was approximately $4,833,311 million.

ACQUISITIONS OF AUSTRALIAN ART The Gallery’s Australian art collection was greatly strengthened this year. Significant colonial acquisitions included an engraving after John Eyre, an etching by Benjamin Duterrau, a photograph by J.W. Lindt and an early Bertram Mackennal bust. South Australian material included an 1849-55 sketchbook donated by Barbara and Douglas Mullins, and an album of photographs by E.G. Tims and others, donated by Michael Abbott.

Major acquisitions from the twentieth century included paintings by Clarice Beckett, Stella Bowen, Jeffrey Smart, Horace Trenerry and Dusan Marek, two major drawings by Tony Tuckson, a drawing by Russell Drysdale, a woodcut by Thea Proctor, and two photographs by C.P. Mountford. Two sculptures by Marjorie Fletcher was acquired from the artist’s family.

The decorative arts collection continued to be strengthened in the areas of jewellery, textiles, metalware, ceramics and particularly furniture and glass. The early South Australian Biedermeier style Barossa Valley Bench, c1850, a treasured long-term loan to the gallery, was gifted to the collection by Janet & Jack Grace. Late 1920s Angorichina furniture and contemporary furniture by South Australian born, Enlai Hooi, were also added to the collection. The Hon. Diana Laidlaw, MLC, gifted an important glass vessel, Aragunu, 2002, by Stephen Procter and Klaus Moje.

Many major contemporary acquisitions were made, including paintings by Robert Rooney and Gordon Bennett, and significant three dimensional works by Fiona Hall, Sally Smart and Mike Parr, a suite of six screenprints by Juan Davila, photographs by Patricia Piccinini, Rosemary Laing, Anne Zahalka, Julie Rrap and Samantha Small, and prints by Torres Strait Islander artists Victor Motlop and Dennis Nona. Other Aboriginal works were acquired from the Santos Fund for Aboriginal Art including an important bark painting by John Mawurndjul.

ACQUISITIONS OF EUROPEAN ART The most outstanding acquisition in European art this year was made possible by funds provided from the generous bequest of the late Mary Overton. The bequest enabled the Gallery to purchase Bartolomeo Passerotti’s late Renaissance altarpiece, The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist, c.1580.

The Gallery’s collection of Flemish painting has acquired greater depth with the gift by Miss Dorothy Spry of Village kermis, c. 1660, a large, festive canvas by Gillis van Tilborgh. A fine neo-classical bust, Portrait of a woman, c.1840s, by John Gibson and an important sculpture by Jean-Baptiste Carpeaux (a gift of William Bowmore), have enhanced the nineteenth century sculpture collection. Contemporary acquisitions include two etchings by Russian artist Maxim Kantor.

The Gallery’s displays were enhanced by the major long-term loan a copy of the Nuremberg Chronicle from Carolyn Corkindale. The most remarkable acquisitions of Eureopean decorative arts this year are the significant Morris & Co. additions. These include a superb Hammersmith Carpet, c.1884, a rare pair of Rose & lily curtains (designed 1893) and an original design by William Morris for the wallpaper Wreath c.1876. Several notable items of furniture were acquired, including a 1936 Long chair by the Bauhaus designer and architect, Marcel Breuer, and two Chairs (2003, designed 1983) by American artist Donald Judd.

21 ACQUISITIONS OF ASIAN ART The Asian collection has greatly expanded with many major gifts. These include a pair of sculptures Lion Conquering an Elephant, dated to the ninth century; a very significant and rare twelfth century sculpture of the Jain saint, Abhinandanatha, the fourth Tirthankara – a gift of Michael and Mary Abbott who have also generously added to the Gallery’s growing collection of south-east Asian textiles. Also received was an important gift of forty-three major Japanese prints. A very significant gift of forty-five ancient Islamic ceramic objects from William Bowmore now forms the fine nucleus of Australia’s first museum collection of Islamic art.

COLLECTION MAINTENANCE & CONSERVATION Four European paintings, two European sculptures, 108 Australian paintings, 17 Australian sculptures, 59 decorative arts items and 218 works on paper were treated by Artlab this financial year. A full list appears in Appendix D.

RE-FRAMING AND PEDESTALS PROGRAM The Gallery continued an active program of reframing and pedestal construction and improvement. Thirty- nine Australian paintings were reframed: seven pedestals for sculptures, thirty-two platforms and several other pieces of construction undertaken for exhibitions.

COLLECTIONS MANAGEMENT The Collections Database Project received a significant boost with the appointments of Sue Smith, the new Collections Database Assistant and David Zeelen, Records and Data Management Coordinator.

Some of the project’s highlights this year included: • re-design of the data editing process. • addition of 4,287 digital images to the database (total of 14,287). • replacement of the Gallery’s EMu database server. • intranet access to the collection’s database for all Gallery staff. • location details updated for art objects on the EMu database, at Unley store, the Crypt and the Decorative Arts store. • generation of appropriate reports from the EMu database in support of the valuation process, stock- checks and a variety of other administrative tasks. • purchase of a new scanner, printer and special purpose mobile photographic unit.

The annual high value items, the Painting collection and the Australian and European Ceramic collection stock-checks were completed.

The construction of a new crates store at Unley was commenced in order to address storage, access and Occupational Health, Safety and Welfare issues.

ACCESS TO COLLECTIONS & RESOURCES For conservation reasons the Gallery’s collection of prints, drawings, watercolours and photographs are stored in darkness mostly in boxes in the works on paper store and individual works are available for inspection by appointment.

There was a total of 165 visitors by appointment to the Print Viewing Room, including school students, tertiary students and individual scholars undertaking research. These were supervised by the Assistant Curator of Prints, Drawings and Photographs or by the Education Officer. Access to other areas of the collection was provided by the Registration Section and relevant curators.

OFFSITE STORE Over the year a total of 3,100 works were moved to and from the offsite store, being required for changes to the permanent display and for curatorial research, conservation, reframing, outward loans, photography and public access.

REPRODUCTION AND PHOTOGRAPHY Rights & Reproductions received a total of 150 requests: 106 formal requests from publishers to reproduce 192 images from the Gallery’s collection; twenty-six formal requests from Gallery visitors purchasing forty- one photographic prints of works in the collection; and eighteen requests for 120 slides were purchased for research and educational purposes.

New acquisitions and other works were photographed for the Gallery Newsletter, exhibition catalogues, Foundation Annual Report, lectures and for overseas valuations.

Images were provided to Australian and international magazines and newspapers for the promotion of the Gallery’s collections and exhibition program. Many images were supplied free of charge for curatorial, educational and promotional purposes as another means of providing access to the Gallery’s collection.

Rights and Reproductions received numerous complimentary copies of these publications which were added to the Gallery Library collection.

RESEARCH LIBRARY Twenty-four bays of recycled shelving were added to the Library to accommodate the growing book and catalogue collection, which this year was enhanced by the archives of the Llewellyn Galleries donated by Richard and Becky Llewellyn, and the generous bequest of items from the personal library of Shirley Cameron Wilson. The number of catalogued volumes stands at over 26,000.

Healthy loan statistics and increased reference enquiries, especially from Art History students researching for their Masters theses, indicate a steady rise in usage of library resources.

This year the Librarian undertook the second 5-year valuation of the library stock and conducted a stocktake.

The Library collection is now valued at $1,482,000.

Library Assistant Veronika Emamy resigned in February after 12 years’ service, and is replaced by Jon Grotto. The Library continues to benefit from the contribution of its team of volunteers, one of whom – Judy Gall – was named the Gallery’s Volunteer of the Year.

GRADUATE STUDIES IN ART HISTORY The collaborative program of Graduate Studies in Art History between the Gallery and Adelaide University is now in its third year. The program is based in the Department of History in the Faculty of Humanities and Social Sciences and offers students Professional Certificate, Graduate Certificate, Graduate Diploma and Master of Arts qualifications. Dr Catherine Speck is the full-time co-ordinating lecturer. In accordance with the agreement between the two institutions, a third of the teaching of the following courses was conducted by the Gallery’s curatorial staff and Director with the Gallery’s collection:

Enrolments: 2002 Studies in Japanese Art 13 Studies in Contemporary Art 14 2003 Studies in Australian Art 28 Studies in European Art 23 Studies in Japanese Art 18 Studies in Contemporary Art 29

Curators have supervised eight students who have undertaken curatorial placements: seven students are currently enrolled in the Masters program.

23 PUBLIC PROGRAMS This year the Art Gallery presented a program of nine exhibitions, six of which were curated by the Gallery. All exhibitions were supported by activities and programs which enhanced both the visitor experience and attendances.

Two Gallery exhibitions toured South Australia and interstate: Love & Death: Art in the Age of Queen Victoria toured after Sydney to Queensland Art Gallery and Auckland City Art Gallery; The Art of Lionel Lindsay was developed for regional touring after Carrick Hill, showing at Millicent Art Gallery, Riddoch Art Gallery, Port Pirie Regional Art Gallery and the Walter Nichols Gallery in Port Lincoln.

Appendix I contains a full list of exhibitions and Public Programs activities.

PUBLICATIONS & INTERPRETATION The Gallery continued its publishing program this year producing two major books and a variety of smaller booklets and brochures.

Arid Arcadia: Art of the Flinders Ranges was produced to accompany the exhibition. The most elaborate book that the Gallery has yet produced this year was undoubtedly Morris & Co. Showcasing the works of art this lavish edition has been eagerly sought after by our international distributor and is now being sold worldwide.

More modest publications were produced for the exhibitions Art of Arnhem Land, JOURNEY TO NOW: John Kaldor Art Projects & Collection and for the Lionel Lindsay exhibition tour.

Details of all publications are listed in Appendix L.

The Gallery again was rewarded for its efforts, receiving two National Print Awards for Morris & Co. and The Encounter 1802.

Van Gastel Printing continued its generous sponsorship of the Gallery’s newsletter ensuring that the magazine format was retained.

The Gallery joined the Australian Publishers Association which offers support and many networking opportunities for publishers.

The Gallery continued its distribution arrangements with Thames & Hudson in Australia and Woodstocker Books in the United States (who have been bought out by the international distributor Weatherhill).

THE BOOKSHOP The 2002-2003 financial year provided a number of successes for the Bookshop. The Exhibitions - Stella Bowen Art Love and War, Morris & Co., SEEING THE CENTRE: the art of Albert Namatjira - all produced good sales, enabling the Bookshop to meet its target for this financial year.

A special shop was established for the Morris & Co. exhibition with many products sourced overseas as well as in Australia. The Bookshop’s Annual May Sale was again very successful with the first day achieving another record in sales.

ART GALLERY WEBSITE The Gallery’s website provides information about the Gallery’s collections, exhibitions and programs, education services and membership. It promotes the Gallery’s bookshop, publications, conference and café facilities.

Outstanding high quality virtual tours of recent Gallery exhibitions and on-line education kits are a new feature of the site this year.

Use of the site has increased this year with recorded ‘hits’ numbering 1,201,990.

EDUCATION SERVICES The Education Officer, John Neylon was reappointed for a three year DECS secondment contract term of three years from January 2003. The Education Officer presented a diverse range of schools services with administrative support provided by Megan Henschke and Yvonne Collison (to January 2003) and Karina Morgan (appointed Schools Support Officer from January 2003). Demand for school support services came from all levels (preschool to senior secondary) and across a wide range of learning areas, particularly Visual Arts and Society and Environment. Over 3,800 students participated in booked–out Gallery based Come Out 03 projects.

TEACHING & GUIDING The Education Officer presented an extended menu of structured learning sessions for booked school groups ranging from ‘Meet the Gallery’ sessions to syllabus-specific floor lectures and tutorials related to all areas of the Gallery’s collection and seven temporary exhibitions. The significant contribution of volunteer Education Guides ensured that groups with priority needs, particularly primary groups without access to in- school art educators and country schools, had ready access to guided tours.

TEACHER PROFESSIONAL DEVELOPMENT Teacher Briefings were presented for; Stella Bowen: Art, Love and War, Arid Arcadia: Art of the Flinders Ranges, Art of Arnhem Land, Aboriginal Bark paintings from the 1940s to the 1970s, SEEING THE CENTRE:The Art of Albert Namatjira and JOURNEY TO NOW John Kaldor Art Projects and Collection. A total of 510 teachers participated in these Briefings. This program was supplemented by after-hours (Sundown Sessions) professional development for staff groups and an advisory service for individual teachers.

CURRICULUM RESOURCES Education kits were produced for six temporary exhibitions. These hard copy kits were also delivered on-line through the Art Gallery website. The first in a series of holiday and weekend activity sheets, Look and Learn adventures for family groups was launched in January. Several Topic Trails were developed in response to schools’ demand with the Outback Trail and the Water Trail proving very popular.

VISITOR INFORMATION DESK The sixty-one Information Desk volunteers continued to provide a valuable service to visitors and a reception service for the Gallery. Four new volunteers received individual training to ensure the continuing high standard of customer service. Information Desk volunteers were regularly provided with updated information. There were 22,526 enquiries at the Visitor Information Desk.

TICKET SELLERS The fifty-one Ticket Seller volunteers continued to provide a high level of service to Gallery visitors attending exhibitions. Eighteen new volunteers received individual training to maintain the provision of ticket sellers.

GALLERY GUIDES In 2002-2003, the volunteer Gallery Guides conducted 1108 tours for 11,018 patrons. General tours of the Gallery were offered twice daily. Exhibition tours for MORRIS & Co and SEEING THE CENTRE: The art of Albert Namatjira were offered 4 times per week and proved very popular.

The Guides also led 17 casual tours (71 patrons) and 35 specially booked groups (594 patrons).

The Guides continued to conduct introductory tours for new members of the Friends and participated in Family Day. The popularity of Eye Spy Club continued with demand for the second tour per month exceeding expectations.

The Guides provided additional services in supporting a variety of after-hours functions whilst additionally facilitating a high quality training program consisting of curatorial talks, presentations by guest speakers, gallery visits, workshops and attendance at the national AAGGO conference.

At the end of June 2003 there were fifty-five active Gallery Guides.

25 APPENDIX A

CHARTER AND GOALS OF THE ART GALLERY OF SOUTH AUSTRALIA

To enable the South Australian and the wider community to experience directly high-quality works of visual art; to ensure that the experience is enlivening and enriching; and to demonstrate that a significant expression of South Australian life can be experienced in South Australian works of art.

GOALS

COLLECTION

The Gallery should identify and hold historically important works of art of aesthetic excellence and of regional significance in accordance with the Gallery's collections policies. Works on loan to the Gallery's collections should also be subject to those policies.

PRESERVATION

The Gallery should ensure the preservation and conservation of its collections by maintaining them in standard environmentally controlled conditions, by handling them safely and by ensuring their security at all times. The Gallery should stabilise or restore deteriorating or damaged works in its collections. Works temporarily in the Gallery's custody should receive the same environmental safeguards, safe handling and security as works in the Gallery's collections.

DOCUMENTATION

The Gallery should fully document its collections with a central catalogue system that includes complete visual as well as written records. Undocumented works temporarily in the Gallery's custody should also receive written and visual documentation.

RESEARCH

The Gallery should research and evaluate its collections (and related material) so that the collections' display, interpretation and promotion are carried out with integrity. The Gallery should make its collections and associated documentation accessible to others for the purposes of research.

DISPLAY

The Gallery should display its collections and program its temporary exhibitions in ways which enhance appreciation of the collections; displays should provide pleasure and education by being visually pleasing as well as appropriate for the particular public for whom they are intended; displays should be devised for the special interests of the specialist visual arts community as well as for the general public. Temporary exhibitions should be programmed to provide displays of works of art belonging to categories poorly represented in South Australia's collections. The Gallery should provide accurate and intelligible labels for works on display. Within normal security and conservation constraints, and provided there is clear public benefit, the Gallery should make works from its collections available for display elsewhere.

INTERPRETATION

The Gallery should provide easily accessible interpretative information about the collection displays and the temporary exhibitions in the form of signs and wall texts as well as public programs of publications, films, lectures, seminars and the services of Education Officers, Gallery Guides and other communicators. Interpretative services should be provided at various levels relevant to the Gallery’s various publics, from the specialist visual arts community to the least informed general public.

PROMOTION

The Gallery should promote its collections and temporary exhibitions, should promote in the community an awareness of art museum functions and of what can be gained from works of art, and should evaluate and act on the public's needs and responses to the Gallery's activities.

ADVICE

The Gallery should responsibly exercise its legislative function of advising the South Australian Government on the allocation of South Australian resources to works of art, art collections, art museums and art associations.

REVIEW

The Gallery should frequently evaluate and review its goals and tasks and the effectiveness of their implementation.

27 Appendix B1

ART GALLERY BOARD

There were eight ordinary meetings of the board during the year, attended as indicated.

Mr Michael Abbott QC (Chairman) 8/8 Mr Max Carter AO, BSc 8/8 Mrs Susan Cocks 8/8 Mr David McKee 6/8 Mrs Candy Bennett, BA, DipEd 6/8 Mr Richard Cohen 6/8 Ms Virginia Hickey, LLB, BA, FAICD 6/8 Mrs Sue Tweddell 7/8 Mr Adam Wynn, BAgSc, DipOen 6/8

APPENDIX B2

ART GALLERY OF SOUTH AUSTRALIA FOUNDATION COUNCIL 2002–2003: Chairman: Hon. Justice John R Mansfield Deputy Chairs: Charles Bagot, Deborah Hamilton, Julie Mitchell (also representing Governors) Representing Founders: Diana Ramsay AO, Max Carter AO Representing Governors: Mary Abbott, Lesley Lynn Representing Principals: Christina Litt Representing Guardians: Hiroko Gwinnett Representing Benefactors: Colin Taylor (representing Bank SA), Rob Patterson Representing Fellows: Kathy Booth Representing Ordinary Members: John Kiosoglous MBE, KSA Appointed Members: Loene Furler, Richard Hayward, Richard Walsh Ex Officio: Michael Abbott QC, Chairman, Art Gallery Board, Kerry DeLorme, Executive Officer, Ron Radford AM, Director

FRIENDS OF THE ART GALLERY OF SOUTH AUSTRALIA COMMITTEE 2002–2003: Kay Scanlon (Chair), Kathy Crockett (Treasurer), Catherine Buddle (from November 2002) George Fenwick (to December 2002), Conxita Ferrer, Phillip Graham, Peter Jackson, Dr Gerald Laurence, Joan Lea, Patrick Mangan, Michelle White (to November 2002)

Director

General Manager Assistant to Director Marketing & Exhibitions & Assistant to General Public Relations Public Programs

Registry Clerk Manager Manager Manager Publications Foundation AUSTRALIA SOUTH GALLERY OF ART Manager Executive Officer

Curators’ CHART ORGANISATIONAL Registrar - Registrar – Collections Physical Secretary Exhibitions Management Resources Commercial Rights & Manager Assistant Reproductions Curator of Australian Art Officer Registration Records & Curator of Asian Art Assistant Data Curator of European Paintings & Sculpture Management Security Curator of European & Australian Decorative Arts Coordinator Services Curator Prints, Drawings & Photographs Senior Associate Curator Australian Paintings & Sculptures Registration Associate Curator Prints, Drawings & Photographs Officer Workshop - Carpenter Painter Installation Team Photographer/ Programs Officer - Installation Exhibitions Public Visitor Education Information Officer Programs Friends Services Officer Services Assistant Coordinator Coordinator Librarian

Friends Assistant Library Library Bookshop Assistant Technician Manager

Exhibition Bookshop Staff Shop Staff APPENDIX B4 ART GALLERY STAFF

SENIOR MANAGEMENT Vicki Petrusevics, BA (Visual Arts), Grad Dip Ron Radford AM, DipFA, Director Management Art, Exhibitions Officer until Kaj Lindstrom, BA (Hons), GradDipLIS, General February 2003 Manager Clare Tizard, DipT, BEd, GradDipArtsAdmin, COLLECTION CURATORS Friends Administrator (on leave), until February Alisa Bunbury, (BA (Hons), Postgrad. Diploma 2003 Art Curatorial Studies, MA), Associate Curator of PUBLICATIONS Prints, Drawings & Photographs (resigned Antonietta Itropico, BA, Publications Manager September 2003) Georgia Hale, BA (Des Ceramics), Adam Free, BA, MA (Courtauld), AssDipGraphicDes, Rights & Reproductions GradDipHistArt, Curator of European Paintings Officer and Sculptures PUBLIC RELATIONS Tracey Lock-Weir, BA (Visual art), Grad. Dip. Miranda Starke, BA (Hons) (French), GradDip (Art Ed, Associate Curator of Australian Paintings and History, Public Relations and Communications Sculpture Manager (commenced 4 February) Jane Messenger, BA (Hons), MA (ArtCurStud), REGISTRATION AND ART SERVICES Assistant Curator of Prints, Drawings & Jan Robison, BA (Hons), GradDipEd MSc, Photographs (commenced November 2002) Registrar Exhibitions Robert Reason, BA, Postgrad DipArtCurStud, Ivana Kotasek, BA LibStud, Registrar Collections MA (Hons), Associate Curator of European and David Zeelen, BIT, Records and Data Management Australian Decorative Arts Coordinator Julie Robinson, BA, MA prelim., Sue Smith, Collection Database Assistant GradDipMusStud, Curator of Prints, Drawings & Saul Steed, Registration Officer: Digital Photographs Documentation Sarah Thomas, B.A., (Hons), GradDipMusStud. John O'Rielley, Senior Registration Officer Curator of Australian Art James Davenport, Registration Officer Cherie Prosser, B.Sc, GDHN, AdvDip VisArt, John Webster, Registration Officer Postgraduate DipArtHistory (ongoing), Project Noel White, Registration Officer Officer, Adelaide Biennial (casual, commenced WORKSHOP December 2002) Geoffrey Hodder, Painter and Decorator PUBLIC PROGRAMS/EDUCATION/FRIENDS Nick Didenko, Carpenter David O’Connor, DipT (Fine Arts), BEd (Fine LIBRARY Art), GradDipArtsAdmin, Exhibitions & Public Jin Whittington, BMus (Hons), GradDipLibStud, Program Manager Librarian Miranda Starke, BA Hons (French), Grad. Dip Art Ju Phan, AssocDipLibTech, Library Technician History, Manager, Public Relations and (part-time) Communications ADMINISTRATIVE SERVICES Joanna Parkes, BA, GradDipLib, GradDip. Lindsay Brookes, Assistant to Director Communication Mgt., Programs Officer – Friends Margaret Bicknell, Assistant to General Manager Cate Parkinson, Information Services Officer Heather Brooks, Curators’ Secretary (part-time) Megan Henschke, Exhibition and Public Lynn Bryant, Registry Clerk Programs Officer Miranda Comyns, Curators’ Secretary (part-time) Wendy Hudson, Volunteer Desk Coordinator Veronika Emamy, Library Assistant (resigned 17 Karina Morgan, Education Support Officer (from February 2003) February 2003) (part-time) Anne Wright, Registration Assistant Yvonne Anderson, Bookings and Membership BOOKSHOP Officer (from February 2003) Letitia Ashworth, Bookshop Manager Miranda Comyns, Friends Assistant Suzanne Mitchell, Bookshop Supervisor (temporary)(to March 2003) Anika Williams, Bookshop Assistant John Neylon, BEd, Dip Art, Education Officer Megan Case, Bookshop Assistant (casual) (seconded from the Department for Education & Anna Burdin, Bookshop Assistant (casual) Children’s Services) Lorinda Curnow, Bookshop Assistant (casual) Rosanne Tobin, Bookshop Assistant (casual) Alicia Kaye, Bookshop Assistant (casual) 30

Sally Deluca, Bookshop Assistant (casual) Nathan Farrant, Bookshop Assistant (casual) Jaslyn Menz, Bookshop Assistant (casual) Sarah Bailes, Bookshop Asisstant (casual) Heidi Chamberlain, Bookshop Assistant (casual) ART GALLERY FOUNDATION Kerry deLorme, Executive Officer PHYSICAL RESOURCES Syd Bower, Physical Resources Manager

31 VOLUNTEERS

Of the 204 Gallery volunteers, many generously continued to contribute to the Gallery in more than one capacity. Twenty-four volunteers attended Volunteers Day 2003 Celebration at Adelaide Festival Centre, hosted by Mike Rann, Premier of South Australia and Minister for Volunteers. The Gallery’s Volunteer of the Year was awarded to Judy Gall.

A group of retired Gallery Guides continue to enjoy an active association with the Gallery, meeting monthly for talks.

GALLERY GUIDES Executive Committee Jenni Scrymgour Coordinator Laurel Laurence Vice Coordinator John Brooking Secretary Elizabeth Cant Treasurer Jennifer Harris Program Coordinator Mary Rivett Newsletter Coordinator Beverly Jager Trainee Educator Judith Lloyd Trainee Educator Joan Allister Booking Officer & Assistant Betty McIwham Eye Spy Coordinator Christine Wigg GETSMART Coordinator Laurel Laurence GETSMART Coordinator Joan Lea AGSA Friends Representative John Murrie AAGGO Representative Michael Shepherd Filing Officer Laurel Laurence Archivist Gordon Goulding Coffee Monitor

GALLERY GUIDES Robyn Aitchison, Hasmik Balayance, Ann Bensted, Sarah Black, Ann Blandford, Christine Bowman, John Brooking, Angela Burford, Elizabeth Cant, Max Carter, Annette Chalmers, Delwyn Clark, Rosemary Collins, Robyn Cowan, Kathleen Crockett, Anne Davidson, Gillian Davis, Perdita Eldridge, Estelle Farewell, Carmel Floreani (retired January 2003), Lorraine Franzin, Jessica Gosnell, Gordon Goulding, Ann Guster, Judith Hale, Rita Hall, Jennifer Harris, Eric Hillwood, Della Hodgett, John Hown, Beverly Jager, Jenny Jarvis, Jenifer Klenner, Philip LaForgia, Laurel Laurence, Joan Lea, Helga Linnert, Judith Lloyd, Betty McIllwham, Jan McKinlay Moss, Violetta Mount, John Murrie, Christopher Nance, Barbara Prowse, Marion Queale, Mary Rivett, Jenni Scrymgour, Michael Shepherd, Eileen Taylor, Janet Taylor, Terry Teusner, Di Townsend (retired February 2003), Lorraine Trotter Jones, Margo Vaughan, Merry Wickes, Christine Wigg, Gwen Wilkinson

TRAINEE GUIDES – GRADUATED DECEMBER 2002 Sarah Black, Annette Chalmers, Rosemary Collins, Kathy Crockett, Gillian Davis, Ann Guster, Rita Hall, Vi Mount, Christopher Nance, Marion Queale, Eileen Taylor, Terry Teusner.

GALLERY GUIDES ASSISTANT Joan Allister

CURATORIAL Max Carter, Tansy Curtin, Barbara Fargher, Cate Filsell, Cherie Prosser, Julia Warren, Jane Wright-Gryst Kellyanne Capuano, Terry Teusnet, Annette Chalmers

EDUCATION GUIDES 32

Catherine Bagot, Kim Beaman, Perdita Eldridge, Joy Harvey, James Hay, Lesley Jorgensen, Sue Kent, Kirsty Kurlinkus, Paula Lebedew, Jim Loudon, Jane Newland, Ann Noble, Ann Preston-Flint, Barbara Tanner, Trish Roche, Merry Wickes.

EDUCATION SERVICES VOLUNTEERS Jennifer Cook (research, Morris & Co. Education Pack), Lindy Neilsen (research, JOURNEY TO NOW John Kaldor Art Projects and Collection Education Pack), Tansy Curtin (JOURNEY TO NOW John Kaldor Art Projects and Collection Education Pack), Jane Crosby, Margaret Strathearne

FOUNDATION Mel Ashdown

FRIENDS Catherine Buddle, Kathy Crockett, George Fenwick, Conxita Ferrer, Phillip Graham, Dr Gerald Laurence, Joan Lea, Patrick Mangan, Kay Scanlon, Michelle White.

INFORMATION DESK Val Allen, Bev Anderson, Margaret Bevan, Patricia Church, Adrienne Clarkson, Vicki Clonan, Joan Conley, William Cronin, Kathy Crosby, Lynn Crosby, Betty Cross, Alan Cross, Barbara Day, Bice Della Putta, Perdita Eldridge, Conxita Ferrer, Stella Fielding, Jarmila Flaherty, Genevieve Forster, Harvey Foster, Ann Fuss, Kay Gill, David Giraud, David Gosnell, Diane Hall, Beverley Harding, Mollie Hartley, James Hay, Betty Hoar, Mary Hogan, Dianne Hunt, Geraldine Jennings, Joan Key, Caroline Laurence, Marion Ligertwood, Jim Loudon, Patricia McGaffin, Vivienne McMahon, Barbara Mellor, Peggy Molloy, Sarah Moulds, Violetta Mount, Christine O'Connor, Janet Parlett, Gill Pitchon, Bert Prowse, Marion Queale, Neta Reubenicht, Diana Roberts, Margaret Shaw, Iris Skujins, Anita Smith, Martina Taeker, Angela Tizard, Glynis Varvounis, Mimma Vettori, Benita Wheeler, Lorraine White, Bill Whitson, Anne Wilson, Pauline Wood.

LIBRARY Betty Cartmel, Val Essery, Judy Gall, Pat Howard, Lesley Lynn, Annette Masters, Peggy Molloy, Joan Newman, Zaiga Sudrabs

PUBLIC PROGRAMS Margaret Strathearn, William Cronin

REGISTRATION Lexie Badge, William Cronin, Conxita Ferrer, Peter King, Jane Wright-Gryst

RIGHTS AND REPRODUCTION Anthony Corso, Nathan Farrant, David Gill

TICKET SELLERS Rowena Allert, Anna Austin, Douglas Baker, Juliet Barnett, Patsy Brebner, Francis Brett, Suzanne Butterworth, Heidi Chamberlain, Coralie Cox, Kathy Crockett, William Cronin, Josephine Csaky, Elaine Davey, Dianne Davie, Pat Davies, Romana Dolinsky, Nicole Dowling, Louise Easton Bell, Conxita Ferrer, Vicki Foote, Lew Guy, Neil Haley, Beverley Harding, Mollie Hartley, Maureen Heaver, Enid Hills, Michelle Ianni, Geraldine Jennings, Aileen Kearns, Brenda Keen, Peter King, Phillip Koch, Margaret Lord, Ruth Lucke, Lynette Mackay, Naomi Matson, Margaret Neville, Christine O'Connor, Barbara Phillip, Bert Prowse, Erin Quinn, Annalise Rees, Michael Reid, Ruth Retallack, Sandra Richardson, Ulita Sersts, Marcella Urbasius, Marg Venning, Maxie Walker, Anne Wilson, Sharon Wilson

33 APPENDIX C STAFF PUBLIC COMMITMENTS

RON RADFORD Ten lectures for the Art History Course Assessment Panel, Adelaide Central School of Two public lectures Art, Bachelor of Visual Arts Four lunchtime talks on the collection Artists’ Week 2004 Advisory Group One talk to Gallery Guides PUBLICATIONS: Six radio interviews ‘Mike Parr: Aether/Awe’, Imprint, vol. 38, no. 1, Two television interviews Autumn 2003, pp. 1-2 Opened three exhibitions SARAH THOMAS Judged the Centenary of Women’s Suffrage Four lunchtime talks sculpture award, Canberra One talk to Gallery Friends COMMITTEES: Two talks to Gallery Guides Affiliate Professor, University of Adelaide Seven newspaper interviews Deputy Chair, National Portrait Gallery Board, Two television interviews Canberra Three radio interviews Trustee, Gordon Darling Foundation Five floor talks Member, National Collections Advisory Forum Six lectures / workshops, Art History Course Member, Memorial Sculpture Selection COMMITTEES: Committee, Centenary of Women’s Suffrage, Contemporary Collectors Committee Canberra Adelaide City Council Public Art Committee Chair, Public Art Review Panel, North Terrace Art for Public Places, Arts SA Redevelopment Project University of South Australia Art Museum Campus Design Panel, University of Adelaide Advisory Committee Council of Australian Art Museum Directors Leadership and International Assessment Panel, Department for the Arts and Cultural Arts SA Development Senior Management Group North Terrace Redevelopment Public Art Review PUBLICATIONS: Panel Three catalogue forewords: South Australian School of Art Advisory Arid Arcadia: Art of the Flinders Ranges Committee Morris & Co. Research Centre for Gender Studies Advisory Journey to Now: John Kaldor Art Projects and Committee, University of South Australia Collection Art Association of Australia (SA) OVERSEAS VISITS: PUBLICATIONS: Auckland and Wellington, New Zealand. Speak ‘Translations from Building to Drawing: Jonathan at opening of Art Gallery of South Australia Dady’s Construction Drawings 02:2003’, exhibition Love & Death, meet with Director, Broadsheet, 32/2, 2003 Auckland Art Gallery, and Director, Te Papa OVERSEAS VISITS: Tongarewa Museum of New Zealand, to discuss Courier Stanley Spencer works to New Zealand possible exhibition exchanges ADAM FREE KAJ LINDSTROM Six lunchtime talks One talk to Gallery Guides One lecture and two exhibition floor talks for COMMITTEE: Journey to Now Graduate Studies in Art History Joint Committee One lecture for Spring Lecture series JULIE ROBINSON Two lectures and three seminars for Graduate Five lectures/workshops for Graduate Studies in Studies in Art History Art History Three radio interviews One ‘Spring Lecture’ One TV interview Two lunchtime talks Three talks to Gallery guides Two newspaper interviews One talk for the Friends One interview for television documentary Three floor talks Supervisor, Masters student, Graduate Studies in Attended Ozeculture On-line 2002 conference, Art History Sydney COMMITTEES: COMMITTEES:

Board of the Centre for British Studies, Adelaide JANE MESSENGER University Two lunchtime talks Joint Committee of Management, Graduate Two lectures to Graduate Studies in Art History Studies in Art History (AGSA & Department of ALISA BUNBURY History, Adelaide University) Two lunchtime talks Contemporary Collectors Committee, Art Gallery Seven radio interviews of South Australia Three television interviews PUBLICATIONS: Five newspaper interviews Journey to Now: John Kaldor art projects & One lecture for Graduate Studies in Art History collection, AGSA, 2003 One talk to Guides OVERSEAS VISITS: One teacher’s preview Courier Love & Death exhibition to New Zealand Talk to Friends of Carrick Hill Courier Circe Invidiosa to the Netherlands Guided tour of Friends of the Art Gallery to ROBERT REASON Flinders Ranges Five lectures for Graduate Studies in Art History COMMITTEES: Assisted with one lecture for the Graduate Studies Joint Committee of Management, Graduate in Art History Studies in Art History (AGSA & Department of Six lunchtime talks History, Adelaide University) Two talks to the Gallery Guides Committee Member, Museums Australia (SA Six floor talks Branch) Three radio interviews EXHIBITIONS: Two television interviews Arid Arcadia: Art of the Flinders Ranges Presented paper at the Morris & Co. symposium The Art of Lionel Lindsay: prints, drawings and Presented paper at the Campbelltown Bicentennial bookplates, Carrick Hill and touring 2002-03 Art Gallery, NSW: The Australian New Zealand PUBLICATIONS: Context: Ceramics exhibition & symposium Arid Arcadia: Art of the Flinders Ranges, PUBLICATIONS: Adelaide: AGSA, 2002 ‘Anne Dangar’, biographical entry in Australian The Art of Lionel Lindsay: prints, drawings and Art in the National Gallery of Australia, NGA bookplates, Adelaide: AGSA, 2002 2002. “The Flinders Ranges: The ‘Artist’s Country’, The ‘Ceramics in the Australian & New Zealand World of Antiques and Art, July-Dec. 2002, Context’, Ceramics: Art and Perception, no. 52, pp.145-149 2003, pp.49-56 DAVID O’CONNOR TRACEY LOCK-WEIR Three lunchtime talks Six lunchtime talks Two Eye Spy tours Six lectures/workshops for Graduate Studies in COMMITTEES: Art History SALA Week Board Executive Two slide talks to Gallery Guides Arts In Health Steering Committee: Flinders Three radio interviews Medical Centre Six television interviews Organisations Grants Assessment Panel Member – Two newspaper interviews Arts SA Opened one exhibition AGSA Representative, Friends of the Art Gallery One talk for the Friends of the Art Gallery Member OH&S Committee, AGSA Two public talks JAN ROBISON Two teachers’ previews Attended: Australian Registrars Committee PUBLICATIONS: Conference Art of Arnhem Land: 1940s-1970s, brochure,

AGSA, 2002 COMMITTEES: ‘Clifford Possum Tjapaltjarri: The divine Member of Australian Registrars Committee navigator’ Art and Australia - special 40th OVERSEAS VISITS: anniversary issue, vol. 40. No. 4, June 2003, p. Courier Love & Death exhibition to New Zealand 602-609. OVERSEAS VISITS: IVANA KOTASEK Gordon Darling Travel Grant to the USA, France, COMMITTEES: England and Italy Registration Steering Committee Courier Love & Death exhibition to New Zealand Collection Data Management Group 35 JOANNA PARKES KERRY DELORME COMMITTEES: COMMITTEES: Member, Nexus Multicultural Arts Centre, Inc. Member, Fundraising Institute of Australia, Board Council Member, National Panel, APRA/Australian Music Art Gallery of SA Foundation Committee: Centre Classical Music Awards Contemporary Collectors Chair, Heather Gell Dalcroze Foundation SYD BOWER JOHN NEYLON COMMITTEES: Five lunchtime talks Chairman, Occupational Health, Safety & Welfare Two Gallery Guide exhibition workshops Committee, AGSA Two Art History Course lectures (Public Art, Adelaide Business Watch Installation Art, Art & Text) LYNN BRYANT Keynote speaker South Australian Visual Art COMMITTEE: Education Association annual general meeting Art Gallery Representative, Public Service State conference presentations: Early Childhood Association & History Teachers COMMITTEES & MEMBERSHIP: MARGARET BICKNELL Member, Outreach Education Promotion COMMITTEE: Committee Staff Representative, Occupational Health, Safety Member, Adelaide Festival of Arts 2004 Artists’ & Welfare Committee, AGSA Week Advisory Group Consultant, Arts SA Arts Industry Visual Arts Consultancy Attended ‘Museums as sites of communication’ Art Museums Symposium, Canberra PUBLICATIONS: Education Packs produced for: Arid Arcadia: Art of the Flinders Ranges, Art of Arnhem Land, Aboriginal Bark Paintings from the late 1940s to the 1970s, Morris & Co., SEEING THE CENTRE, The art of Albert Namatjira and JOURNEY TO NOW John Kaldor Art Projects and Collection. Monthly exhibition reviews, The Adelaide Review. Catalogue essay, ‘Wishful thinking’, Hossein Valamanesh Recent Work, Drill Hall Gallery, Canberra, June 2003

GEORGIA HALE

One talk to the Adelaide Embroiders Guild -

JIN WHITTINGTON COMMITTEE: National Treasurer, ARLIS/ANZ State Treasurer, ARLIS/ANZ (SA Chapter) Deputy Staff Representative, Occupational Health, Safety & Welfare Committee, AGSA PUBLICATION: Art houses: the Art Gallery of South Australia Research Library in Bibliofile, vol. 10, no. 4, August 2002. APPENDIX D CONSERVATION

AUSTRALIAN PAINTINGS 89 bark paintings required treatment and exhibition preparation ET, MP, CP 36

93 paintings required storage preparation ET, CP, Nikolaus Lang, Varrioota’s daydreams after his MP Escape from Aroona Homestead KP

AUSTRALIAN SCULPTURES Mount cutting and framing of works on paper in Fiona Hall, Occupied Territory preparation for exhibitions and collection Bert Flugelman, Torso pot plant displays, as well as general collections Five sculptures required storage preparation maintenance, has continued to be an ongoing Five sculptures required exhibition preparation process. This year 218 works on paper underwent EUROPEAN PAINTINGS preparation or conservation. Luca Ferrari, Venus preventing her son Aeneas from killing Helen of Troy ET, MP, CP Gerhard Richter, Abstract painting no. 424 MP William Luker, Springtime, Burnham Beeches GL Joseph Farquharson, On a clear eve, when the November sky grew red GL

EUROPEAN SCULPTURES

Duane Hanson, Woman with a laundry basket JG

John Gibson, Portrait of a woman RR, JB

DECORATIVE ARTS Morris & Co., Daisy tile panel AT, JD Morris & Co., Mantel border KP, LM (Liz Mayfield) Morris & Co., Bird pelmet BF Morris & Co., Swan tiles RT Morris & Co., Adjustable back chair JG William Morris, Wreath FF Nick Mount, Spoons (3) JD William De Morgan, Tiles (16) AT, JD, RR, JG, Key to Conservators ET Angorichina Furniture workshop, Two easy chairs FF Fred Francisco JG, KP KP Kristin Phillips W.F. Dalziel, Writing table JG VH Vicki Humphrey Salopian Porcelain, Vase AT HH Helen Halley Fred Lowen, Lounge chair JG JG Justin Gare Bow Porcelain, Spring – Four Seasons AT RR Renita Ryan John Perceval, Angel Winkie AT, RR AT Ann Taddeo G. Reynolds, Music cabinet JG JD Jo Dawe Henry Steiner, Centrepiece RR BF Bee Flynn Byram Mansell, Amaroo table JG, AT SP Sophie Parker Roger Fry, Cabinet JG, RR, AT, JD, BF, SP LM Liz Mayfield Eighteen decorative art items required exhibition ET Eugene Taddeo preparation MP Marek Pacyna Eight decorative art items required storage CP Chris Payne preparation GL Gillian Leahy

WORKS ON PAPER Tony Tuckson, Untitled FF, VH, HH

37 APPENDIX E DONORS, FUNDS, SPONSORSHIPS

DONORS OF WORKS OF ART R and L Maddison, Decorative Art piece by Michael and Mary Abbott, Sculpture, Western Matthew Larwood India 1182AD Dante Marioni, Decorative Art piece by Dante Michael Abbott QC, Photograph attributed to Marioni Edward George Tims, Collection of 22 Asian Deane Miller, Painting by Frances Cotterell Textiles, Decorative Art Item by an unknown Greg Morley, Painting by Bertha Nakamarra artist. Dickson Anonymous Donor, Folio of seven lithographs by Mina Muecke, Print by Gustave Barnes Ulrich Rüchriem, 10 Drawings by Ulrich Douglas and Barbara Mullins, Painting by Clarice Rüchriem Beckett, Sketchbook of 33 drawings by Walter G Anonymous Donor, Forty-three Prints by various Light, Painting by Horace Trenerry Japanese artists Diana Ramsay, Sculpture by Edgar Bertram Michael Bennett, Silver Cup by C.E Firnhaber MacKennal, Sculpture by John Perceval, Edward and Jane Booth, Two Drawings by Decorative Art piece by Georg Jensen, Furniture Stanislaw Ostoja-Kotkowski, Five Photographs by by Unknown maker, England, Decorative Art Stanislaw Ostoja-Kotkowski, Three Archival piece by Frank Bauer, Decorative art piece by, Photographs by Stanislaw Ostoja-Kotkowski Eric Car, Decorative Art piece by John Hale, Dr William Bowmore, Sculpture by Jean-Baptiste Drawing by Russell Drysdale, Print by Thea Carpeaux, Collection of 45 Asian Ceramics Proctor, Print by Ichiyusai Kunisada, Print by Estate of Barbara Brash, Print by Mary Kitao Shigemasa MacQueen, Print by George Bell and Two Prints Don and Meredyth Sarah, Furniture piece by Fler by Barbara Brash Furniture Suzanne Brookman, Painting by Stella Bowen Margaret Joan Skipper, Two Paintings by John Lee Cataldi, Painting by Liddy Nakamarra Nelson Michael Skipper Graham and Elizabeth Cocks, Tea and Coffee Graeme Smith, Six Prints by Juan Davila service with tray by J.M. Wendt Dorothy Spry, Painting by Gillis van Tilborgh Mrs J.H. Dodd, Ceramic piece by Jodol Pottery Angus Trumble, Sculpture by Paul Quinn John Dowie, Painting by Alexander Iacovleff Margaret Tuckson, Two Drawings by Tony Ivan Durrant, Painting by Ivan Durrant Tuckson Max and Barbara Fargher, Painting by Unknown Rhianon Vernon-Roberts Memorial Collection, Artist Decorative Art piece by Helen Britton Dr Margaret Fereday, Painting by Thomas The Watt Family, Painting by Andrew Playford MacCormac Jane and Jack Grace, Furniture piece by an Janet Worth, Painting by Walter Ebatarinja Unknown Barossa Valley maker DONORS OF PURCHASE FUNDS Rossalyn Gresshoff, Painting by G.H. Williams Art Gallery of South Australia Foundation Hamish Grosse, Decorative Art piece by Morris & AGSA Foundation Collectors’ Club Co Mayne Contemporary Art Fund Haslam and Whiteway Ltd, Four Decorative Art Mary Overton Gift Fund pieces by Morris & Co Public Donations Fund Barrie and Judith Heaven, Sculpture, India c9th Ron Radford Gift Fund century James and Diana Ramsay Fund Enlai Hooi, Furniture piece by Enlai Hooi Santos Fund for Aboriginal Art Paul Hyde-Thomas, Twelve Paintings by Sarah South Australian Government Grant Kay Keith James, Decorative Art piece by Timo BEQUEST FUNDS Sarpaneva Dora Chapman Bequest Fund, Ellen Christensen Clive Jones, Ian Jones and Bob Dickens, Painting Bequest Fund, J.C. Earl Bequest Fund, Mary by Robert Hunter, Painting by Trevor Vickers Overton Bequest Fund, Morgan Thomas Bequest Hon. Diana Laidlaw, Decorative Art piece by Fund Stephen Proctor and Klaus Moje

Jenny Legoe, Jewellery by Henry Steiner, Pair of curtains by Morris & Co APPENDIX F 38

ACQUISITIONS

AUSTRALIAN PAINTINGS Andrew MacCormac, Australia, 1826-1918, Portrait study (Wilhelmina (Minnie) Watt), 1859, Christine Aerfeldt, Australia, born 1958, Little Adelaide, oil on canvas, Gift of the Watt family playmates Erika and Rolf by the house in the 2002 woods, 2002, Adelaide, oil on canvas, Mayne

Contemporary Art Fund 2002 Attributed to Charles Mardigan, Australia, 1926- 1986, Untitled, early 1960s, Wadeye (Port Keats), Clarice Beckett, Australia, 1887-1935, Beach Northern Territory, natural ochres on eucalyptus scene, c.1932, Beaumaris, Victoria, oil on canvas bark, South Australian Government Grant 2002 board, Gift of Douglas and Barbara Mullins 2003

John Mawurndjul, Australia, born 1952, Gordon Bennett, Australia, born 1955, Notes to Billabong at Milmilngkan, 2002, Milmilngkan, Basquiat (City), 2002, Brisbane, synthetic near the Mann River, Central Arnhem Land, polymer paint on linen, South Australian Northern Territory, natural ochres on bark, Santos Government Grant 2002 Fund for Aboriginal Art 2003

Stella Bowen, Australia, 1893-1947, Reclining Boxer Milner, Australia, born c.1935, nude, 1927, Paris, oil on woodpanel, Gift of Mrs Kundawarra, 2001, Balgo Hills, Western Suzanne Brookman 2003 Australia, synthetic polymer paint on canvas, Santos Fund for Aboriginal Art 2002 James Cochran, Australia, born 1973, The artist's tears, 2002, Adelaide, oil and aerosol enamel on Ivan Namirrkki, Australia, born 1960, Wind canvas, Mayne Contemporary Art Fund 2003 Dreaming-Gungura, 2002, Maningrida, Central Arnhem Land, Northern Territory, ochre pigments Francis Cottrell, Great Britain/Australia, 1847- on stringy bark, South Australian Government 1886, The musicians, 1884 or 1886, Adelaide, oil Grant 2003 on canvas, Gift of Mr Dean Miller in memory of

Kezia Clarke (1860-1945) widow of the artist Liddy N. Nelson, Australia, born c.1929, 2002 Warpurtarlikirli: The Battle of Yumurrpa, 1987, Yuendumu, Northern Territory, synthetic polymer Bertha N. Dickson, Australia, born 1950s, Ngurlu paint on canvas, Gift of Lee Cataldi 2003 Jukurrpa, 1987, Ernabella, South Australia, synthetic polymer paint on canvas board, Gift of Jeffrey Queama, Australia, born 1947, Hilda Greg Morley 2003 Moodoo, Australia, born 1952, Untitled I, 2002, Oak Valley, South Australia, synthetic polymer Ivan Durrant, Australia, born 1947, Stars and paint on canvas;Untitled II, 2002, Oak Valley, stripes, 1997, Melbourne, synthetic polymer paint South Australia, synthetic polymer paint on on composition board, Gift of Ivan Durrant 2003 canvas, Santos Fund for Aboriginal Art 2002

Loene Furler, Australia, born 1944, The answer Scott Redford, Australia, born 1962, Surf Painting lies within 3, 2002, Adelaide, oil on linen; The /SURF, 2001, Golf Coast, Queensland, styrofoam answer lies within 4, 2002, Adelaide, oil on linen; coated with resin and fibreglass, South Australian The answer lies within 5, 2002, Adelaide, oil on Government Grant 2003 linen, Mayne Contemporary Art Fund 2002

Robert Hunter, Australia, born 1947, Untitled, 1978, Melbourne, synthetic polymer paint, cotton canvas thread on canvas, Gift of Clive Jones, Ian Jones, and Bob Dickens 2003

Shirley Keene, Australia, born 1924, New roof, 1949, Adelaide, oil on canvas, Dora Chapman Bequest Fund 2002

39 Robert Rooney, Australia, born 1937, The man in AUSTRALIAN DRAWINGS WATERCOLOURS AND the black mask, 2002, Melbourne, synthetic PASTELS polymer paint on canvas, South Australian Russell Drysdale, Australia, 1912-1981, Post Government Grant 2002 office, c.1941, New South Wales, pen & ink, coloured crayon, pastel on paper, Gift of Diana Jeffrey Smart, Australia, born 1921, Erosion, Ramsay 2003 1944, near Hawker, Flinders Ranges, South Australia, and Adelaide, oil on canvas on Walter Ebatarinja, Australia, 1915-1968, (Central composition board, Gift of Geoffrey Hackett- Australian landscape), c.1950s, Northern Jones in memory of his brother Frank through the Territory, watercolour on paper, Gift of Janet Art Gallery of South Australia Foundation 2003 Worth in memory of her father Frank Worth 2002

Horace Trenerry, Australia, 1899-1958, The road Sarah Kay, Australia, working 1880s, Thelymitra to Maslins, 1940, Aldinga, South Australia, oil on antennifera, Glossodia major, Caladenia carnea, cardboard, Gift of Douglas and Barbara Mullins c.1880, South Australia, watercolour on paper; 2002 Pimelia stricta, c.1880, South Australia, watercolour on paper; Pimelia - Sismay's Gully Trevor Vickers, Australia, born 1943, Untitled, 4th Sep 1880, 1880, South Australia, watercolour 1971, Melbourne, synthetic polymer paint on six on paper; Briza Maxima, c1880, South Australia, canvases, Gift of Clive Jones, Ian Jones and Bob watercolour on paper; Hakea Lemoptera, c.1880, Dickens 2003 South Australia, watercolour on paper; Leprospermum scoparium, c.1880, South G.H. Williams, Australia, 1877–1964, Self Australia, watercolour on paper; Cheiranthera portrait, c.1960, Adelaide, synthetic polymer linearis, c1880, South Australia, watercolour on paint on board, Gift of Rosalyn Gresshoff 2003 paper; Clianthus Dampierii, c.1880, South Australia, watercolour on paper; Caledenia Gulumbu Yunupingu, Australia, born c.1945, Patersonii, c.1880, South Australia, watercolour Ganyu series, 2002, Yirrkala, Northern Territory, on paper; Astroloma sonostepioides, c.1880, natural ochres on bark, South Australian South Australia, watercolour on paper; Tetratheca Government Grant 2003 pilosa, 1880, South Australia, watercolour on AUSTRALIAN SCULPTURES paper; Briza minor, Pimelia glauca, Goodenia ovata, c.1880, South Australia, watercolour on Marjorie Fletcher, Australia, 1912-1988; Lewis, paper, Gift of Mr Paul Hyde-Thomson in memory 1934, Sydney, painted plaster; Kathleen, 1932 of his South Australian grandparents, William (cast 2001), Sydney, bronze, Gift of Margaret Briggs Sells 1835-1902 and Francis Eleanor Bennett, Ranald McGregor and Ken Price through (Fanny) Sells, nee Blyth 1855-1935, 2002 the Art Gallery of South Australia Foundation Collector's Club 2002 Walter G. Light, Great Britain/Australia, South Australian sketchbook, 1849-55, South Australia Fiona Hall, Australia, born 1953, Cell culture, & Victoria, pencil drawings on paper, Gift of 2002, Adelaide, glass, silver, plastic, South Barbara and Douglas Mullins 2003 Australian Government Grant 2002 Stanislaw Ostoja-Kotkowski, Australia, 1922– Edgar Bertram Mackennal, Australia, 1863-1931, 1994, [Abstract composition], 1949, pen & ink on Head of a lady, c.1883, London, terracotta, Gift of paper; [Abstract composition], c.1950s - 60s, Diana Ramsay 2003 Melbourne, gouache, cut paper on paper, Gift of Edward and Jane Booth 2003 Paul Quinn, Australia, born 1962, PhD Fashion 1 – 15, 1995, Melbourne, fabric, silicone, synthetic Thomas Playford, Australia, 1795-1873, Self polymer paint, Gift of Angus Trumble 2003 portrait - after the Battle of Waterloo, after 1815?, England, watercolour on paper, Gift of Dr Sally Smart, Australia, born 1960, Conversation Margaret Fereday 2002 Piece #11, 2002, Melbourne, synthetic polymer John M. Skipper, Australia, 1815-1883, Hunting paint on felt, South Australian Government Grant Emu, South Australia 1845, 1845, Adelaide, 2002 watercolour on paper; Hunting kangaroos, South

Australia 1845, 1845, Adelaide, watercolour on After John Eyre, (designer), Great paper, Bequest of Margaret Joan Skipper 2002 Britain/Australia, Walter Preston (engraver), Great Britain/Australia, 1771-1819, Botany Bay Tony Tuckson, Australia, 1921-1973, Untitled, Harbour, in New South Wales: with a view of the 1961, Sydney, brush & wash on paper; Untitled, Heads, 1812, published by Absalom West, 1957, Sydney, charcoal on card, Gift of Margaret Sydney, engraving hand-coloured with Tuckson 2002 watercolour on paper, Gift of Frances Gerard, Geoffrey Hackett-Jones, Michael Hayes and Peter Unknown, Australia, Blinman South, c.1870, LeMessurier through the Art Gallery of South Blinman, Flinders Ranges, South Australia, Australia Foundation Collectors' Club 2002 watercolour on paper, Gift of Max & Barbara Fargher and the estate of John Branch 2003 Franz Kempf, Australia, born 1926, Winter, 1958, London, black ink drypoint on cream paper, AUSTRALIAN PRINTS Public Donations Fund 2002 Tony Ameneiro, Australia, born 1959, Location II, 2002, New South Wales, etching, drypoint in Mary Macqueen, Great Britain/Australia, 1912- black and brown inks on paper; linocut print on 1994, Ghost town, 1964, Melbourne, colour chine collé on paper, Print Council of Australia lithograph on paper, Gift of the Estate of Barbara Member Print 2002 Brash 2002

Gustave Barnes, Great Britain/Australia, 1878- Victor Motlop, Australia, born 1961, Seven blind 1921, Shepherd, c 1909, Adelaide, etching on brothers, 2001, Mualgau Minaral Artist paper, Gift of Mina Muecke 2003 Collective, Mua Island, Torres Strait, two colour linocuts on paper, Public Donations Fund 2002 George Bell, Australia, 1878-1966, Woman and frog, c1947, Melbourne, linocut on paper, Gift of Dennis Nona, Australia, Born 1973, Lag Dapparr the Estate of Barbara Brash 2002 aw whural ar idal, 2000, Mualgau Minaral Artist Collective, Mua Island, Torres Strait, hand- Barbara Brash, Australia, 1925-1998, Native coloured linocut on paper, Public Donations Fund dancer, 1953, Melbourne, colour linocut on 2002 paper; Constellation, 1971, Melbourne, screenprint, printed in black, white and grey, on Jenny Peterson, Great Britain/Australia, born paper, Gift of the Estate of Barbara Brash 2002 1957, Helmet, 2002, Victoria, colour etching, drypoint, aquatint on paper, Print Council of Juan Davila, Australia, born 1946, Australia Member Print 2002 Disappointment all round, 2001, Victoria, screenprint in colour on two sheets of paper; Thea Proctor, Australia, 1879-1966, 1875, c Woomera, 2002, Victoria, colour screenprint on 1920s, Sydney, woodcut on paper, Gift of Diana two sheets of paper; Adrift, 2002, Victoria, colour Ramsay 2003 screenprint on two sheets of paper; Detained, 2001, Victoria, colour screenprint on two sheets Brett Whiteley, Australia, 1939–1992, 10 of paper; Election 2001, 2002, Victoria, colour Rillington Place WII (still from a proposed 16 screenprint on two sheets of paper; Lost, 2002, millimetre film), 1964, London, colour screen Victoria, colour screenprint on two sheets of print on paper, Public Donations Fund 2003 paper, Gift of Professor Graeme Smith 2003

Benjamin Duterrau, Australia, 1767-1851, Tanleboueyer, 1835, Hobart, etching, J.C. Earl Bequest Fund 2003

After Benjamin Duterrau, Australia, 1767-1851, Tasmanian Aborigines (The Conciliation), 1835, Hobart, lithograph; Aborigines making and straightening spears, 1835, Hobart, lithograph, J. C. Earle Bequest Fund 2003

41 AUSTRALIAN PHOTOGRAPHS Hobart, three stereographs and stereoscopes in travel crate, South Australian Government Grant Mark Kimber, Australia, born 1953, Portrait of 2002 Hossein Valamanesh, 2003, Adelaide, type C Anne Zahalka, Australia, born 1957, Star city photograph on paper, Mayne Contemporary Art casino (after Breughel), 1998, Sydney, type C Fund 2003 photograph, South Australian Government Grant

2003 Rosemary Laing, Australia, born 1959, bulletproofglass #3, 2002, Sydney, type C AUSTRALIAN CERAMICS AND GLASS photograph on metallic paper, South Australian John De Burgh Perceval, Australia, 1923-2000, Government Grant 2002 Angel Winkie, 1959, Murrumbeena, Melbourne, earthenware, sang-de-boeuf glaze, Gift of Diana J.W. Lindt, Australia, 1845 – 1926, Portrait of an Ramsay 2003 Aboriginal man, c.1873-74, Grafton, New South Wales, albumen silver photograph, J.C. Earl Brian Hirst, Australia, born 1956, Votive bowl & Bequest Fund 2003 shadow plate, 2002, Annandale, New South Wales, glass, platinum, stainless steel, Gift of C.P. Mountford, Australia, 1890 – 1976, Matinya Susan Cocks, Justice Kemeri Murray, Skye seated on the edge of Uluru rockhole, watching McGregor and David McKee through the Art for signs of the mythical snake, 1940, Uluru, Gallery of South Australia Foundation Collector's central Australia, Northern Territory, gelatin Club 2002 silver photograph, Public Donations Fund 2003

Jodol Pottery, Australia, 1952-1968, John Dodd, C.P. Mountford, Australia, 1890-1976, Battle- Australia, 1892-1968, Vase, 1958, Adelaide, scarred, 1937, Australia, gelatin silver earthenware, Gift of Mrs J.H. Dodd 2002 photograph, Public Donations Fund 2003

Stanislaw Ostoja-Kotkowski, Australia, 1922 – Matthew Larwood, Australia, born 1968, Untitled, 1994, Laser-Chromosome, 1972, Adelaide, 2001, Jam Factory Contemporary Craft and gelatin silver photograph; Projected laser beam, Design Centre, Adelaide, encalmo glass, Gift of R c.1976, Adelaide, direct positive colour & L Maddison 2002 photograph; [Laser light composition], c1982-84, Adelaide, direct positive colour photograph; Stephen Procter, Australia, 1946-2001, Klaus [Laser-kinetic projection], c1982-84, Adelaide, Moje, Australia, Born 1936, Aragunu, 2002, direct positive colour photograph, Gift of Edward Canberra, blown and cut glass, Gift of the Hon. and Jane Booth 2003 Diana Laidlaw through the Art Gallery of South Australia Foundation 2003 Patricia Piccinini, Australia, born 1965, AUSTRALIAN FURNITURE Laboratory procedures, 2002, Melbourne, type C Angorichina Furniture Workshop, Australia, photograph, South Australian Government Grant 1928-1938, Easy Chair, c.1928, Angorichina, 2002 Flinders Ranges, red gum, leather upholstery;

Easy chair, c1928, Angorichina, Flinders Ranges, Julie Rrap, Australia, Born 1950, Camouflage #5 red gum, leather upholstery, Ron Radford Gift (Catherine), 2000, Sydney, type C photograph, Fund 2002 South Australian Government Grant 2003

Enlai Hooi Group, Australia, Est. 2000, Samantha Small, Australia, Living room, 2002, manufacturer, Enlai Hooi, Australia, born 1979, Adelaide, type C photograph, Mayne designer; Asterisk table, 2002, Fitzroy, Contemporary Art Fund 2003 Melbourne, polypropylene; Shell 1, 2002, Fitzroy, Melbourne, paper, wire, South Australian Attributed to Edward George Tims, Australia, Government Grant 2002 Photo album: Adelaide and its environs, c.1870- 76, Adelaide, albumen photographs on paper in an album, Gift of Michael Abbott QC 2003

Martin Walch, Australia, born 1964, Mount Lyell Project Stereoscopic Crate series (no. 3), 2001, 42

Enlai Hooi Group, Australia, Est. 2000, seeds (Crotalaria goreensis), cotton, South manufacturer, Enlai Hooi, Australia, born 1979, Australian Government Grant 2003 designer, My friendly little extrovert, 2002, Fitzroy, Melbourne, polypropylene, wire, Gift of Nayirrya, Australia, Necklace, 2002, Nhulunbuy, the artist 2002 Northern Territory, necklace shells (Clithon oualaniensis), grass stems (Leptoehloea fasca), Fler Furniture, Australia, 1946-1968, nylon, South Australian Government Grant 2003 manufacturer, Fred Lowen, Australia, born 1919, designer, SC58 [Lounge chair], 1962, Melbourne, Lena Pwerle, Australia, born c.1925, Goanna and Vanikoro Kauri(?), wool upholstery, Gift of Mr bush tucker, 2002, Utopia, silk batik, South Don & Mrs Meredyth Sarah 2002 Australian Government Grant 2002

Unknown maker, Australia, Bench, c.1850, Henry Steiner, Australia, 1835-1914, Bracelet, Barossa Valley, South Australia, pine, red gum c1884, Adelaide, Gold, Gift of Jenny Legoe (Eucalyptus camaldulensis), Gift of Janet and Jack through the Art Gallery of South Australia Grace 2003 Foundation 2003

Gray Hawk, Australia, born 1956, SCY Chair Zoe J. Veness, Australia, born 1973, Small [prototype no. 2], 2003, Adelaide, jarrah, suede diamond brooch, 2002, Callala Beach, Sydney, upholstery, Gift of Urban Cultures (Australia) Pty architectural drafting film, sterling silver, steel Ltd 2003 pin, Public Donations Fund 2003

AUSTRALIAN DECORATIVE ARTS OTHER THAN Warru, Australia, Necklace, 2002, Nhulunbuy, CERAMICS GLASS AND FURNITURE Northern Territory, necklace shells (Clithon Mabel Anaka-anaburra, Australia, Necklace, oualaniensis), medium shells, big black seeds(?) 2002, Maningrida, Northern Territory, red bead (Mucuna gigantea), nylon, South Australian tree seeds (Adenanthera pavonina), tusk shells Government Grant 2003 (Dentalium sp.), nylon, South Australian Government Grant 2003 C. E. Firnhaber, Germany/Australia, 1806 – 1880, J Claude, engraver, Ottaway cup, c1853, Frank Bauer, Australia, born 1942, Brandy Adelaide, silver, gilt interior, wood, 25.4 cm, 12.2 saucepan and stand, 1979, Adelaide, sterling cm (diam), Gift of Michael Bennett in memory of silver, Gift of Diana Ramsay 2003 his wife Maria Bennett 2003

Helen Britton, Australia, born 1966, Flower J.M. Wendt, Australia, 1830 – 1917, Tea and necklace, 2002, Munich, gold, paint. linen, coffee service with tray, c.1900, Adelaide, silver, Rhianon Vernon-Roberts Memorial Collection bone, gilt, wick, Gift of Graham and Elizabeth 2002 Cocks 2003

August L. Brunkhorst, Australia, 1877-1915, Unknown, Yidaki [Didgeridoo], c.1963, Yirrkala, maker of chain, Henry Steiner, Adelaide, 1846- north-east Arnhem Land, Northern Territory, 1919, maker of pendant, Fob chain with pendant, natural ochres on wood, Gift of Brian and Barbara c.1884, Australia, gold, sharks tooth, Morgan Crisp through the Art Gallery of South Australia Thomas Bequest Fund 2002 Foundation 2003

Eric Car, Australia, born 1936, Soup ladle, c 1977, Perth, sterling silver, Gift of Diana Ramsay 2003

John Hale, Australia, 1927-1996, Shallow bowl, 1991, Adelaide, sterling silver, Gift of Diana Ramsay 2003

Kay Lindjuwanga, Australia, Necklace, 2002, Maningrida, Northern Territory, small dark seeds (Cassia sp. of Acacia sp.), tiny red and orange

43 with measurements of the sculpture 'Untitled'], EUROPEAN PAINTINGS 1986, pencil drawing on detail paper; My dream Alexander Iacovleff, Great Britain, 1887-1938, of my last piece, 1986, pencil drawing on thin Mohammed Rafi, 1931, Kashgar, Russia, pastel on cream wove paper; [Drawing for the sculpture paper, Gift of John Dowie in memory of Vi Johns 'Untitled'], 1986, pencil drawing on detail paper; 2002 Drawing B [for the sculpture 'Untitled],' 1986, pencil drawing on detail paper; [Three Bartolomeo Passerotti, Italy, 1529-1592, The dimensional view of the sculpture 'Untitled'], Coronation of the Virgin with Saints Luke, 1986, pencil drawing on thin cream wove paper; Dominic, and John the Evangelist, c.1580, [Corner view of the sculpture 'Untitled'], 1986, Bologna, Italy, oil on canvas, Mary Overton pencil drawing on thin cream wove paper; Bequest Fund 2003 Elevations of the sculpture 'Untitled'], 1986, pencil drawing on detail paper; [Elevations& Gillis Van Tilborgh, Flanders, 1625-1678, Village three dimensional view of the sculpture kermis, c.1660, Brussels, oil on canvas, Gift of 'Untitled'], 1986, pencil drawing on detail paper; Dorothy Spry 2003 [Elevations of the sculpture 'Untitled'], 1986, pencil drawing on detail paper, Gift of an EUROPEAN SCULPTURES anonymous donor 2003

John Gibson, Great Britain, 1790-1866, Portrait EUROPEAN DECORATIVE ARTS of a woman, c.1850, Rome, marble; Gift of Max Carter, Geoffrey Hackett-Jones, Justice Kemeri Attributed to Artek, Finland, est. 1935, Murray, Delcie Norton and Lady Porter through manufacturer, Alvar Aalto, Helsinki, 1898-1976, the Art Gallery of South Australia Foundation designer, Bench, c.1935, Finland, laminated birch, Collectors' Club 2002 Morgan Thomas Bequest Fund 2002

Jean-Baptiste Carpeaux, France 1827–1875, La Isokon Furniture Co, London, Great Britain, 1931- négresse (The negress), 1868 (reproduced 1874?), 1939, Marcel Breuer, Hungary/United States, 1902- Paris, terracotta, Gift of Dr. William Bowmore 1981, designer, Long chair, 1936, London, AO OBE plywood, upholstery, Gift of the James and Diana Ramsay Fund 2003 Jean-Baptiste Carpeaux, France, 1827 – 1875, La négresse, 1868, Paris, terracotta, Gift of Dr. Georg Jensen, Denmark, 1866-1935, Fruit dish, William Bowmore AO OBE through the Art 1922, Copenhagen, sterling silver, Gift of Diana Gallery of South Australia Foundation 2003 Ramsay 2003

EUROPEAN PRINTS Morris & Company, Great Britain, 1861-1940, Maxim Kantor, Russia, born 1957, Lonely Crowd, manufacturer, William Morris, Great Britain, 1999-2000, Printed by Artichoke Print Workshop, 1834-1896, designer, Daisy tile panel, c.1870s, London, etching, aquatint, plate tone printed in London, earthenware tiles, hand painted, Mrs black ink; relief printed in red ink on paper; Mary Overton Gift Fund 2002 Sinking into snow, 1999-2000, Printed by Artichoke Print Workshop, London, aquatint, Morris & Company, Great Britain, 1861-1940, etching printed in black ink; relief printed in red manufacturer, William Morris, Great Britain, ink on paper, South Australian Government Grant 1834-1896, designer, Daisy tiles (fragment), 2002 c.1870s, London, earthenware tiles hand painted, Gift of Haslem & Whiteway Ltd 2002 Ulrich Rückreim, Germany, born 1938, Illustrationen zu einem denkmal, 1982, folio of Morris & Company, Great Britain, 1861-1940, seven lithographs, Gift of an anonymous donor publisher, Jeffrey & Company, Great Britain, 2003 1836-1930, printer, Wallpaper pattern book EUROPEAN DRAWINGS, WATERCOLOURS AND [Robert Barr Smith], c.1893, London, colour PASTELS woodcuts on paper, cloth bound, string binding, Mrs Mary Overton Gift Fund 2002 Ulrich Rückreim, Germany, born 1938, Morris & Company, Great Britain, 1861-1940, [Elevations of the sculpture 'Untitled'], 1986, manufacturer, William Morris, Great Britain, pencil drawing on detail paper, Gift of an 1834-1896, designer, Wreath, c.1876, London, anonymous donor 2003; Drawing A [Elevations 44

gouache, pencil on paper, Morgan Thomas ASIAN SCULPTURES Bequest Fund, Mary Overton Gift Fund and Art India, Abhinandanatha, the fourth Tirthankara, Gallery of South Australia Foundation 2003 1182, Western India, black stone, Gift of Michael and Mary Abbott through the Art Gallery of South Morris & Company, Great Britain, 1861-1940, Australia Foundation 2003 manufacturer, J. H. Dearle, Great Britain, 1860- 1932, designer, Jeffrey & Company, London, India, c9th century AD, Lion Conquering An 1836-1930, printer, Celandine wallpaper, c.1900, Elephant, a pair of opposing images, Uttar Great Britain, colour woodcut on paper, Ellen Pradesh, India, sandstone, Gift of Barrie and Christensen Bequest Fund 2002 Judith Heaven 2003

Morris & Company, Great Britain, 1861-1940, ASIAN PRINTS manufacturer, attributed to William Morris, Great Ikeda (keisai) Eisen (yeisan), Japan, 1790-1848, Britain, 1834-1896, designer, Carpet, c.1884, Bijin holding a samisen, c.1810, Japan, colour London, hand-knotted wool pile, Ellen woodcut on paper, Gift of an anonymous donor Christensen Bequest Fund assisted by Hamish 2003 Gosse 2003

Kikukawa Eizan, Japan, 1787-1867, Geisha Morris & Company, Great Britain, 1861-1940, walking in snow, c.1820, Japan, colour woodcut manufacturer, William Morris, Great Britain, on paper, Gift of an anonymous donor 2003 1834-1896, designer, Jeffrey & Company, Great Britain, 1836-1930, printer; Willow boughs (ando) (ichiryusai) (utagawa) Hiroshige, Japan, wallpaper, designed 1887, London, colour 1797-1858 woodcut on paper; Bird pelmet, designed 1878, [Country landscape view], c 1840s-50s, Japan, London, woven woollen double cloth; Apple colour woodcut on paper; Fujieda, c1843-6, wallpaper (blue), designed 1877, London, colour Japan, colour woodcut on paper; Shimida, c 1843- woodcut on paper, Gift of Haslem & Whiteway 6, Japan, colour woodcut on paper; Seki, c 1843-6, Ltd 2002 Japan, colour woodcut on paper; Ejiri, c1843-6, Japan, colour woodcut on paper; Promenade with Morris & Company, Great Britain, 1861-1940, pine and tea houses, c1840, Japan, colour manufacturer, William Morris, Great Britain, woodcut on paper; Banks of the Oi river 1834-1896, designer, Philip Webb, Great Britain, (Shimada), 1834, Japan, colour woodcut on paper 1831-1915, designer of birds, Jeffrey & Company, The Heavenly Dragon (Tenryu) River (Mitsuke- Great Britain, 1836-1930, printer, Trellis Jenrju? gawn zu), 1833-4, Japan, colour woodcut wallpaper, c 1900, London, colour woodcut on on paper; Ide Tama River, Yamashiro Province, paper, Ellen Christensen Bequest Fund 2002 1857, Japan, colour woodcut on paper; Iki Province, 1856, Japan, colour woodcut on paper; Morris & Company, Great Britain, 1861-1940, Valley of Yamabushi, Mimasaka Province manufacturer, J. H. Dearle, Great Britain, 1860- (Mimasaka yamabushidani), 1853, Japan, colour 1932, designer, Rose and lily curtain (pair), woodcut on paper; New Years Eve Fox Fires at designed 1893, London, woven silk and wool, silk the Nettle Tree Oji ( Oji, Shozoku-euoki, omisoka and cotton fringe, Gift of Jenny Legoe through the no kitsumebi), 1857, Japan, colour woodcut on Art Gallery of South Australia Foundation 2003 paper; Monkey Plateau (Futakawa Sarugababa), 1833-4, Japan, colour woodcut on paper; Fuji Timo Sarpaneva, Born 1926, Vase (i-series for from the left (Yoshiwara, hidari Fuji), c1833-4, Iittala), c1965, Helsinki, Gift of Keith James 2003 Japan, colour woodcut on paper, Gift of an anonymous donor 2003 Unknown Maker, Great Britain, Pair of chairs, c. 1800, England, satinwood, caned, painted, Gift of Diana Ramsay 2003

CF Voysey, Great Britain, 1857-1941, designer, GP & J Baker, Great Britain, manufacturer, Poppies curtain, c.1900, London, printed velveteen, Ellen Christensen Bequest Fund 2003

45 (ando) (ichiryusai) (utagawa) Hiroshige, Japan, Kitao Shigemasa, Japan, 1739-1820, The 1797-1858,Yokogawa Takejiro (hirotake), Japan , cultivation of the silkworm (Kaiko Yashimai 19th century, Mt Haruna in the Snow - from the gusa), 1776, Japan, colour woodcut on paper, Gift Kotsuke Province (Kotsuke harunazan setchu), of Diana Ramsay 2003 1853, Japan, colour woodcut on paper, Gift of an anonymous donor 2003 Kitao Shigemasa, Japan, 1739-1820, Girl preparing Mulberry leaves, 1776, Japan, colour Katsushika Hokusai, Japan, 1760-1849, Horse woodcut on paper, Gift of an anonymous donor shells (Umagai), 1822, Japan, full colour (nishiki- 2003 e) woodcut on paper with brass and silver dust, Gift of an anonymous donor 2003 Ohara Shoson (koson), Japan, 1877-1945, [Owl on a branch in the moonlight], c.1897-1912, Ichiyusai Kunisada, Japan, 1786-1865, Brocade Japan, colour woodcut on paper; Two monkeys, pictures of the Green room/ second part, 1811, c.1920-30, Japan, colour woodcut on paper, Gift Japan, colour woodcut on paper, Gift of Diana of an anonymous donor 2003 Ramsay 2003 Attributed To Kubo Shumman, Japan, 1757-1820, Utagawa (toyokuni Iii) Kunisada, Japan, 1786- [Saddle, sword and riding gear], c1810, Japan, 1865, White (Shiro), c1844, Japan, colour colour woodcut on paper, Gift of an anonymous woodcut on paper; Portrait of a Kabuki actor donor 2003 from the Hanshio family., 1860, Japan, colour woodcut on paper; Sisho Nagon: poetess from Katsukawa Shunko, Japan, 1743-1812, [Portrait Heian Court, c 1842, Japan, colour woodcut on of the kabuki actor, Onoe Matsuke I], c 1780, paper, Gift of an anonymous donor 2003 Japan, colour woodcut on paper, Gift of an anonymous donor 2003 Utagawa (toyokuni Iii) Kunisada, Japan, 1786- 1865, Hori Take, Japan, Ichikawa Danjiro VII as Katsukawa Shunsho, Japan, 1726-1793 Arahishi Otakonasuke weilding a folded fan, The actor Sawamura Soguro III, c1780, Edo 1852, Japan, colour woodcut on paper, Gift of an (Tokyo), colour woodcut on paper; Girl weaving, anonymous donor 2003 c.1780s, Japan, colour woodcut on paper; Gift of an anonymous donor 2003 Ichiyusai (utagawa) Kuniyoshi, Japan, 1798-1861 Saito kuranoshin Toshikazu. Lord of the castle of Kitagawa Utamaro, Japan, 1750-1806, Cooling off Ikuchiyama in the Province of Tamba, c1850, by the river bank [Okawa-hata Yuryo], c.1795-6, Japan, colour woodcut on paper; After a verse by Japan, Colour woodcut on paper, Gift of an Takamura (Sargi no Takamura), c1840-42, Japan, anonymous donor 2003 colour woodcut on paper; O-anamuchi no Mikoto fighting a giant eagle, c1830, Japan, colour Tsukioka (yoshioka) Yoshitoshi, Japan, 1839- woodcut on paper; The last stand of the Kusunoki 1892, Chokusan, Japan, engraver, Minamoto no clan at Shijo-nawate (Nanke yushi shijo-nawate Yorisitsu about to kill the Earth Spider (Minimoto nite uchijini), c 1851-2, Japan, colour woodcut on no Yorimitsu tschuigumo o kiru zu), 1891, Japan, paper; Hatsuhana under the Gongen waterfall at colour woodcut on paper, Gift of an anonymous Hokone, c1842, Japan, colour woodcut on paper donor 2003 Benki the fighting monk, c1849-50, Japan, colour woodcut on paper, Gift of an anonymous donor 2003

Kawanabe (gyosai) Kyosai (chikamaro), Japan, 1831-1889, The Tomb of Urashima (Go-joraku Tokaido), c.1863, Japan, colour woodcut on paper, Gift of an anonymous donor 2003

Hishikawa (ryokuku Hitsu) Ryujoju (shungyosai), Japan, Bijin, c 1800, Japan, colour woodcut on paper, Gift of an anonymous donor 2003

Tsukioka (yoshioka) Yoshitoshi, Japan, 1839- Iran, Ewer, 12th century, glazed earthenware, Gift 1892 of Mr William Bowmore AO OBE through the The midnight moon at Mt Yoshino, 1886, Japan, Art Gallery of South Australia Foundation 2003 colour woodcut on paper; The Peony Lantern (Botan doro), 1891, Japan, colour woodcut on Iran, Jug, 12th century, glazed earthenware, 21.6 paper; Fujiwara no Arihira visiting Murakame the cm (height), Gift of Mr William Bowmore AO Emperor, 1882, Japan, colour woodcut on paper; OBE through the Art Gallery of South Australia The Fox-Priest (Konkai: Hokuzo-Shu), 1886, Foundation 2003 Japan, colour woodcut on paper, Gift of an anonymous donor 2003 Iran, Bowl, 9th-10th century, underglaze decorated earthenware, Gift of Mr William ASIAN CERAMICS Bowmore AO OBE through the Art Gallery of Iran, Bowl, 9th-10th century, Nishapur, South Australia Foundation 2003 underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Iran, Bowl, 14th century, Kashan or Sultanabad, Gallery of South Australia Foundation 2003 underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Iran, Bowl, 10th-11th century, Nishapur, incised Gallery of South Australia Foundation 2003 and pierced decoration under the glaze earthenware, Gift of Mr William Bowmore AO Iran, Jug, 12th century, Kashan, moulded, carved OBE through the Art Gallery of South Australia and pierced earthenware, with underglaze blue Foundation 2003 highlights, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Iran, Plate, 12th century, underglaze decorated Foundation 2003 earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Iran, Bottle, 12th century, Kashan, miniature style, Foundation 2003 underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Iran, Bowl, 13th century, underglaze decorated Gallery of South Australia Foundation 2003 earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Iran, Bowl, century, gold and underglaze Foundation 2003 decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of Iran, Jug, 12th century, underglaze decorated South Australia Foundation 2003 earthenware, Willliam Bowmore Collection Iran, Bowl, 12th century, Kashan, miniature style, Iran, Jug, 11th-12th century, Rayy, glazed gold overglaze and underglaze decorated earthenware, Gift of Mr William Bowmore AO earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia OBE through the Art Gallery of South Australia Foundation 2003 Foundation 2003

Iran, Bowl, 11th-12th century, Rayy, incised Iran, Bowl, 13th century, pierced and underglaze underglaze decorated earthenware, Gift of Mr decorated earthenware, Gift of Mr William William Bowmore AO OBE through the Art Bowmore AO OBE through the Art Gallery of Gallery of South Australia Foundation 2003 South Australia Foundation 2003

Iran, Plate, 11th-12th century, Rayy, glazed Iran, Bowl, 10th-11th century, Kashan-style lustre earthenware, Gift of Mr William Bowmore AO decorated earthenware, Gift of Mr William OBE through the Art Gallery of South Australia Bowmore AO OBE through the Art Gallery of Foundation 2003 South Australia Foundation 2003

Iran, Bowl, 13th century, Kashan, underglaze Iran, Bowl, 12th century, Kashan, lustre glazed decorated earthenware, Gift of Mr William earthenware, Gift of Mr William Bowmore AO Bowmore AO OBE through the Art Gallery of OBE through the Art Gallery of South Australia South Australia Foundation 2003 Foundation 2003 Iran, Bowl, 13th century, Kashan, lustre decorated earthenware, Gift of Mr William Bowmore AO 47 OBE through the Art Gallery of South Australia Turkey, Dish, 16th century, Isnic, underglaze Foundation 2003 decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of Iran, Bowl, 13th century, Kashan, lustre and South Australia Foundation 2003 underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Iran, Bowl, 10th century, Nishapur, earthenware, Gallery of South Australia Foundation 2003 Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation Iran, Bowl, 9th-10th century, earthenware, Gift of 2003 Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Turkey, Dish, 16th century, Isnic, underglaze decorated earthenware, Gift of Mr William Iran, Bowl, 12th century, Kashan, underglaze Bowmore AO OBE through the Art Gallery of decorated earthenware, Gift of Mr William South Australia Foundation 2003 Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Turkey, Glazed tiles, 16th century, Isnik, underglaze decorated earthenware, Gift of Mr Iran, Bowl, 13th century, Sultanabad?, pierced and William Bowmore AO OBE through the Art underglaze decorated earthenware, Gift of Mr Gallery of South Australia Foundation 2003 William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Turkey, Tiled stove, 19th century, Isnic, underglaze decorated earthenware, Gift of Mr Iran, Bowl, 10th-11th century, Kashan, underglaze William Bowmore AO OBE through the Art decorated earthenware, Gift of Mr William Gallery of South Australia Foundation 2003 Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Syria, Glazed tiles, 16th century, Damascus, underglaze decorated earthenware, Gift of Mr Iran, Bowl, 10th-11th century, underglaze William Bowmore AO OBE through the Art decorated earthenware, Gift of Mr William Gallery of South Australia Foundation 2003 Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Morocco, Bowl, 19th century, underglaze decorated earthenware, Gift of Mr William Iran, Bowl, 13th-14th century, Sultanabad, Bowmore AO OBE through the Art Gallery of underglaze decorated earthenware, Gift of Mr South Australia Foundation 2003 William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 France, 'Isnik Revival' plate, 19th-20th century, Laghenal, underglaze decorated earthenware, Gift Iran, Saucer, 17th century, Kashan?, underglaze of Mr William Bowmore AO OBE through the decorated earthenware, Gift of Mr William Art Gallery of South Australia Foundation 2003 Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 11th-12th century, Nishapur, underglaze decorated earthenware, Gift of Mr Iran, Bowl, 17th century, Isfahan?, pierced and William Bowmore AO OBE through the Art underglaze decorated earthenware, Gift of Mr Gallery of South Australia Foundation 2003 William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 11th-12th century, Nishapur, glazed and incised earthenware, Gift of Mr William Iran, Bowl, 17th century, Isfahan?, pierced and Bowmore AO OBE through the Art Gallery of underglaze decorated earthenware, Gift of Mr South Australia Foundation 2003 William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 10th-11th century, underglaze decorated earthenware, Gift of Mr William Iran, Glazed tile, 19th century, underglaze Bowmore AO OBE through the Art Gallery of decorated earthenware, Gift of Mr William South Australia Foundation 2003 Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 10th-11th century, underglaze decorated earthenware, Gift of Mr William 48

Bowmore AO OBE through the Art Gallery of design, Gift of Michael and Mary Abbott through South Australia Foundation 2003 the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 10th-11th century, Kashan, underglaze incised decorated earthenware, Gift of Mr Java, Kain Panjang, ‘Long Cloth’, c.1930, Lasem, William Bowmore AO OBE through the Art cotton, bird pattern, Gift of Michael and Mary Gallery of South Australia Foundation 2003 Abbott through the Art Gallery of South Australia Foundation 2003 ASIAN DECORATIVE ARTS OTHER THAN

CERAMICS AND FURNITURE Java, Sarung, c.1930, Cerebon, European and Bali, Wall Hanging, c.1930, Negara district, Chinese influenced design, cotton, bird, insect and cotton, supplementary warp, Gift of Michael and floral pattern, Gift of Michael and Mary Abbott Mary Abbott through the Art Gallery of South through the Art Gallery of South Australia Australia Foundation 2003 Foundation 2003

Bali, Mortuary cloth, c 1930, East Bali, hand spun Java, Kain Panjang, ‘Long Cloth’, c.1932, North cotton, Gift of Michael and Mary Abbott through Jakarta, geometric pattern with bird design, Gift the Art Gallery of South Australia Foundation of Michael and Mary Abbott through the Art 2003 Gallery of South Australia Foundation 2003

Bali or Nusa Penida, Wrapper, c 1920, Bali or Java, Selendang, ‘shoulder cloth’, c 1950, Nusa Penida, hand spun cotton, stripe pattern, Gift Imogiri, cotton, Nitik geometric pattern, Art of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Gallery of South Australia Foundation 2003 Java, Bed canopy, c.1930, North coast of Java, Sumatra, Cushion cover or a section of a wall cotton, European influenced design with tulip hanging, c 1900, Aceh, silk, cotton, cotton velvet, border, flowers in a vase and geometric patterns, gold foil and thread, Islamic influenced design, Gift of Michael and Mary Abbott through the Art Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Gallery of South Australia Foundation 2003 Sumatra, Selendang, ‘shoulder cloth’, c 1930, Sumatra, Cushion cover or a section of a wall Jambi, cotton, wings, geometric and floral pattern, hanging, c.1900, Aceh, silk, cotton, cotton velvet, Gift of Michael and Mary Abbott through the Art gold foil and thread, Islamic influenced design, Gallery of South Australia Foundation 2003 Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Java, Kain Panjang, ‘Long Cloth’, c.1950, Pekalongan, cotton, abstract floral and shell Sumatra, Cushion cover or a section of a wall pattern, Gift of Michael and Mary Abbott through hanging, c.1900, Aceh, silk, cotton, cotton velvet, the Art Gallery of South Australia Foundation gold foil and thread, Islamic influenced design, 2003 Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003

Sumatra, Cushion cover or a section of a wall hanging, c.1900, Aceh, silk, cotton, cotton velvet, gold foil and thread, Islamic influenced design, backing make from antique central Javanese batik, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003

Sumatra, Kain Panjang, ‘Long Cloth’, c.1920, Jambi, cotton, Patola pattern, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003

Java, Kain Panjang, ‘Long Cloth’, c.1920, North coast of Java, cotton, floral and abstract organic 49 Malay Penisular, Sarong, c.1900, Malay by Aymer Vallance], 1896-97, London, paper, Penisular, 'Songket', supplementary weft, silk, cotton, Ellen Christensen Bequest Fund 2002 gold thread, Gift of Michael and Mary Abbott Frank Hollings, Great Britain, Kelmscott books, through the Art Gallery of South Australia 1897, London, paper, Ellen Christensen Bequest Foundation 2003 Fund 2002

Malay Penisular, Sarong, c.1900, Malay H C. Marillier, Great Britain, author, Constable Penisular, 'Songket, supplementary weft, silk, And Company Limited, Great Britain, publisher, gold thread, Gift of Michael and Mary Abbott Chiswick Press, Great Britain, eat. 1811, printer, through the Art Gallery of South Australia History of the Merton Abbey Tapestry Works: Foundation 2003 Founded by WIlliam Morris, 1927, London, paper, cloth bound, Ellen Christensen Bequest Malay Penisular, Sarong, c.1900, Malay Fund 2002 Penisular, 'Songket', supplementary weft, silk, gold thread, Gift of Michael and Mary Abbott Morris & Company, London, Great Britain, 1861- through the Art Gallery of South Australia 1940, House decorating and furnishing by Morris Foundation 2003 and Coy. Decorators Ltd, c.1912, London, paper, Ellen Christensen Bequest Fund 2002 Malay Penisular, Furnishing cloth, c.1900, Malay Penisular, cotton velvet, sequins, crescent moon, Stanislaw Ostoja-Kotkowski, Australia, 1922– star and coconut palm design, Gift of Michael and 1994, Laser-Kinetic Supershow, 1984, Adelaide, Mary Abbott through the Art Gallery of South direct positive colour photograph on paper; Laser- Australia Foundation 2003 Kinetics, 1982, Adelaide, direct positive colour photograph on paper; [Laser Kinetic Supershow Kalimanten, Set of wall and door hangings, c. with the artist], c.1982-84, Adelaide, direct 1880, Royal Palace, Sambas, cotton velvet, gold, positive colour photograph on paper, Gift of silver or copper foil and thread, tin, mica, glass Edward and Jane Booth 2003 beads, Malay-European designs of bold flowers and tendrils, some with crowns and monograms of DEACCESSIONS the Sultans, Gift of Michael and Mary Abbott John Charles Dollman, Great Britain, 1851–1934, through the Art Gallery of South Australia And some fell by the wayside, c.1910, oil on Foundation 2003 canvas, Gift of Capt. Guy Dollman, 1936

Furnishing fabric, c.1880, copper roller printed, Floral and architectural design with gas lamps, peacock feathers, wheat, ships and 'thousand flower' design, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 INTERNATIONAL DECORATIVE ARTS

Donald Judd, United States, 1928-1994, designer, Chair, 2003, San Luis Obispo, California, Douglas fir Chair, 2003, San Luis Obispo, California, Douglas fir, South Australian Government Grant 2003

Dante Marioni, United States, born 1964, Wine glass, 2002, Adelaide, glass, Gift of the artist 2002

ARCHIVAL George Bell And Sons, Great Britain, publisher, Chiswick Press, Great Britain, est. 1811, printer, Messrs. Bell's Christmas List [Promotional cover - The Art of William Morris: An illustrated record

APPENDIX G INWARD LOANS During the year 186 works were borrowed for Nikolaus & Celia Lang, Germany: Nikolaus Lang, exhibitions and three for collection display. Roadkill

INWARD LOANS TO THE COLLECTION National Gallery of Australia, Canberra, ACT: Carolyn Corkindale, Anton Koberger, Hartmann Jessie Traill, Mirage; Hans Heysen, In the Flinders Schedel, Michael Wohlegmuth & Wilhelm Far North Pleydenwurff, Nuremberg Chronicle (Liber chronicarum) National Library of Australia, Canberra, ACT: William Westall, Views of the south coast of Keith and Renee Free, John Gibson, Bust of Woman Australia: Spencer’s Gulf, a view at the head of the Gulf; Spencer’s Gulf, a view at the head of the Gulf; Kim Allan Pegler and Marcelo Bibiano, Unknown S.T. Gill, Camp in desert, Sept 1st; Country NW of Greek artist 200BC, Hellenistic Head tableland, Aug.22; (Grassy hills at the head of Spencer Gulf); (Looking north from Flinders INWARD LOANS TO EXHIBITIONS Ranges); Looking SW to Spencers Gulf; Mt. Brown For the exhibition, Lionel Lindsay, 1 August 2002 from camp looking NNE., Augst 20th; Waterplace, to 31 May 2003: Depot Creek, Augst. 27th; S.I. (salt lake) Looking SW Dept. 1st The Cedars, Hahndorf, SA: Harold Cazneaux, Photograph of Lionel Lindsay Phillip Bacon Galleries, Fortitude Valley, Queensland: Jeffrey Smart, Erosion For the exhibition, SALA Week, 3 August 2002 to 11 August 2002: Stavros Pippos, Adelaide, SA: Stavros Pippos, Serrated peaks, Arkaroola Nick Mount, Goodwood, SA: Nick Mount, Murrini form; Decanter & funnel; Black Sung Vase Riddoch Art Gallery, Mount Gambier, SA: Barrie Goddard, Gum – just another bark painting For the exhibition, Arid Arcadia, 30 August 2002 to 3 November 2002: Sally Smart, North Melbourne, Vic: Sally Smart, Tree House (The Unhomely Body) Art Gallery of New South Wales, Sydney, NSW: Hans Heysen, Hill of the creeping shadow; For the exhibition, Art of Arnhem Land 1940s- Horace Trenerry, Hawker, Flinders Ranges; Jeffrey 1970s, 20 October 2002 to 23 February 2003: Smart, The Wasteland II Professor Paul Carter, Carlton, Vic: Ruark Lewis, The Cedars, Hahndorf, SA: Hans Heysen, Brachina [silhouette drawing]; Ruark Lewis, [silhouette Gorge drawing]; Ruark Lewis, [silhouette drawing]; Ruark Lewis, [silhouette drawing] Dr Brian Crisp, Adelaide, SA: Max Ragless, Melrose David & Clara Lewis, Bellevue Hill, NSW: Ruark Lewis, [silhouette drawing]; Ruark Lewis, Lynn Dalgarno, Redfern, NSW: James Cant, Boy [silhouette drawing] and the Butterfly Lewis Ruark, Paddington, NSW: Ruark Lewis, Nicholas Folland, Adelaide, SA: Nicholas Folland, [silhouette drawing]; Ruark Lewis, [silhouette Mount Hopeless (two hot rocks) drawing]; Ruark Lewis, [silhouette drawing];Ruark Lewis, [silhouette drawing]; Ruark Lewis, Barrie Goddard, Adelaide, SA: Barrie Goddard, 36 [silhouette drawing]; Ruark Lewis, [silhouette views of Patawerta drawing] Antony Hamilton, Adelaide, SA: Antony Hamilton, Roy Rogers double crease Akubra State Library of South Australia, Adelaide, SA: C.P. Mountford, Art of Yirrkala, vol.3…; C.P. Mountford, Art of Oenpelli, vol.5 (part 2); C.P.

51 Mountford, Art of Groote Eylandt, vol.1…;C.P. Marjory Edwards, Albert Namatjira, Central Mountford, Art of Groote Eylandt, Milinimbi and Australian landscape; Central Australian landscape Roper River…; Bessie L. Mountford, vol 67, Journals 2/52 – diary Barbara & Doug Mullins, Glen Osmond, SA: Albert Namatjira, Untitled – Portrait of River Red Gum For the exhibition, Morris & Co, 22 November Tree 2002 to 30 March 2003: For the exhibition Journey to Now: John Kaldor Ayers House, Adelaide, SA: …. Morris & Art Projects & Collection, 18 April 2003 to 6 July Company, St James pair of curtains; Morris & 2003: Company, Pelmet John Kaldor, Woolwich, NSW: Nam June Paik, TV Barr Smith Library, Adelaide, SA:: Rossetti, Buddha; Vanessa Beecroft, JK Art Project Ballads and narrative poem…; Rossetti, Sonnets at MCA; Christo, Two Wrapped trees; and lyrical poems; William Morris, The water of the Thomas Demand, Flares; [Gilbert & George wondrous isle…;William Morris, Some hints on performing 'Underneath the Arches']; Francis Alys, pattern designing…; Aymer Vallance, William Three Men in Cravats Triptych; Francis Alys, Morris, his writings and his public life… Sleepers II, 2001; Francis Alys, New York Triptych; Carl Andre, Steel-copper plain; Carl Andre, The Carrick Hill, Springfield, SA: Morris & Co., Three way north, south and west; Bernd Becher, Winding fold Screen: Pomegranate, Vine, Apple towers; Bernd Becher, Framed Houses; Paddy Bedford, Motorcar Yard; Vanessa Beecroft,JK Mr & Mrs J.G. Gosse, Lisarow, NSW: Morris & Artwork Project at MCA; Christo, Packed coast, Company, [Rug]; [Book] one million square feet…; Christo, Packed coast, projected for Australia…; Christo, Packed Hamish Gosse, Mintaro, SA: Morris & Company, coast, project for Australia…; Christo, Central Park Carpet Gates; Christo, Show Window; Christo, Surrounded Island: Project for Biscane Bay; Mr & Mrs C.J. Legoe, Adelaide, SA: Morris & Christo, Purple/black package; Christo, Wrapped Company, Brer Rabbit [two lengths of fabric]; paintings; Christo, Running fence, project for Morris & Company, Tudor rose cushion; Morris & Sonoma and Marin; Christo, Wrapped Roses; Company, Cushion; Morris & Co, Rug Christo, Wrapped bottle; Christo, The umbrellas, project for Japan and Western; Aleks Danko, Art Peter Morgan, Walkerville, SA: Morris & Co, stuffing; Thomas Demand,Copyshop; Thomas Edward Burne-Jones, designer, J.H. Dearle, Demand, Flares; Thomas Demand, Modell; designer, Flora (tapestry) Thomas Demand,Gangway; Gilbert & George, Underneath the arches; Gilbert & George The Kristin Phillips, Adelaide, SA: Morris & Co, general jungle; Andreas Gursky, Dusseldorf Crown Imperial Curtain Flughafen II; Andreas Gursky, Centre Pompidou, Paris; Andreas Gursky, Ohne Title XII (No.3) State Library of South Australia, Adelaide: Wilfrid [Untitled XII (No.3); Andreas Gursky Chicago, Scawen Blunt, The love-lyrics & songs of Proteus; mercantile exchange; Donald Judd, Untitled; Jeff William Morris, The defence of Guenevere: and Koons, Flowers; Jeff Koons, White terrier; Jeff other poems; William Shakespeare, The poems of Koons, [photo of puppy]; Jeff Koons, William Shakespeare…; William Morris, Gothic Basketball; Michael Landy, Michael Landy's architecture: a lecture for the Arts…; William (Lifestyle) Destruction…; Michael Landy, Michael Morris, Child Christopher and Goldilind the Fair; Landy's (Lifestyle) Household Contents; Sol LeWitt, Geoffrey Chaucer, The works of Geoffrey Chaucer Incomplete Open Cube No.5-6; Sol LeWitt, Non- Geometric Form (Splotch); Sol LeWitt, Non- Mrs D.A. Simpson, Burnside, SA: Morris & Co, Geometric Form (Splotch); Sol LeWitt, Non- Adelaide [two panels from a screen]; Morris & Co, Geometric Form (Splotch); Sol LeWitt, Non- Table cover; Morris & Co, Orchard / Fruit Garden Geometric Form (Splotch); Sol LeWitt, Non- portiere Geometric Form (Splotch); Sol LeWitt, Incomplete Open Cube No.4-5; Sol LeWitt, Six geometric For the exhibition Albert Namatjira, 7 March figures; Sol LeWitt, Non-Geometric Form 2003 to 4 May 2003: (Splotch); Sol LeWitt, Incomplete open cube 5/8; Sol LeWitt, Box with drawing series 1, 2, 3, 4 52

(series A); Sol LeWitt, 2.2.3 (4 parts); Sol LeWitt, Incomplete open cube 7/21; Sol LeWitt, Six two Stephen Grant, Redfern, NSW: Clifford Possum part drawings using single lines; Roy Lichtenstein, Tjapaltjarri, Two Jangalas Peanut butter cup; Richard Long, River Avon mud circle; Richard Long, A straight hundred mile Jinta Desert Art, Sydney, NSW: Clifford Possum walk in Australia; Richard Long, A moved line in Tjapaltjarri, [wood carving] Japan; Richard Long,River Avon mud circle; Richard Long, Spring showers circle; Barry McGee, Jane Johnson, Chatswood, NSW: Clifford Possum Untitled (Man with Baseball Hat); Mario Merz, Tjapaltjarri, Possum dreaming at Napperby L'Architetto; Nam June Paik, TV cello; Paul Pfeiffer, Goethe's Message To The New Negroes; Tim Johnson, Camperdown, NSW: Clifford Paul Pfeiffer, GOETHS'S MESSAGE TO Possum Tjapaltjarri, Love Story THE…;Richard Prince, Untitled (Cowboy; Richard Prince, Untitled (joke painting);Robert Mr Peter Los, Research, Vic: Clifford Possum Rauschenberg, Yellow visor glut; Robert Tjapaltjarri, Emu Corroboree Man Rauschenberg, Photem series I (7); Robert Rauschenberg, Nugget (Jammer series); Robert James & Elaine Mead, Altona, Vic: Clifford Rauschenberg, Newborn/Indian River; Robert Possum Tjapaltjarri, Good Friday; Man’s Love Rauschenberg, Dylaby; Robert Rauschenberg Story Bologna frost (Hoarfrost series); Ugo Rondinone, If There Were Anywhere But Desert. Saturday; Ugo Milanka Sullivan, Warrandyte, Victoria: Clifford Rondinone, No 267; Ugo Rondinone, No 210; Ugo Possum Tjapaltjarri, Larumba; Man’s Love Story Rondinone, If There Were Anywhere But Desert; (Ngarlu) Ugo Rondinone, No 173; Ugo RondinoneNo 219; Ugo Rondinone, Echoes Down The Corridor; Ugo Sophie Ullin Fine Art, Toorak, Vic: Clifford Rondinone, All Moments Stop Here And Possum Tjapaltjarri, Love (Sun) Dreaming Together…;Frank Stella, Untitled; Thomas Struth, Chiesa dei Frari; Thomas Struth, Stanze di Westpac Corporate Art Collection, Sydney, NSW: Raffaello II, Roma; Thomas Struth, Pergamon Clifford Possum Tjapaltjarri, Kerrinyarra Museum 2; Thomas Struth, Chicago Board of Trade I, Chicago; George Tjungurrayi, Untitled; Bill Di Yerbury, Sydney, NSW: Clifford Possum Viola, Memoria (Edition 3 of 5); Bill Viola Six Tjapaltjarri, Fish Dreaming (Napperby Lakes) Heads; Bill Viola, Incrementation; Wolfgang Volz Wrapped Reichstag, Berlin; Wolfgang Volz Running fence, Sonama Marin county; Wolfgang Volz, Surrounded islands, greater Miami, Florida; Wolfgang Volz, The Umbrellas, Japan – USA; Wolfgang Volz, The Umbrellas, Japan - USA

For the exhibition Surrealism in Australia, The James Agapitos & Ray Wilson Collection, 25 July 2003 to 12 October 2003:

Mrs Jenny Legoe, Unley Park, SA: G.H. Williams, In the blues

For the exhibition Clifford Possum Tjapaltjarri Retrospective, 31 October 2003 to 26 January 2003: Araluen Centre, Alice Springs, NT: Clifford Possum Tjapaltjarri, Mulga Seed Dreaming; Ringalintjita Worm Dreaming

53 APPENDIX H OUTWARD LOANS

LOANS FROM THE COLLECTION Bulleen, Museum of Modern Art at Heide, Vic, Good Vibrations: Op Art and its legacy exhibition, During the year thirty-nine works were lent to Museum of Modern Art, 7 October 2002 to 24 seventeen exhibitions, four of which wre major national touring exhibitions nd two of which were November 2002:

major international touring exhibitions. Martin Sharp, Mr Tambourine Man LOANS TO EXHIBITIONS Canberra, National Library of Australia, ACT, Adelaide, JamFactory Contemporary Craft and The Great Masters by Mortimer Menpes Design, SA, Wild Nature in Contemporary exhibition, National Library of Australia, 24 July Australian Art and Craft exhibition, JamFactory, 2002 to 7 October 2002: 21 September 2002 to 10 November 2002;

Mildura Arts Centre, 14 March 2003 to 20 April Mortimer Menpes, Self portrait 2003; Object Gallery, 24 May 2003 to 27 July

2003; Lake Macquarie Regional Art Gallery, 7 Dunedin Public Art Gallery, New Zealand, August 2003 to 21 September 2003; Tamworth Stanley Spencer: Angels and Dirt exhibition, City Gallery, 28 February 2004 to 28 March Auckland Art Gallery, Toi O Tamaki, 5 July 2004; Queensland University of Technology Art 2003 to 19 October 2003, Te Papa Tongarewa Museum, 9 April 2004 to 13 June 2004; Noosa Museum of New Zealand, 8 November 2003 to 29 Regional Gallery, 18 July 2004 to 24 August February 2004, Dunedin Public Art Gallery, 20 2004; Cairns Regional Gallery, 3 September March 2004 to 16 May 2004: 2004 to

24 October 2004; Rockhampton Art Gallery, 1 Stanley Spencer, Self portrait November 2004 to 7 December 2004: Stanley Spencer, Hilda Welcomed

Stanley Spencer, Garden view, Cookham Dene Lola Greeno, Necklace

Lena Pwerle, Goanna and bush tucker (to Groningen, Groninger Museum, Netherlands, September 2003 only) Femme Fatale exhibition, Groninger Museum, 18

January 2003 to 4 May 2003; Royal Museum of Adelaide, Carrick Hill, SA display during the Fine Arts, Antwerp, Belgium, 17 May 2003 to French Festival, 2 November 2002 to 3 17 August 2003: November 2003:

J.W. Waterhouse, Circe Invidiosa Pierre Auguste Renoir, Coco

Melbourne, National Gallery of Victoria, Sidney Adelaide, Carrick Hill, SA, William Dobell – the Nolan: Desert and Drought exhibition, 6 June early works exhibition, Carrick Hill, 5 March 2003 to 17 August 2003: 2003 to 29 June 2003:

Sidney Nolan, MacDonnell Ranges William Dobell, Study of a horse Sidney Nolan, Near Birdsville William Dobell, Study for ‘The Yellow Glove’ Sidney Nolan, The Temptation of St Anthony William Dobell, Self portrait

William Dobell, Portrait of Hedley Marston Newcastle, Newcastle Region Art Gallery, NSW, William Dobell, Portrait of Hedley Marston Jon Molvig, Expressionist exhibition, Newcastle William Dobell, Bowler hatted man with cane Region Art Gallery, 10 August 2002 to 22 William Dobell, The fair-haired boy September 2002; Brisbane City Hall William Dobell, The yellow glove Art Gallery, 17 October 2002 to 15 December

2002; Drill Hall Gallery, The Australian National Brisbane, Queensland Art Gallery, Asia Pacific University, 6 February 2003 to 16 March 2003; Triennial 2002 exhibition, Queensland Art Monash Gallery of Art, Mount Waverley, 4 Gallery, 12 September 2002 to 26 January 2003: April 2003 to 11 May 2003: Howard Taylor, Sun Figure Jon Molvig, Portrait of Charles Blackman

Paddington, Roslyn Oxley9Gallery, NSW, Fiona Charles Conder, Les premiers conseils Hall exhibition, Museum of Contemporary Art, Charles Conder, A holiday at Mentone 10 October 2002 to 16 November 2002: Charles Conder, How we lost poor Flossie Charles Conder, Tea-time Fiona Hall, Cell Culture Charles Conder, Dandenongs from Heidelberg Charles Conder, All on a summer’s day Perth, Heytesbury Pty Ltd, WA, Rover Thomas: Charles Conder, A Dream of Handel’s Largo I want to paint exhibition, National Charles Conder, Hayfield, France Gallery of Victoria, 3 June 2003 to 17 August FURNISHING LOANS 2003, Bendigo Art Gallery, 13 December 2003 to 26 January 2004, Art Gallery of South Government House, Adelaide: Australia, 24 September 2004 to 28 November Louis McCubbin, Spring landscape 2004; Art Gallery of Western Australia, 18 December 2004 to 6 March 2005: Department of the Premier and Cabinet, Adelaide: Rover Thomas, Lake Paruku James Cant, Grasses Sonda Turner Nampitjinpa, Watiawannu Sydney, The Art Gallery of New South Wales, Makinti Minutjukur, Anangu waltjapiti ngura Machine Organic: The Art of Robert Klippel waltjangka nyinantja exhibition, Art Gallery of New South Wales, 18 Alby Stockman, Japanangka, Caterpillar Dreaming August 2002 to 13 October 2002: Ian W. Abdulla, Picking red berries Paddy Sims Japaltjarri, Yanjilypiri Dreaming Robert Klippel, Metal Sculpture Annette Bezor, Heads Above Water III Gloria Petyarre, Mountain Devil Dreaming Sydney, Museum of Contemporary Art, NSW, Hermann Hohaus, Girl undressing Dancing Up Country, the work of Dorothy Horace Trenerry, Winter landscape Napangardi, 10 December 2002 to 9 March 2003: Lawrence Daws, Man listening to the sky II Ken Searle, Bowden, Brompton Dorothy Napangardi, Salt on Mina Mina Mandy Martin, Flat-top Michael Atira Atira, Mulayangu Sydney, Historic Houses Trust of New South William Robinson, Josephine, Rosie and other Wales, Lure of the Southern Seas: the Voyages of Jacko Gordon Jakamarra, Floodwater Dreaming Dumont d’Urville, 21 December 2002 to 27 April Harper Morris Tjungarrayi, Untitled 2003: Minister Terry Roberts, Adelaide: Fiona Hall, Cell Culture Phyllis Williams Naparrula, Possum Dreaming Nyukana Baker, Mulayangu Munu Ikarka Sydney, Art Gallery of New South Wales, James Fairfax Exhibition, Art Gallery of New South Minister John Hill, Adelaide: Wales, 17 April 2003 to 20 July 2003: James Cant, Summer at Aldinga Geoffrey Wilson, Hills Road and Aldinga Joseph Vernet, The four times of day: Morning Joseph Vernet, The four times of day: Midday Minister Patrick Conlon, Adelaide: Joseph Vernet, The four times of day: Evening Ronnie Lawson Jakamarra, Water Dreaming Joseph Vernet, The four times of day: Night Ronnie Tjampitjinpa (Pintupi tribe), Two women of the Dreamtime Sydney, Art Gallery of New South Wales, Charles Conder Retrospective Exhibition, Art Minister Weatherill, Adelaide: Gallery of New South Wales, 14 June 2003 to 17 Jacko Gordon Jakamarra, Floodwater Dreaming August 2003, National Gallery of Victoria, 6 Harper Morris Tjungarrayi, Untitled September 2003 to 9 November 2003, Art Gallery of South Australia, 21 November 2003 to 26 Janauary 2004:

APPENDIX I 55 EXHIBITIONS AND PUBLIC PROGRAMS Burke & Wills: from Melbourne to Myth 22 June – 18 August 2002 Gallery: 23 Admission: Adult $10, Concession $8, Member $6, Family $20, Children under 16 free, Student $4, School Classes $20 Guided tours: Thursday at 2:30 pm, Saturday & Sunday at 2 pm Opening Speaker: Dr Tim Flannery, Director, South Australia Museum Consultant Curator for the National Library of Australia: Tim Bonyhady Art Gallery of South Australia Curator: Sarah Thomas, Curator of Australian Art Major Sponsors: Santos, Bank SA Media Sponsors: NWS Channel 9, MIX 102.3, The Advertiser, Adshel Wine Sponsors: Jansz, Hamilton’s Ewell Vineyards, Penny’s Hill

Stella Bowen: Art, Love & War 19 July – 29 September 2002 Gallery: 22 Admission: Adult $6, Concession $5, Member $4, Student $3, Children under 16 free, Veterans, War Widows, Defence Force members & families & Anzac Foundation free Guided tours: Until 4 August at 2 pm on Wednesday, Thursday, Friday, Saturday & Sunday, after 7 August at 12 noon on Wednesday, Thursday, Friday & 2 pm on Saturday & Sunday for the duration of the exhibition Opening Speaker: Marilyn Darling, Chair, National Portrait Gallery, Deputy Chair, Gordon Darling Foundation Australian War Memorial Curator: Lola Wilkins Art Gallery of South Australia Curator: Sarah Thomas, Curator of Australian Art Major Sponsors: Bank SA, Hyatt Media Sponsors: NWS Channel 9, The Advertiser, Five AA Wine Sponsors: Jansz, Penny’s Hill, Hamilton’s

South Australian Living Artist’s Week 2 – 11 August 2002 Gallery: 9 Admission: free Opening Speakers: The Hon. John Hill MP & artist, John Barbour Curators: Sarah Thomas, Curator of Australian Art & Robert Reason, Associate Curator, European & Australian Decorative Arts Supported by the Government of South Australia through Arts SA

Arid Arcadia: Art of the Flinders Ranges 30 August – 3 November 2002 Gallery: 23, 24 & 25 Admission: Adult $10, Concession $8, Member $6, Children under 16 free, Student $4, School Classes $20 Guided tours: Wednesday, Thursday, Saturday & Sunday at 1 pm. Opening Speaker: The Hon. Dr Jane Lomax-Smith MP Curator: Alisa Bunbury, Associate Curator Prints, Drawings & Photographs Major Sponsor: Bank SA Media Sponsors: Channel 9, The Advertiser, Five AA Wine Sponsors: Jansz, Penny’s Hill, Hamilton’s

Art of Arnhem Land: 1940s – 1970s 18 October 2002 – 23 February 2003 Gallery: 22 Admission: Gold coin Guided tours: Wednesday at 12 noon, Saturday & Sunday at 2 pm Opening Speaker: Banduk Marika

Curator: Tracey Lock-Weir, Associate Curator Australian Paintings & Sculpture Major Sponsor: Bank SA Media Sponsors: Channel 9, The Advertiser, Five AA Wine Sponsors: Jansz, Penny’s Hill, Hamilton’s

Morris & Co. 22 November 2002 – 30 March 2003 Gallery: 23 & 24 Admission: Adult $10, Concession $8, Member $6, Child under 16 free, Student $4, School Classes $20 Guided tours: Wednesday, Thursday, Saturday & Sunday at 1 pm Opening Speaker: The Hon. Alexander Downer MP Organising Curator: Christopher Menz, Senior Curator, Decorative Arts (International) at the National Gallery of Victoria Art Gallery of South Australia Curator: Robert Reason, Associate Curator, European & Australian Decorative Art Major Sponsor: Bank SA Media Sponsors: Channel 9, The Advertiser, Five AA Wine Sponsors: Jansz, Penny’s Hill, Hamilton’s

SEEING THE CENTRE: the art of Albert Namatjira 1902 – 1959 7 March – 4 May 2003 Gallery: 22 Admission: Adult $10, Concession $8, Member $6, Child under 16 free, Student $4, School Classes $20 Guided tours: Wednesday, Thursday, Saturday & Sunday at 2 pm Opening Speaker: The Hon. Mike Rann MP Curators: Roger Butler, NGA, Alison French AGSA Curator: Tracey Lock-Weir, Associate Curator Australian Paintings & Sculpture Major Sponsor: MARSH, Australian Air Express, Bank SA Media Sponsors: Channel 9, The Advertiser, Five AA Wine Sponsors: Jansz, Penny’s Hill, Rymill Coonawarra

JOURNEY TO NOW: John Kaldor Art Projects & Collection 18 April – 6 July 2003 Gallery: 23, 24 & 25 Admission: Adult $5, Concession $4, Member $3, Child under 16 free, School Classes $20 Guided tours: Wednesday, Thursday, Saturday & Sunday at 1pm Opening Speaker: Daniel Thomas Curator: Adam Free, Curator of European Art Major Sponsors: Bank SA, Integrated Vision Media Sponsors: Channel 9, The Advertiser, Five AA Wine Sponsors: Jansz, Penny’s Hill, Rymill Coonawarra

Jonathan Dady Construction Drawings 02: 2003 14 May - 24 June 2003 Temporary sculptural installation, North Terrace lawns Admission: free Curator: Sarah Thomas, Curator of Australian Art Installation sponsors: Boral Fornwork & Scaffolding, Solver Paints Major Sponsor: Bank SA Media Sponsors: Channel 9, The Advertiser, Five AA

The Morgan Thomas Bequest Centenary Exhibition 27 May – 27 July 2003 Gallery: 22 Admission: Gold coin Guided tours: Saturday & Sunday at 2 pm 57 Curator: Robert Reason, Associate Curator, European & Australian Decorative Arts Major Sponsor: Bank SA Media Sponsors: Channel 9, The Advertiser, Five AA Wine Sponsors: Jansz, Penny’s Hill, Rymill Coonawarra

The Nuremberg Chronicle, ongoing exhibition from 4 February Gallery: 12

The Silhouettes, drawings by Ruark Lewis Gallery: 25 Curator: Sarah Thomas 5 November – 23 February

Namatjira Treasure Days, 11 April and 2 May 2003

COLLECTION DISPLAY EXHIBITIONS SALA Week display, 2-11 August 2002, gallery 9 British Regency: Decorative Arts from the collection, 11 March 2002 – 16 February 2003, gallery 19 International Photography of the 1970s and 80s, 7 August – 23 September 2002, gallery 8 Mike Parr: Head on a plate, 24 September 2002 – 12 January 2003, gallery 8 English and Australian Arts & Crafts from the collection, 25 October 2002 – 28 April 2003, gallery 18 Watercolourists of Central Australia: the legacy of Albert Namatjira, 13 March – 30 May 2003, gallery 8 Australian Performance Art of the 1970s, 18 January – 2 February, gallery 8 Contemporary South Australian Video, 3 February – 17 February, gallery 8 Australian Video Now, 18 February – 9 March, gallery 8 Contemporary International Photography, from 2 June 2003, gallery 8 Wedgwood from the Decorative Arts collection, 20 February – current, gallery 19

EXHIBITIONS TOURING

Love & Death: Art in the Age of Queen Victoria This ambitious touring exhibition travelled to Queensland Art Gallery (30 May–28 July 2002) and the Toi O Tamaki Auckland Art Gallery (24 August–24 November 2002). Attendance: Queensland Art Gallery 29,000 Toi O Tamaki Auckland Art Gallery 20,332

The art of Lionel Lindsay Tour venues are Carrick Hill (1 August–29 September 2002), Millicent Art Gallery (11 October-24 November 2002), Riddoch Art Gallery (29 November-19 January 2003), Port Pirie Regional Art Gallery (25 January-2 March 2003), Walter Nichols Gallery, Port Lincoln (1 May-31 May 2003) Attendance: Carrick Hill 5,020 Millicent Art Gallery 1,143 Riddoch Art Gallery 1,356 Port Pirie Regional Art Gallery 1,270 Walter Nichols Gallery 1,498

LUNCHTIME TALKS A total of eighty-five talks were presented, comprised of seventy lunchtime talks by curators, artists and guest speakers, nine talks by contemporary South Australian artists throughout SALA Week and 3 guest presentations during the Feast Festival. Overall attendance: 3,506

Lunchtime talks included many exhibition floor talks:

Burke & Wills: From Melbourne to Myth (2) Stella Bowen: Art Love & War (5), three by artists (“The Artist’s Eye”) Arid Arcadia: Art of the Flinders Ranges (12), three by guests (“In the Public Eye”) Art of Arnhem Land 1940s – 1970s (7), four by guest speakers including artist Ruark Lewis Morris & Co. (6) Seeing the Centre: The art of Albert Namatjira (2) Journey to Now: John Kaldor Art Projects and Collection (11) 10 by contemporary South Australian artists (“The Artist’s Voice”) Morgan Thomas Bequest Centenary (1) SYMPOSIA Morris & Co. Sunday 23 March 2003 9 am – 7 pm. Registration: $80, $70 members Speakers: Ron Radford, Christopher Menz, Dr Chiaki Ajioka, Robert Reason, Christine Dixon, Lesley Baker and Dr Alison Inglis. Attendance: 76 LECTURES Saturday 17 August Inside Melbourne to Myth Speaker: Tim Fisher Attendance: 45

Sunday 25 August Painting Ghosts: Stella Bowen Speaker: Cathy Speck Attendance: 25

Saturday 14 September Majesty, Myth & Mystery (Arid Arcadia) Speaker: Alisa Bunbury Attendance: 20

Wednesday 18 September The war artist today Speaker: Peter Churcher Attendance: 54

Wednesday 28 September Arid Arcadia Speaker: Sally Smart Attendance: 20 Saturday 8 February Central Arnhem Land: small barks big stories Speaker: Susan Jenkins Attendance: 20 Thursday 13 March Beneath the Horizons Speaker: Greg Johns Attendance 42

Saturday 29 March The heritage of Namatjira Speaker: Ruth Megaw Attendance: 25

Saturday 5 April 59 Albert Namatjira (with slides) Speaker: Alison French Attendance: 40

Saturday 21 June Journey to Now Speaker: Adam Free Attendance: 30 SPRING LECTURE PROGRAM Tuesday 15 October Head on a Plate Speaker: Mike Parr, artist Attendance: 80

Tuesday 22 October Art of Arnhem Land Speaker: Banduk Marika, Rirratjingu artist and elder from Yirrkala Attendance: 37

Tuesday 29 October The Nuremberg Chronicle 1493 Speakers: Susan Woodburn, Special Collections Librarian, Barr-Smith Library, University of Adelaide and Julie Robinson, Curator of Prints, Drawings and Photographs Attendance: 67

Tuesday 5 November Like a Virgin Speaker: Adam Free. Curator of European Art Attendance: 40

Venue: AGSA Auditorium at 6.15 pm Admission: $8 per lecture or series $30 Overall attendance: 224

OTHER EVENTS AND PROGRAMS School Holiday Arts & Craft Program Art & Craft activities related to exhibition themes were held during each school holiday period. Presented by qualified arts and crafts tutors, the activities for children included calligraphy, drawing, painting and printing, jewellery-making and various other forms of art and craft. Attendance: 1,181

Family Drop in days Sunday 28 July, 25 August, 22 September, 24 November, 23 February, 23 March, 27 April, 25 May and 22 June 12 noon–3 pm Nine family drop in days continued throughout the year offering entertainment, tours for families and art & craft activities for children. Approximately 250 children attended activities.

Family Fun Day Sunday 27 October The Gallery’s Annual Family Day featured live music performances, Eye Spy Club tours, storytelling, art and craft activities, free sample bags, face painting, sausage sizzle and free admission to the exhibition Arid Arcadia: Art of the Flinders Ranges with talks held in the exhibition. Supported by Bank SA, ETSA, Five AA, Sanitarium, Health Promotions SA, Art Gallery Café. Attendance: 2, 000 participants

Easter In The Gallery Friday 18 April at 11 am & 2 pm Art for Good Friday The Most Reverend Ian George, Anglican Archbishop of Adelaide gave two tours of the collection accompanied by the Corinthian Singers. Attendance: 265

Monday 21 April at 11 am Art for Easter Monday Father Anthony Kain, Parish Priest of Kingswood conducted an informative tour of historical and contemporary art works within the Gallery’s collections. Attendance: 65

An extensive program of free films which related to the Gallery’s exhibitions was held throughout the year. Highlights included a selection of from the Yirrkala Film Project shown in conjunction with the Art of Arnhem Land 1940s – 1970s exhibition. The films shown during the exhibition SEEING THE CENTRE: The art of Albert Namatjira attracted large groups each day.

Many of the films and videos were made available with the support of the SA Video and Film Collection and Australian Centre for the Moving Image.

61 APPENDIX J

SCHOOLS SUPPORT SERVICES

EDUCATION SERVICES (SCHOOLS)

GROUP VISITS/INQUIRIES Total student numbers 26,161 Individual research inquiries 135 Total (all students) 26,296

TEACHER INSERVICING Teacher briefings (exhibitions) 510 Individual teacher assistance 120 Conferences/Lectures 350 Graduate teachers 145 Total (all teachers) 1,125

ANNUAL ATTENDANCES 1998–2002

Schools 2002-2003 2001–2002 2000–2001 1999–2000 1998–1999 26,296 26,366 24,331 20,062 21,295

Client Use–Percentage Analysis

Government Catholic Independent (DECS) (CEO) (ISB) 2002-2003 68% 13% 19% 2001–2002 61% 18% 21% 2000–2001 62% 16% 22% 1999–2000 66% 14% 20% 1998–1999 61% 19% 20%

APPENDIX K

GALLERY GUIDE TOUR SERVICES

Total number of tours conducted including regular booked groups, Eye-Spy and corporate function tours 1,108 Total of tours conducted in previous year 1,430 Total number of persons toured to end June 2003 11,018 Persons toured previous year 15,445

APPENDIX L GALLERY PUBLICATIONS

BOOKS Arid Arcadia: Art of the Flinders Ranges Author: Alisa Bunbury 208 pp, 85 colour illustrations, 150 black & white illustrations, hardback ISBN 0 7308 3021 7 Designer: Antonietta Itropico

Morris & Co. Author: Christopher Menz 188 pp, 138 colour illustrations, 29 black & white illustrations, hardback ISBN 0 7308 3029 2 Sponsor: Philip Bacon Designer: Antonietta Itropico

Art of Arnhem Land 1940s – 1970s Author: Tracey Lock-Weir 8pp folder, 8 colour illustrations, paperback Designer: Antonietta Itropico

Journey to Now: John Kaldor Art Projects and Collection Author: Adam Free 16 pp, 9 colour illustrations, 1 black & white illustrations, paperback Sponsor: Bank SA, Channel 9, The Advertiser, Five AA Designer: David Zhu Design

The art of Lionel Lindsay: prints, drawings & bookplates Author: Alisa Bunbury 6pp folder, 8 black & white illustrations, paperback Designer: Antonietta Itropico

Annual Report of the Art Gallery of South Australia 2001–2002 Authors: Chairman, Director and staff 75pp, ISSN 0728–7925

22nd Annual Report of the Art Gallery of South Australia Foundation 2001–2002 Authors: Max Carter, Ron Radford, assisted by Kerry de Lorme 32 pp, 13 colour illustrations Designer: Antonietta Itropico

NEWSLETTER August/September 2002, vol.11, no.4; October/November 2002, vol. 11, no. 5, December 2002/January 2003, vol. 11, no. 6; February/March 2003, vol. 12, no. 1; April/May 2003, vol. 12, no. 2; June/July 2003, vol. 12, no. 3; ISSN 1448–062X. Sponsor: van Gastel Printing Pty Ltd Designer: Antonietta Itropico

MERCHANDISE A new product was launched this year with the help of van Gastel Printing that has proved very popular with our customers. A range of nine Japanese woodcut prints and a selection of eleven Albrecht Dürer prints were reproduced onto watercolour paper, using a new process which allows the Gallery to print on demand. The quality is exceptional and the outlay minimal.

A further four greeting cards and eight post cards were also printed.

63 EPHEREMA Various leaflets and brochures promoting exhibitions were produced for distribution to the public, schools, sponsors, the Friends and the Foundation.

APPENDIX M

ANNUAL ATTENDANCES

TOTAL 2002–2003

Gallery day attendance 412,345

Gallery after hours attendance 22,264

Gallery School attendance 26,296

Visits to Gallery temporary exhibitions 60,000

TOTAL 520,905

There was a record number of visits to the Gallery’s newly designed website totalling 1,201,990 hits.

There were 22,526 enquiries at the Visitor Information Desk.