Annual Report 2008–09 Annu Al Repor T 20 08–0 9

Total Page:16

File Type:pdf, Size:1020Kb

Annual Report 2008–09 Annu Al Repor T 20 08–0 9 ANNUAL REPORT 2008–09 ANNUAL REPORT 2008–09 REPORT ANNUAL ANNUAL REPORT 2008–09 The National Gallery of Australia is a Commonwealth authority established under the National Gallery Act 1975. The vision of the National Gallery of Australia is the cultural enrichment of all Australians through access to their national art gallery, the quality of the national collection, the exceptional displays, exhibitions and programs, and the professionalism of Gallery staff. The Gallery’s governing body, the Council of the National Gallery of Australia, has expertise in arts administration, corporate governance, administration and financial and business management. In 2008–09, the National Gallery of Australia received an appropriation from the Australian Government totalling $78.494 million (including an equity injection of $4 million for development of the national collection and $32.698 million for Stage 1 of the building extension project), raised $19.32 million, and employed 256.4 full- time equivalent staff. © National Gallery of Australia 2009 ISSN 1323 5192 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. Produced by the Publishing Department of the National Gallery of Australia Edited by Eric Meredith Designed by Carla Da Silva Printed by Blue Star Print, Canberra National Gallery of Australia GPO Box 1150 Canberra ACT 2601 nga.gov.au/reports (cover) Conrad Martens Campbell’s Wharf 1857 (detail) watercolour, with touches of gum arabic, on thick white wove paper image 46 x 66 cm sheet 46 x 66 cm National Gallery of Australia, Canberra purchased 2009 September 2009 The Hon Peter Garrett AM, MP Minister for the Environment, Heritage and the Arts Parliament House CANBERRA ACT 2600 Dear Minister On behalf of the Council of the National Gallery of Australia I have pleasure in submitting to you, for presentation to each House of Parliament, the National Gallery of Australia’s Annual Report covering the period 1 July 2008 to 30 June 2009. This report is submitted to you in accordance with theCommonwealth Authorities and Companies Act 1997 and the National Gallery Act 1975. The Performance Report has been prepared consistent with the Commonwealth Authorities and Companies (Report of Operations) Orders 2008. The financial statements have been prepared in accordance with the Finance Minister’s Orders made under the Commonwealth Authorities and Companies Act 1997. Yours sincerely Rupert Myer AM Chairman of Council NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2008–09 1 CONTENTS LETTER OF TRANSMITTAL 1 CHAIRMAN’S FOREWORD 5 DIRECTOR’S REPORT 6 CORPORATE OVERVIEW 9 PERFORMANCE REPORT 2008–09 15 Outcome and Outputs 16 Report against Strategic Plan 2007–10 18 GOAL 1 Build and maintain an outstanding national art collection 19 GOAL 2 Increase the audience for and engagement with the exhibitions and programs of the National Gallery of Australia 28 GOAL 3 Create a welcoming and engaging visitor experience 41 GOAL 4 Secure and strategically manage resources to support Gallery operations and activities 44 GOAL 5 Provide a safe and productive working environment for all staff appropriate to the Australian Public Sector and art museum standards 47 GOAL 6 Ensure the highest standards of corporate governance 52 GOAL 7 Build productive relationships with Government and other stakeholders 53 FINANCIAL STATEMENTS 55 2 APPENDICES 91 APPENDIX 1 Council of the National Gallery of Australia 92 APPENDIX 2 Management structure at 30 June 2009 95 APPENDIX 3 Staff of the National Gallery of Australia at 30 June 2009 96 APPENDIX 4 Agency Resource Statement and Resource for Outcomes 2008–09 99 APPENDIX 5 Acquisitions 2008–09 100 APPENDIX 6 Total acquisitions including purchases and gifts 2003–04 to 2008–09 133 APPENDIX 7 Exhibitions and new displays shown at the National Gallery of Australia 2008–09 134 APPENDIX 8 Attendances 2003–04 to 2008–09 135 APPENDIX 9 Travelling exhibitions 2008–09 136 APPENDIX 10 Outward loans to exhibitions—Australia and international 142 APPENDIX 11 Inward loans 150 APPENDIX 12 Outward loans including travelling exhibitions 2003–04 to 2008–09 154 APPENDIX 13 National Gallery of Australia sponsors 2008–09 155 APPENDIX 14 National Gallery of Australia volunteers at 30 June 2009 157 APPENDIX 15 Publications of the National Gallery of Australia 2008–09 159 APPENDIX 16 Website visitation 161 APPENDIX 17 Consultants 2008–09 163 APPENDIX 18 Compliance index and contact officers 165 INDEX 166 NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2008–09 3 National Gallery of Australia Council as at 30 June 2009: (left to right) Mrs Roslynne Bracher AM, Mr Rupert Myer AM, Mr Charles Curran AC, Mr John Calvert-Jones AM, Dr Ron Radford AM, Mr Warwick Hemsley, the Hon Mrs Ashley Dawson-Damer, the Hon Ian Callinan AC, QC, Mrs Roslyn Packer AO 4 CHAIRMAN’S FOREWORD The year under review was one of significant The Council acknowledges with appreciation the achievement for the National Gallery of Australia, ongoing support of the Australian Government despite the challenges associated with remaining through the Hon Peter Garrett AM, MP, Minister open to the public while undertaking the most for the Environment, Heritage and the Arts, and extensive building program since the opening in officials of the Department of the Environment, 1982. Water, Heritage and the Arts. Among the Gallery’s many achievements in the I would especially also like to acknowledge the year was a record level of support for development extraordinary efforts of Director Ron Radford of the national collection, with donations of more AM and the Gallery’s committed and talented than $10 million in cash and in kind being received. staff and, on behalf of the Council, express my Many outstanding works of art were gifted to or sincere appreciation for another year of significant acquired for the national collection and the Gallery achievement. The Gallery is poised to transform presented a full program of exhibitions and other itself into a multi-visit gallery and an exciting public activities at the Gallery in Canberra and centre for the visual arts as the major extension around the country. Substantial progress with the nears completion and more of the outstanding extension to the building was achieved and access collection is placed on permanent display. to the national collection was enhanced through exhibitions, loans, publications and online services. These achievements were in large measure dependent on the support of our many new and continuing donors, benefactors, corporate sponsors, Gallery members and volunteers and, on behalf of the National Gallery of Australia Council, Rupert Myer AM I thank them all for their outstanding support. I also acknowledge the work of the National Gallery of Australia Foundation in the achievement of a record level of support for collection development and, in particular, the leadership provided by Chairman Mr Charles Curran AC and the Board of the Foundation. The efforts and achievements of the Gallery were also assisted by my colleagues on the Gallery Council, and I would like to acknowledge their enthusiastic and committed contribution, and I welcome Mr Callum Morton who joined the Council in May 2009. Mr Charles Curran AC continued as Deputy Chairman of the Council and as Chair of the Building Committee, as well as Chairman of the National Gallery of Australia Foundation. Mrs Roslyn Packer AO continued as Chair of the Acquisitions Committee and Mr Warwick Hemsley as Chair of the Finance, Risk Management and Audit Committee. NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2008–09 5 DIRECTOR’S REPORT The year 2008–09 has been a year of major and value of works gifted. Many gaps have been accomplishment for the National Gallery of strategically filled. Australia, with a number of record-breaking achievements. Beginning with Australian art, our growing collection of early Colonial art was greatly This financial year, the Gallery staged Australia’s enhanced by the acquisition of a Turneresque first ever Edgar Degas exhibition. It was entitled masterpiece in watercolour by Conrad Martens. It Degas: master of French art. For this exhibition, is of Campbell’s Wharf, Sydney Harbour, and was the Gallery gathered works by this remarkable commissioned in 1857 by the merchant–grazier artist and pioneer of later nineteenth-century Campbell family of Sydney and the Canberra painting, printmaking, photography and sculpture region. It came directly from a Scottish branch from 45 collections from around the world. In the of the Campbell family and is our finest work by short period it was on, this outstanding exhibition this, the most eminent New South Wales Colonial attracted nearly 155 000 visitors from around artist. From early Colonial Tasmania, we acquired Australia to the Gallery and injected $30.3 million two fine portraits by the most interesting of all the into the local economy during a difficult economic early Colonial portrait painters, the convict artist period. Within the exhibition, a special family Thomas Griffiths Wainewright. We also acquired a room proved a very popular initiative and was fascinating pre-gold-rush watercolour view of the visited by over 4000 children. Degas: master of Barwon River in 1847, near Geelong, Victoria, by French art was opened by Guy Cogeval, President John Skinner Prout; it is one of his few Victorian and Director of the Musée d’Orsay, Paris, on works and our earliest landscape from that state. his first visit to Australia. The Gallery won Best The Gallery acquired a number of South Australian Tourist Exhibition Award for the exhibition in the and Queensland nineteenth-century paintings inaugural Australian Hotel Association Awards. and prints, an area of weakness in the collection. Complementing the early Colonial collection Significant parts of our Stage 1 building project of paintings were two fine early-1820s pieces of were completed and handed over to the Gallery furniture: a sofa table from New South Wales and this year.
Recommended publications
  • Aida Tomescu Fox Jensen
    AIDA TOMESCU FOX JENSEN 2017 Abstraction: Celebrating Australian women abstract artists, National Gallery of Australia & Tour, Geelong Art Gallery 2017 The Beginnings, Wangaratta Art Gallery Has been living and working in Australia since 1980 Born 1955, Bucharest 2016 WAAM! It’s Women’s Abstract Art Man!, Jervis Bay Maritime Museum & Gallery 1983 Post Graduate Diploma of Art, City Art Institute, Sydney 1977 Diploma of Art (Painting), Institute of Fine Arts, Bucharest. 2016 Chromoffection, Fox/ Jensen, Auckland 2016 Black to Blackest, Geelong Gallery Aida Tomescu is the winner of the inaugural LFSA Arts 21 Fellowship in 1996 at the Heide Museum of Modern Art, 2016 Assemblage, John Curtin Gallery, Perth Melbourne. She is also the winner of the Sulman Prize 1996, the Wynne prize 2001, the Dobell Prize for Drawing 2016 Refugees, Casula Powerhouse, Sydney 2003, by the Art Gallery of New South Wales. 2016 Fleurieu Art Prize, Anne & Gordon Samstag Museum of Art, Adelaide Represented by Jensen Gallery, Sydney & Fox/Jensen/McCrory, Auckland. 2016 Collected II, Wangaratta Art Gallery, Wangaratta 2015 Sullivan+Strumpf, Sydney Contemporary, Sydney Solo Exhibitions 2015 Wynne Prize, Art Gallery of New South Wales, Sydney 2015 Abstraction: The Heide Collection from Nolan to the 90s, Heide Museum of Modern Art 2017 Under the iron of the moon, FOXJENSEN, Sydney 2015 The Triumph of Modernism in the Art of Australia, Hazelhurst Regional Gallery and TarraWarra Museum of Art 2015 Eyes in the Heat, Sullivan+Strumpf, Sydney 2015 Art Basel Hong Kong, Sullivan+Strumpf,
    [Show full text]
  • 3-4 Booklist by Title - Full
    3-4 Booklist by Title - Full When using this booklist, please be aware of the need for guidance to ensure students select texts considered appropriate for their age, interest and maturity levels. PRC Title/Author Publisher Year ISBN Annotations 9404 100 Australian poems for children Random House 2002 9781740517751 From emus to magic puddings, this feast of Australian poems for Griffith, Kathryn & Scott-Mitchell, Claire (eds)Australia Pty Ltd children is fresh and familiar. Written by grown-ups and kids, with & Rogers, Gregory (ill) beautiful illustrations, it reveals what is special about growing up in Australia. 660416 100 ways to fly University of 2019 9780702262500 In 100 Ways to Fly you'll find a poem for every mood - poems to make Taylor, Michelle Queensland Press you laugh, feel silly or to twist your tongue, to make you courageous enough for a new adventure or to help you soar. 537 27th annual African hippopotamus race Puffin Australia 1985 9780140309911 Go behind the scenes as eight year old Edward, the hippopotamus, Lurie, Morris trains for the greatest swimming marathon of all. 18410 4F for freaks Allen & Unwin Pty Ltd 2006 9781741140910 4F pride themselves on frightening teachers out of the classroom. It Hobbs, Leigh seems that they have met their match with Miss Corker who has a few tricks of her own up her sleeves. 9581 500 hats of Bartholomew Cubbins, The Random House 1989 9780394844848 Bartholomew is selling cranberries when the king passes by. A big cry is Seuss, Dr Australia Pty Ltd heard, 'Hats off to the King', which Bartholomew does but he still has a hat on his head.
    [Show full text]
  • Appendices 2011–12
    Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse
    [Show full text]
  • Phanfare May/June 2006
    Number 218 – May-June 2006 Observing History – Historians Observing PHANFARE No 218 – May-June 2006 1 Phanfare is the newsletter of the Professional Historians Association (NSW) Inc and a public forum for Professional History Published six times a year Annual subscription Email $20 Hardcopy $38.50 Articles, reviews, commentaries, letters and notices are welcome. Copy should be received by 6th of the first month of each issue (or telephone for late copy) Please email copy or supply on disk with hard copy attached. Contact Phanfare GPO Box 2437 Sydney 2001 Enquiries Annette Salt, email [email protected] Phanfare 2005-06 is produced by the following editorial collectives: Jan-Feb & July-Aug: Roslyn Burge, Mark Dunn, Shirley Fitzgerald, Lisa Murray Mar-Apr & Sept-Oct: Rosemary Broomham, Rosemary Kerr, Christa Ludlow, Terri McCormack, Anne Smith May-June & Nov-Dec: Ruth Banfield, Cathy Dunn, Terry Kass, Katherine Knight, Carol Liston, Karen Schamberger Disclaimer Except for official announcements the Professional Historians Association (NSW) Inc accepts no responsibility for expressions of opinion contained in this publication. The views expressed in articles, commentaries and letters are the personal views and opinions of the authors. Copyright of this publication: PHA (NSW) Inc Copyright of articles and commentaries: the respective authors ISSN 0816-3774 PHA (NSW) contacts see Directory at back of issue PHANFARE No 218 – May-June 2006 2 Contents At the moment the executive is considering ways in which we can achieve this. We will be looking at recruiting more members and would welcome President’s Report 3 suggestions from members as to how this could be Archaeology in Parramatta 4 achieved.
    [Show full text]
  • Cascades Female Factory South Hobart Conservation Management Plan
    Cascades Female Factory South Hobart Conservation Management Plan Cascades Female Factory South Hobart Conservation Management Plan Prepared for Tasmanian Department of Environment, Parks, Heritage and the Arts April 2008 Table of contents Table of contents i List of figures iii List of Tables v Project Team vi Acknowledgements vii Executive Summary ix 1.0 Introduction 1 1.1 Background to project 2 1.2 History & Limitations on Approach 2 1.3 Description 3 1.4 Key Reports & References 4 1.5 Heritage listings & controls 12 1.6 Site Management 13 1.7 Managing Heritage Significance 14 1.8 Future Management 15 2.0 Female Factory History 27 2.1 Introduction 27 2.2 South Hobart 28 2.3 Women & Convict Transportation: An Overview 29 2.4 Convict Women, Colonial Development & the Labour Market 30 2.5 The Development of the Cascades Female Factory 35 2.6 Transfer to the Sheriff’s Department (1856) 46 2.7 Burial & Disinterment of Truganini 51 2.8 Demolition and subsequent history 51 2.9 Conclusion 52 3.0 Physical survey, description and analysis 55 3.1 Introduction 55 3.2 Setting & context 56 3.3 Extant Female Factory Yards & Structures 57 3.4 Associated Elements 65 3.5 Archaeological Resource 67 3.6 Analysis of Potential Archaeological Resource 88 3.7 Artefacts & Movable Cultural Heritage 96 4.0 Assessment of significance 98 4.1 Introduction 98 4.2 Brief comparative analysis 98 4.3 Assessment of significance 103 5.0 Conservation Policy 111 5.1 Introduction 111 5.2 Policy objectives 111 LOVELL CHEN i 5.3 Significant site elements 112 5.4 Conservation
    [Show full text]
  • Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker
    Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker Volume One Carol Ann Gilchrist A thesis submitted for the degree of Doctor of Philosophy Department of Art History School of Humanities Faculty of Arts University of Adelaide South Australia October 2015 Thesis Declaration I certify that this work contains no material which has been accepted for the award of any other degree or diploma in my name, in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. In addition, I certify that no part of this work will, in the future, be used for any other degree or diploma in any university or other tertiary institution without the prior approval of the University of Adelaide and where applicable, any partner institution responsible for the joint-award of this degree. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968. I also give permission for the digital version of my thesis to be made available on the web, via the University‟s digital research repository, the Library Search and also through web search engines, unless permission has been granted by the University to restrict access for a period of time. __________________________ __________________________ Abstract Gestural abstraction in the work of Australian painters was little understood and often ignored or misconstrued in the local Australian context during the tendency‟s international high point from 1947-1963.
    [Show full text]
  • Winter 2012 SL
    –Magazine for members Winter 2012 SL Olympic memories Transit of Venus Mysterious Audubon Wallis album Message Passages Permanence, immutability, authority tend to go with the ontents imposing buildings and rich collections of the State Library of NSW and its international peers, the world’s great Winter 2012 libraries, archives and museums. But that apparent stasis masks the voyages we host. 6 NEWS 26 PROVENANCE In those voyages, each visitor, each student, each scholar Elegance in exile Rare birds finds islets of information and builds archipelagos of Classic line-up 30 A LIVING COLLECTION understanding. Those discoveries are illustrated in this Reading hour issue with Paul Brunton on the transit of Venus, Richard Paul Brickhill’s Biography and Neville on the Wallis album, Tracy Bradford on our war of nerves business collections on Olympians such as Shane Gould and John 32 NEW ACQUISITIONS Konrads, and Daniel Parsa on Audubon’s Birds of America, Library takes on Vantage point one of our great treasures. Premier’s awards All are stories of passage, from Captain James Cook’s SL French connection Art of politics voyage of geographical and scientific discovery to Captain C THE MAGAZINE FOR STATE LIBRARY OF NSW BUILDING A STRONG ON THIS DAY 34 FOUNDATION MEMBERS, 8 James Wallis’s album that includes Joseph Lycett’s early MACQUARIE STREET FRIENDS AND VOLUNTEERS FOUNDATION Newcastle and Sydney watercolours. This artefact, which SYDNEY NSW 2000 IS PUBLISHED QUARTERLY 10 FEATURE New online story had found its way to a personal collection in Canada, BY THE LIBRARY COUNCIL PHONE (02) 9273 1414 OF NSW.
    [Show full text]
  • ANZAC Memorial Visit
    ANZAC Memorial Hyde Park June 2013 On Thursday 27th June the Scouts from 1st Ermington had the opportunity to visit the ANAZ Memorial at Hyde Park in the city. We caught the train from Eastwood station for the journey into Sydney - alighting from the train at Town Hall station. Fortunately the weather was kind and we had a nice walk up to the memo- rial through Hyde park. Although it was early evening and dark the memo- rial looked terrific. The curator for the evening introduced himself to the troop and there was much interest in his background as he was both a Vietnam veteran and a former scout. The evening started with a short video and the scouts were surprised at the footage of the opening because at the time the memorial was the tallest building in the city and the opening was attending by 100,000 people. We were given a tour of the different parts of the memorial (inside and out). Learning about the different parts of the memorial was extremely in- teresting. The Scouts were invited to release a Commemorative star representing an Australian service man or woman killed while serving their country or since deceased - a very humbling experience Another highlight of the evening was the Scouts being able to see a banner signed by Baden Powell. We departed the memorial at 8:20 for our return trip, arriving back into Eastwood at 9:10pm. A big thank you to the Scouts and Leaders that were able to participate in this activity. The ANZAC War Memorial, completed in 1934, is the main commemorative military monument of Sydney, Australia.
    [Show full text]
  • Emu Island: Modernism in Place 26 August — 19 November 2017
    PenrithIan Milliss: Regional Gallery & Modernism in Sydney and InternationalThe Lewers Trends Bequest Emu Island: Modernism in Place 26 August — 19 November 2017 Emu Island: Modernism in Place Penrith Regional Gallery & The Lewers Bequest 1 Spring Exhibition Suite 26 August — 19 November 2017 Introduction 75 Years. A celebration of life, art and exhibition This year Penrith Regional Gallery & The Lewers Bequest celebrates 75 years of art practice and exhibition on this site. In 1942, Gerald Lewers purchased this property to use as an occasional residence while working nearby as manager of quarrying company Farley and Lewers. A decade later, the property became the family home of Gerald and Margo Lewers and their two daughters, Darani and Tanya. It was here the family pursued their individual practices as artists and welcomed many Sydney artists, architects, writers and intellectuals. At this site in Western Sydney, modernist thinking and art practice was nurtured and flourished. Upon the passing of Margo Lewers in 1978, the daughters of Margo and Gerald Lewers sought to honour their mother’s wish that the house and garden at Emu Plains be gifted to the people of Penrith along with artworks which today form the basis of the Gallery’s collection. Received by Penrith City Council in 1980, the Neville Wran led state government supported the gift with additional funds to create a purpose built gallery on site. Opened in 1981, the gallery supports a seasonal exhibition, education and public program. Please see our website for details penrithregionalgallery.org Cover: Frank Hinder Untitled c1945 pencil on paper 24.5 x 17.2 Gift of Frank Hinder, 1983 Penrith Regional Gallery & The Lewers Bequest Collection Copyright courtesy of the Estate of Frank Hinder Penrith Regional Gallery & The Lewers Bequest 2 Spring Exhibition Suite 26 August — 19 November 2017 Introduction Welcome to Penrith Regional Gallery & The of ten early career artists displays the on-going Lewers Bequest Spring Exhibition Program.
    [Show full text]
  • Whitehorse Artists' Trail
    The Artists’ Trail En Plein Air – In The Open The Artists’ Camp Moving On Artist Biographies Further Reading Contacting Council The City of Whitehorse Artists’ Trail celebrates a significant During the late nineteenth century, a small number of European Almost every Saturday, for some four years (1885–1888), a group of A country house at Eaglemont was an attractive alternative Auty, G. and P. Corbally Stourton, Galbally, A. and A. Gray (eds), Phone: 9262 6333 Tom Roberts John Llewelyn Jones: Australia’s Letters from Smike: The Letters Fax: 9262 6490 phase in the municipality’s artistic heritage. This brochure and master painters were teaching new painting techniques to young Melbourne artists raced to the Lilydale line to catch a steam train, to a tent at Box Hill, and by early 1889 the artists’ camp had Forgotten Painter (exh. cat.), Corbally of Arthur Streeton 1890–1943, 1856 Born Dorchester, England Email: [email protected] the interpretative panels located at various points along the trail artists in Melbourne. leaving behind the bustling metropolis for an idyllic weekend of been disbanded. Stourton Contemporary Art, Edgecliff, Oxford University Press, South 1869 Arrived in Melbourne New South Wales [1999]. Melbourne, 1989. NRS: 133 677 acknowledge the artists who painted regularly at the Box Hill camping and painting. (service for hearing impaired people) Tom Roberts (1856–1931) and became a member of the group, where the majority of the 9 by 5 1874 Enrolled at National Gallery City of Whitehorse, Heritage McCulloch, A., The Encyclopedia artists’ camp. Frederick McCubbin (1855–1917) following a chance encounter Alighting at Box Hill, now part of paintings were created.
    [Show full text]
  • Rick Amor.Docx
    Rick Amor Bio Rick Amor was born in Frankston, Victoria in 1948. In 1965 he completed a Certificate of Art at the Caulfield Institute of Technology, and from 1966 to 1968 studied at the National Gallery School, Melbourne where he received an Associate Diploma of Painting. He has been the recipient of several Australia Council studio residencies, which have allowed him to work in London, New York and Barcelona. In 1999 the Australian War Memorial appointed him as the official war artist to East Timor. Amor has held over 50 solo exhibitions since first exhibiting at Joseph Brown Gallery in 1974 and has shown annually at Niagara Galleries since 1983. A major survey exhibition of his paintings was curated by McClelland Gallery in 1990 and toured various regional galleries in Victoria and South Australia. In 1993 an exhibition mounted by Bendigo Art Gallery toured Victoria and Tasmania, presenting his work as a printmaker and graphic artist. An important exhibition of Rick’s bronze sculpture was undertaken by Benalla Art Gallery in 2002, including many maquettes never previously exhibited. In 2005, Robert Lindsay curated Rick Amor: Standing in the Shadows, the second major survey of Amor’s work to be presented at McClelland Gallery+Sculpture Park. In March 2008, Heide Museum of Modern Art presented Rick Amor: A Single Mind, a triumphant survey of Rick’s paintings and works on paper from 1968 – 2008. Gary Catalano’s biography The Solitary Watcher: Rick Amor and his Art, was published by The Miegunyah Press in 2001; and in 2008, The Beagle Press published Gavin Fry’s richly illustrated monograph, Rick Amor.
    [Show full text]
  • Foundation Annual Report 2012–13
    FOUNDATION ANNUAL REPORT 2012–13 FOUNDATION ANNUAL REPORT 2012–13 Polixeni Papapetrou born Australia 1960 Mark Elvis impersonator at Elvis Grotto Melbourne 1992 gelatin silver photograph image 100 x 100 cm gift of Patrick Corrigan, 2013 through the Australian Government’s Cultural Gifts Program © Polixeni Papapetrou Contents Office bearers 5 Objectives 5 Chairman’s report 7 Contributors 22 Membership 39 Financial statements 61 Colin McCahon New Zealand 1919–1987 Muriwai. Necessary protection 1972 synthetic polymer paint on composition board 60.8 x 81.2 cm bequest of Jane Flecknoe, 2013 100 Works for 100 Years © Colin McCahon Research and Publication Trust 4 natIonal gallerY of AUStralIA Office bearers Objectives Patron The National Gallery of Australia Her Excellency Ms Quentin Bryce AC Foundation, a company limited by The Governor-General of the Commonwealth of Australia guarantee under the Corporations Law, is a non-profit organisation established to Board members support the National Gallery of Australia. Mr John Hindmarsh AM (appointed 20.9.04; The principal objectives of the Foundation Chairman 27.10.10) are to: Ms Susan Armitage (appointed 11.5.11) Mr Philip Bacon AM (appointed 26.10.00) ■■ maintain, improve and develop Mr Julian Beaumont (appointed 28.10.09) the national collection of works of Ms Sandra Benjamin OAM (appointed 27.4.06) art owned by the National Gallery Mr Anthony R Berg AM (appointed 16.3.99; of Australia Chairman 16.3.99 to 26.4.06) ■■ promote, maintain, improve and Mrs Robyn Burke (appointed 29.8.06) develop the National Gallery of Australia Mr Terrence A Campbell AO (appointed 28.2.07) ■■ support the development and conduct Mr David Coe (appointed 13.10.00, resigned 21.1.13) by the National Gallery of Australia of The Hon Mrs Ashley Dawson-Damer (appointed 5.5.04) travelling exhibitions of works of art Dr Lee MacCormick-Edwards (appointed 26.10.11) ■■ raise money to achieve these Mr James Erskine (appointed 11.5.11) objectives.
    [Show full text]