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Phanfare May/June 2006
Number 218 – May-June 2006 Observing History – Historians Observing PHANFARE No 218 – May-June 2006 1 Phanfare is the newsletter of the Professional Historians Association (NSW) Inc and a public forum for Professional History Published six times a year Annual subscription Email $20 Hardcopy $38.50 Articles, reviews, commentaries, letters and notices are welcome. Copy should be received by 6th of the first month of each issue (or telephone for late copy) Please email copy or supply on disk with hard copy attached. Contact Phanfare GPO Box 2437 Sydney 2001 Enquiries Annette Salt, email [email protected] Phanfare 2005-06 is produced by the following editorial collectives: Jan-Feb & July-Aug: Roslyn Burge, Mark Dunn, Shirley Fitzgerald, Lisa Murray Mar-Apr & Sept-Oct: Rosemary Broomham, Rosemary Kerr, Christa Ludlow, Terri McCormack, Anne Smith May-June & Nov-Dec: Ruth Banfield, Cathy Dunn, Terry Kass, Katherine Knight, Carol Liston, Karen Schamberger Disclaimer Except for official announcements the Professional Historians Association (NSW) Inc accepts no responsibility for expressions of opinion contained in this publication. The views expressed in articles, commentaries and letters are the personal views and opinions of the authors. Copyright of this publication: PHA (NSW) Inc Copyright of articles and commentaries: the respective authors ISSN 0816-3774 PHA (NSW) contacts see Directory at back of issue PHANFARE No 218 – May-June 2006 2 Contents At the moment the executive is considering ways in which we can achieve this. We will be looking at recruiting more members and would welcome President’s Report 3 suggestions from members as to how this could be Archaeology in Parramatta 4 achieved. -
British Art Studies November 2018 Landscape Now British Art Studies Issue 10, Published 29 November 2018 Landscape Now
British Art Studies November 2018 Landscape Now British Art Studies Issue 10, published 29 November 2018 Landscape Now Cover image: David Alesworth, Unter den Linden, 2010, horticultural intervention, public art project, terminalia arjuna seeds (sterilized) yellow paint.. Digital image courtesy of David Alesworth. PDF generated on 30 July 2019 Note: British Art Studies is a digital publication and intended to be experienced online and referenced digitally. PDFs are provided for ease of reading offline. Please do not reference the PDF in academic citations: we recommend the use of DOIs (digital object identifiers) provided within the online article. Theseunique alphanumeric strings identify content and provide a persistent link to a location on the internet. A DOI is guaranteed never to change, so you can use it to link permanently to electronic documents with confidence. Published by: Paul Mellon Centre 16 Bedford Square London, WC1B 3JA https://www.paul-mellon-centre.ac.uk In partnership with: Yale Center for British Art 1080 Chapel Street New Haven, Connecticut https://britishart.yale.edu ISSN: 2058-5462 DOI: 10.17658/issn.2058-5462 URL: https://www.britishartstudies.ac.uk Editorial team: https://www.britishartstudies.ac.uk/about/editorial-team Advisory board: https://www.britishartstudies.ac.uk/about/advisory-board Produced in the United Kingdom. A joint publication by Contents Fire-Stick Picturesque: Landscape Art and Early Colonial Tasmania, Julia Lum Fire-Stick Picturesque: Landscape Art and Early Colonial Tasmania Julia Lum Abstract Drawing from scholarship in fire ecology and ethnohistory, thispaper suggests new approaches to art historical analysis of colonial landscape art. British artists in the colony of Van Diemen’s Land (Tasmania) relied not only on picturesque landscape conventions to codify their new environments, but were also influenced by local vegetation patterns and Indigenous landscape management practices. -
Winter 2012 SL
–Magazine for members Winter 2012 SL Olympic memories Transit of Venus Mysterious Audubon Wallis album Message Passages Permanence, immutability, authority tend to go with the ontents imposing buildings and rich collections of the State Library of NSW and its international peers, the world’s great Winter 2012 libraries, archives and museums. But that apparent stasis masks the voyages we host. 6 NEWS 26 PROVENANCE In those voyages, each visitor, each student, each scholar Elegance in exile Rare birds finds islets of information and builds archipelagos of Classic line-up 30 A LIVING COLLECTION understanding. Those discoveries are illustrated in this Reading hour issue with Paul Brunton on the transit of Venus, Richard Paul Brickhill’s Biography and Neville on the Wallis album, Tracy Bradford on our war of nerves business collections on Olympians such as Shane Gould and John 32 NEW ACQUISITIONS Konrads, and Daniel Parsa on Audubon’s Birds of America, Library takes on Vantage point one of our great treasures. Premier’s awards All are stories of passage, from Captain James Cook’s SL French connection Art of politics voyage of geographical and scientific discovery to Captain C THE MAGAZINE FOR STATE LIBRARY OF NSW BUILDING A STRONG ON THIS DAY 34 FOUNDATION MEMBERS, 8 James Wallis’s album that includes Joseph Lycett’s early MACQUARIE STREET FRIENDS AND VOLUNTEERS FOUNDATION Newcastle and Sydney watercolours. This artefact, which SYDNEY NSW 2000 IS PUBLISHED QUARTERLY 10 FEATURE New online story had found its way to a personal collection in Canada, BY THE LIBRARY COUNCIL PHONE (02) 9273 1414 OF NSW. -
Does Early Colonial Art Provide an Accurate Guide to the Nature and Structure of the Pre-European Forests and Woodlands of South
Does early Colonial Art provide an accurate guide to the nature and structure of the pre-European forests and woodlands of South-Eastern Australia? A study focusing on Victoria and Tasmania By Michael Francis Ryan B For Sei, University of Melbourne Submitted in fulfilment of the requirement for the degree of: Master of Forestry Australian National University November 2009 Candidate’s Declaration I declare that this is the original work of Michael Francis Ryan of 84 Somerville Rd Yarraville, Victoria submitted in fulfilment of the requirement for the degree of Master of Forestry at the Australian National University. 2 Acknowledgements I am very grateful for the assistance and patience especially of Professor Peter Kanowski of the Australian National University for overseeing this work and providing guidance and advice on structure, content and editing. I would also like to acknowledge Professor Tim Bonyhady also of the Australian National University, whose expertise in the artwork field provided much inspiration and thoughtful analysis understanding early artwork. Bill Gammage, also from the ANU, provided excellent critical analysis using his extensive knowledge of the artists of the period to suggest valuable improvements. Ron Hateley from the University of Melbourne has an incredible knowledge of the early history of Victoria and of the ecology of Australia’s forests and woodlands. Ron continued to be a great sounding board for ideas and freely shared his own thoughts on early artwork in Western Victoria and the nature of the pre-European forests and I thank him for his assistance. Pat Groenhout, formally from VicForests, provided detailed comments and proof reading of manuscripts and this has considerably improved the readability and structure. -
Tyrendarra Indigenous Land
Australian Heritage Database Class : Indigenous Item: 1 Identification List: National Heritage List Name of Place: Tyrendarra Indigenous Land (Peters Property) Other Names: Place ID: 106105 File No: 2/02/137/0001 Nomination Date: 28/04/2009 Principal Group: Places of significance to Aboriginal people Assessment Recommendation: Place does not meet any NHL criteria Assessor's Comments: Other Assessments: Location Nearest Town: Tyrendarra Distance from town (km): 4 Direction from town: NW Area (ha): 140 Address: Tyrendarra, VIC, 3285 LGA: Glenelg Shire, VIC Location/Boundaries: Approximately 140ha, 5km north west of Tyrendarra and adjacent to the northern bank of the Fitzroy River, comprising the whole of the Tyrendarra Indigenous Land (Peters Place), consisting of the following land parcels; Lot 154C 2763, Lot 155B 2763 and Lot 2001 2763. Assessor's Summary of Significance: Official Values: Criterion Values Rating Historic Themes: Nominator's Summary of Significance: Page 1 Australian Heritage Database Agenda Item 2.1.3 Assessment report - prelimininary decision Class : Indigenous The Budj Bim National Heritage Landscape, which includes the Tyrendarra IPA property, was included on the National Heritage List against the criteria listed below: The place has outstanding heritage value to the nation because of the place's importance in the course, or pattern, of Australia's natural or cultural identity. The place has outstanding heritage value to the nation because of the places' possession of uncommon, rare or endangered aspects of Australia's natural or cultural history The place has outstanding heritage value to the nation because of the place's importance in demonstrating a high degree of creative or technical achievement at a particular period The place has outstanding heritage value to the nation because of the place's importance as part of indigenous tradition Description: Peters Property is a 200ha property located approximately 20 km north east of the coastal city of Portland, and 4km north-west of the Tyrendarra township in south western Victoria. -
Reputations on the Line in Van Diemen's Land
REPUTATIONS ON THE LINE IN VAN DIEMEN’S LAND: a dissertation on the general theme of the Rule of Law as it emerged in a young penal colony with particular emphasis on the law of defamation by ROSEMARY CONCHITA LUCADOU-WELLS LLB., (Queensland), B.Ed., (Tasmania), MA., (Murdoch), PhD., (Deakin) This thesis is presented for the degree of Master of Laws of Murdoch University, 2012. I declare that this thesis is my own account of my research and contains as its main content work which has not been submitted for a degree at any tertiary education institution. Rosemary Conchita Lucadou-Wells ABSTRACT This research focuses on the development of the jurisprudence of the infant colony of Van Diemen’s Land now known as Tasmania, with particular interest on the law of defamation. During the first thirty years of this British penal colony its population was subject to changes. There were the soldiery, who provided the basis of government headed by a Lieutenant Governor, the indigenous people, the convicts, and gradually an influx of settlers who came enthused by governmental promises of grants of land. In addition to these free settlers there were a selection of convicts who, under a process of something akin to manumission under Roman Law, became upon completion of their sentence, eligible for freedom and possibly a grant of land. There developed a spirit of competition amongst the settlers, each wanted to become more successful than the others. The favourite means of distinguishing oneself was the uttering or publication of damaging words against a person who was perceived to be a rival. -
13.0 Remaking the Landscape
12 Chapter 13: Remaking the Landscape 13.0 Remaking the landscape 13.1 Research Question The Conservatorium site is located within one of the most significant historic and symbolic landscapes created by European settlers in Australia. The area is located between the sites of the original and replacement Government Houses, on a prominent ridge. While the utility of this ridge was first exploited by a group of windmills, utilitarian purposes soon became secondary to the Macquaries’ grandiose vision for Sydney and the Governor’s Domain in particular. The later creations of the Botanic Gardens, The Garden Palace and the Conservatorium itself, re-used, re-interpreted and created new vistas, paths and planting to reflect the growing urban and economic importance of Sydney within the context of the British empire. Modifications to this site, its topography and vegetation, can therefore be interpreted within the theme of landscape as an expression of the ideology of colonialism. It is considered that this site is uniquely placed to address this research theme which would act as a meaningful interpretive framework for archaeological evidence relating to environmental and landscape features.1 In response to this research question evidence will be presented on how the Government Domain was transformed by the various occupants of First Government House, and the later Government House, during the first years of the colony. The intention behind the gathering and analysis of this evidence is to place the Stables building and the archaeological evidence from all phases of the landscape within a conceptual framework so that we can begin to unravel the meaning behind these major alterations. -
MYLES RUSSELL-COOK William Barak
22 The La Trobe Journal No. 103 September 2019 William Barak, Aboriginal ceremony, blue pigment, ochre and charcoal on cardboard, c. 1880 – c. 1890, Pictures Collection, H29640 William Barak’s paintings at State Library Victoria 23 William Barak, Aboriginal ceremony with wallaby and emu, brown ochre and charcoal on board, c. 1880 – c. 1890, Pictures Collection, H29641 24 MYLES RUSSELL-COOK William Barak Europeans set foot onto Naarm in the first decades of the 19th century. The colony known as Port Phillip District had for millennia been home to the Kulin nation, comprising Wathaurong, Boon Wurrung, Woiwurrung, Taunguerong and Dja Dja Wurrung language groups. They had witnessed the sea level rise, the coast recede; they had seen hills become islands and had witnessed climatic change as the ice age of the Pleistocene epoch ended. Early European settlers failed to recognise the complexity and sophistication of these groups, which lived sustainably on and with their Country. Naarm, which later came to be known as Melbourne, sits on the meeting point of the Birrarung (Yarra River) and its tributaries in the resource-rich lands and waterways of south- east Australia. In June 1835, on the bank of Merri Creek, six kilometres north-east of Melbourne in present-day Northcote, British-born pioneer of Australia John Batman attempted to instigate with the Wurundjeri a treaty which was quickly revoked by colonial officials. Most people now believe that what Batman proposed as a treaty the Kulin recognised as a tanderrum, a ceremony conducted in the south-east permitting access and safe passage to newcomers and strangers, sometimes also called ‘freedom of the bush’. -
Final Hannah Online Credits
Hannah Gadsby’s Oz – Full Series Credits WRITTEN & PRESENTED BY HANNAH GADSBY ------ DIRECTED & CO-WRITTEN BY MATTHEW BATE ------------ PRODUCED BY REBECCA SUMMERTON ------ EDITOR DAVID SCARBOROUGH COMPOSER & MUSIC EDITOR BENJAMIN SPEED ------ ART HISTORY CONSULTANT LISA SLADE ------ 1 Hannah Gadsby’s Oz – Full Series Credits ARTISTS LIAM BENSON DANIEL BOYD JULIE GOUGH ROSEMARY LAING SUE KNEEBONE BEN QUILTY LESLIE RICE JOAN ROSS JASON WING HEIDI YARDLEY RAYMOND ZADA INTERVIEWEES PROFESSOR CATHERINE SPECK LINDSAY MCDOUGALL ------ PRODUCTION MANAGER MATT VESELY PRODUCTION ASSISTANTS FELICE BURNS CORINNA MCLAINE CATE ELLIOTT RESEARCHERS CHERYL CRILLY ANGELA DAWES RESEARCHER ABC CLARE CREMIN COPYRIGHT MANAGEMENT DEBRA LIANG MATT VESELY CATE ELLIOTT ------ DIRECTOR OF PHOTOGRAPHY NIMA NABILI RAD SHOOTING DIRECTOR DIMI POULIOTIS SOUND RECORDISTS DAREN CLARKE LEIGH KENYON TOBI ARMBRUSTER JOEL VALERIE DAVID SPRINGAN-O’ROURKE TEST SHOOT SOUND RECORDIST LACHLAN COLES GAFFER ROBERTTO KARAS GRIP HUGH FREYTAG ------ 2 Hannah Gadsby’s Oz – Full Series Credits TITLES, MOTION GRAPHICS & COLOURIST RAYNOR PETTGE DIALOGUE EDITOR/RE-RECORDING MIXER PETE BEST SOUND EDITORS EMMA BORTIGNON SCOTT ILLINGWORTH PUBLICITY STILLS JONATHAN VAN DER KNAPP ------ TOKEN ARTISTS MANAGING DIRECTOR KEVIN WHTYE ARTIST MANAGER ERIN ZAMAGNI TOKEN ARTISTS LEGAL & BUSINESS CAM ROGERS AFFAIRS MANAGER ------ ARTWORK SUPPLIED BY: Ann Mills Art Gallery New South Wales Art Gallery of Ballarat Art Gallery of New South Wales Art Gallery of South Australia Australian War Memorial, Canberra -
Victorian Honour Roll of Women
INSPIRATIONAL WOMEN FROM ALL WALKS OF LIFE OF WALKS ALL FROM WOMEN INSPIRATIONAL VICTORIAN HONOUR ROLL OF WOMEN 2018 PAGE I VICTORIAN HONOUR To receive this publication in an accessible format phone 03 9096 1838 ROLL OF WOMEN using the National Relay Service 13 36 77 if required, or email Women’s Leadership [email protected] Authorised and published by the Victorian Government, 1 Treasury Place, Melbourne. © State of Victoria, Department of Health and Human Services March, 2018. Except where otherwise indicated, the images in this publication show models and illustrative settings only, and do not necessarily depict actual services, facilities or recipients of services. This publication may contain images of deceased Aboriginal and Torres Strait Islander peoples. Where the term ‘Aboriginal’ is used it refers to both Aboriginal and Torres Strait Islander people. Indigenous/Koori/Koorie is retained when it is part of the title of a report, program or quotation. ISSN 2209-1122 (print) ISSN 2209-1130 (online) PAGE II PAGE Information about the Victorian Honour Roll of Women is available at the Women Victoria website https://www.vic.gov.au/women.html Printed by Waratah Group, Melbourne (1801032) VICTORIAN HONOUR ROLL OF WOMEN 2018 2018 WOMEN OF ROLL HONOUR VICTORIAN VICTORIAN HONOUR ROLL OF WOMEN 2018 PAGE 1 VICTORIAN HONOUR ROLL OF WOMEN 2018 PAGE 2 CONTENTS THE 4 THE MINISTER’S FOREWORD 6 THE GOVERNOR’S FOREWORD 9 2O18 VICTORIAN HONOUR ROLL OF WOMEN INDUCTEES 10 HER EXCELLENCY THE HONOURABLE LINDA DESSAU AC 11 DR MARIA DUDYCZ -
Journal of the C. J. La Trobe Society Inc. Vol 17, No 1, March 2018 ISSN 1447‑4026 La Trobeana Journal of the C J La Trobe Society Inc Vol 17, No 1, March 2018
SPECIAL EDITION Journal of the C. J. La Trobe Society Inc. Vol 17, No 1, March 2018 ISSN 1447‑4026 La Trobeana Journal of the C J La Trobe Society Inc Vol 17, No 1, March 2018 ISSN 1447‑4026 The C J La Trobe Society Inc was formed in 2001 to promote understanding and appreciation of the life, work and times of Charles Joseph La Trobe, Victoria’s first Lieutenant‑Governor. www.latrobesociety.org.au La Trobeana is published three times a year: in March, July and November. The journal publishes peer‑reviewed articles, as well as other written contributions, that explore themes in the life and times of Charles Joseph La Trobe, aspects of the colonial period of Victoria’s history, and the wider La Trobe family. La Trobeana is kindly sponsored by Mr Peter Lovell LOVELL CHEN ARCHITECTS & HERITAGE CONSULTANTS Editorial Committee Helen Armstrong and Dianne Reilly (Honorary Editors) John Botham, Loreen Chambers, Susan Priestley, Fay Woodhouse Designer Michael Owen [email protected] For copies of guidelines for contributors contact: The Honorary Secretary: Dr Dianne Reilly AM The C J La Trobe Society P O Box 65 Port Melbourne Vic 3207 Phone: 9646 2112 Email: [email protected] FRONT COVER Thomas Woolner, 1825‑1892, sculptor Charles Joseph La Trobe, 1853 Bronze portrait medallion showing the left profile of Charles Joseph La Trobe, diam. 24cm. Signature and date incised in bronze l.r.: T. Woolner Sc. 1853: / M La Trobe, Charles Joseph, 1801‑1875. Accessioned 1894 Pictures Collection, State Library of Victoria, H5489 2 • Journal of the C J La Trobe Society Contents La Trobe and the Aboriginal People II 4 A Word from the President Reports and Notices Articles 65 Forthcoming events 5 Fred Cahir 67 Contributions welcome Charles Joseph La Trobe and his administration of the Wadawurrung, Note 1839‑1853 This edition of La Trobeana includes images and names of deceased people; it may also include 17 Maggie Black words offensive to Indigenous Australians. -
Indigenous Knowledge Systems and Yurlendj-Nganjin
Indigenous Knowledge Systems and Yurlendj-nganjin Indigenous Knowledge Systems and Yurlendj-nganjin Edited by David Jones and Darryl Low Choy Indigenous Knowledge Systems and Yurlendj-nganjin Edited by David Jones and Darryl Low Choy This book first published 2021 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2021 by David Jones, Darryl Low Choy and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-7017-7 ISBN (13): 978-1-5275-7017-7 Cover Image: Three Dreaming Trails that incorporate culture, language and ceremony and how they are connected to Country. Author: Mandy Nicholson Other photos: Donna Edwards We wish to respectfully acknowledge the Elders, families and forebears of all Aboriginal and Torres Strait Islander peoples from around Australia, past, present and future, who are and continue to be the Traditional Owners and custodians of these lands, waters and skies for many centuries, and in particular members of the Kaurna, Wadawurrung, Wurundjeri, Gunditjmara, Yuin, Wiradjuri, Wakka Wakka, Bidjara, Kuku Yalanji, Yawuru, Noongar/Nyungar, Quandamooka and Boon Wurrung Peoples who were passionate in seeking the fruition of this publication to provide a voice to their values. Yurlendj-nganjin (‘everyone's knowledge’ / ‘our intelligence’) Wumen-dji-ka bagungga-nganjin lalal ba gugung-bulok ba kirrip nugel- dhan ba kirrip-nganjinu Torres Strait-al Bawal-u, ba kyinandoo biik durn- durn-bulok, Wurundjeri biik-dui.