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Governor Phillip Tower, Museum of Sydney and First Government
Nationally Significant 20th-Century Architecture Revised date 20/07/2011 Governor Phillip Tower, Museum of Sydney and First Government House Place Address 1 Farrer Place and 41 Bridge Street, Sydney, NSW, 2000 Practice Denton Corker Marshall Designed 1989 Completed 1993 (GPT) 1995 (MoS) History & The site of Governor Phillip Tower, Museum of Sydney & First Government Description House Place are located on a city block bounded by Bridge, Phillip, Bent & Young Streets in Sydney's CBD. Together with the Governor Macquarie Tower First Government House & the heritage listed terraces fronting Young & Phillip Streets the site was the Place with Museum of subject of an international design competition held in 1988, of which the primary Sydney & Governor Phillip aim was to conserve the archaeological resource of the First Government Tower behind, terraces to House which investigations of 1983-85 had revealed to lie beneath the northern portion of the block & extending into the road reserves of Young, Bridge & either side. Source: City of Phillip Streets. The cultural significance of the place shaped the development Sydney Model Makers. for the site: the conservation of the archaeological site of First Government . House & the Victorian terrace housing. To satisfy this & the commercial imperatives of maximising tower floor plate areas, the scheme incorporated several innovative approaches. Firstly in the urban design: the conception of First Government House Place as an 'urban room', achieved by setting back the Governor Phillip Tower from Bridge Street, enabled the archaeological site to be conserved, interpreted & celebrated, & served to ennoble the space with the presence of the imposing colonial sandstone buildings to either side; the public link from Phillip Street to Farrer Place, & the setbacks provided to the terraces. -
The Historical Archaeology of the First Government House Site, Sydney
The Historical Archaeology of the First Government House site, Sydney Further Research PENNY CROOK AND TIM MURRAY Volume 11 of the Archaeology of the Modern City Series A HISTORIC HOUSES TRUST OF NEW SOUTH WALES PUBLICATION Published by the Historic Houses Trust of New South Wales The Mint, 10 Macquarie Street, Sydney NSW 2000, Australia www.hht.net.au Published in Sydney 2006 © Archaeology of the Modern City Project Partners, 2006 ISBN 1 876991 14 3 The views expressed in this book may not be representative of the Historic Houses Trust of New South Wales or the other project partners and remain the responsibility of the authors. The Archaeology of the Modern City project incorporates two research ventures: ‘Exploring the Archaeology of the Modern City: Sydney 1788–1900’ and ‘Managing the Archaeology of Central Sydney and Melbourne 1788–1900’. Both projects are funded by the Australian Research Council Linkage Scheme and conducted by Project Partners: La Trobe University, the Historic Houses Trust of New South Wales, Godden Mackay Logan Pty Ltd, the Sydney Harbour Foreshore Authority, the NSW Heritage Office, Heritage Victoria and the City of Sydney. C ONTENTS Synopsis.......................................................................................................................................... 7 Introduction................................................................................................................................... 9 Acknowledgements..........................................................................................................................................................9 -
Winter 2012 SL
–Magazine for members Winter 2012 SL Olympic memories Transit of Venus Mysterious Audubon Wallis album Message Passages Permanence, immutability, authority tend to go with the ontents imposing buildings and rich collections of the State Library of NSW and its international peers, the world’s great Winter 2012 libraries, archives and museums. But that apparent stasis masks the voyages we host. 6 NEWS 26 PROVENANCE In those voyages, each visitor, each student, each scholar Elegance in exile Rare birds finds islets of information and builds archipelagos of Classic line-up 30 A LIVING COLLECTION understanding. Those discoveries are illustrated in this Reading hour issue with Paul Brunton on the transit of Venus, Richard Paul Brickhill’s Biography and Neville on the Wallis album, Tracy Bradford on our war of nerves business collections on Olympians such as Shane Gould and John 32 NEW ACQUISITIONS Konrads, and Daniel Parsa on Audubon’s Birds of America, Library takes on Vantage point one of our great treasures. Premier’s awards All are stories of passage, from Captain James Cook’s SL French connection Art of politics voyage of geographical and scientific discovery to Captain C THE MAGAZINE FOR STATE LIBRARY OF NSW BUILDING A STRONG ON THIS DAY 34 FOUNDATION MEMBERS, 8 James Wallis’s album that includes Joseph Lycett’s early MACQUARIE STREET FRIENDS AND VOLUNTEERS FOUNDATION Newcastle and Sydney watercolours. This artefact, which SYDNEY NSW 2000 IS PUBLISHED QUARTERLY 10 FEATURE New online story had found its way to a personal collection in Canada, BY THE LIBRARY COUNCIL PHONE (02) 9273 1414 OF NSW. -
Graphic Encounters Conference Program
Meeting with Malgana people at Cape Peron, by Jacque Arago, who wrote, ‘the watched us as dangerous enemies, and were continually pointing to the ship, exclaiming, ayerkade, ayerkade (go away, go away)’. Graphic Encounters 7 Nov – 9 Nov 2018 Proudly presented by: LaTrobe University Centre for the Study of the Inland Program Melbourne University Forum Theatre Level 1 Arts West North Wing 153 148 Royal Parade Parkville Wednesday 7 November Program 09:30am Registrations 10:00am Welcome to Country by Aunty Joy Murphy Wandin AO 10:30am (dis)Regarding the Savages: a short history of published images of Tasmanian Aborigines Greg Lehman 11.30am Morning Tea 12.15pm ‘Aborigines of Australia under Civilization’, as seen in Colonial Australian Illustrated Newspapers: Reflections on an article written twenty years ago Peter Dowling News from the Colonies: Representations of Indigenous Australians in 19th century English illustrated magazines Vince Alessi Valuing the visual: the colonial print in a pseudoscientific British collection Mary McMahon 1.45pm Lunch 2.45pm Unsettling landscapes by Julie Gough Catherine De Lorenzo and Catherine Speck The 1818 Project: Reimagining Joseph Lycett’s colonial paintings in the 21st century Sarah Johnson Printmaking in a Post-Truth World: The Aboriginal Print Workshops of Cicada Press Michael Kempson 4.15pm Afternoon tea and close for day 1 2 Thursday 8 November Program 10:00am Australian Blind Spots: Understanding Images of Frontier Conflict Jane Lydon 11:00 Morning Tea 11:45am Ad Vivum: a way of being. Robert Neill -
Does Early Colonial Art Provide an Accurate Guide to the Nature and Structure of the Pre-European Forests and Woodlands of South
Does early Colonial Art provide an accurate guide to the nature and structure of the pre-European forests and woodlands of South-Eastern Australia? A study focusing on Victoria and Tasmania By Michael Francis Ryan B For Sei, University of Melbourne Submitted in fulfilment of the requirement for the degree of: Master of Forestry Australian National University November 2009 Candidate’s Declaration I declare that this is the original work of Michael Francis Ryan of 84 Somerville Rd Yarraville, Victoria submitted in fulfilment of the requirement for the degree of Master of Forestry at the Australian National University. 2 Acknowledgements I am very grateful for the assistance and patience especially of Professor Peter Kanowski of the Australian National University for overseeing this work and providing guidance and advice on structure, content and editing. I would also like to acknowledge Professor Tim Bonyhady also of the Australian National University, whose expertise in the artwork field provided much inspiration and thoughtful analysis understanding early artwork. Bill Gammage, also from the ANU, provided excellent critical analysis using his extensive knowledge of the artists of the period to suggest valuable improvements. Ron Hateley from the University of Melbourne has an incredible knowledge of the early history of Victoria and of the ecology of Australia’s forests and woodlands. Ron continued to be a great sounding board for ideas and freely shared his own thoughts on early artwork in Western Victoria and the nature of the pre-European forests and I thank him for his assistance. Pat Groenhout, formally from VicForests, provided detailed comments and proof reading of manuscripts and this has considerably improved the readability and structure. -
Reputations on the Line in Van Diemen's Land
REPUTATIONS ON THE LINE IN VAN DIEMEN’S LAND: a dissertation on the general theme of the Rule of Law as it emerged in a young penal colony with particular emphasis on the law of defamation by ROSEMARY CONCHITA LUCADOU-WELLS LLB., (Queensland), B.Ed., (Tasmania), MA., (Murdoch), PhD., (Deakin) This thesis is presented for the degree of Master of Laws of Murdoch University, 2012. I declare that this thesis is my own account of my research and contains as its main content work which has not been submitted for a degree at any tertiary education institution. Rosemary Conchita Lucadou-Wells ABSTRACT This research focuses on the development of the jurisprudence of the infant colony of Van Diemen’s Land now known as Tasmania, with particular interest on the law of defamation. During the first thirty years of this British penal colony its population was subject to changes. There were the soldiery, who provided the basis of government headed by a Lieutenant Governor, the indigenous people, the convicts, and gradually an influx of settlers who came enthused by governmental promises of grants of land. In addition to these free settlers there were a selection of convicts who, under a process of something akin to manumission under Roman Law, became upon completion of their sentence, eligible for freedom and possibly a grant of land. There developed a spirit of competition amongst the settlers, each wanted to become more successful than the others. The favourite means of distinguishing oneself was the uttering or publication of damaging words against a person who was perceived to be a rival. -
13.0 Remaking the Landscape
12 Chapter 13: Remaking the Landscape 13.0 Remaking the landscape 13.1 Research Question The Conservatorium site is located within one of the most significant historic and symbolic landscapes created by European settlers in Australia. The area is located between the sites of the original and replacement Government Houses, on a prominent ridge. While the utility of this ridge was first exploited by a group of windmills, utilitarian purposes soon became secondary to the Macquaries’ grandiose vision for Sydney and the Governor’s Domain in particular. The later creations of the Botanic Gardens, The Garden Palace and the Conservatorium itself, re-used, re-interpreted and created new vistas, paths and planting to reflect the growing urban and economic importance of Sydney within the context of the British empire. Modifications to this site, its topography and vegetation, can therefore be interpreted within the theme of landscape as an expression of the ideology of colonialism. It is considered that this site is uniquely placed to address this research theme which would act as a meaningful interpretive framework for archaeological evidence relating to environmental and landscape features.1 In response to this research question evidence will be presented on how the Government Domain was transformed by the various occupants of First Government House, and the later Government House, during the first years of the colony. The intention behind the gathering and analysis of this evidence is to place the Stables building and the archaeological evidence from all phases of the landscape within a conceptual framework so that we can begin to unravel the meaning behind these major alterations. -
Sydney Government House
TOP EDUCATION STUDENT FIELD TRIP INSTITUTE SEMESTER 1/2019 SYDNEY GOVERNMENT HOUSE SYDNEY GOVERNMENT HOUSE Government House is the Official Residence and Office of His Excellency General The Honourable David Hurley AC DSC (Ret’d) 38th Governor of New South Wales and Mrs Linda Hurley. His Excellency is the 27th Governor to occupy this Government House and has held the position since 2 October 2014. In 1788, soon after a British settlement was established at Sydney Cove, the first Governor of the colony of New South Wales, Governor Arthur Phillip, laid the foundations of Sydney’s first Government House. This building was located in Bridge Street (on the site of the Museum of Sydney). After nearly 50 years of serving as the colony’s political, ceremonial and social centre, the building had become worn and dilapidated and many submissions were made to the British government for permission and funding to construct a new building. In 1836 construction finally began on a new Government House. The new building was influenced in its location and architectural style by the existing Governor’s Stables, completed in 1821 (now the Conservatorium of Music located at the main entry gates to Government House). Locally quarried sandstone was used for the construction. The building was designed by Edward Blore, architect to William IV and Queen Victoria. Blore had recently built the British Houses of Parliament in an Elizabethan Gothic style, expressing the continuity of government by constitutional monarchy. Blore had also worked on Buckingham Palace and Windsor Castle. The new Government House was built in the Gothic Revival style characterized by castellated towers and other medieval features. -
Rob Stokes MP, Minister for Heritage Today Announced a Program of Special Events, Led by the Historic Houses
Mark Goggin, Director of the Historic Houses Trust of Sydney, Australia: Rob Stokes MP, Minister for NSW, said: “Our special program of events celebrates Heritage today announced a program of special events, the life and work of Governor Arthur Phillip and invites led by the Historic Houses Trust of NSW, to mark the people of all ages to gain insight into the significant Bicentenary of the death of Governor Arthur Phillip on contribution he made to the early colony that has 31 August 1814. shaped the modern nation of Australia.” One of the founders of modern Australia, Governor A memorial bronze bust of Governor Phillip will be Phillip was the Commander of the First Fleet and first installed on First Government House Place at the Governor of New South Wales. Museum of Sydney in a free public event at 11.30am on “Governor Phillip made an outstanding contribution to Thursday 28 August. Sculpted by Jean Hill in 1952 and New South Wales and this Bicentenary is an originally located in First Fleet Park before being moved appropriate moment for the Government to into storage during the renovations of the Museum of commemorate his achievements through a program of Contemporary Art Australia. Sydney Harbour Foreshore events across our cultural institutions and gardens.” Authority has recently undertaken conservation work on said Mr Stokes. the bust. The installation of the bust has been supported with a gift from the Friends of The First The commemorative program includes the installation Government House Site and the Kathleen Hooke of a Phillip memorial bust on First Government House Memorial Trust. -
Exhibition Catalogue
Treasures of Newcastle from the Macquarie Era i A State Library of NSW & Newcastle Art Gallery partnership exhibition Sponsored by Noble Resources International Australia A free exhibition at the Newcastle Art Gallery 2 March – 5 May 2013 Exhibition opening hours: 10 am to 5 pm Tuesday to Sunday 1 Laman Street Newcastle NSW 2300 Telephone: (02) 4974 5100 www.newcastle.nsw.gov.au Curator: Elizabeth Ellis Project Manager: Louise Tegart Graphic Designer: Maria Pia Mosquera Editor: Clara Finlay Preservation project leader: Cecilia Harvey Printer: Page 38 Paper: K.W. Doggett Knight Vellum 280 gsm (cover) and ecostar 120 gsm (text). Print run: 5000 ISBN 0 7313 7216 6 © State Library of New South Wales, February 2013 The State Library of New South Wales is a statutory authority of, and principally funded by, the NSW State Government. COVER IMAGES: MAPMAKER UNKNOWN, PORT HUNTER AND ITS BRANCHES, NEW SOUTH WALES, C. 1819–20, INK, WASH, PENCIL, STATE LIBRARY OF NSW RICHARD BROWNE, SELECT SPECIMENS FROM NATURE OF THE BIRDS ANIMALS &C &C OF NEW SOUTH WALES COLLECTED AND ARRANGED BY THOMAS SKOTTOWE ESQR. THE DRAWINGS BY T.R. BROWNE. N.S.W. NEWCASTLE NEW SOUTH WALES (DETAIL), 1813, WATERCOLOUR, STATE LIBRARY OF NSW JAMES WALLIS / JOSEPH LYCETT, ALBUM OF ORIGINAL WATERCOLOURS, DRAWINGS AND ENGRAVINGS BY JAMES WALLIS, JOSEPH LYCETT AND WALTER PRESTON (DETAILS), C. 1817–18, STATE LIBRARY OF NSW RICHARD BROWNE, NATIVES FISHING IN A BARK CANOE, NEW SOUTH WALES, 1819, WATERCOLOUR AND BODYCOLOUR, STATE LIBRARY OF NSW INSIDE COVER IMAGE: JOSEPH LYCETT, MACQUARIE COLLECTOR’S CHEST (DETAIL), C. 1818, STATE LIBRARY OF NSW INSIDE BACK COVER IMAGE: JOSEPH LYCETT, MACQUARIE COLLECTOR’S CHEST (DETAIL), C. -
Imagine 2018 Awards Catalogue
MINISTER’S FOREWORD Welcome to the 2018 IMAGinE Awards. With a Join with me in congratulating all winners and record 97 nominations received, covering a range nominees and thanking IMAGinE Award partners of outstanding projects, programs and people, Regional and Public Galleries NSW and Museums tonight’s awards showcase the diversity and the Australia NSW for their encouragement and incredible commitment and innovation that exists involvement. across the museum and gallery sector in New South Wales. Finally, in thanking Museums & Galleries of NSW for the work it does, let’s celebrate the 2018 It’s pleasing to note that the judges were IMAGinE Awards in the spirit of its name: Inspiring impressed with the high quality and Museums and Galleries in Excellence. competitiveness of entries. In particular, initiatives across all engagement categories were The Hon. Don Harwin MLC, considered highlights and exhibition nominations Minister for the Arts again resulted in robust deliberation. In general, all nominations used innovative practices to bring quality programming and inclusiveness to their institutions and communities across NSW. I congratulate the Aboriginal Cultural Heritage and Arts Association (ACHAA) for supporting the inaugural ACHAA Award for Excellence by an Aboriginal Curator, in recognition of outstanding work done on an exhibition. There would be no celebration of these successes without the support and investment of many organisations, groups and individuals, including museum volunteers and local councils. Through Create NSW the Government’s commitment to the visual arts, cultural heritage and Aboriginal program sectors is significant and remains integral to my ambition that we continue to support regional development and cultural growth, across this State. -
Treasures of Newcastle from the Macquarie Era a B Treasures of Newcastle from the Macquarie Era Treasures of Newcastle from the Macquarie Era I
Treasures of Newcastle from the Macquarie Era A B Treasures of Newcastle from the Macquarie Era Treasures of Newcastle from the Macquarie Era i A State Library of NSW & Newcastle Art Gallery partnership exhibition Sponsored by Noble Resources International Australia Treasures of Newcastle from the Macquarie Era iii FOREWord The State Library of NSW is delighted to be presenting this exhibition, Treasures of Newcastle from the Macquarie Era, in partnership with Newcastle Art Gallery. The discovery of the Wallis album in a cupboard in Ontario, Canada, was part of the impetus for this stunning exhibition. The album brilliantly depicts the early European settlement of Newcastle, or Coal River as it was then known. This treasured heirloom is Captain James Wallis’ personal record of his time in NSW —clearly a high point in his career as a British colonial officer. What is so special about the album is that it includes original watercolours and drawings which show how interested he was in this new country and in its people. He made friends with some local Indigenous Awakabal people and painted them from life, adding their names. In addition to laying the foundations for the city and port which Newcastle became, Wallis was a patron of art and craft. He commissioned paintings and engravings by convict artists and had the incomparably wonderful Collector’s Chest made as a gift for Governor Macquarie. Returning to Newcastle for the first time in 195 years, thanks to support from Noble Resources International Australia and the partnership between the Newcastle Art Gallery and the State Library of NSW, the Macquarie Collector’s Chest is a marvellous centrepiece of this exhibition which has been expertly brought together by Emeritus Curator Elizabeth Ellis.