Hannah Gadsby’s Oz – Full Series Credits

WRITTEN & PRESENTED BY HANNAH GADSBY

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DIRECTED & CO-WRITTEN BY MATTHEW BATE

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PRODUCED BY REBECCA SUMMERTON

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EDITOR DAVID SCARBOROUGH

COMPOSER & MUSIC EDITOR

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ART HISTORY CONSULTANT LISA SLADE

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1 Hannah Gadsby’s Oz – Full Series Credits

ARTISTS LIAM BENSON DANIEL BOYD JULIE GOUGH ROSEMARY LAING SUE KNEEBONE BEN QUILTY LESLIE RICE JOAN ROSS JASON WING HEIDI YARDLEY RAYMOND ZADA

INTERVIEWEES PROFESSOR CATHERINE SPECK LINDSAY MCDOUGALL

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PRODUCTION MANAGER MATT VESELY

PRODUCTION ASSISTANTS FELICE BURNS CORINNA MCLAINE CATE ELLIOTT

RESEARCHERS CHERYL CRILLY ANGELA DAWES

RESEARCHER ABC CLARE CREMIN

COPYRIGHT MANAGEMENT DEBRA LIANG MATT VESELY CATE ELLIOTT

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DIRECTOR OF PHOTOGRAPHY NIMA NABILI RAD SHOOTING DIRECTOR DIMI POULIOTIS

SOUND RECORDISTS DAREN CLARKE LEIGH KENYON TOBI ARMBRUSTER JOEL VALERIE DAVID SPRINGAN-O’ROURKE

TEST SHOOT SOUND RECORDIST LACHLAN COLES

GAFFER ROBERTTO KARAS GRIP HUGH FREYTAG

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2 Hannah Gadsby’s Oz – Full Series Credits

TITLES, MOTION GRAPHICS & COLOURIST RAYNOR PETTGE

DIALOGUE EDITOR/RE-RECORDING MIXER PETE BEST

SOUND EDITORS EMMA BORTIGNON SCOTT ILLINGWORTH

PUBLICITY STILLS JONATHAN VAN DER KNAPP

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TOKEN ARTISTS MANAGING DIRECTOR KEVIN WHTYE ARTIST MANAGER ERIN ZAMAGNI TOKEN ARTISTS LEGAL & BUSINESS CAM ROGERS AFFAIRS MANAGER

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ARTWORK SUPPLIED BY:

Ann Mills Art Gallery New South Wales Art Gallery of Art Gallery of New South Wales Art Gallery of South Australian War Memorial, Bendigo Art Gallery Bronwyn Wright Chris Bell David Olteneau Garrie Maguire Geelong Gallery James & Barbara Jackson Jill White Manize Abedin Margaret Stevenson-Meere Mitchell Library, State Library Of New South Wales National Gallery of Australia National Gallery of , National History Museum, National Library Of Australia National Portrait Gallery Canberra Newcastle Art Gallery Queen Victoria Museum & Art Gallery, State Art Collection, Art Gallery of State Library of New South Wales State Library of State Library of Victoria The Kerry Stokes Collection Viscopy Ltd

3 Hannah Gadsby’s Oz – Full Series Credits

Liam Benson images courtesy of the artist

Daniel Boyd images courtesy of the Artist, Roslyn Oxley9 Gallery NSW, Kalimanrawlins Art Gallery Victoria & National History Museum London

Grace Cossington Smith images courtesy of Ann Mills, National Gallery of Victoria, National Portrait Gallery & Art Gallery of New South Wales, National Gallery of Australia

John Glover statue courtesy of Peter Corlett OAM

Julie Gough images courtesy of the Artist, National Gallery of Australia & Bett Gallery HobartArtis

Ludwig Hirschfeld Mack images courtesy of Chris Bell & National Gallery of Australia

Sue Kneebone images courtesy of the Artist t Rosemary Laing images courtesy of the Artist & Tolarno Galleries, Melbourne

Bea Maddock images courtesy of the artist and National Gallery of Australia

Charles Meere images courtesy of Margaret Stevenson-Meere & Art Gallery of New South Wales

‘Ned And Fatima’ image courtesy of Liam Benson & Manize Abedin

Adelaide Perry images courtesy of James and Barbara Jackson and National Gallery of Australia

Margaret Preston images courtesy of Viscopy Ltd, Art Gallery New South Wales, National Gallery of Australia

Ben Quilty images courtesy of the artist, Tolarno Galleries Melbourne and Jan Murphy Gallery

Hilda Rix Nicholas images courtesy of Australian War Memorial, Art Gallery of & Bronwyn Wright

Joan Ross images courtesy of the artist, Michael Reid Gallery and Bett Gallery

Jesse Traill images courtesy of Viscopy and Art Gallery New South Wales

Jason Wing images courtesy of the artist

Heidi Yardley images courtesy of the Artist & Jan Murphy Gallery Brisbane

Raymond Zada images courtesy of the Artist

Lindsay McDougall tattoo artwork courtesy of David Olteneau

4 Hannah Gadsby’s Oz – Full Series Credits

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ARCHIVAL FOOTAGE SUPPLIED BY ABC Archival Ronnie Chin Film Australia Collection Scott McDonald & Mill Street Productions National Film And Sound Archive Queen Victoria Museum & Art Gallery, Tasmania

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THANKS TO:

JEN LALOR, JANE DEETH, ALAN JONES, SURAHN SIDHU GREG MARSH, BELINDA HUMPHRIS, AMANDA DUTHIE MELISSA JUHANSON & VIRON PAPADOPOULOS STEVE BURROWS - STATE LIBRARY OF SOUTH AUSTRALIA, TONY SCHUMAN - CAPTAIN JOLLEY’S PADDLE BOATS, HENRIQUE - BELGIAN BEER CAFÉ , LISA SLADE - ART GALLERY OF SOUTH AUSTRALIA, ALAN LLOYD – SAFC, MARK WELLS, PAUL HOGAN MORAG DRAPER & DAVID FAGAN - THE TATTOO GALLERY, KEVIN GREGG - THE EXETER HOTEL, STUART CRANE, TONY BELLINI, REBECCA DRAYSEY & NICK DARVILL - ADELAIDE CITY COUNCIL, LEWIS WHITTENBURY, BEAU WILLIAMS, JASPER, JENNIFER DOBBINS & CAITLIN TAYLOR - NATIONAL GALLERY OF AUSTRALIA, NATIONAL CAPITAL AUTHORITY, TOM VASEY & DENNIS STOCKMAN - AUSTRALIAN WAR MEMORIAL, LOUISE WILLIAMS - PALIAMENT HOUSE, JULIE AKAMACIC - AUSTRALIAN NATIONAL BOTANIC GARDENS, ANNE WALSH, TED & THE MANAGEMENT OF HANGING ROCK RESERVE – MACEDON RANGES SHIRE COUNCIL, FIONA ATHERSMITH - BANYULE CITY COUNCIL, PHIL HAHN - NATIONAL PARKS AND WILDLIFE SERVICE, FAIRY BOWER FALLS, NSW GOVERNMENT – DEPARTMENT FOR ENVIRONMENT, CLIMATE CHANGE & WATER, DOOTCH – ILLIWARA LOCAL ABORIGINAL LAND COUNCIL, KELLY STONE - MUSEUM OF CONTEMPORARY ART AUSTRALIA (MCA), MARY AINLEY & FIONA WALKER - CITY OF SYDNEY, TONY MECHAM - COCO CUBANO PARRAMATTA, CATHERINE LEATHER - SUTHERLAND SHIRE COUNCIL, JODIE WALKER - WAVERLEY COUNCIL, VANESSA NIEUWENHUIS - SYDNEY HARBOUR FORESHORE AUTHORITY, CHARLOTTE BARRY, TARA BOJDAK, CHRIS HENRY, BERNARD WHEATLEY - BRIDGECLIMB, EDDIE CARMICHAEL, SUE CARMICHAEL, JOHN GARD - MOTOR YACHT CLUB OF TASMANIA, RICHARD MULVANEY & YVONNE ADKINS - QUEEN VICTORIA MUSEUM AND ART GALLERY, LINDSAY HARWOOD - NORTH MIDANDS COUNCIL, PETER CORLETT OAM, MARK WELLS, JANE DEETH, IRINA PETROVSKY – THE GLOVER SOCIETY, CAROL WESTMORE & RODNEY WESTMORE – PATTERDALE, ALAN JONES, BEN QUILTY, PROFESSOR CATHERINE SPECK, DANIEL BOYD, HEIDI YARDLEY, JULIE GOUGH, LES RICE, JOAN ROSS, LIAM BENSON,

5 Hannah Gadsby’s Oz – Full Series Credits

LINDSAY MCDOUGALL, RAYMOND ZADA, SUE KNEEBONE, ROSEMARY LAING, JASON WING, NICOLE KENNING & MARIA DAVIES - HEIDI MUSEUM OF MODERN ART, NICK WRIGHT – PARRAMATTA CITY COUNCIL, TRAVIS KELENDRA, SAM KING - KING CAMERA, DAVID TANG - PICTURE HIRE AUSTRALIA, IAN LINTON - PSYCHOLITES, NIMA NABILI RAD – METAL GEAR ABC ARCHIVAL - CLARE CREMIN & CLARE BARRETT FILM AUSTRALIA COLLECTION - NAOMI WANNER NATIONAL FILM AND SOUND ARCHIVE - ANGUS JOHNSTONE QUEEN VICTORIA MUSEUM & ART GALLERY, TASMANIA

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“Age of Hats” & “Trouble” Written, composed & performed by Dr Piffle and the Burlap Band

"Dead Letter Office”, “Galt Sunrise”, “Flood”, “She Knows”, “Six Miles” & “Skeleton Key” Written, composed & performed by Chris Flanagan

"Broad Cast” & “Tingling Cheeks are Love” Written, composed & performed by Jason Sweeney

"The Southern Cross Tattoo” Written & composed by David Stephenson Performed by Waiting for Guinness

“Celebration of a Nation” Bicentennial Ad 1988 Written & Composed by Les Gock Lyrics by Tim Phillp & Fran Allen

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PRODUCED WITH THE ASSISTANCE OF THE DEPARTMENT OF ENVIRONMENT, CLIMATE CHANGE AND WATER, NEW SOUTH WALES

NO ENVIRONMENTAL DAMAGE WAS INCURRED ON LOCATION. THE CONSERVATION VALUES OF THE AREAS HAVE BEEN PRESERVED

FILMED ON LOCATION AT MORTON NATIONAL PARK & NIELSEN PARK, SYDNEY HARBOUR NATIONAL PARK

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PRODUCED IN SOUTH AUSTRALIA

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6 Hannah Gadsby’s Oz – Full Series Credits

DEVELOPED AND PRODUCED WITH THE ASSISTANCE OF THE SOUTH AUSTRALIAN FILM CORPORATION

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PRODUCED IN ASSOCIATION WITH THE ABC

EXECUTIVE PRODUCERS MANDY CHANG KATH EARLE

HEAD OF ARTS KATRINA SEDGWICK

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©2014 CLOSER PRODUCTIONS SOUTH AUSTRALIAN FILM CORPORATION AUSTRALIAN BROADCASTING CORPORATION

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7 Hannah Gadsby’s Oz – Full Series Credits

FULL ARTWORK LISTINGS Purchased 1893 oil on canvas (H) 110 x (L) 237.5 cm In order of appearance Photo: AGNSW 192.2 x 265.4 cm 2010 832 National Gallery of Victoria, © Rosemary Laing Episode One Melbourne Hilda Rix Nicholas Gilbee Bequest, 1902 (119-2) Joseph Lycett ca. 1775-1828 Frederick McCubbin A man, 1921 engraver Australia 1855 – 1917 Oil on canvas Liam Benson The Sugarloaf Mountain, near , 1896 92 x 75 cm A Christian Country, 2011 Newcastle, New South Wales. 1824. oil on canvas Australian War Memorial Photograph Aquatint etching, hand coloured. © Bronwyn Wright C type print Sheet: 26.1 x 36.1 assisted by Steven Cook Plate: 23.0 x 32.3 1867 Australia – 1943 61 x 91cm Image: 17.1 x 27.0 The selector's hut (Whelan on the Born England 1854, Arrived Image courtesy the artist & Artereal Inscribed: printed in the plate log) 1890 Australia 1883, Died 1914 Gallery NSW margins, l.l. "I.Lycett, Delt et oil on canvas The Drover, 1912 © Liam Benson Execute."; lower c. "THE SUGAR 76.7 x 51.2 cm oil on canvas LOAF MOUNTAIN,/Near New Castle, National Gallery of Australia, Sue Kneebone /New South Wales./ London, Canberra Frederick McCubbin A cautionary Tale of Published Octr.1, 1824, by J. 1889 Overconfidence, 2008 Souter, 73, St. Pauls Church Yard." oil on canvas Giclee Print Courtesy the Kerry Stokes Australia, 1856 - 1931 114.5 x 152.5 cm © Sue Kneebone Collection A break away!, 1891 State Art Collection, Art Gallery of Courtesy the artist Corowa, New South Wales and Western Australia Jason Wing Melbourne, Victoria Purchased 1896 Jason Wing Between Two Worlds, 2012 Elder Bequest Fund 1899, Wing Dynasty, 2009 Kimber Lane, Haymarket Art Gallery of South Australia, digital print on metallic paper, Adelaide 1917 Australia – England 1992 edition 1/5 Jason Wing Ned Kelly 1946 84 x 119cm None Left Turn and No Rights Turn, Tom Roberts Enamel paint on composition board Photograph by Adam Hollingworth 2012 Australia, 1856 - 1931 90.8 x 121.5cm Image courtesy the artist digital print on metal plate The Golden Fleece, 1894 National Gallery of Australia, © Jason Wing 70 x 35cm each oil on canvas Canberra Gift of Sunday Reed 1977 Liam Benson & Manize Abedin John Webber R.A. Frederick McCubbin Ned and Fatima, 2006 Birth Date: c.1752 Australia 1855 – 1917 Tom Roberts photograph Portrait of Captain James Cook RN Bush sawyers, 1910 Australia, 1856 - 1931 Image courtesy the artist & Artereal oil on canvas oil on canvas , 1895 Gallery NSW oil on canvas © Liam Benson & Manize Abedin W Bradley Arthur Streeton (b.1867, d.1943) Sydney Cove, Pt Jackson. 1788 Fire's on 1891 E. Phillips Fox Rosemary Laing State Library New South Wales oil on canvas, 183.8 x 122.5cm Landing of Captain Cook at Botany Jim Art Gallery of New South Wales Bay, 1770 1902 C Type photograph

8 Hannah Gadsby’s Oz – Full Series Credits

John William Lancashire, d. Lewin, J. W. (John William), Parrot from the Mountains of New 1807? 1770-1819 Holland [crimson Rosellas] (c 1800) Port Jackson Painter View of Sydney taken from the Male and female red kangaroo in a watercolour drawing on wove paper A woman of New South Wales Rocks on the western side of the Liverpool Plains landscape, ca 1819 41.2 x 50.5 cm cureing the head ache [between Cove, ca. 1803, drawn by John oil Call: V / 30 1788 and 1797] William Lancashire 37.5 x 62.8 cm Digital Order: p2_00009 21.7 x 34.2 cm watercolour on paper Call: ML 852 Courtesy Mitchell Library, State Watling Drawing – no. 62 33 x 48 cm Digital Order: a128861 Library of New South Wales Courtesy First Fleet artwork Dixson Galleries, State Library of Courtesy Mitchell Library, State collection, National History Museum, New South Wales Library of New South Wales Artist Unknown London Boobook Owl, ca. 1790s Lewin, J. W. (John William), Richard Browne, 1771-1824 watercolour Port Jackson Painter 1770-1819 Insects – Collected and arranged by Call: PXD 1098 / VOL. 2 Portrait of Balloderree [between [Platypus], 1810 Thomas Skottowe Esqr. The Digital Order: a5304011 1788 and 1797] watercolour & gouache drawing drawings by T.R. Browne NSW Courtesy Mitchell Library, State 28.7 x 21.5 cm 43.8 x 54.3 cm. Newcastle New South Wales Library of New South Wales Watling Drawing - no. 58 Inscriptions : Signed & dated at Watercolour drawing Courtesy First Fleet artwork lower right "I. W. Lewin New South Call: PXA 555 Lewin, J. W. (John William), collection, National History Museum, Wales / 1810" Notes: Donor Courtesy Mitchell Library, State 1770-1819 London acknowledgment cited on frame. Library of New South Wales Acacia Source : Bequeathed by Miss Helen Call: PXC 304/d Port Jackson Painter Banning. Artist Unknown Digital Order: a633004 Mr. White, Harris and Laing with a Call: ML 1364 A non-descript BIRD found at Courtesy Mitchell Library, State party of Soldiers visiting Botany Bay Digital Order: a928146 BOTANY BAY, n NEW SOUTH Library of New South Wales Colebee at that place, when Courtesy Mitchell Library, State WALES. Taken from a drawing made wounded [ca. 1790 or 1797?] Library of New South Wales on the spot, 1791 James Newton 26.6 x 42.8 cm line engraving Sidney Parkinson, 1784 Watling Drawing – no. 25 Sydney Bird Painter 8 x 10 1/2 in. Courtesy First Fleet artwork Item 01: [Masked lapwing], ca 1792 Call: SSV* / Bird Aus / 3 George Raper (1769 – 1797) collection, National History Museum, watercolour with gum arabic on Courtesy Mitchell Library, State Macropus giganteus, eastern gray London wove paper with a J Whatman Library of New South Wales kangaroo and Xanthorrhoea sp., watermark grasstree, c1789 Port Jackson Painter 57.4 x 43.4 cm Sydney Bird Painter watercolour and ink The Governor making the best of his Natural size -- inscribed beneath A young Mount Pitt Bird - natural Courtesy Raper Collection, National way to the Boat after being image in ink traced over pencil Size [Petrel], ca. 1792 History Museum, London wounded with the spear sticking in 28 -- on reverse at upper right watercolour his Shoulder [ca. 1790?] corner in ink Call: PXD 680 / 3 George Raper (1769 – 1797) 27.4 x 45.1 cm Call: ML 1364 Digital Order: a1763003 Southern cassowary, Casuarius Watling Drawing – no. 23 Digital Order: a928146 Courtesy Mitchell Library, State casuarius, 1792 Courtesy First Fleet artwork Courtesy Mitchell Library, State Library of New South Wales watercolour collection, National History Museum, Library of New South Wales Courtesy Raper Collection, National London Artist Unknown History Museum, London

9 Hannah Gadsby’s Oz – Full Series Credits

Port Jackson Painter Accession no(s) The claiming of things, 2012 Untitled scene, with aborigines 30328102131561/45 Video Bea Maddock attacking a sailor, [between 1788 Courtesy State Library of Victoria born 1934 Australia and 1798] Joan Ross Terra Spiritus...with a darker shade 20.2 x 31.8 cm Joseph Lycett ca. 1775-1828 BBQ this Sunday, BYO, 2011 of pale 1993-98 Port Jackson Drawing – no. 44 engraver Video Sheet 51 Courtesy First Fleet artwork VIEW OF CAPTAIN PIPER'S NAVAL stencil print, printed in hand-ground collection, National History Museum, VILLA, at Eliza Point, near Sidney, Joseph Lycett ca. 1775-1828 Launceston ochre from multiple London [i.e. Sydney] New South Wales. engraver hand-cut mylar stencils; letterpress [picture], The residence of Edward Riley, Esq., text blind printed; hand-drawn Daniel Boyd images courtesy of the print : aquatint with hand colouring Wooloomooloo near Sydney, script Artist, Roslyn Oxley9 Gallery NSW & 23.5 x 33.0 cm. N.S.W., 1825 plate-mark 28.5 x 76 cm Kalimanrawlins Art Gallery Victoria Accession no(s) 30328102131561/7 sheet 28.5 x 76 cm Courtesy State Library of Victoria Joseph Lycett ca. 1775-1828 overall 28.5 x 3952 cm Daniel Boyd engraver National Gallery of Australia, Up in Smoke Tour, 2012 Joseph Lycett ca. 1775-1828 View on the Macquarie River, Van Canberra engraver Diemens Land, Near the Ford at Gordon Darling Australasian Print Daniel Boyd The residence of John McArthur Esq Argyle Plains. [picture] Fund 1998 We Call Them Pirates Out Here, near Parramatta, New South Wales, Published by J. Souter 1825 2006 1823 print : aquatint with hand colouring John Glover 1767-1849 oil on canvas London 23.3 x 33.0 cm. approx. Natives at a Corrobory, under the H 226 W 276 D 3.5cm M.J.M. Carter AO Collection 2004 Accession no(s) Wild Woods of The Country [River Museum of Contemporary Art, Art Gallery of South Australia, 30328102131561/47 Jordan below Brighton, Tasmania] Australia Adelaide Courtesy State Library of Victoria ca. 1835 oil on canvas Joseph Lycett Joseph Lycett ca. 1775-1828 Bea Maddock 77 x 114cm Inner view of Newcastle c1818 engraver born 1934 Australia Call: ML 154 oil on canvas View of Wilberforce on the banks of Terra Spiritus...with a darker shade Digital Order: a928309 59.6 x 90.0cm the River Hawkesbury, New South of pale 1993-98 Courtesy Mitchell Library, State Purchased with assistance from the Wales Sheet 1 Library of New South Wales National Art Collections Fund, Published by J. Souter, Feb.1, 1825. stencil print, printed in hand-ground London UK 1961 1 print : aquatint, hand col. Launceston ochre from multiple Peter Corlett Newcastle Art Gallery collection 23.2 x 33 cm. hand-cut mylar stencils; letterpress John Glover (statue), 2002-3 Identifier: nla.pic-an7690918 text blind printed; hand-drawn bronze, 1.1 times lifesize, Fieldstone Joseph Lycett ca. 1775-1828 Courtesy National Library of script base engraver Australia plate-mark 28.4 x 76 cm John Glover Society inc., Evandale, Salt Pan Plain, Van Diemens Land. sheet 28.4 x 76 cm Tasmania [picture], Joan Ross images courtesy of the overall 28.4 x 3952 cm Published by J. Souter 1824 Artist, Michael Reid Gallery Sydney National Gallery of Australia, John Glover 1767–1849 print : aquatint with hand colouring & Bett Gallery Hobart Canberra Self portrait 1792–1793 23.4 x 33.0 cm. approx. Gordon Darling Australasian Print oil on canvas Joan Ross Fund 1998

10 Hannah Gadsby’s Oz – Full Series Credits

66.3 x 51.2 cm corners and hole at top centre for National Gallery of Australia, A corroborre of natives in Mills QVM.1901.FP.42 suspension Canberra Plains, 1832 Courtesy Queen Victoria Museum 35.7 x 22.6 x 1 cm Accession No: NGA 2005.218 Deddington, Tasmania and Art Gallery Purchased from J.W. Beattie, May Morgan Thomas Bequest Fund 1951 1919 Benjamin Law Art Gallery of South Australia, John Glover 1767–1849 Call: SAFE / R 247 Trucaninny, wife of Woureddy, 1836 Adelaide The Last Muster of the Tasmanian Digital order: a928138 Hobart, Tasmania, Australia Aborigines at Risdon, 1836 Courtesy Mitchell Library, State Sculpture, cast plaster, painted oil on canvas Library of New South Wales Technique: cast plaster, painted John Glover 1767–1849 Courtesy Queen Victoria Museum Primary Insc: Signed and dated Patterdale farm, circa (1840) and Art Gallery John Glover 1767–1849 across rear of bust support column ' oil on canvas Mount Wellington and Hobart Town B.LAW.SCULP./.../A.D. 1836.' John Glover 1767–1849 from Kangaroo Point, 1834 Inscribed 'TRUCANINNY./WIFE OF Natives on the Ouse River, Van Painting, oil on canvas WOURADDY./.../HOBART TOWN./...' John Glover 1767–1849 Diemen's Land , 1838 76.2 h x 152.4 w cm 66.0 h x 42.5 w x 25.7 d cm My Harvest Home, 1835 oil on canvas Framed 995 h x 1750 w x 115 d Purchased 1981 oil on canvas mm ; weight 20 kg National Gallery of Australia, John Glover 1767–1849 Nerissa Johnson Bequest Fund Canberra John Glover Launceston and the river Tamar, 2001. Tasmanian Museum and Art Accession No: NGA 81.3042 Britain/Australia, 1767 – 1849 circa 1832 Gallery and National Gallery of A View of the artist's house and oil on canvas Australia. Benjamin Law garden, in Mills Plains, Van Accession No: NGA 2001.207 Woureddy, An Aboriginal Chief of Diemen's Land, 1835 John Glover 1767–1849 Van Dieman's Land, 1835 Deddington, Tasmania At Matlock - mist rising, 1814 John Glover 1767–1849 Hobart, Tasmania, Australia Morgan Thomas Bequest Fund 1951 oil on canvas Blue Mountain parrots from Sydney, Sculpture, plaster, paint Art Gallery of South Australia, 1832 Technique: cast plaster, painted Adelaide John Glover 1767–1849 Painting, oil on canvas Primary Insc: Signed and dated Patterdale landscape with cattle, 73.0 h x 63.0 w x 8.0 d cm across rear of bust support column Julie Gough images courtesy of the circa 1833 Rex Nan Kivell Collection: The 'B.LAW.SCULPT./.../ 1836'. s Artist, National Gallery of Australia oil on canvas National Gallery of Australia and the Secondary inscriptions: Inscribed & Bett Gallery Hobart National Library of Australia across rear of bust support column John Glover 1767–1849 National Gallery of Australia, 'WOUREDDY./AN/ABORIGINAL Julie Gough The bath of Diana, Van Diemen's Canberra CHIEF/ OF V.D.L./.../HOBART The Chase, 2008 Land, 1837 Accession No: NGA TEMP.11245 TOWN./.../.' Sculpture, Assemblage, leather, tea oil on canvas 75.0 h x 48.3 w x 27.0 d cm tree wood and steel pins John Glover 1767–1849 Purchased 1981 Installation 97.0 h x 182.0 w x 52.0 George Frankland Mr Robinson's house on the National Gallery of Australia, d cm Governor Davey's Proclamation to Derwent, Van Diemen's Land, Canberra Purchased 2008 the Aboriginies, 1816 [c. 1828- c.1838 Accession No: NGA 81.3041 Accession No: NGA 2008.812 1830] oil on canvas 48.2 h x 98.0 w cm 1 oil on huon pine board, Purchased 2005 John Glover The Chase detail images by Jack rectangular in shape with rounded Britain/Australia, 1767 – 1849 Bett Photography

11 Hannah Gadsby’s Oz – Full Series Credits

Self portrait in a red cap, 2013 46.0 x 60.9 cm 114.5 x 152.5 cm Ben Quilty images courtesy of Oil on linen National Gallery of Victoria, State Art Collection, Art Gallery of the Artist, Tolarno Galleries 130 x 110 cm Melbourne Western Australia Melbourne & Jan Murphy Gallery Image courtesy Ben Quilty Felton Bequest, 1943 Purchased 1896 Brisbane Ben Quilty Margaret Preston Ben Quilty The Groom, 2012 (Australia; England; France, b.1875, Frederick McCubbin The Shower, 2012 Oil on linen d.1963) Australia 1855 – 1917 Oil on linen 180 x 170 cm Self portrait, 1930 Bush sawyers, 1910 170 x 160 cm Image courtesy Ben Quilty and oil on canvas, 61.3 x 51.1 cm oil on canvas Image courtesy Ben Quilty and Tolarno Galleries, Melbourne Art Gallery of New South Wales Tolarno Galleries, Melbourne Gift of the artist at the request of Tom Roberts Ben Quilty the Trustees 1930 Australia, 1856 - 1931 Ben Quilty Survivor, 2012 © Margaret Rose Preston Estate. The Golden Fleece, 1894 Griggs, 2012 Oil on linen Licensed by Viscopy oil on canvas Oil on linen 170 x 160 cm Photo: AGNSW 170 x 160 cm Image courtesy Ben Quilty and © AGNSW 937 Arthur Streeton Image courtesy Ben Quilty and Tolarno Galleries, Melbourne 1867 Australia – 1943 Tolarno Galleries, Melbourne Sue Kneebone The selector's hut (Whelan on the Ben Quilty For better or for worse, 2009 log) 1890 Ben Quilty Fairy Bower Rorschach, 2012 Giclee Print oil on canvas White Man, 2012 Oil on linen © Sue Kneebone 76.7 x 51.2 cm oil on linen 240 x 550 cm, 8 panels Courtesy the artist National Gallery of Australia, 170 x 160cm, Collection The Art Gallery of New Canberra Image courtesy Ben Quilty and South Wales Episode Two Tolarno Galleries, Melbourne Image courtesy the artist Tom Roberts John Webber R.A. Australia, 1856 - 1931 Ben Quilty Tom Roberts Birth Date: c.1752 A break away!, 1891 Myuran, 2012 Australia, 1856 - 1931 Portrait of Captain James Cook RN Corowa, New South Wales and Oil on linen The Opening of the First Parliament oil on canvas Melbourne, Victoria 170 x 160 cm of the Commonwealth of Australia Elder Bequest Fund 1899, Image courtesy Ben Quilty and by H.R.H. The Duke of Cornwall and George Stubbs Art Gallery of South Australia, Tolarno Galleries, Melbourne York (later H.M. King George V), Self Portrait, 1781 Adelaide May 9, 1901 / The Big Picture, 1903 Ben Quilty oil on canvas George Stubbs Frederick McCubbin Bondi, 2013 The Kongouro from New Holland Australia 1855 – 1917 Oil on linen Tom Roberts (The Kangaroo), 1772 On the wallaby track, 1896 150 x 170 cm born England 1856, arrived oil painting oil on canvas Image courtesy Ben Quilty Australia 1869, lived in Europe 1881–85, 1903–19, died 1931 Frederick McCubbin Grace Cossington Smith Ben Quilty The artists’ camp 1886 Down on his luck 1889 Australian 1892–1984 oil on canvas oil on canvas The Bridge in-curve 1930

12 Hannah Gadsby’s Oz – Full Series Credits

tempera on cardboard Purchased 1893 Ben Quilty 83.6 x 111.8 cm Tom Roberts Photo: AGNSW Golden Soil, Wealth For Toil., 2004 National Gallery of Victoria, Australia, 1856 - 1931 832 oil on canvas Melbourne Smike Streeton age 24, 1891 140.0 x 200.0cm stretcher Presented by the National Gallery oil on canvas Tom Roberts Art Gallery NSW Society of Victoria, 1967 born Great Britain 1856, arrived in Image courtesy Ben Quilty Frederick McCubbin Australia 1869, died 1931 Australia 1855 – 1917 1888-90 Ben Quilty Obstruction, Box Hill, 1887 Self-portrait, 1886 oil on canvas on composition board The Shower, 2012 oil on canvas oil on canvas 122.4 x 183.3 cm Oil on linen Collection: National Gallery of Victoria, 170 x 160 cm Purchased, L.J. Wilson Bequest Tom Roberts Melbourne Image courtesy Ben Quilty and Fund, 1976 Australia, 1856 - 1931 Felton Bequest, 1932 Tolarno Galleries, Melbourne Wood splitters, 1886 Tom Roberts oil on canvas Arthur Streeton (b.1867, d.1943) Ben Quilty Australia, 1856 - 1931 Australia Felix, 1907 Griggs, 2012 The Opening of the First Parliament Arthur Streeton Mount Macedon, Victoria Oil on linen of the Commonwealth of Australia Australia 1867–1943, lived in Morgan Thomas Bequest Fund 1920 170 x 160 cm by H.R.H. The Duke of Cornwall and England 1897–1919 Art Gallery of South Australia, Image courtesy Ben Quilty and York (later H.M. King George V), ‘The purple noon's transparent Adelaide Tolarno Galleries, Melbourne May 9, 1901 / The Big Picture, 1903 might’ 1896 oil on canvas oil on canvas Arthur Streeton (b.1867, d.1943) Ben Quilty 123.0 x 123.0 cm Golden summer, Eaglemont, 1889 White Man, 2012 Frederick McCubbin National Gallery of Victoria, oil on canvas oil on linen Australia 1855 – 1917 Melbourne 170 x 160cm, Violet and Gold, 1911 Purchased, 1896 William Smith Image courtesy Ben Quilty and oil and canvas Loggers at their camp in the Bunya Tolarno Galleries, Melbourne Tom Roberts Moutains, 1912 Frederick McCubbin born England 1856, arrived Photograph Ben Quilty Australia 1855 – 1917 Australia 1869, lived in Europe Image No: 7868-0001-0010 Myuran, 2012 A Sunday afternoon, c1886 1881–85, 1903–19, died 1931 Accession Number: 7868 Oil on linen oil and canvas The artists’ camp 1886 Courtesy John Oxley Library, State 170 x 160 cm oil on canvas Library of Queensland Image courtesy Ben Quilty and Arthur Streeton (b.1867, d.1943) 46.0 x 60.9 cm Tolarno Galleries, Melbourne 'Still glides the stream, and shall for National Gallery of Victoria, Artist Unknown ever glide', 1890 Melbourne Two timber workers felling a tree on Ben Quilty oil and canvas Felton Bequest, 1943 the Atherton Tableland, 1890-1900 Bondi, 2013 Photograph Oil on linen Tom Roberts Arthur Streeton (b.1867, d.1943) Image No: 24043 150 x 170 cm Australia, 1856 - 1931 Fire's on, 1891 Courtesy John Oxley Library, State Image courtesy Ben Quilty Self-portrait, 1924 oil on canvas, 183.8 x 122.5cm Library of Queensland oil on canvas Art Gallery of New South Wales Ben Quilty

13 Hannah Gadsby’s Oz – Full Series Credits

Self portrait in a red cap, 2013 Collection: Art Gallery of Ballarat Angelfire 2009-10 Oil on linen May VALE Purchased, L.J. Wilson Bequest bones, ceramic, cloth 130 x 110 cm Australian 1862–1945 Fund, 1976 Naturally Disturbed Installation Image courtesy Ben Quilty The orchard c.1904 © Sue Kneebone oil on canvas Sue Kneebone Courtesy the artist Ben Quilty 48.8 x 74.4 cm For better or for worse, 2009 The Groom, 2012 National Gallery of Victoria, Giclee Print Original photographs including Oil on linen Melbourne © Sue Kneebone Yardea (Station name) and Bailey 180 x 170 cm Purchased, 1971 Courtesy the artist family provided courtesy Sue Image courtesy Ben Quilty and Kneebone Tolarno Galleries, Melbourne Jane SUTHERLAND Sue Kneebone Scottish 1853–1928, emigrated to A cautionary Tale of Frederick McCubbin Ben Quilty Australia 1864 Overconfidence, 2008 Australia 1855–1917 Survivor, 2012 After Autumn Rains, circa 1893 Giclee Print , 1904 Oil on linen oil on canvas © Sue Kneebone oil on canvas 170 x 160 cm Courtesy the artist Image courtesy Ben Quilty and Sutherland, Margaret Ada, 1897- Frederick McCubbin Tolarno Galleries, Melbourne 1984. Sue Kneebone Australia 1855–1917 Photograph Portrait of Jane The co-existence of comfort and A Bush Burial, 1890 Tom Roberts Sutherland threat, 2010 oil on canvas Australia, 1856 - 1931 SCRAPBOOK OF FAMILY Giclee Print Courtesy the Geelong Gallery The Golden Fleece, 1894 MEMBORABILIA, CA. 1897-CA. © Sue Kneebone oil on canvas 1984. [MANUSCRIPT]. Courtesy the artist Frederick McCubbin Call Number: 14 MS_ -- MC 6, DR 3 Australia 1855–1917 / BOX 3490/8 Sue Kneebone Lost, 1886 Australian 1860–1940 Box Number: MS 12688 MC 6, DR 3 Saintly Sinners, 2009 oil on canvas An old bee farm c.1900 Courtesy State Library of Victoria Giclee Print oil on canvas © Sue Kneebone Frederick McCubbin 69.1 x 112.4 cm Jane SUTHERLAND Courtesy the artist Australia 1855–1917 National Gallery of Victoria, Scottish 1853–1928, emigrated to Lost, 1907 Melbourne Australia 1864 Sue Kneebone oil on canvas Felton Bequest, 1942 The mushroom gatherers c.1895 For better or for worse, 2009 134.6 x 199.0 cm oil on canvas Giclee Print National Gallery of Victoria, Jane R. PRICE 41.8 x 99.3 cm © Sue Kneebone Melbourne English 1860–1948, worked in National Gallery of Victoria, Courtesy the artist Felton Bequest, 1941 Australia 1880–1948 Melbourne Dd103306 Sydney Harbour by night c.1910 Gift of Dr Margaret Sutherland, Sue Kneebone oil on canvas 1972 Copper Kingdom 2013 Heidi Yardley images courtesy of 32.4 x 49.1 cm © Sue Kneebone the Artist & Jan Murphy Gallery National Gallery of Victoria, Jane Sutherland Courtesy the artist Brisbane Melbourne Obstruction, Box Hill, 1887 Purchased, 1954 oil on canvas Sue Kneebone Heidi Yardley

14 Hannah Gadsby’s Oz – Full Series Credits

Everything Begins and Ends, 2010 A man, 1921 Self-portrait 1948 Oil on board Oil on canvas oil on cardboard Grace Cossington SMITH 38 x 35cm 92 x 75 cm Collection: National Portrait Gallery, Australian 1892–1984 Image courtesy the artist and Jan Australian War Memorial Canberra The Bridge in-curve 1930 Murphy Gallery Brisbane © Bronwyn Wright Purchased 2002 tempera on cardboard © Estate of Grace Cossington Smith 83.6 x 111.8 cm Heidi Yardley Hilda Rix Nicholas National Gallery of Victoria, Shadows and tall Trees, 2010 The pink scarf, 1913 Grace Cossington Smith Melbourne Oil on board oil on canvas (Australia, b.1892, d.1984) Presented by the National Gallery 58 x 58cm 80.5 x 65cm The sock knitter, 1915 Society of Victoria, 1967 Image courtesy the artist and Jan Gift of Mrs Roy Edwards through the oil on canvas, 61.6 x 50.7 cm NGV Murphy Gallery Brisbane Art Gallery of South Australia Art Gallery of New South Wales © Estate of Grace Cossington Smith Foundation 1993 Purchased 1960 Heidi Yardley Art Gallery of South Australia, Photo: AGNSW Gwen Barringer Farewells, Promises, 2010 Adelaide © Estate of Grace Cossington Smith Australia, 1882 -1960 Oil on board © Bronwyn Wright OA18.1960 Sydney Harbour Bridge from North 58 x 45cm Sydney, c. 1932, Adelaide Image courtesy the artist and Jan Photo of Hilda Rix Nicholas & Major Grace Cossington Smith South Australian Government Grant Murphy Gallery Brisbane George Matson Nicholas at (Australia, b.1892, d.1984) 1984 Buckingham Palace The curve of the bridge, 1928-1929 Art Gallery of South Australia, Heidi Yardley Courtesy Bronwyn Wright oil on cardboard, 110.5 x 82.5 cm Adelaide The Rapture, 2010 Art Gallery of New South Wales Oil on board Hilda Rix Nicholas Purchased with funds provided by Margaret Preston (Australia; 58 x 42cm Pro Humanitate the Art Gallery Society of New England; France, b.1875, d.1963) Image courtesy the artist and Jan © Bronwyn Wright South Wales and James Fairfax AO Sydney Bridge circa 1932 Murphy Gallery Brisbane 'Painting Ghosts' Prof. Catherine 1991 woodcut, printed in black ink, hand Speck (p. 59) Photo: AGNSW coloured with gouache on cream Heidi Yardley © Estate of Grace Cossington Smith Japanese laid paper, 19 x 23.2 cm You Must Learn to Love Someone Grace Cossington Smith 1.1991 Art Gallery of New South Wales Else, 2010 (Australia, b.1892, d.1984) Purchased 1964 Oil on board Reinforcements: troops marching Jessie Traill (Australia, b.1881, Photo: AGNSW 58 x 50cm circa 1917 d.1967) © Margaret Rose Preston Estate Image courtesy the artist and Jan oil on paper on hardboard, 23.7 x Building the Harbour Bridge IV: the DA30.1964 Murphy Gallery Brisbane 21.5 cm ants' progress, November 1929 Licensed by Viscopy Art Gallery of New South Wales from the series Building the Harbour Please note: the production Purchased 1967 Bridge, 1929 Adelaide Perry apologises for the incorrect titling of Photo: AGNSW etching , paper, 39.8 x 25.2 cm 1891 Australia – 1973 Heidi’s collection of work Gift For © Estate of Grace Cossington Smith Art Gallery of New South Wales The Bridge, October 1929, 1930 The Darkness (referred to as OA5.1967 Purchased 1975 linocut, printed in black ink, from Darklands in the program) Photo: AGNSW one block printed image Grace Cossington Smith © Jessie Traill Estate 32.8 x 44.5 cm Hilda Rix Nicholas (Australia, b.1892, d.1984) 201.1975

15 Hannah Gadsby’s Oz – Full Series Credits

National Gallery of Australia, (Australia; England; France, b.1875, digital photograph on metallic fuji National Gallery of Victoria, Canberra Gift of John Brackenreg d.1963) flex paper Melbourne 1978 Australian legend, number 2: The 150 x 100cm each Felton Bequest, 1932 © Adelaide Perry terrible story, circa1957 Photograph by Adam Hollingworth colour woodcut on tan laid Japanese Image courtesy the artist Arthur Streeton Jessie Traill paper, © Jason Wing 1867 Australia – 1943 1881 Australia – 1967 29.4 x 29 cm The selector's hut (Whelan on the The great arch, 1932 Art Gallery of New South Wales Liam Benson & Manize Abedin log) 1890 etching and aquatint, printed in Gift of W.G. Preston, the artist's Ned and Fatima, 2006 oil on canvas sepia ink, from one plate widower 1967 photograph 76.7 x 51.2 cm plate-mark 27.8 x 25.1 cm Photo: AGNSW Image courtesy the artist & Artereal National Gallery of Australia, sheet 37.8 x 33.6 cm © Margaret Rose Preston Estate. Gallery NSW Canberra National Gallery of Australia, Licensed by Viscopy © Liam Benson & Manize Abedin Canberra Purchased 2007 DA61.1967 Ken Done © Estate of Jessie Traill. Liam Benson Australian Flag Design Licensed by Viscopy Tom Roberts Ocha Envy, 2004 © Ken Done 1856 England – Australia 1931 video Margaret Preston An Australian native, 1888 lyrics by Banjo Patterson Frederick McCubbin 1875 Australia – 1963 oil on canvas Courtesy the artist & Artereal Down on his luck 1889 Flying over the Shoalhaven River, 127.2 x 76.2 cm Gallery NSW oil on canvas 1942 National Gallery of Australia, © Liam Benson 114.5 x 152.5 cm oil on canvas 50.6 x 50.6 cm Canberra State Art Collection, Art Gallery of National Gallery of Australia, Purchased through the Joseph Episode Three Western Australia Canberra Brown Fund 1979 Purchased 1896 Purchased 1973 Rosemary Laing © Margaret Rose Preston Estate. Grace Cossington Smith Jim Charles Alphonse Doudiet Licensed by Viscopy Neutral Bay, New South Wales, C Type photograph Swearing allegiance to the Australia 1892 – Sydney, New (H) 110 x (L) 237.5 cm “Southern Cross”, 1854 Margaret Preston South Wales, Australia 1984 2010 watercolour, pen and ink (Australia; England; France, b.1875, The Bridge in building, 1929 © Rosemary Laing d.1963) Painting, oil on pulpboard Charles Meere (b.1890, d.1961) Self portrait, 1930 75.0 h x 53.0 w cm John Glover 1767–1849 Australian beach pattern, 1940 oil on canvas, 61.3 x 51.1 cm Framed 884 h x 664 w x 47 d mm At Matlock - mist rising, 1814 oil on canvas, 91.5 x 122 cm Art Gallery of New South Wales National Gallery of Australia, oil on canvas Art Gallery of New South Wales Gift of the artist at the request of Canberra Purchased 1965 the Trustees 1930 Gift of Ellen Waugh 2005 Tom Roberts © Charles Meere Estate © Margaret Rose Preston Estate. © Estate of Grace Cossington Smith born Great Britain 1856, arrived in Photo: AGNSW Licensed by Viscopy Australia 1869, died 1931 OA20.1965 Photo: AGNSW Jason Wing Shearing the rams 1888-90 © AGNSW 937 An Australian government initiative, oil on canvas on composition board Max Dupain 2010 122.4 x 183.3 cm 1911 Australia – 1992 Margaret Preston

16 Hannah Gadsby’s Oz – Full Series Credits

Rescue & resuscitation I, Manly Inverted Southern Crucifix Rosemary Laing Year of the Snake, 2007 1940s Tattoo 5:10 am, 15th December 2004 Image courtesy the artist Image courtesy Jill White Courtesy Lindsay McDougall C Type photograph © Jason Wing (H) 85 x (L) 169.5 cm Max Dupain Ludwig Hirschfeld Mack 2004 Jason Wing 1911 Australia – 1992 1893 – Australia 1965 © Rosemary Laing An Australian government initiative, Surf race start, 1940 Desolation, Internment camp, Hay, 2010 gelatin silver photograph printed N.S.W. 1940-41 Rosemary Laing digital photograph on metallic fuji image woodcut, printed in black ink, from and you can even pay later flex paper 27.3 x 32.3 cm one block C Type photograph 150 x 100cm each National Gallery of Australia, printed image 21.8 x 13.1 cm (H) 85 x (L) 140 cm Photograph by Adam Hollingworth Canberra sheet 31.8 x 25.6 cm 2004 Image courtesy the artist Purchased 1982 National Gallery of Australia, © Rosemary Laing © Jason Wing Canberra Max Dupain Gift of Olive Hirschfeld 1979 from the 2010 series leak Jason Wing 1911 Australia – 1992 © Hirschfeld Mach Estate Self portrait, 2009 Sunbaker, 1937 Rosemary Laing cement and acrylic paint gelatin silver photograph printed Rosemary Laing and artworks Aristide 120 x 20cm image by Rosemary Laing - courtesy C Type photograph Photograph by Jason Wing 38.6 x 43.4 cm sheet 52.8 x 55 cm Tolarno Galleries, Melbourne (H) 110 x (L) 223 cm Image courtesy the artist National Gallery of Australia, 2010 © Jason Wing Canberra Rosemary Laing © Rosemary Laing Purchased 1976 Studio Working Drawings Jason Wing © Rosemary Laing Rosemary Laing Between Two Worlds, 2012 Max Dupain Jim Kimber Lane, Haymarket 1911 Australia – 1992 from the 2004 series to walk on a C Type photograph At Newport Baths, 1952 sea of salt (H) 110 x (L) 237.5 cm Jason Wing gelatin silver photograph printed 2010 Parramatta River Dreaming, 2010 image Rosemary Laing © Rosemary Laing Spray paint on aluminium, 45 x 40 cm After Heysen 147x230cms National Gallery of Australia, C Type photograph Jason Wing Photograph by Jason Wing Canberra (H) 110 x (L) 252 cm Captain James Crook, 2013 Image courtesy the artist Purchased 1976 2004 (incorrectly titled in program as © Jason Wing © Rosemary Laing Australia Was Stolen By Armed Unknown maker Robbery) Jason Wing The flag of the Southern Cross Rosemary Laing Bronze Wing Dynasty, 2009 (Eureka Flag), 1854 welcome to Australia 60 x 60 x 30cm digital print on metallic paper, wool & cotton C Type photograph Photograph by Garrie Maguire edition 1/5 Collection: Art Gallery of Ballarat (H) 110 x (L) 224 cm Image courtesy the artist 84 x 119cm Gift of the King family, 2001 2004 © Jason Wing Photograph by Adam Hollingworth © Rosemary Laing Image courtesy the artist David Olteneau Jason Wing © Jason Wing

17 Hannah Gadsby’s Oz – Full Series Credits

Image courtesy the artist & Artereal 61 x 91cm Jason Wing Raymond Zada Gallery NSW Image courtesy the artist & Artereal Grandfathers, 2009 Racebook, 2011 © Liam Benson Gallery NSW (Incorrectly titled in program as 2 Image courtesy the artist © Liam Benson Pops) © Raymond Zada Liam Benson Photograph by Adam Hollingworth Coat Of Arms, 2009 Liam Benson Image courtesy the artist Liam Benson images courtesy the photograph The Flag, 2011 © Jason Wing artist & Artereal Gallery NSW C type print photograph 61 x 91cm Image courtesy the artist & Artereal Jason Wing Liam Benson Exhibition: Head On Photo Festival Gallery NSW ABC (Aboriginal Born Chinese), A Christian Country, 2011 (2011) © Liam Benson 2007 Photograph Image courtesy the artist & Artereal Image courtesy the artist C type print Gallery NSW Liam Benson © Jason Wing assisted by Steven Cook © Liam Benson Ocha Envy, 2004 61 x 91cm video Jason Wing Image courtesy the artist & Artereal Liam Benson & Manize Abedin lyrics by Banjo Patterson Tree change, 2013 Gallery NSW Ned and Fatima, 2006 Courtesy the artist & Artereal © Liam Benson photograph Gallery NSW Jason Wing Image courtesy the artist & Artereal © Liam Benson None Left Turn and No Rights Turn, Liam Benson Gallery NSW 2012 Mrs Boss Slays the Malevolent © Liam Benson & Manize Abedin Liam Benson digital print on metal plate Scoundrel, 2011 Untitled [Jesus], 2008 70 x 35cm each Photograph Liam Benson photograph Image courtesy the artist & Artereal I BELIEVE IN YOU, 2006 Image courtesy the artist & Artereal Jason Wing Gallery NSW photograph Gallery NSW Migration © Liam Benson Image courtesy the artist & Artereal © Liam Benson Image courtesy the artist Gallery NSW Liam Benson © Liam Benson Liam Benson Jason Wing Mrs Boss Slays the Malevolent The Opal Queen, 2012 I am Flora and Fauna, 2010 Scoundrel, 2011 Liam Benson (photography by Jasmine Jason Wing Video Glitterface, 2010 Robertson) Image courtesy the artist Courtesy the artist & Artereal C Type print Pigment in ink on cotton rag paper © Jason Wing Gallery NSW assisted by Noami Oliver Edition of 5 © Liam Benson 61 x 91cm 80 x 80cm and 146.5 x 146.5cm Jason Wing Image courtesy the artist & Artereal Exhibition: Motherland (2012) Walk all over me, 2010 Liam Benson Gallery NSW Image courtesy the artist & Artereal digital print on paper The Bowerbird Queen, 2012 © Liam Benson Gallery NSW 400 x 200cm overall (photograph by Jasmine Robertson) © Liam Benson Image courtesy the artist Pigment in ink on cotton rag paper Liam Benson Edition of 5 Jail mate, 2010 John Glover 1767–1849 Additional photography of Jason 80 x 80cm and 146.5 x 146.5cm C Type print My Harvest Home, 1835 Wing by Ashley Wing assisted by Naomi Oliver oil on canvas

18 Hannah Gadsby’s Oz – Full Series Credits

Daniel Boyd images courtesy of the Joan Ross Morgan Thomas Bequest Fund 1951 Tom Roberts Artist, Roslyn Oxley9 Gallery NSW & The claiming of things, 2012 Art Gallery of South Australia, Australia, 1856 - 1931 Kalimanrawlins Art Gallery Victoria Video Adelaide The Opening of the First Parliament Courtesy of the Artist, Michael Reid of the Commonwealth of Australia Daniel Boyd Gallery Sydney & Bett Gallery Sue Kneebone by H.R.H. The Duke of Cornwall and We Call Them Pirates Out Here, Hobart For better or for worse, 2009 York (later H.M. King George V), 2006 Giclee Print May 9, 1901 / The Big Picture, 1903 oil on canvas John Glover © Sue Kneebone oil on canvas H 226 W 276 D 3.5cm Britain/Australia, 1767 – 1849 Courtesy the artist Museum of Contemporary Art, A corroboree of natives in Mills Australia Plains, 1832 Deddington, Tasmania

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