Annual Report 2018–19 Snapshot of the National Gallery of Australia
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Annual Report 2018–19 Snapshot of the National Gallery of Australia Who we are What we do The National Gallery of Australia The Gallery provides opened to the public in October 1982 exceptional experiences of and is the Commonwealth of Australia’s rich visual arts Australia’s national cultural institution for the culture. Through the national collection, visual arts. Since it was established in 1967, it exhibitions, educational and public programs, has played a leadership role in shaping visual outreach initiatives, research and publications, arts culture across Australia and its region and infrastructure and corporate services, the continues to develop exciting and innovative Gallery is a model of excellence in furthering ways to engage people with the national knowledge of the visual arts. The Gallery art collection. makes art accessible, meaningful and vital to diverse audiences, locally, nationally and internationally. Our purpose and outcome Our staff As Australia’s pre-eminent visual staff at 30 June 2019. The Gallery arts institution, the Gallery provides 326 has an inclusive workforce, social and cultural benefits for the employing people with a disability and people community and enhances Australia’s with culturally diverse backgrounds, including international reputation. The Gallery’s one Indigenous Australians. Women represent outcome, as outlined in the Portfolio Budget 67% of the Gallery’s workforce and 50% Statements 2018–19, is ‘Increased of its Senior Management Group. Detailed understanding, knowledge and enjoyment staffing information is on pages 72–7. of the visual arts by providing access to, and information about, works of art locally, nationally and internationally’. Our collection Our supporters Over nearly half a century of The Gallery nurtures strong collecting, the Gallery has achieved relationships with external extraordinary outcomes in acquiring stakeholders, such as artists and and displaying Australian and international art. their representatives, other galleries, schools, The national art collection is valued at $6 billion universities, the business sector, the media, and has reached millions of people around the Australian Government and the wider Australia and the world through our displays community. These relationships help us to and exhibitions at the Gallery in Canberra, our present the finest exhibitions and public travelling exhibitions and loans programs, and education programs and add significant publications and website. See the collection value to the national collection through gifts reach map on pages 18–19. and donations. Find our supporters at Appendix E, from page 134. Cover: Tony Albert (Girramay, Yidinji & Kuku-Yalanji peoples) I AM VISIBLE 2019 (production still), architectural digital projection. Commissioned by National Gallery of Australia 2018–19. Courtesy the artist and Sullivan + Strumpf, Sydney Performance highlights of 2018–19 Below are some of the National Gallery’s performance highlights of 2018–19. Details of our performance are provided from page 24, and how we measure our performance is explained in the reporting framework on pages 22–3. Building the national collection 1351 works of art 155,700 individual 1370 works of art $8.1 million in cash acquired during the works of art in the from the national donations assisted year, highlights of national collection at collection on loan, with purchases. Gifts which are given on 30 June 2019. nationally and of works of art valued pages 26–9. internationally. See at $5.3 million. the collection reach map on pages 18–19. Exhibiting the art of Australia and the world 22 exhibitions held 200,770 people 137,173 visitors 10,794 people at the National came to Cartier: The experienced American visited the travelling Gallery in Canberra Exhibition and 103,431 Masters 1940–1980, exhibition Indigenous and 10 National visited Love and drawn from the Australia at the Gallery exhibitions Desire: Pre-Raphaelite national collection. National Gallery of toured nationally and Masterpieces from the Modern Art in New internationally. Tate. Delhi, India. Connecting audiences with the visual arts 858,074 people 3,697,158 people 143,526 96,772 followers experienced the visited exhibitions that participated in the on Instagram, 77,935 national collection included works from Gallery’s diverse range followers on Facebook and exhibitions at the the national collection. of public programs. and 39,076 followers Gallery in Canberra. on Twitter. Education, access, health and wellbeing 112,369 students and 94 Indigenous 352 students have 1056 people teachers participated art workers from participated in the participated in access in school programs across Australia Gallery’s Summer programs, including onsite and offsite. are now alumni of Art Scholarship since 48 offsite as part of the Indigenous Arts it began in 1997, 3 of the Art and Dementia Leadership program. which are now Gallery training workshop. employees. National Gallery of Australia Annual Report 2018–19 1 Auditors, contacts and locations Internal auditors Locations and opening hours PricewaterhouseCoopers National Gallery of Australia 28 Sydney Avenue Parkes Place East, Parkes, ACT Forrest ACT 2603 10.00 am – 5.00 pm (Closed Christmas Day) Bellchambers Barrett Free admission 44 Sydney Avenue E [email protected] Forrest ACT 2603 #nationalgalleryaus instagram.com/nationalgallery External auditor facebook.com/NationalGalleryofAustralia Australian National Audit Office Centenary House twitter.com/NatGalleryAus/ 19 National Circuit Barton ACT 2600 Annual report production Co-ordinator: Kirsti Partridge Contact us Editor: Eric Meredith National Gallery of Australia Designer: Carla Da Silva GPO Box 1150 Proofreader: Justine: Molony Canberra ACT 2601 Indexer: Sherrey Quinn W nga.gov.au Printed: New Millennium Print Enquiries about this report are welcome: Attn: Governance and Reporting Manager T (02) 6240 6591 E [email protected] General correspondence: Attn: The Director T (02) 6240 6411 E [email protected] Freedom of information: Attn: Freedom of Information Coordinator T (02) 6240 6591 E [email protected] Compliments and complaints: Attn: Visitor Experience Manager T (02) 6240 6615 or (02) 6240 6411 E [email protected] W nga.gov.au/contactus/feedback © National Gallery of Australia This work is copyright. With the exception of photographs protected by copyright, it may be reproduced in whole or part subject to the inclusion of acknowledgment of the source and no commercial usage or sale. Reproduction for purposes other than those indicated above requires the written permission of the National Gallery of Australia, GPO Box 1150, Canberra ACT 2601. ISSN 1323 5192 (print) ISSN 1833 9859 (online) This report is available at nga.gov.au/aboutus/reports. 2 Letter of transmittal 27 September 2018 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House CANBERRA ACT 2600 Dear Minister On behalf of the Council of the National Gallery of Australia, I have pleasure in submitting to you, for presentation to each House of Parliament, the National Gallery of Australia’s annual report covering the period 1 July 2018 to 30 June 2019. This report is submitted to you as required by section 46 of the Public Governance, Performance and Accountability Act 2013 (PGPA Act). It is consistent with the requirements set out in the PGPA Rule 2014, Division 3A, Subdivision B (17BB–17BF), and due consideration has been given to the resources issued by the Department of Finance: Resource Management Guide 134: Annual performance statements for Commonwealth entities and Resource Management Guide 136: Annual reports for corporate Commonwealth entities. I also present the 2018–19 annual performance statements for the National Gallery of Australia, as required under paragraph 39(1)(a) of the PGPA Act. In my opinion, these annual performance statements are based on properly maintained records, accurately reflect the performance of the entity and comply with subsection 39(2) of the PGPA Act. The financial statements were prepared in accordance with the Finance Minister’s Orders made under the PGPA Act. Yours sincerely Ryan Stokes Chair of Council National Gallery of Australia Annual Report 2018–19 3 4 CONTENTS Snapshot of the National Gallery Part 5 of Australia inside cover Financial statements 81 Performance highlights of 2018–19 1 Independent auditor’s report 82 Auditors, contacts and locations 2 Overview 86 Letter of transmittal 3 Financial statements 88 Notes 92 Part 1 Part 6 Executive summary 7 Appendices 105 Chair’s review 8 A Exhibitions 106 Director’s review 10 B Publishing and papers 110 C Acquisitions 116 Part 2 D Inward loans 130 Agency overview 15 E Supporters 134 About the National Gallery of Australia 16 F Executive remuneration 147 Collection reach 18 G Work health and safety 150 Organisational structure 20 H Advertising and market research 152 Part 3 I List of requirements 153 Report on performance 21 Reporting framework 22 List of figures, tables and images 155 Annual performance statements 24 Abbreviations and acronyms 157 Strategy 1 Collections and exhibitions 25 Index 158 Strategy 2 Audiences and engagement 38 Strategy 3 Partnerships and sustainability 55 Part 4 Management and accountability 63 Corporate governance 64 Workforce management and support 72 Financial management and business assurance 78 National Gallery of Australia Annual Report 2018–19 5 Index of case studies Strategy 1 Collections and exhibitions Case study 1 26 Venice Biennale