DOCSLIB.ORG

2018 Annual Report

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2018 Annual Report 2018 annual report 1 AMaGA Victoria Contents About Australian Museums and Galleries Association Victoria About the Australian Museums and Galleries Association Victoria ......................................................2 Mission: Enabling museums and their Treasurer’s Report ..................................................................................................................................3 President’s Report ..................................................................................................................................4 people to develop their capacity to inspire Executive Director’s Report ................................................................................................................ 5-6 and engage their communities. Management ....................................................................................................................................... 7-8 Awards, Forum and Events .............................................................................................................. 9-10 Statement of Purpose Membership Forum in Melbourne. Both are curated to Communications ...................................................................................................................................11 Australian Museums and Galleries AMaGA Victoria represents approximately appeal to a broad audience, from large Association Victoria, provides professional one third of AMaGA’s total membership. It State institutions to small volunteer-run INSITE ...................................................................................................................................................12 services to develop and sustain the roles represents the Victorian members and organisations. In 2018 we hosted the Exhibition Services ..............................................................................................................................13 and interests of museum communities provides services for them and for the Australian Museums and Galleries across Victoria. museum and gallery community regardless National Conference ‘Agents of Change’ at Museum Accreditation Program ..........................................................................................................14 of membership status. At the end of the historic former Meat Market in North The Australian Museums and Galleries Victorian Collections ....................................................................................................................... 15-16 December 2018, it included 239 Melbourne, drawing over 518 delegates Association Victoria provides: organisations spanning archives, art from around the country and AMaGA National Conference .......................................................................................................... 17-18 • Expert advice on museum practice and galleries, botanic gardens, historical internationally. Acknowledgements ........................................................................................................................ 19-22 development. societies, natural and social history museums, and specialist collections. At Awards • The Roving Curator Program, which helps Since 1994, we have recognised the Financial Reports ........................................................................................................................... 23-25 museums and galleries develop engaging the end of 2018, we had 295 individual members, most of whom are working achievements of museum individuals and and dynamic exhibitions. organisations at the annual Victorian • Accreditation and application of the either professionally or voluntarily in museums and galleries. Museum Awards. The Awards are peer- National Standards for Australian Museums reviewed and celebrate the hard work of and Galleries. Our key services include: staff and volunteers in creating a vibrant • Victorian Collections, a central online sector. The Awards are proudly sponsored portal to the cultural treasures held by Events and On-site Training by a range of industry and cultural museums, galleries, and other We offered 146 events and on-site training supporters. organisations distributed across the State. ranging from exclusive viewings to • Professional development. lectures, seminars, workshops, and Exhibition Services • Advocacy and profile raising of the masterclasses catering to beginner, Our Exhibition Services Manager delivers Victorian museum sector. mid-level, and expert museum staff and advice, professional development and the volunteers. We cross-reference our Roving Curator Program, which provides Values program with participant feedback and our small museums and galleries with • Recognising that museums and galleries matrix of museum and individual types to exhibition development assistance. occupy a vital place in the community. offer a balanced program. • Recognising the contributions of our INSITE members to the sector. Victorian Collections Our stimulating and informative member • Supporting access to and the care of the A free online cataloguing system created magazine, published four times a year, is Distributed National Collection. especially for community collecting sent directly to members with the latest • Recognising and celebrating diversity organisations and small museums in news on Victorian museums and galleries, including Indigenous cultural heritage. Victoria. Introductory workshops in sector events and topics. Contents listings • Recognising the importance of being a collection management, cataloguing, for each issue are available online: forum for ideas. object handling, and photography are held www.amagavic.org.au/insite/editions • Upholding the highest ethical professional throughout the year. Browse items on standards. Victorian Collections here: Communications & Resources www.victoriancollections.net.au The weekly e-bulletin and AMaGA Victoria Background website offer a range of up-to-date In November 2018, Museums Australia Museum Accreditation Program museum sector information and re-branded as the Australian Museums At the end of 2018, there were 90 resources. Online training tools include and Galleries Association. The Australian museums participating in our gold- training videos on museum best practice Museums and Galleries Association standard Museum Accreditation Program, and selected seminar presentations. Victoria (AMaGA Victoria) is the state a wholistic, peer-supported model of Special disaster response areas of the branch of the Australian Museums and excellence developed according to the website are available for affected Galleries Association, a not-for-profit National Standards for Australian Museums communities when required. national membership association founded and Galleries. The Program enables strong in 1993 to bring together people concerned mentoring between museums and The AMaGA Victoria office is housed on the with the care and communication of museum experts to share best practice, lower ground floor of Melbourne Museum. Australia’s natural, artistic, and cultural upskill museum staff and volunteers, and Members enjoy easy access to services heritage. Through the direction of an raise the profile of participating museums. and staff. AMaGA Victoria is grateful for elected Committee, the Victorian branch this generous ongoing support from provides support, representation, and Conference and Forum Museums Victoria. professional development services to the The Victorian Museums & Galleries museum and gallery sector throughout the Conference takes place every other year in State. regional Victoria, alternating with our 2 AMaGA Victoria Annual Report 2018 / amagavic.org.au 3 Treasurer’s Report President’s Report Firstly I want to thank Laura Miles (former Finance Commentary Future Challenges Every year we reflect on how Jobs. The Museum Accreditation Program and sponsors. Thanks to everyone for their Executive Director) and Tammy Currie who The twelve months ended 31 December Through 2019 there will be some additional extraordinarily busy we have been – more continued its work as a relied-upon source contribution to a hugely successful event supplies our bookkeeping and financial 2018 produced a modest surplus of $395. re-branding costs brought about through so than the year before. We also take this of advice and support for museums across which really showcased the quality and service, for their excellent support to me in This is on-trend with a break-even result in the move to the new name and brand opportunity to celebrate our the state striving to continuously improve diversity of the Victorian sector to our the role of Treasurer. Information was the previous four years and in line with the artwork. These are being rolled out accomplishments and thank all those who their practice for their visitors and national and international peers. always supplied in a timely and effective nature of our not-for-profit style progressively. The Board is also doing have helped us achieve our goals in collections. Our networking program of manner which is important given that most operations. some reviews/benchmarking of labour support of our members. events offered drinks, tours, conversations Thank you to our supporters and donors of my interaction with the accounts are via costs so that future grants can have a and connections. who enabled our work in 2018: Veterans email or remote (Bendigo) communication. Total expenses for the year were $812,593 suitable level of salaries allowed for when
Load more

Recommended publications
  • Australian Museums and Galleries Association Annual Report 2020
    Australian Museums and Galleries Association Annual Report 2020 1 Australian Museums and Galleries Association operates with the generous support of Museums Victoria, Western Australian Museum, ICOM Australia, and Australian Library and Information Association, as well as individual members who have made generous donations. Australian Museums and Galleries Association PO Box 24 DEAKIN WEST ACT 2600 Telephone 02 6230 0346 ABN 83 048 139 955 Auditor Accountability PO Box 776 Mitchell ACT 2911 Telephone 0407 407 776 ABN 65 119 369 827 All images in this Annual Report 2020 have been sourced and reproduced with the permission of the owner/s. If you have any questions about the images reproduced herein, please contact the National Office on 02 6230 0346. AMaGA acknowledges and pays respect to the past, present and future Traditional Custodians and Elders of this nation and the continuation of cultural, spiritual and educational practices of Aboriginal and Torres Strait Islander peoples. 2 Contents National President’s Introduction 4 National Director’s Introduction 6 National Council 2019-2021 8 About the Association 9 Indigenous Roadmap 13 Advocacy 13 Membership 14 Branches & Chapters 16 National Networks 20 National Webinar Program 21 Partnerships 22 National Conference 23 Awards 24 Communications 25 2020 Operating Results 26 Organisational Members 27 3 National President’s Introduction In last year’s introduction to the AMaGA Annual membership of First Peoples from across Australia Report I wrote, ‘In literally the dying moments who are engaged in assisting AMaGA to move of 2019, we were not to know it, but a virus was forward in sensitive and appropriate ways.
    [Show full text]
  • Victorian Historical Journal
    VICTORIAN HISTORICAL JOURNAL VOLUME 90, NUMBER 2, DECEMBER 2019 ROYAL HISTORICAL SOCIETY OF VICTORIA VICTORIAN HISTORICAL JOURNAL ROYAL HISTORICAL SOCIETY OF VICTORIA The Victorian Historical Journal has been published continuously by the Royal Historical Society of Victoria since 1911. It is a double-blind refereed journal issuing original and previously unpublished scholarly articles on Victorian history, or occasionally on Australian history where it illuminates Victorian history. It is published twice yearly by the Publications Committee; overseen by an Editorial Board; and indexed by Scopus and the Web of Science. It is available in digital and hard copy. https://www.historyvictoria.org.au/publications/victorian-historical-journal/. The Victorian Historical Journal is a part of RHSV membership: https://www. historyvictoria.org.au/membership/become-a-member/ EDITORS Richard Broome and Judith Smart EDITORIAL BOARD OF THE VICTORIAN HISTORICAL JOURNAL Emeritus Professor Graeme Davison AO, FAHA, FASSA, FFAHA, Sir John Monash Distinguished Professor, Monash University (Chair) https://research.monash.edu/en/persons/graeme-davison Emeritus Professor Richard Broome, FAHA, FRHSV, Department of Archaeology and History, La Trobe University and President of the Royal Historical Society of Victoria Co-editor Victorian Historical Journal https://scholars.latrobe.edu.au/display/rlbroome Associate Professor Kat Ellinghaus, Department of Archaeology and History, La Trobe University https://scholars.latrobe.edu.au/display/kellinghaus Professor Katie Holmes, FASSA, Director, Centre for the Study of the Inland, La Trobe University https://scholars.latrobe.edu.au/display/kbholmes Professor Emerita Marian Quartly, FFAHS, Monash University https://research.monash.edu/en/persons/marian-quartly Professor Andrew May, Department of Historical and Philosophical Studies, University of Melbourne https://www.findanexpert.unimelb.edu.au/display/person13351 Emeritus Professor John Rickard, FAHA, FRHSV, Monash University https://research.monash.edu/en/persons/john-rickard Hon.
    [Show full text]
  • Annual Report 2013 | 2014
    Annual Report 2013 | 2014 THE SOVEREIGN HILL MUSEUMS ASSOCIATION i ii Sovereign Hill Annual Report 2013 | 2014 ar 2 Contents President’s Report 07 Chief Executive Officer’s Report 11 Marketing 15 Outdoor Museum 21 Education 31 Gold Museum 39 Narmbool 45 Tributes 49 Special Occasions 50 The Sovereign Hill Foundation 52 Major Sponsors, Grants, Donors & Corporate Members 53 Sovereign Hill Prospectors & Sir Henry Bolte Trust 54 The Sovereign Hill Museums Association 55 Staff 58 Volunteers 59 Financial & Statutory Reports 61 3 Charter PURPOSE Our purpose at Sovereign Hill and the Gold Museum is to inspire an understanding of the significance of the central Victorian gold rushes in Australia’s national story, and at Narmbool of the importance of the land, water and biodiversity in Australia’s future. VALUES Service We will ensure that every visitor’s experience is satisfying, and that their needs are paramount in our decision-making. Respect We will act with respect and free from any form of discrimination in what we say and do towards our colleagues, our visitors, and all with whom we do business; we will respect each other’s dignity and right to privacy; and respect the assets we share in doing our jobs. Safety We will maintain a safe and healthy workplace for all our visitors and for all who work on our sites. Integrity We will act in accordance with international and national codes of ethical practice for museums, including respect for the tangible and intangible heritage we collect, research and interpret; for the primary role of museums as places of life-long learning; and as individuals, work to help and support colleagues, work diligently to complete tasks, and at all times act honestly.
    [Show full text]
  • News from the Collections
    News from the collections Grainger Museum reopening Melbourne Conservatorium of The Grainger Museum officially Music; Dr Peter Tregear of Monash re-opened on Friday 15 October, University; and Brian Allison and following a seven-year closure. Astrid Krautschneider, Curators of Over the past few years substantial the Grainger Museum. conservation works were carried out The Grainger Museum is located on the heritage-registered building on Royal Parade, near Gate 13, under the supervision of conservation Parkville Campus. The opening architects Lovell Chen, along with hours are Tuesday to Friday 1pm to improvements to the facilities for 4.30pm and Sunday 1pm to 4.30pm. visitors, collections and staff. The new Closed Monday and Saturday, public suite of exhibitions, curated by the holidays and Christmas through Grainger Museum staff and designed January. Percy’s Café is open 8am to by Lucy Bannyan of Bannyan Wood 5pm, Monday to Friday. For further Design, explore Grainger’s life, times information or to join the mailing list and work. Funding was provided see www.grainger.unimelb.edu.au. by the University, the University Library, the University Annual MacPherson, Ormond Professor of G.W.L. Marshall-Hall: Appeal, bequests and donors. The Music and Director of the Melbourne A symposium guest speaker at the launch was Conservatorium of Music. Professor The collections of the Grainger Professor Malcolm Gillies, Vice- Gillies’ keynote paper ‘Grainger Museum provide an invaluable Chancellor of London Metropolitan 50 years on’ explored Percy Grainger’s research resource that extend far University and a leading Grainger current place in both the world of beyond the life and music of Percy scholar.
    [Show full text]
  • The Grainger Museum in Its Museological and Historical Contexts
    THE GRAINGER MUSEUM IN ITS MUSEOLOGICAL AND HISTORICAL CONTEXTS Belinda Jane Nemec Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy February 2006 The Australian Centre The University of Melbourne Produced on archival quality paper ABSTRACT This thesis examines the Grainger Museum at the University of Melbourne in the context of the history of museums, particularly those in Europe, the United States and Australia, during the lifetime of its creator, Percy Aldridge Grainger (1882–1961). Drawing on the collection of the Grainger Museum itself, and on both primary and secondary sources relating to museum development in the late nineteenth and first half of the twentieth centuries, the thesis demonstrates that the Grainger Museum reflects many of the concerns of museums of Grainger’s day, especially of the years prior to his relocation to the United States in 1914. Many of those concerns were products of the nationalistic endeavours arising from political upheavals and redefinitions in nineteenth-century Europe, the imperialism which reached its zenith by the First World War, and the racialist beliefs, hierarchies and anxieties accompanying that imperialism. In particular, Grainger’s lifelong concern with racial identity manifested in hierarchical and evolutionary museum interpretations typical of his earlier years. I explore the paradox of Grainger’s admiration for the musical and material culture of the racial ‘other’ and his racially supremacist views, and the way he presented these two apparently conflicting ideologies in his Museum. In elucidating Grainger’s motives for establishing a museum, I argue that Grainger was raised in a social and cultural milieu in which collecting, classifying and displaying cultural material was a popular practice.
    [Show full text]
  • Behind the Scenes
    ©Lonely Planet Publications Pty Ltd 350 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to postal submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. AUTHOR THANKS ACKNOWLEDGMENTS Climate map data adapted from Peel MC, Anthony Ham Finlayson BL & McMahon TA (2007) ‘Updated Thanks to Maryanne Netto for sending me World Map of the Köppen-Geiger Climate to such wonderful places – your legacy will Classification’, Hydrology and Earth System endure. To co-authors Trent and Kate who Sciences, 11, 163344. brought such excellence to the book. To David Andrew for so many wise wildlife tips. And to Cover photograph: Loch Ard Gorge, Port every person whom I met along the road – Campbell National Park, David South/Alamy.
    [Show full text]
  • On the Great Southern Touring Route
    Check out ON THE GREAT SOUTHERN these TOURING ROUTE Attractions GREAT OCEAN ROAD - GRAMPIANS - BALLARAT SOVEREIGN HILL CRESWICK GEELONG Sovereign Hill Creswick Woolen Mills Geelong Gallery Bradshaw Street Railway Parade Little Malop Street www.sovereign hill.com.au www.cresswickwool.com.au www.geelonggallery.org.au Strike gold at Sovereign Hill. By day, experience the gold Creswick Woollen Mills is the home of luxurious, natural Geelong Gallery is one of Australia’s leading and oldest fever that gripped Australia in the 1850s brought to life in fiber products designed in Australia. Founded in 1947 by regional art galleries. The Gallery’s nationally-significant our outdoor living museum. By night, see ‘Blood on the Polish migrant Paul Ryzowy, the Mills is now the only colored collection spans the art of Australia from the colonial period Southern Cross’, a spectacular sound and light show, and woolen spinning mill of its type in Australia. Some of the to the present day and includes Australian and international stay on-site at Comfort Inn Sovereign Hill. luxurious products manufactured at the mills include Alpaca paintings, works on paper, sculpture and decorative arts. throws, blankets and accessories. Gallery is open daily from 10am to 5pm. Admission is free. BALLARAT HEPBURN SPRINGS BEECH FOREST Arts Gallery of Ballarat Hepburn Bathhouse & Spa Otway Fly Tree Top Adventures 40 Lydiard St North Mineral Springs Reserve Road Phillips Track, Weeaproinah www.artgalleryballarat.com.au www.hepburnbathhouse.com www.otwayfly.com.au Experience the country’s oldest and largest regional gallery, Since 1895 the historic Hepburn Bathhouse & Spa has offered Otway Fly Treetop Adventures is a nature based rain forest with its amazing permanent collection and busy program of bathing in the region’s mineral waters, drawn directly from walk and Zip Line Tour located just off the Great Ocean Road.
    [Show full text]
  • Duo-Art Piano, and to See His Collection Across the Street from a Park
    FRONT ROW (L-R): Mel Septon, Kathy Stone, Richard VanMetre, Margaret Bisberg, Dan Stotte, ROW 4 (L-R): Robert Dumas, Mike Barnhart, Brian Meeder, Harold Ball, Miriam Hanscom, Allen Dreyfuss, Val Saari, Kay Overfield, Liz Barnhart, Kathryn Dumas, Shirley Nix, Beverly Ball, Jody Trittipo, Lyn Mercy, Jerry Golmanavich, Weslay Neff, Dennis Eiland, Jackie Dupon, Carol Veome, Margery Sanford, Charlene Torer, Jan Ham Hal Estry, John Washburn, Barbara Washburn, Elsa Pekarek, Joe Pekarek, Betty Canada, Marilyn Udell, Alice Scheelar, Rochelle Mercer ROW 2 (L-R): Leroy Schumacher, Betty Schumacher, Bill Blair, Jean Hurley, Marilyn Juckett, Ern Fisk, Janet Tallent, Christy Counterman, Donna Counterman, Donna Estry, Row 5 (L-R): John Ham, Richard Reutlinger, Bill Dean, Don Ellison, Jay Albert, Alvin Wulfekuhl, Anita Johnson, Mary Pollock, Joan Haughawout, Mary Ellen Connor, Florie Hirsch, Judy Wulfekuhl, George Cunningham, Peter Tallent, John Mercy, Sharyn Cunningham, Dawn Pumphrey, Fran Willyard, Selmer Nielsen, Earl Scheelar Howard Wyman, Cliff Juckett, Beverly Brabb, Tony Austin, Jeff Brabb, Dick Leis, Julian Dyer, Dottie McMenamy, Mike Walter, Dixie Leis, Ralph Saari, Holly Walter, Roy Beltz, ROW 3 (L-R): Bill Baab, Paul Dietz, Dorothy Olds, Hedy Dietz, Bob Hill, Paddy Austin, Mike Boyd, Frank Nix, Steve Rattle, Dick Merchant, Mary Merchant, Bob Taylor, Joe Orens, Betty Golmanavich, Sherri Neff, Cindy Eiland, Galen Bird, Linda Bird, Judy Chisnell, Rollie Chisnell, Dave Reichert, Ron Conner, Ervin Canada, Terry Haughawout, Bill Pumphrey, Raymond Palmer, Maury Willyard, Norb Torer Howard Sanford, Norb Overfield, Herb Mercer. Chlca_o's Finest Product .. ---~~ The Schulz Electric Expression Piano Carefully made of especially selected materials, is of the utmost importance in producing an appreciation of real piano music.
    [Show full text]
  • Annual Report: 2015–16
    Annual ReportAnnual 2015–16 Library Board of Victoria Board Library Library Board of Victoria Annual Report 2015–16 Contents 2 President’s report 4 Chief Executive Officer’s year in review 6 Vision and values 7 Report of operations 22 Financial summary 24 2015–16 key performance indicators 24 Service Agreement with the Minister for Creative Industries 25 Output framework 27 Acquisitions statistics 2015–16 28 Library Board and corporate governance 33 Library Executive 34 Organisational structure 35 Reconciliation of executive officers 36 Major contracts 36 Victorian Industry Participation Policy 36 National Competition Policy 36 Compliance with the Building Act 1993 37 Financial information 38 Occupational health and safety performance measures 39 Public sector values and employment principles 40 Statement of workforce data and merit and equity 41 Environmental performance 42 Freedom of information 43 Protected Disclosure Act 2012 43 Disability Action Plan 43 Government advertising expenditure 44 Consultancies 45 Risk attestation Financial statements 47 Auditor-General’s report 49 Library Board of Victoria letter 50 Financial report for year ended 30 June 2016 57 Notes to the financial statements 114 Disclosure index President’s report I am pleased to present my fifth report as the We were delighted to welcome Kate Torney as President of the Library Board of Victoria. our new Chief Executive Officer in November last year. Kate came to the Library leadership There is much good news to report. Our Vision role with more than 20 years in the information 2020 building project progresses apace – in industry, most recently as Director of News at the September last year we were thrilled that the Ian Australian Broadcasting Corporation.
    [Show full text]
  • RHSV Digital Engagement Survey Report 2016 B
    Royal Historical Society of Victoria Digital Engagement Survey Report 1 September 2016 239 A’Beckett Street Melbourne VIC 3000 9326 9288 [email protected] www.historyvictoria.org.au A. Introduction This survey was designed to fill an information gap about the level of digital engagement of the member groups of the RHSV. In particular, we are interested in the proportion of our member groups that are connected to the internet and the software they are using (if any) to catalogue their collections. Groups were also asked other questions such as about their web presence and digitisation projects. The survey was distributed to 304 historical groups. 299 were distributed by email and five were posted to historical groups without an email address. We received 98 responses – a response rate of over 30%. “Surveys that you distribute internally (i.e. to employees) generally have a much higher response rate than those distributed to external audiences (i.e. customers). Internal surveys will generally receive a 30-40% response rate (or more) on average, compared to an average 10- 15% response rate for external surveys.” (Survey Gizmo, 2015) As an external survey, 30% would be a reasonable response rate. This was a free Survey Monkey survey and so there were limitations on the number of questions (and therefor the scope and detail) and on the analysis of data. I have attempted to cross check some information in this report, and if further analysis is required please let me know. I have included some quotes from the survey in italics under the relevant questions, but all the raw data can be accessed here so all comments can be viewed: https://www.surveymonkeysurveymonkeysurveymonkey.com/user/sign-in/ Username: RHSV1909 Password: RHSV1909 Click the link RHSV Affiliated Goups Survey - Digital Engagement Click the Analyse Results tab on the right then scroll down the Question Summaries .
    [Show full text]
  • The Sovereign Hill Battery
    The Sovereign Hill Battery Sovereign Hill operates a ten-head wooden-framed battery as part of the mining exhibit at the outdoor museum in Ballarat. The most likely source for the battery was the Mount Wills South tin mine in Gippsland. Machinery for the Mount Wills South mine was ordered from the Salisbury Foundry in Tasmania specifically to the design of that used by the Mount Bischoff Company (the Salisbury Foundry being the sole manufacturer of this design of plant in Tasmania).1 By early April 1891 all of the equipment had arrived in Victoria, but was facing difficult roads on its journey to the mine.2 Water was turned onto the large overshot waterwheel on 13 May 1892, and the battery of ten heads was christened ‘The Glen’ in the presence of 200 guests. The estimated yield of metallic tin was expected to be in the region of 5%; rich enough to pay handsomely. When tested, samples of the oxide yielded as high as 70% metallic tin, valuing each ton of oxide at £68.3 Despite the initial optimism, the tin ‘bubble’ was short-lived. In late 1892, five heads of the battery were converted to crush gold-bearing ores for local mines, while the other five crushed tin ore.4 Gold was again on the ascendency, and this change of focus resulted in an upswing in the fortunes of the Company.5 The Company purchased a second-hand portable engine in Omeo and began to split its battery into two halves.6 In mid-1898, a Mr. Williams purchased the plant of the Mount Wills South Tin Mining Company and set about modernising it to treat battery sands by chlorination and cyanide.7 We do not know what happened next to the battery of the Mount Wills South Tin Mining Company.
    [Show full text]
  • Annual Report 2016
    Annual Report 2016 1 Museums Galleries Australia operates with the generous support of the Australian Government, National Museum of Australia, Museums Victoria, Western Australian Museum, ICOM Australia, Australian Library and Information Association, and Link Digital, as well as individual members who have made generous donations. Museums Australia Incorporated Trading as Museums Galleries Australia PO Box 266 CIVIC SQUARE ACT 2608 Telephone 02 6230 0346 Facsmile 02 6230 0360 ABN 83 048 139 955 Auditor Accountability PO Box 776 Mitchell ACT 2911 Telephone 0407 407 776 ABN 65 119 369 827 Designed by Selena Kearney Production coordination: Stephanie Hamilton Printed by Bytes n Colours, Canberra All images in this Museums Galleries Australia Annual Report 2016 have been sourced and reproduced with the permission of the owner/s. If you have any questions about the images reproduced herein, please contact the Museums Australia National Office on 02 6230 0346. Museums Australia National Office acknowledges the Ngunnawal people who are the traditional custodians of this land on which we work and pay respect to the Elders of the Ngunnawal Nation both past and present. 2 Table of Contents National President’s Introduction 4 National Director’s Introduction 6 National Council 2015—2017 7 About Museums Galleries Australia 7 Branches & Chapters 11 National Networks 18 National Conference 21 Membership 22 Awards 24 Communications 25 Partnerships 26 Financial Statements 28 Organisational Members 29 3 National President’s Introduction It has been said to me by a politician that having an arts collecting organisations, developed a toolkit for such policy achieves little and merely restricts the ability of organisations, and a national framework to encourage governments to react to issues and grasp opportunities.
    [Show full text]