DOCSLIB.ORG

Drug Driving: the Road Ahead for Police

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Drug Driving: the Road Ahead for Police November 2009 | Volume 18 | Number 9 | Free Publication Drug driving: the road ahead for police Story on page 5 Life Impact | The University of Adelaide www.adelaide.edu.au VICE-CHANCELLOR Adelaidean is the offi cial newspaper of the University of Adelaide. It provides news and information about the University to the general public, Growing opportunities with a focus on Life Impact. Circulation: 11,000 per month Looking back on some of my past comments in this (March to December) Online readership: publication, a few defi nite themes have emerged. 140,000 hits per month (on average) www.adelaide.edu.au/adelaidean Editor: One of those themes is my interest in We’ve already started doing this: the Fairway David Ellis growing educational opportunities for anyone Scheme has this year been extended to all Design: who wants and deserves them. This is Year 12 students eligible for a School Card or Chris Tonkin something I’ve always felt very strongly about: Youth Allowance; we are working with TAFE SA Writers: Candy Gibson geographical isolation or social disadvantage to expand our articulation, credit transfer and Robyn Mills should not prevent students from obtaining a resource sharing agreements so that students can Contributors: higher education. more easily continue their education to degree Ben Osborne, Claire Oremland Since early in my time here, the University level; we’re making changes to admissions Cover photo: has pursued a strategy of growing educational processes and credit transfer policies to maximise Victoria Police Deadline for December issue: opportunities in the state to great effect. In fact, recognition of prior learning. Friday 13 November 2009 over the past decade we have grown signifi cantly Our recent signing of a Memorandum of Do you receive too many Adelaideans? in student numbers. Understanding with Kaplan Inc. is the start of Not enough? Want to be added to our We plan to continue this growth and to whole- an innovative partnership that will help us in our mailing list or taken off? heartedly embrace the Federal Government’s aims to become a much more student-centred Contact us to let us know. current emphasis on access, and on aligning university, with increasingly fl exible options for the Editorial/Advertising enquiries: Phone: +61 8 8303 5414 our academic programs with national and state delivery of our programs and an increased focus Fax: +61 8 8303 4829 priorities and the demands of industry. on the student experience. Email: [email protected] I am fi rmly of the view that recruitment This agreement with Kaplan will allow us to Mailing address: of greater numbers of students from lower create even further opportunities for education Adelaidean Marketing & Strategic socio-economic backgrounds should not be in this state and beyond, widening our access to Communications, limited to the VET sector or less research- students who might otherwise have missed out. University of Adelaide, intensive institutions. We expect that there will be new articulation SA 5005 Australia Of course, the University’s track record in pathways from Kaplan programs to entry into trying to break through the barriers of social University of Adelaide courses; and Kaplan’s Printed by: disadvantage or geographical isolation expertise in online learning technologies will help Lane Print & Post signifi cantly pre-dates my term as Vice- us develop our own online learning and resources, Distribution: Chancellor. For example, Adelaide’s Fairway helping us to expand our offerings to rural and Lane Print & Post Scheme was a pioneering low socio-economic remote regions. This will also offer more fl exibility Passing Out Distribution Co. status access scheme almost 20 years ago. in the delivery of our programs for the benefi t of Registered by Australia Post But now we want to create new pathways those already in the workforce. No 565001/00046 and opportunities for entry into the University of The University of Adelaide, the state and the Adelaide for students who may have previously Australian community will benefi t greatly from been denied them, while at the same time the entry of Kaplan into the Australian higher continuing to maintain the highest standards. education sector. We have much to gain from Adelaidean is printed on 100% Carbon Neutral Paper that is derived Kaplan’s worldwide recruitment network, its from sustainably managed forests exemplary record in student outcomes and its and is certifi ed by the Australian strong focus on student support services. Government’s Department of Climate Change. Adelaidean is printed The University of Adelaide is proud to be able using vegetable-based inks and is to contribute in this way to the aims of the State Elemental Chlorine Free (ECF). The paper stock and the printing process Government’s ‘University City’ strategy and to help are ISO 14001 certifi ed. meet both the State and Federal Government’s www.dalton.com.au goals of increasing access to quality education. www.climatechange.gov.au/ And we’re pleased to be growing opportunities greenhousefriendly for education at a time when our nation needs it most. JAMES A. McWHA Vice-Chancellor and President 2 Adelaidean Volume 18 | Number 9 | November 2009 Contents 4 Elder Hall has ASO touch COVER STORY Drug driving: 5 the road ahead for police Immune cell pregnancy 6 link a winner Raise targets to prevent 7 extinction Strong link between obesity and depression 8 Mental health benefi ts from alcohol: study Adelaide’s new uni New student hub 9 partnership Uni teams rise to the builds campus life 10 challenge The University of Adelaide is about to embark on a major new Award to anti-smoking facility for students in the heart of its North Terrace Campus 12 campaigner that will transform on-campus student life and learning. New species discovered 13 underground The $34.5 million redevelopment of the this rather barren area into a true hub which central Hughes Plaza as a student learning will provide more opportunity for social hub, due for completion in March 2011, will interaction on campus. It will integrate First taste of uni for students reinvent students’ on-campus experience, learning, social and recreational spaces 14 increase learning and recreational space with a ‘front door’ to student support and provide a ‘front door’ to services at services and library resources, food and the University. beverage outlets and other services.” Food sources under threat The learning hub will be a multi-level, The development will incorporate from climate, development all-weather space where students can technologies such as online learning, 15 Want to do research without meet and undertake group study in fl exible learning management systems and wireless studying honours? lounge areas, use free computer and networks with informal and collaborative other audio-visual facilities, and access study and recreational spaces. It brings a broad range of student services, while together the leading thinking on educational Excellence in education enjoying a coffee and a range of other space planning from around the world. 16 rewarded food and beverages. “We will be arranging focus groups and “This will be the largest and most undertaking surveys with students to ensure dynamic student learning hub in Australia we provide exactly what students want in Jubilee graduates relive and, we believe, the envy of other this new facility,” Professor McWha said. 17 golden years universities across Australia,” said the “This is a signifi cant development in University’s Vice-Chancellor and President, the University’s building program, which Professor James McWha. is seeing more than $400 million being ‘Eco’ an indicator of “Other satellite learning hubs are likely invested in state-of-the-art research and 18 environmental times to follow on our North Terrace, Waite and teaching facilities on the North Terrace, Roseworthy campuses. We’ve already Waite and Roseworthy campuses.” opened a student hub in the Faculty of The development is part-funded by the Volunteers needed for salt the Professions on Pulteney Street and it’s Federal Government’s Better Universities 19 intake study proving highly successful. Renewal Funding initiative. “Hughes Plaza is the geographical heart of the campus, a logical intersection Story by Olivia Jones and Robyn Mills Coming Events traversed by more than 50% of all campus Above: A proposed concept of the Hughes Plaza 20 pedestrians. The redevelopment will turn learning hub. Image courtesy of Hassell Volume 18 | Number 9 | November 2009 Adelaidean 3 MUSIC Elder Hall has ASO touch The presence of the Adelaide Symphony Orchestra (ASO) will be felt in Elder Hall this month in more ways than one. The ASO returns to historic Elder Hall on “I have worked with voices for my entire Wednesday 25 November for the second of professional life and composing Requiem its Classic Hour concerts, Haydn in Spring. gave me the opportunity to combine Featuring works by Pärt, Respighi, my passion for choral sonority with the Skalkottas and Haydn, the orchestra will wonderful palette of orchestral colours,” perform at 1.00pm and again at 6.00pm he said. under the direction of its Chief Conductor, “It is such a fantastic opportunity for our Arvo Volmer. (See below for details about students to work with a conductor of such how you can win tickets.) international standing. I’m sure many will Just a few days later, Arvo Volmer will be inspired by Arvo to become orchestral then return to the University of Adelaide to musicians,” Mr Crossin said. direct the Elder Conservatorium of Music’s Tchaikovsky’s 6th Symphony, Pathétique, full choral and orchestral forces, in the is the other main work in the fi nal fi nal concert of the 2009 Evenings at Elder concert’s program. Hall concert series at 6.30pm Saturday Tickets to the evening concert are $25 28 November.
Load more

Recommended publications
  • James Turrell's Skyspace Robert Dowling Life, Death
    HANS HEYSEN ROBERT DOWLING ROBERT LIFE, DEATH AND MAGIC AND MAGIC LIFE, DEATH JAMES TURRELL’S SKYSPACE SKYSPACE TURRELL’S JAMES ISSUE 62 • winter 2010 artonview ISSUE 62 • WINTER 2010 NATIONAL GALLERY OF AUSTRALIA The National Gallery of Australia is an Australian Government Agency Issue 62, winter 2010 published quarterly by 3 Director’s foreword National Gallery of Australia GPO Box 1150 exhibitions and displays Canberra ACT 2601 nga.gov.au 6 Robert Dowling: Tasmanian son of Empire ISSN 1323-4552 Anne Gray Print Post Approved 10 Life, death and magic: 2000 years of Southeast Asian pp255003/00078 ancestral art © National Gallery of Australia 2010 Copyright for reproductions of artworks is Robyn Maxwell held by the artists or their estates. Apart from 16 Hans Heysen uses permitted under the Copyright Act 1968, no part of artonview may be reproduced, Anne Gray transmitted or copied without the prior permission of the National Gallery of Australia. 20 Portraits from India 1850s–1950s Enquiries about permissions should be made in Anne O’Hehir writing to the Rights and Permissions Officer. 22 In the Japanese manner: Australian prints 1900–1940 The opinions expressed in artonview are not necessarily those of the editor or publisher. Emma Colton Produced the National Gallery of Australia Publishing Department: acquisitions editor Eric Meredith 26 James Turrell Skyspace designer Kristin Thomas Lucina Ward photography Eleni Kypridis, Barry Le Lievre, Brenton McGeachie, Steve Nebauer, 28 Theo van Doesburg Space-time construction #3 David Pang,
    [Show full text]
  • Adelaidean November 2008 Volume 17 Number 9
    FREE Publication November 2008 | Volume 17 | Number 9 inside this issue 5 PM’s science prize Institute’s early health focus shines light on 7 research The good oil: making a difference to premature babies 11 Enjoyment the key to success for new Rhodes Scholar 13 Physics for Innovation, Industry, Science & Above: Group defi es Research Senator Kim Carr. This new class of optical fi bres has a variety species loss Professor Monro is Director of of medical and defence applications University of Adelaide physicist the Centre of Expertise in Photonics Professor Tanya Monro has been within the University of Adelaide’s Professor Monro said she was awarded a Prime Minister’s Science School of Chemistry and Physics “absolutely thrilled” to receive Prize for 2008. and, at just 35, is already regarded what she regarded as the highest Professor Monro has created as one of the world’s leaders in recognition possible by this stage in a new class of optical fi bres with optical fi bre technology. Earlier this her career. innovative potential applications in year she was awarded one of the “It’s recognition that the research medical research, defence, industry 2008 Australian Research Council I and my fabulous team are doing and environmental science. (ARC) Federation Fellowships. is of world-class quality and She has been awarded the This new class of optical fi bres, importance,” she said. Malcolm McIntosh Prize for containing air holes and made from “We are not just concentrating Physical Scientist of the Year which soft glass, is broadening the role of on a narrow area of science.
    [Show full text]
  • Australian Art
    Australian Art Collectors’ List No. 166, 2013 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Kensington (Sydney) NSW Ph: (02) 9663 4848; Fax: (02) 9663 4447 Email: [email protected] Web: joseflebovicgallery.com JOSEF LEBOVIC GALLERY Established 1977 103a Anzac Parade, Kensington (Sydney) NSW Post: PO Box 93, Kensington NSW 2033, Australia Tel: (02) 9663 4848 • Fax: (02) 9663 4447 • Intl: (+61-2) Email: [email protected] • Web: joseflebovicgallery.com Open: Wed to Fri 1-6pm, Sat 12-5pm, or by appointment • ABN 15 800 737 094 Member of • Association of International Photography Art Dealers Inc. International Fine Print Dealers Assoc. • Australian Art & Antique Dealers Assoc. COLLECTORS’ LIST No. 166, 2013 Australian Art 1. Ian Armstrong (Aust., 1923-2005). 2. Ian Armstrong (Aust., 1923-2005). [Nurse Writing], 1968. Etching and aqua- [Nurse With Medications], 1968. Etching On exhibition from Sat., 28 September to Sat., 9 November. tint, editioned 10/10, signed and dated in and aqua­­tint, editioned 4/10, signed and All items will be illustrated on our website from 5 October. pencil in lower margin, 13.5 x 11.8cm. Glue dated in pencil in lower margin, 13.4 x stains to margins. 11.7cm. Glue stains to margins. Prices are in Australian dollars and include GST. Exch. rates as at $770 Armstrong’s images may have been inspired $770 time of printing: AUD $1.00 = USD $0.92¢; UK £0.59p by his stay in hospital due to a heart attack and © Licence by VISCOPY AUSTRALIA 2013 LRN 5523 subsequent surgery. Ref: Wiki. Compiled by Josef & Jeanne Lebovic, Lenka Miklos, Mariela Brozky, Takeaki Totsuka Rex Dupain 3.
    [Show full text]
  • Graven Images in the Promised Land
    v {i} E ;.! :?? #:b 1l'ii .t.- Y* ; l i: j'f q€ !.ri lrrj PROPAGAN DA AN D OTHER DEVICES: THE COLON IAL YEARS The artist's 'print' or multiple image of a of the most important printed images of the chosen single vision has always been a way to new land.s disseminate information. ln the early history of South Australia the information was neither The earliest were produced before European primarily personal nor aesthetic but literally settlement: the visual records of Matthew informative about what the place and its Flinders'voyage published in England and inhabitants looked like. lt was propaganda of N icholas Baudin's published in France, by, the most basic kind. respectively, the artists William Westall and C. A. Lesueur (cat. 1 -4). They show a dark, South Australia was founded as a commercial primeval land, only yust touched by the men in enterprise: the South Australian Company was ships. South Australian historian K. formed to populate and profit from T. Borrow the underlines the importance of the views made southern central part of the new conti nent, the on Flinders'voyage by quoting fhe land of promise indeed.r Within this however Westrninster Reylew of 1834, which warned its the tenor of the new colony was relatively readers against the proposed colony of South altruistic. The backers of the Company, their Australia: An Act of the Reformed Parliament is chosen men and the early leaders in the to sanction the new the evidences community were basically Protestant Utopia. hard for the eligibility of the locality consist of three working products of Victorian Britain, bringing captains of the navy .
    [Show full text]
  • Australian Art
    Australian Art Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Kensington (Sydney) NSW Ph: (02) 9663 4848; Fax: (02) 9663 4447 Email: [email protected] Web: www.joseflebovicgallery.com JOSEF LEBOVIC GALLERY Established 1977 103a Anzac Parade, Kensington (Sydney) NSW Post: PO Box 93, Kensington NSW 2033, Australia Tel: (02) 9663 4848 • Fax: (02) 9663 4447 • Intl: (+61-2) Email: [email protected] • Web: joseflebovicgallery.com Open: Wed to Fri by appointment, Sat 12-5pm • ABN 15 800 737 094 Member of • Association of International Photography Art Dealers Inc. International Fine Print Dealers Assoc. • Australian Art & Antique Dealers Assoc. 1. Anon. Antipodeans - Victorian Artists Society, 1959. Lithograph, inscribed in ink in an unknown hand verso, 35.3 x 43cm COLLECTORS’ LIST No. 145, 2010 (paper). Some stains and soiling overall. $1,250 Text continues “[On show] 4th August to 15th August. Charles Blackman, Arthur Boyd, David 2. Normand Baker (Australian, 1908- Australian Art Boyd, John Brack, Bob Dickerson, John Perceval, 1955). [George Chew Lee’s Produce Store], Clifton Pugh, Bernard Smith.” Inscription reads c1930. Pencil drawing with colour notations, “Dear Sir, Would it be possible if you could please put this poster in your window. Yours sincerely, accompanied by a handwritten note of Compiled by Josef & Jeanne Lebovic, Lenka Miklos, Mariela Brozky The Antipodeans. P.S. The Antipodeans would be authenticity, 34 x 24.2cm. Slight foxing, On exhibition from Saturday, 16 October to Saturday, 20 November and thankful.” minor soiling to edges. The artists mentioned in this poster formed the $880 on our website from 23 October. Antipodean group to show work by figurative The note reads “I declare that this pencil sketch All items have been illustrated in this catalogue.
    [Show full text]
  • MS 49 Papers of the Print Council of Australia Australian Prints and Printmaking Collection
    MS 49 Papers of the Print Council of Australia Australian Prints and Printmaking Collection Summary Administrative Information Biographical Note Associated Content Acronyms Used Box Description Folder Description Summary Creator: Print Council of Australia Title: Papers of the Print Council of Australia Date range: 1966 - 2000 Reference number: MS 49 Extent: 95 boxes + 11 ring binders Prepared By: Peta Jane Jones Overview The collection represents a non-governmental organisation involved in the visual arts with broad activities and influence. The collection includes mainly correspondence, exhibition details, printmakers, gallery/art centres, colleges/universities, entry forms, slides, receipts and copies of newspaper clippings. They provide a comprehensive history of the administrative processes of the council and its exhibitions. The majority of the collection contains correspondence written by administrative staff; of greater interest is the correspondence, often handwritten by the artists themselves. In the earlier boxes the exhibition detail is more comprehensive with itineraries (drafts and finals) and forms stating the exhibiting galleries and artist lists with print sales included. Also of interest are the artists’ biographies, sometimes with handwritten notes; these were used for exhibition catalogues, print directories, Imprint and member print submissions. There are approximately 2000 slides in this collection mainly representing prints associated with PCA exhibitions. PCA committee records including ballot forms for nominating committee members, agendas and minutes of Annual General meetings, bank statements and bank reconciliation statements also comprises part of the collection. Keywords 1 Australian Printmaking; Exhibitions (see biographical section for list); patron/member prints. Key Names Grahame King; Robert Grieve; Geoff La Gerche; Neil Caffin; Udo Sellbach; Roger Butler; Barbara Hanrahan; various printmakers (see biographical section).
    [Show full text]
  • Cultural Celebration
    Associated events accompanying the exhibition at Heysen Frames 10 Finniss Street North Adelaide Artist Talk with Franz Kempf 2pm November 9 Performance and Conversation Bach Cello Suite no 2 in D minor BWV 1008, performed by Janis Laurs 2pm November 16 Conversation with the Artist 2pm November 23 Talks are free and will last approximately 30 minutes Elder Conservatorium of Music Cultural Celebration The Elder Conservatorium of Music with the support of Art & Heritage Franz Kempf AM is a significant Collections of the University of Adelaide invites you to a fundraising exhibition Adelaide artist who has contributed for the Conservatorium: to the visual arts through teaching, leadership roles in arts organisations, writing on printmaking and most Franz Kempf: Drawing for Music importantly through his art practice. 8 – 23 November 2008 Born in Melbourne he studied at the National Gallery School with later 11am – 4pm Monday – Sunday sojourns in Italy, Austria and England. Heysen Frames He taught printmaking at the South Australian School of Art for over a 10 Finniss Street North Adelaide decade. His international recognition led him to exhibit widely with over 90 solo This Celebration is inspired by artist Franz Kempf’s desire to support the arts exhibitions and guest lecturing at key art in South Australia — in particular, the work of the University of Adelaide’s Elder schools in the United Kingdom. He was Conservatorium of Music. He donated all the artworks included in this exhibition. elected a Fellow of the Royal Society UK The University of Adelaide is deeply grateful to Franz Kempf for his generosity and in 2002 was appointed as a Member of and we invite you to join us and to purchase an artwork in support of music in the Order of Australia for his contribution this state.
    [Show full text]
  • Foundation Annual Report 2014
    Foundation Annual Report 2014 –15 Published by the National Gallery of Australia Parkes Place, Canberra ACT 2600 GPO Box 1150, Canberra ACT 2601 nga.gov.au/aboutus/reports National Gallery of Australia Foundation Office T +61 (0)2 6240 6408 © National Gallery of Australia 2015 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. Prepared by the NGA Foundation Edited by Eric Meredith Designed by Carla Da Silva Printed by Union Offset Printers Cover: Charles Blackman Rabbit tea party 1956–57 (detail). The Alan Boxer Bequest, 2014. © Estate of Charles Blackman. Represented by Viscopy Page 4: Bequest Circle Dinner guests on tour with Deborah Hart, 10 September 2014 Page 10: The opening of James Turrell: a retrospective, 12 December 2014 Page 13: Gala guests enjoy the Canberra sunshine in the NGA’s southern garden, 14 March 2015 Page 41: Guests at the Foundation Gala Dinner, 14 March 2015 Page 91: Roger Butler speaks about Margaret Preston’s For a little girl 1929 at the Members Acquisition Fund Thank You event, 4 March 2015 2 Foundation Annual Report 2014 –15 Published by the National Gallery of Australia Parkes Place, Canberra ACT 2600 GPO Box 1150, Canberra ACT 2601 nga.gov.au/aboutus/reports National Gallery of Australia Foundation Office T +61 (0)2 6240 6408 © National Gallery of Australia 2015 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher.
    [Show full text]
  • Annual Report
    ANNUAL REPORT of the ART GALLERY OF SOUTH AUSTRALIA for the year 1 July 2002–30 June 2003 The Hon. Mike Rann MP, Minister for the Arts Sir, I have the honour to present the sixty-second Annual Report of the Art Gallery Board of South Australia for the Gallery’s 122nd year, ended 30 June 2003. Michael Abbott QC, Chairman Art Gallery Board 2002–2003 Chairman Michael Abbott QC Members Mr Max Carter AO Mrs Susan Cocks Mr David McKee Mrs Candy Bennett Mr Richard Cohen Ms Virginia Hickey Mrs Sue Tweddell Mr Adam Wynn 2 TABLE OF CONTENTS Principal Objectives 5 Major Achievements 2002-2003 6 Issues and Trends 9 Major Objectives 2003–2004 11 Resources and Administration 13 Collections 21 3 APPENDICES Appendix A Charter and Goals of the Art Gallery of South Australia 26 Appendix B1 Art Gallery Board 28 Appendix B2 Members of the Art Gallery of South Australia 28 Foundation Council and Friends of the Art Gallery of South Australia Committee Appendix B3 Art Gallery Organisational Chart 29 Appendix B4 Art Gallery Staff and Volunteers 30 Appendix C Staff Public Commitments 34 Appendix D Conservation 37 Appendix E Donors, Funds, Sponsorships 38 Appendix F Acquisitions 39 Appendix G Inward Loans 51 Appendix H Outward Loans 54 Appendix I Exhibitions and Public Programs 56 Appendix J Schools Support Services 62 Appendix K Gallery Guide Tour Services 62 Appendix L Gallery Publications 63 Appendix M Annual Attendances 65 Information Statement 66 Appendix N Financial Statements 67 4 PRINCIPAL OBJECTIVES The Art Gallery of South Australia’s objectives and functions are effectively prescribed by the Art Gallery Act, 1939 and can be described as follows: • To collect heritage and contemporary works of art of aesthetic excellence and art historical or regional significance.
    [Show full text]
  • Prints from the Collection : Fine Arts Gallery
    - PRINTS fron1 the COLLECTION PRINTS FROM THE COLLECTION FINE ARTS GALLERY UNIVERSITY OF TASMANIA 11 March - 4 April 1986 An exhibition organized by the Art Exhibitions Committee of the University of Tasmania. FOREWORD The Fine Arts Committee began collecting artworks in 1968, and since that time has built up a considerable body of contemporary art. The aim of the Committee has been 'to stimulate and encourage an interest in, and appreciation of, the visual arts on the University campus'. With this objective in mind the campus has been utilised as an extended gallery in which artworks are displayed in locations as disparate as the Central Science Laboratory and the Child Care Centre. Consequently, artworks in the Collection tend to be seen in isolation, and it is difficult for the casual observer to gain anything but a vague impression of the Collection as a whole. The withdrawal of the prints for redocumentation has presented a rare opportunity for several of these works to be seen together. The exhibition illustrates some of the major trends in contemporary Australian art over the past 20 years, including the figurative work of Nolan and Counihan (purchased in 1968 and therefore the earliest acquisitions), the abstract and 'Minimal' work of such artists as Leach~Jones, Ewins and Leti (acquired during the 70's) and the most recent acquisitions which reveal a current focus on contemporary and personal issues. It is hoped that the exhibition will give some insight into the concerns of the Committee, which recognises a responsibility to support and promote contemporary Australian (particularly Tasmanian) art, and within the constraints of its budget to acquire a collection of the highest quality available.
    [Show full text]
  • Cultural Celebration Elder Conservatorium of Music A&H Franz Kempf
    List of works Associated events accompanying the exhibition 1 Self Portrait with Press, mixed media, 1965 $4000 at Heysen Frames 2 Waterfront, watercolour, 1956 $4500 10 Finniss Street, North Adelaide 3 Nude, charcoal, 1980 $1000 Artist Talk with Franz Kempf 4 Morning Coffee, Pont St. London, ink, 1956 $1000 2pm November 9 5 Street Market Rome, pen, 1956 $800 Performance and Conversation 6 Jewish Market, mixed media, 1960 $1500 Bach Cello Suite no 2 in D minor BWV 1008, 7 Night Flight, lithograph, 1957 $1000 performed by Janis Laurs 8 Mother, mixed media, 1963 $800 2pm November 16 9 Carrick Hill study for painting, pastel, 2003 $3000 Elder Conservatorium of Music Conversation with the Artist 10 Paris, ink and wash, 1986 $1500 2pm November 23 11 Ladies Day, pastel, 1990 $2500 Cultural Talks are free and will last 12 Nude, ink wash, 1996 $800 Celebration approximately 30 minutes 13 Nude, mixed media, 1996 $1000 14 Departure, lithograph, 1960 $600 Franz Kempf: Drawing for Music 15 Old Rabbi, ink and quill pen, 1995 $800 8 – 23 November 2008 Artworks can be purchased from 16 Morning Service, ink and quill pen, 1995 $800 11am – 4pm Monday – Sunday the exhibition venue or by calling Heysen Frames Robyn Green 8303 5786 17 Smoko, brush and ink, 1995 $1500 10 Finniss Street North Adelaide For more information please call 18 Performer, Cirque Du Soleil, mixed media, 2005 $1000 Art & Heritage Collections on This is an event of great importance for the Elder 8303 4031 or email 19 Reg Livermore, ink, 2004 $800 [email protected] Conservatorium and we are particularly excited 20 Performer, Cirque Du Soleil, mixed media, 2005 $500 to be working with Franz Kempf in bringing the 21 Show Girls, ink drawing and quill pen, 2007 $800 idea to fruition.
    [Show full text]
  • The Bittondi Brayer
    The Bittondi Brayer Volume 1, Issue 1, July 2015 News, Views and Reviews from Bittondi Printmakers’ Association Welcome to Bittondi’s first newsletter. This is an attempt to pull together all the news about what the group is doing, what individual members have done and are doing, and other information that would be of interest to printmakers. We welcome feedback, ideas for future issues and offers to join the news- letter team—at the moment it’s just me, Julia. First of all, I thought you might like to see who our mem- bers are. The Committee You can contact any committee member if you need a key, or if you want to discuss any issues relating to the Studio. Committee meetings are held on the last Monday of every month at 7pm, members are welcome to attend if they wish to. Geoff Gibbons (Chairperson) ([email protected]); Kay Walker (Vice Chair) ([email protected]); Veronica Thurley (Treasurer) ([email protected]); Mary Brown Pulford (Minutes Secretary) ([email protected]); Sarah Thame (Correspondence Secretary) ([email protected]); and [email protected] Amanda Hassett ([email protected]); Julia Wakefield Houghton (Publicity Officer, Newsletter) [email protected]); 0433975590 Mei Sheong Wong ([email protected]); Vicki Hunter ([email protected]); Wendy Rushby ([email protected]) Associate Members Full Members Alison Flew Graeme Klix Alison Fort This is the current list of full members, who can use the Studio only at Jen Melville weekends and after (or before) school hours, unless they have a current Ann Whitby Jenny Dupont child protection certificate.
    [Show full text]