Newsletter FRIENDS of S a S a , I N C PATRON:DR H R (KYM) BONYTHON AC DFC AFC KCSJ

Total Page:16

File Type:pdf, Size:1020Kb

Newsletter FRIENDS of S a S a , I N C PATRON:DR H R (KYM) BONYTHON AC DFC AFC KCSJ Friends of the South Australian School of Art, Inc. A B O U T T H E Newsletter FRIENDS OF S A S A , I N C PATRON:DR H R (KYM) BONYTHON AC DFC AFC KCSJ The Friends of VOLUME 1, ISSUE 4 NOVEMBER 2009 the South Australian School of Art (SASA) aim to promote the Letter to Friends of SASA from Professor Mads Gaardboe, Head, work, history, and School of Art, Architecture & Design … tabled at 2009 AGM. development of the South Australian ay I congratulate the 1906 and 1856 respectively, the Louis Laybourne School of Art, M Friends of the South Smith School and the South Australian School of using the outstanding Australian School of Art on Art share an extraordinary and precious history of expertise, their first full year in existence. which we are the custodians. I would suggest that experience and And congratulations are the ‗Friends‘ is probably the most potent collegial nature deserved. An impressive expression of this history, where old bonds of its past and present number of members have been translate into new initiatives. scholars and attracted to join, innovative And the future is our students. Giving them staff. events have also been popular, and the skills, inspire them to express themselves for own organisation has begun to build up funds for new satisfaction and public benefit, helping them to I N S I D E activities. Needless to say that leadership is of launch successful professional careers supported T H I S paramount importance, and the ‗Friends‘ have by secure incomes is a key aim of our effort. Over ISSUE been fortunate to have dedicated and creative the last eight months I have experienced the talent initiators, led by the ever active Jack Condous. Message from 2 and commitment of our academic colleagues, and I the President For the school, good leadership of the have no doubt that we are on solid ground of Friends of SASA>>> ‗Friends‘ is important as we recognise that the educationally and professionally. Reminder: ‗Friends‘ is an autonomous organisation, which the Member Where the ‗Friends‘ can play a crucial role is Renewals school has no authority to directly influence - and by adding that elusive extra to the program that vice versa, but still we are intimately connected by 2009 Council & 3 will make it outstanding and memorable. It may be Committee the name. And that name has not disappeared the opportunity that does not always find room in Members >>>SASA End- although the ‗old‘ school has become part of a the curriculum, or the schools budget can not of-year larger entity. SASA exhibitions are still being accommodate, or the teachers cannot fit into exhibitions>>> Mads opened, and indeed Associate Professor John their busy schedule, and it might simply be to Gaardboe Barbour is formally appointed Director of the celebrate outcomes. These contributions could be letter continued South Australian School of Art. mentorships, scholarships, media promotions of At the same time we endeavour to develop a works, prizes, support of visiting artists, What’s on in 4 Galleries national and international profile for the Art, networking and introductions, donations, >>>More on Jillian Architecture and Design school at UniSA, the only invitations, guest lectures, symposia, conferences, Gregurke university in Australia apart from Monash exhibitions, support of master classes, funding and University that has rekindled this historic supervision of research projects, travel assistance Desperately 5 seeking relationship between the fine arts. Founded in and so on. >>>Continued Page 3 ‘Outlook 71’ers ‘Lost Tribe 6 sighted’: John NEWS FLASH: Unexpected opportunity for FSASA member!! Neylon ‘Out and 7 New member of the Friends of SASA, Jillian About’ with Friends of Gregurke, has been invited to exhibit her work at SASA the internationally prestigious Florence Biennale that >>>Three Generations at will be held in December of this year. Jillian was SASA particularly thrilled to receive this unsolicited Geoff Wilson 8 invitation, which came directly from the Internal remembers Committee (the international judging panel) of the Above: Jillian Gregurke the ‘60s at in her studio; Right: SASA Biennale, thereby negating the pre-selection process. Bacchus Landscape, >>>Continued page 4 mixed media on canvas - one of two works going to Florence. P A G E 2 Message from the President of Friends of SASA Dear Friends of SASA firm of Chartered Accountants and Wealth irst of all, let me report on the success Advisors. This firm provides business and F of the ‗First of the Friends‘ exhibition. investment advice to a wide range of small and Over 300 people visited this exhibition which was medium enterprise businesses and their owners in SA and beyond. As well as businesses, Bartons held in September at the Civic Gallery, UniSA. advise many professions including medical Many favourable comments were recorded in our practitioners and property investors: they also, I Visitors Book. With around 200 people at the am pleased to hear, have a number of struggling official opening and 18 groups using the Kerry artists on their book! I especially welcome Chris Packer Civic Community Centre, the show had a Waples, Director, and John O‘Connell for their very good exposure to the South Australian support. We hope we can explore and continue public. Over $5500 worth of art work was sold our profitable partnership into the future. giving our member artists and our organization a Jack Condous, President of Country Arts SA. Thanks to Rob Johnston for his handsome return. the Friends of SASA at the organization and personal assistance in the staging launch of the ‗First of the Thank you to our Curator Gloria Goddard of the ‗First of the Friends‘ exhibition and other Friends‘ Exhibition, and to Mary Rawlings for organizing the roster of events. September to October, "sitters‖ for the month long show. A big thank Gourmet Cheeses, Stall 71 in the Adelaide you to the sub-committee responsible for the 2009. Central Market: Ross Savvas has been so generous staging of the show, to artists who exhibited and all year. to our members who assisted in the numerous Pimlott Framers. Thanks to Sonya for her tasks in the presentation of our first successful generous support. show. We all feel certain we have gained a wealth of knowledge, experience and benefit through this Premier Art Supplies. Thanks to Clive who has occasion. A particular thank you to Toni Corso always been very generous with his excellent and her team of people who did a wonderful job products. of catering at the opening. Tim Russell Construction: a new sponsor in the Believe you me this exhibition had some real past 12 months. Both Tim and Amanda like to exposure. Through the many visitors who came collect good quality art products. from all over Australia and even overseas, we Scarpantoni Estate Wines. Thanks to Michael were able to show the excellent work produced Scarpantoni who has supported us all year with his by our members to a widely diverse audience. great wines. In addition to reporting on this exhibition, I The Real Distributor. A big thank you to cousins want to extend a big ‗thank you‘ to all of the Paul, John, Stan and Kerry for their delicious organisations and sponsors who have provided products which the Friends have used on many ongoing support for our work during 2009. These occasions. supporters and sponsors include: Last, but not least is the Bob Hawke Prime The School of Art, Architecture and Design, Ministerial Centre, University of South Incorporating the South Australian School of Australia. Thanks especially go to Elizabeth the Art, University of South Australia. A particular Director, and Louise the Project Coordinator, thankyou to the administrative staff and staff both of whom have given us enormous assistance representative Dr Pamela Zeplin, for their support in the staging of our ‗First of the Friends‘ in our first 12 months of our operation. We can exhibition. see the enormous potential in the future and All funds raised from the commission on art Associate Professor Dr John Barbour, Director of works sold go to Friends of SASA for use with SASA has kindly invited us to discuss ways and our exciting History project which is led by Dr means that Friends can continue their support for Pamela Zeplin and for scholarships for students the school. studying at the South Australian School of Art. Bartons Chartered Accountants and Wealth Advisors. Bartons is a pre-eminent Adelaide Based Jack Condous, President of Friends of SASA hank you to all members who have Welcome to a new Institutional Member, Art R E N E W A L O F T renewed their membership. For those Images Gallery: we look forward to a long and still to renew, can you please do so asap so successful partnership. Thank you also to the MEMBERSHIP that we can continue with your support—and School of Art, Architecture and Design for their >>>>>>>>>>> please try to recruit one person as a way of continuing support of SASA as an Institutional building up our membership. member. You can download the simple form for renewal Garrie Hisco, Treasurer, Friends of SASA from our website: www.friendsasa.com. FRIENDS OF THE SOUTH AUSTRALIAN SCHOOL O F ART, INC. NEWSLETTER VOLUME 1, ISSUE 4 P A G E 3 Get to know your Friends of SASA Committee for 2009-2010 The Friends of SASA was first launched at the University of Treasurer, Garrie Hisco, Membership Officer, David Northcote South Australia on 21st August, 2008. The Second Annual General and Publicity/Public Relations Officer, Brian Budgen. Dr Pamela Meeting of the Friends of SASA was held on August 27th, 2009.
Recommended publications
  • James Turrell's Skyspace Robert Dowling Life, Death
    HANS HEYSEN ROBERT DOWLING ROBERT LIFE, DEATH AND MAGIC AND MAGIC LIFE, DEATH JAMES TURRELL’S SKYSPACE SKYSPACE TURRELL’S JAMES ISSUE 62 • winter 2010 artonview ISSUE 62 • WINTER 2010 NATIONAL GALLERY OF AUSTRALIA The National Gallery of Australia is an Australian Government Agency Issue 62, winter 2010 published quarterly by 3 Director’s foreword National Gallery of Australia GPO Box 1150 exhibitions and displays Canberra ACT 2601 nga.gov.au 6 Robert Dowling: Tasmanian son of Empire ISSN 1323-4552 Anne Gray Print Post Approved 10 Life, death and magic: 2000 years of Southeast Asian pp255003/00078 ancestral art © National Gallery of Australia 2010 Copyright for reproductions of artworks is Robyn Maxwell held by the artists or their estates. Apart from 16 Hans Heysen uses permitted under the Copyright Act 1968, no part of artonview may be reproduced, Anne Gray transmitted or copied without the prior permission of the National Gallery of Australia. 20 Portraits from India 1850s–1950s Enquiries about permissions should be made in Anne O’Hehir writing to the Rights and Permissions Officer. 22 In the Japanese manner: Australian prints 1900–1940 The opinions expressed in artonview are not necessarily those of the editor or publisher. Emma Colton Produced the National Gallery of Australia Publishing Department: acquisitions editor Eric Meredith 26 James Turrell Skyspace designer Kristin Thomas Lucina Ward photography Eleni Kypridis, Barry Le Lievre, Brenton McGeachie, Steve Nebauer, 28 Theo van Doesburg Space-time construction #3 David Pang,
    [Show full text]
  • Adelaidean November 2008 Volume 17 Number 9
    FREE Publication November 2008 | Volume 17 | Number 9 inside this issue 5 PM’s science prize Institute’s early health focus shines light on 7 research The good oil: making a difference to premature babies 11 Enjoyment the key to success for new Rhodes Scholar 13 Physics for Innovation, Industry, Science & Above: Group defi es Research Senator Kim Carr. This new class of optical fi bres has a variety species loss Professor Monro is Director of of medical and defence applications University of Adelaide physicist the Centre of Expertise in Photonics Professor Tanya Monro has been within the University of Adelaide’s Professor Monro said she was awarded a Prime Minister’s Science School of Chemistry and Physics “absolutely thrilled” to receive Prize for 2008. and, at just 35, is already regarded what she regarded as the highest Professor Monro has created as one of the world’s leaders in recognition possible by this stage in a new class of optical fi bres with optical fi bre technology. Earlier this her career. innovative potential applications in year she was awarded one of the “It’s recognition that the research medical research, defence, industry 2008 Australian Research Council I and my fabulous team are doing and environmental science. (ARC) Federation Fellowships. is of world-class quality and She has been awarded the This new class of optical fi bres, importance,” she said. Malcolm McIntosh Prize for containing air holes and made from “We are not just concentrating Physical Scientist of the Year which soft glass, is broadening the role of on a narrow area of science.
    [Show full text]
  • Australian Art
    Australian Art Collectors’ List No. 166, 2013 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Kensington (Sydney) NSW Ph: (02) 9663 4848; Fax: (02) 9663 4447 Email: [email protected] Web: joseflebovicgallery.com JOSEF LEBOVIC GALLERY Established 1977 103a Anzac Parade, Kensington (Sydney) NSW Post: PO Box 93, Kensington NSW 2033, Australia Tel: (02) 9663 4848 • Fax: (02) 9663 4447 • Intl: (+61-2) Email: [email protected] • Web: joseflebovicgallery.com Open: Wed to Fri 1-6pm, Sat 12-5pm, or by appointment • ABN 15 800 737 094 Member of • Association of International Photography Art Dealers Inc. International Fine Print Dealers Assoc. • Australian Art & Antique Dealers Assoc. COLLECTORS’ LIST No. 166, 2013 Australian Art 1. Ian Armstrong (Aust., 1923-2005). 2. Ian Armstrong (Aust., 1923-2005). [Nurse Writing], 1968. Etching and aqua- [Nurse With Medications], 1968. Etching On exhibition from Sat., 28 September to Sat., 9 November. tint, editioned 10/10, signed and dated in and aqua­­tint, editioned 4/10, signed and All items will be illustrated on our website from 5 October. pencil in lower margin, 13.5 x 11.8cm. Glue dated in pencil in lower margin, 13.4 x stains to margins. 11.7cm. Glue stains to margins. Prices are in Australian dollars and include GST. Exch. rates as at $770 Armstrong’s images may have been inspired $770 time of printing: AUD $1.00 = USD $0.92¢; UK £0.59p by his stay in hospital due to a heart attack and © Licence by VISCOPY AUSTRALIA 2013 LRN 5523 subsequent surgery. Ref: Wiki. Compiled by Josef & Jeanne Lebovic, Lenka Miklos, Mariela Brozky, Takeaki Totsuka Rex Dupain 3.
    [Show full text]
  • Graven Images in the Promised Land
    v {i} E ;.! :?? #:b 1l'ii .t.- Y* ; l i: j'f q€ !.ri lrrj PROPAGAN DA AN D OTHER DEVICES: THE COLON IAL YEARS The artist's 'print' or multiple image of a of the most important printed images of the chosen single vision has always been a way to new land.s disseminate information. ln the early history of South Australia the information was neither The earliest were produced before European primarily personal nor aesthetic but literally settlement: the visual records of Matthew informative about what the place and its Flinders'voyage published in England and inhabitants looked like. lt was propaganda of N icholas Baudin's published in France, by, the most basic kind. respectively, the artists William Westall and C. A. Lesueur (cat. 1 -4). They show a dark, South Australia was founded as a commercial primeval land, only yust touched by the men in enterprise: the South Australian Company was ships. South Australian historian K. formed to populate and profit from T. Borrow the underlines the importance of the views made southern central part of the new conti nent, the on Flinders'voyage by quoting fhe land of promise indeed.r Within this however Westrninster Reylew of 1834, which warned its the tenor of the new colony was relatively readers against the proposed colony of South altruistic. The backers of the Company, their Australia: An Act of the Reformed Parliament is chosen men and the early leaders in the to sanction the new the evidences community were basically Protestant Utopia. hard for the eligibility of the locality consist of three working products of Victorian Britain, bringing captains of the navy .
    [Show full text]
  • Australian Art
    Australian Art Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Kensington (Sydney) NSW Ph: (02) 9663 4848; Fax: (02) 9663 4447 Email: [email protected] Web: www.joseflebovicgallery.com JOSEF LEBOVIC GALLERY Established 1977 103a Anzac Parade, Kensington (Sydney) NSW Post: PO Box 93, Kensington NSW 2033, Australia Tel: (02) 9663 4848 • Fax: (02) 9663 4447 • Intl: (+61-2) Email: [email protected] • Web: joseflebovicgallery.com Open: Wed to Fri by appointment, Sat 12-5pm • ABN 15 800 737 094 Member of • Association of International Photography Art Dealers Inc. International Fine Print Dealers Assoc. • Australian Art & Antique Dealers Assoc. 1. Anon. Antipodeans - Victorian Artists Society, 1959. Lithograph, inscribed in ink in an unknown hand verso, 35.3 x 43cm COLLECTORS’ LIST No. 145, 2010 (paper). Some stains and soiling overall. $1,250 Text continues “[On show] 4th August to 15th August. Charles Blackman, Arthur Boyd, David 2. Normand Baker (Australian, 1908- Australian Art Boyd, John Brack, Bob Dickerson, John Perceval, 1955). [George Chew Lee’s Produce Store], Clifton Pugh, Bernard Smith.” Inscription reads c1930. Pencil drawing with colour notations, “Dear Sir, Would it be possible if you could please put this poster in your window. Yours sincerely, accompanied by a handwritten note of Compiled by Josef & Jeanne Lebovic, Lenka Miklos, Mariela Brozky The Antipodeans. P.S. The Antipodeans would be authenticity, 34 x 24.2cm. Slight foxing, On exhibition from Saturday, 16 October to Saturday, 20 November and thankful.” minor soiling to edges. The artists mentioned in this poster formed the $880 on our website from 23 October. Antipodean group to show work by figurative The note reads “I declare that this pencil sketch All items have been illustrated in this catalogue.
    [Show full text]
  • MS 49 Papers of the Print Council of Australia Australian Prints and Printmaking Collection
    MS 49 Papers of the Print Council of Australia Australian Prints and Printmaking Collection Summary Administrative Information Biographical Note Associated Content Acronyms Used Box Description Folder Description Summary Creator: Print Council of Australia Title: Papers of the Print Council of Australia Date range: 1966 - 2000 Reference number: MS 49 Extent: 95 boxes + 11 ring binders Prepared By: Peta Jane Jones Overview The collection represents a non-governmental organisation involved in the visual arts with broad activities and influence. The collection includes mainly correspondence, exhibition details, printmakers, gallery/art centres, colleges/universities, entry forms, slides, receipts and copies of newspaper clippings. They provide a comprehensive history of the administrative processes of the council and its exhibitions. The majority of the collection contains correspondence written by administrative staff; of greater interest is the correspondence, often handwritten by the artists themselves. In the earlier boxes the exhibition detail is more comprehensive with itineraries (drafts and finals) and forms stating the exhibiting galleries and artist lists with print sales included. Also of interest are the artists’ biographies, sometimes with handwritten notes; these were used for exhibition catalogues, print directories, Imprint and member print submissions. There are approximately 2000 slides in this collection mainly representing prints associated with PCA exhibitions. PCA committee records including ballot forms for nominating committee members, agendas and minutes of Annual General meetings, bank statements and bank reconciliation statements also comprises part of the collection. Keywords 1 Australian Printmaking; Exhibitions (see biographical section for list); patron/member prints. Key Names Grahame King; Robert Grieve; Geoff La Gerche; Neil Caffin; Udo Sellbach; Roger Butler; Barbara Hanrahan; various printmakers (see biographical section).
    [Show full text]
  • Drug Driving: the Road Ahead for Police
    November 2009 | Volume 18 | Number 9 | Free Publication Drug driving: the road ahead for police Story on page 5 Life Impact | The University of Adelaide www.adelaide.edu.au VICE-CHANCELLOR Adelaidean is the offi cial newspaper of the University of Adelaide. It provides news and information about the University to the general public, Growing opportunities with a focus on Life Impact. Circulation: 11,000 per month Looking back on some of my past comments in this (March to December) Online readership: publication, a few defi nite themes have emerged. 140,000 hits per month (on average) www.adelaide.edu.au/adelaidean Editor: One of those themes is my interest in We’ve already started doing this: the Fairway David Ellis growing educational opportunities for anyone Scheme has this year been extended to all Design: who wants and deserves them. This is Year 12 students eligible for a School Card or Chris Tonkin something I’ve always felt very strongly about: Youth Allowance; we are working with TAFE SA Writers: Candy Gibson geographical isolation or social disadvantage to expand our articulation, credit transfer and Robyn Mills should not prevent students from obtaining a resource sharing agreements so that students can Contributors: higher education. more easily continue their education to degree Ben Osborne, Claire Oremland Since early in my time here, the University level; we’re making changes to admissions Cover photo: has pursued a strategy of growing educational processes and credit transfer policies to maximise Victoria Police Deadline for December issue: opportunities in the state to great effect. In fact, recognition of prior learning.
    [Show full text]
  • Cultural Celebration
    Associated events accompanying the exhibition at Heysen Frames 10 Finniss Street North Adelaide Artist Talk with Franz Kempf 2pm November 9 Performance and Conversation Bach Cello Suite no 2 in D minor BWV 1008, performed by Janis Laurs 2pm November 16 Conversation with the Artist 2pm November 23 Talks are free and will last approximately 30 minutes Elder Conservatorium of Music Cultural Celebration The Elder Conservatorium of Music with the support of Art & Heritage Franz Kempf AM is a significant Collections of the University of Adelaide invites you to a fundraising exhibition Adelaide artist who has contributed for the Conservatorium: to the visual arts through teaching, leadership roles in arts organisations, writing on printmaking and most Franz Kempf: Drawing for Music importantly through his art practice. 8 – 23 November 2008 Born in Melbourne he studied at the National Gallery School with later 11am – 4pm Monday – Sunday sojourns in Italy, Austria and England. Heysen Frames He taught printmaking at the South Australian School of Art for over a 10 Finniss Street North Adelaide decade. His international recognition led him to exhibit widely with over 90 solo This Celebration is inspired by artist Franz Kempf’s desire to support the arts exhibitions and guest lecturing at key art in South Australia — in particular, the work of the University of Adelaide’s Elder schools in the United Kingdom. He was Conservatorium of Music. He donated all the artworks included in this exhibition. elected a Fellow of the Royal Society UK The University of Adelaide is deeply grateful to Franz Kempf for his generosity and in 2002 was appointed as a Member of and we invite you to join us and to purchase an artwork in support of music in the Order of Australia for his contribution this state.
    [Show full text]
  • Foundation Annual Report 2014
    Foundation Annual Report 2014 –15 Published by the National Gallery of Australia Parkes Place, Canberra ACT 2600 GPO Box 1150, Canberra ACT 2601 nga.gov.au/aboutus/reports National Gallery of Australia Foundation Office T +61 (0)2 6240 6408 © National Gallery of Australia 2015 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. Prepared by the NGA Foundation Edited by Eric Meredith Designed by Carla Da Silva Printed by Union Offset Printers Cover: Charles Blackman Rabbit tea party 1956–57 (detail). The Alan Boxer Bequest, 2014. © Estate of Charles Blackman. Represented by Viscopy Page 4: Bequest Circle Dinner guests on tour with Deborah Hart, 10 September 2014 Page 10: The opening of James Turrell: a retrospective, 12 December 2014 Page 13: Gala guests enjoy the Canberra sunshine in the NGA’s southern garden, 14 March 2015 Page 41: Guests at the Foundation Gala Dinner, 14 March 2015 Page 91: Roger Butler speaks about Margaret Preston’s For a little girl 1929 at the Members Acquisition Fund Thank You event, 4 March 2015 2 Foundation Annual Report 2014 –15 Published by the National Gallery of Australia Parkes Place, Canberra ACT 2600 GPO Box 1150, Canberra ACT 2601 nga.gov.au/aboutus/reports National Gallery of Australia Foundation Office T +61 (0)2 6240 6408 © National Gallery of Australia 2015 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher.
    [Show full text]
  • Annual Report
    ANNUAL REPORT of the ART GALLERY OF SOUTH AUSTRALIA for the year 1 July 2002–30 June 2003 The Hon. Mike Rann MP, Minister for the Arts Sir, I have the honour to present the sixty-second Annual Report of the Art Gallery Board of South Australia for the Gallery’s 122nd year, ended 30 June 2003. Michael Abbott QC, Chairman Art Gallery Board 2002–2003 Chairman Michael Abbott QC Members Mr Max Carter AO Mrs Susan Cocks Mr David McKee Mrs Candy Bennett Mr Richard Cohen Ms Virginia Hickey Mrs Sue Tweddell Mr Adam Wynn 2 TABLE OF CONTENTS Principal Objectives 5 Major Achievements 2002-2003 6 Issues and Trends 9 Major Objectives 2003–2004 11 Resources and Administration 13 Collections 21 3 APPENDICES Appendix A Charter and Goals of the Art Gallery of South Australia 26 Appendix B1 Art Gallery Board 28 Appendix B2 Members of the Art Gallery of South Australia 28 Foundation Council and Friends of the Art Gallery of South Australia Committee Appendix B3 Art Gallery Organisational Chart 29 Appendix B4 Art Gallery Staff and Volunteers 30 Appendix C Staff Public Commitments 34 Appendix D Conservation 37 Appendix E Donors, Funds, Sponsorships 38 Appendix F Acquisitions 39 Appendix G Inward Loans 51 Appendix H Outward Loans 54 Appendix I Exhibitions and Public Programs 56 Appendix J Schools Support Services 62 Appendix K Gallery Guide Tour Services 62 Appendix L Gallery Publications 63 Appendix M Annual Attendances 65 Information Statement 66 Appendix N Financial Statements 67 4 PRINCIPAL OBJECTIVES The Art Gallery of South Australia’s objectives and functions are effectively prescribed by the Art Gallery Act, 1939 and can be described as follows: • To collect heritage and contemporary works of art of aesthetic excellence and art historical or regional significance.
    [Show full text]
  • Prints from the Collection : Fine Arts Gallery
    - PRINTS fron1 the COLLECTION PRINTS FROM THE COLLECTION FINE ARTS GALLERY UNIVERSITY OF TASMANIA 11 March - 4 April 1986 An exhibition organized by the Art Exhibitions Committee of the University of Tasmania. FOREWORD The Fine Arts Committee began collecting artworks in 1968, and since that time has built up a considerable body of contemporary art. The aim of the Committee has been 'to stimulate and encourage an interest in, and appreciation of, the visual arts on the University campus'. With this objective in mind the campus has been utilised as an extended gallery in which artworks are displayed in locations as disparate as the Central Science Laboratory and the Child Care Centre. Consequently, artworks in the Collection tend to be seen in isolation, and it is difficult for the casual observer to gain anything but a vague impression of the Collection as a whole. The withdrawal of the prints for redocumentation has presented a rare opportunity for several of these works to be seen together. The exhibition illustrates some of the major trends in contemporary Australian art over the past 20 years, including the figurative work of Nolan and Counihan (purchased in 1968 and therefore the earliest acquisitions), the abstract and 'Minimal' work of such artists as Leach~Jones, Ewins and Leti (acquired during the 70's) and the most recent acquisitions which reveal a current focus on contemporary and personal issues. It is hoped that the exhibition will give some insight into the concerns of the Committee, which recognises a responsibility to support and promote contemporary Australian (particularly Tasmanian) art, and within the constraints of its budget to acquire a collection of the highest quality available.
    [Show full text]
  • Cultural Celebration Elder Conservatorium of Music A&H Franz Kempf
    List of works Associated events accompanying the exhibition 1 Self Portrait with Press, mixed media, 1965 $4000 at Heysen Frames 2 Waterfront, watercolour, 1956 $4500 10 Finniss Street, North Adelaide 3 Nude, charcoal, 1980 $1000 Artist Talk with Franz Kempf 4 Morning Coffee, Pont St. London, ink, 1956 $1000 2pm November 9 5 Street Market Rome, pen, 1956 $800 Performance and Conversation 6 Jewish Market, mixed media, 1960 $1500 Bach Cello Suite no 2 in D minor BWV 1008, 7 Night Flight, lithograph, 1957 $1000 performed by Janis Laurs 8 Mother, mixed media, 1963 $800 2pm November 16 9 Carrick Hill study for painting, pastel, 2003 $3000 Elder Conservatorium of Music Conversation with the Artist 10 Paris, ink and wash, 1986 $1500 2pm November 23 11 Ladies Day, pastel, 1990 $2500 Cultural Talks are free and will last 12 Nude, ink wash, 1996 $800 Celebration approximately 30 minutes 13 Nude, mixed media, 1996 $1000 14 Departure, lithograph, 1960 $600 Franz Kempf: Drawing for Music 15 Old Rabbi, ink and quill pen, 1995 $800 8 – 23 November 2008 Artworks can be purchased from 16 Morning Service, ink and quill pen, 1995 $800 11am – 4pm Monday – Sunday the exhibition venue or by calling Heysen Frames Robyn Green 8303 5786 17 Smoko, brush and ink, 1995 $1500 10 Finniss Street North Adelaide For more information please call 18 Performer, Cirque Du Soleil, mixed media, 2005 $1000 Art & Heritage Collections on This is an event of great importance for the Elder 8303 4031 or email 19 Reg Livermore, ink, 2004 $800 [email protected] Conservatorium and we are particularly excited 20 Performer, Cirque Du Soleil, mixed media, 2005 $500 to be working with Franz Kempf in bringing the 21 Show Girls, ink drawing and quill pen, 2007 $800 idea to fruition.
    [Show full text]