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Downloaded from Brill.Com09/24/2021 04:36:47AM Via Free Access Checklist of Drawings 629 Checklist of Drawings Checklist of Drawings Number Title Date Medium and support, dimension, inscription City, repository, inventory number Van de velde Illustration Comment number 1 through The Roman Sketchbook c. 1544 Basel, Kunstmuseum, The following sequence includes: 27 Kupferstichkabinett, [U.IV.6 through U.IV.29] 1 Studies of the Base of Trajan's Column Pen and brown ink with brown wash, 208 × 297 mm Basel, Kunstmuseum, T1 Fol. 3r. The drawing depicts the dragon’s head and [In red chalk in upper right: 3; in lower left in brown Kupferstichkabinett, [U.IV.29] helmet from the west side and a sword and griffon ink: C; inscribed in the middle in brown ink COLLONE from the east side of the base of Trajan's Column. HISTOIae] 2 Torso of Athena in Chiton, Female Pen and brown ink with brown wash, 207 × 294 mm Basel, Kunstmuseum, T2 Fol. 4r. At right are two Amazons from a sarcophagus Torso, Erinys [In pen at top center: ANTICA op strat; inscribed in red Kupferstichkabinett, [U.IV.21] in the Palazzo Rospigliosi at Rome. chalk at upper right 4 and below at right D] 3 Fragments of a Sarcophagus Depicting Pen and brown ink with brown wash, 211 × 297 mm [At Basel, Kunstmuseum, T3 Fol. 5r. At left two sleeping Furies from the left end Orestes, Furies, and Details from the left in brown ink: anticka sint marck; at upper right in red Kupferstichkabinett, [U.IV.14] of a sarcophagus depicting Orestes. Base of Trajan’s Column chalk: 5; at lower right in brown ink: E] 4 Antique Triphies from the Reliefs on Pen and brown ink with brown wash, 225 × 303 mm [In Basel, Kunstmuseum, T4 Fig. 3.16 Fol. 8r. Studies after the south side of the base of the Base of Trajan's Column red chalk: 8; in brown ink: H] Kupferstichkabinett, [U.IV.27] Trajan's Column drawn from up close. 5 Study After the South Side of the Base Pen and brown ink with brown wash, 210 × 300 mm [In Basel, Kunstmuseum, T5 Fol. 9r. This drawing continues that on the previous of the Trajan’s Column, right half red chalk: 9; in brown ink: I] Kupferstichkabinett, [U.IV.28] folio, showing the right half of the same relief on the south side of the base of Trajan's Column. 6 Studies after a Relief Depicting an Pen and brown ink with brown wash, 207 × 299 mm [In Basel, Kunstmuseum, T6 Fol. 10r. Study of a relief then in Piazza Sciarra, Imperial Victory red chalk: 10; in pen K; inscribed: ANTICK op Straet] Kupferstichkabinett, [U.IV.9] now in the Palazzo dei Conservatori, representing a victorious Emperor. The head and foot at right are details extracted from the frieze at left. The flying genius at right comes from the south side of the base of Trajan's column. 7 Studies of a Neo-Attic Round Base in Pen and brown ink with brown wash, 222 × 297 mm [In Basel, Kunstmuseum, T7 Fol. 14r. The drawing depicts dancing Hours from Casa Cesi red chalk: 14; inscribed in brown ink: N; inscribed: antiCA Kupferstichkabinett, [U.IV.15] an antique puteal formerly in Casa Cesi, now in Villa in casa de seze] Albani. The woman at left, Autumn Carrying Game, had to have been drawn separately. The figure at right is Hecate and should be shown carrying torches, but because the base was placed against a wall they may not have been fully visible. 8 Study of Figures on the Base of the Pen and brown ink with brown wash, 210 × 296 mm Basel, Kunstmuseum, T8 Fol. 15r. The Altar of the Twelve Gods, also known as Twelve Gods [In red chalk: 15; inscribed in brown in: O; inscribed in Kupferstichkabinett, [U.IV.17] the Ara Borghese, is now in Paris, Musée du Louvre, brown ink: INCASAPTLDOE] inv. MA 672. Rather than copy the base precisely Floris freely combined the figures to create his own composition. © koninklijke brill nv, leiden, ���8 | doi ��.��63/9789004343�5�_0�9 Edward H. Wouk - 9789004343252 Downloaded from Brill.com09/24/2021 04:36:47AM via free access Checklist of Drawings 6�9 Checklist of Drawings Number Title Date Medium and support, dimension, inscription City, repository, inventory number Van de velde Illustration Comment number 1 through The Roman Sketchbook c. 1544 Basel, Kunstmuseum, The following sequence includes: 27 Kupferstichkabinett, [U.IV.6 through U.IV.29] 1 Studies of the Base of Trajan's Column Pen and brown ink with brown wash, 208 × 297 mm Basel, Kunstmuseum, T1 Fol. 3r. The drawing depicts the dragon’s head and [In red chalk in upper right: 3; in lower left in brown Kupferstichkabinett, [U.IV.29] helmet from the west side and a sword and griffon ink: C; inscribed in the middle in brown ink COLLONE from the east side of the base of Trajan's Column. HISTOIae] 2 Torso of Athena in Chiton, Female Pen and brown ink with brown wash, 207 × 294 mm Basel, Kunstmuseum, T2 Fol. 4r. At right are two Amazons from a sarcophagus Torso, Erinys [In pen at top center: ANTICA op strat; inscribed in red Kupferstichkabinett, [U.IV.21] in the Palazzo Rospigliosi at Rome. chalk at upper right 4 and below at right D] 3 Fragments of a Sarcophagus Depicting Pen and brown ink with brown wash, 211 × 297 mm [At Basel, Kunstmuseum, T3 Fol. 5r. At left two sleeping Furies from the left end Orestes, Furies, and Details from the left in brown ink: anticka sint marck; at upper right in red Kupferstichkabinett, [U.IV.14] of a sarcophagus depicting Orestes. Base of Trajan’s Column chalk: 5; at lower right in brown ink: E] 4 Antique Triphies from the Reliefs on Pen and brown ink with brown wash, 225 × 303 mm [In Basel, Kunstmuseum, T4 Fig. 3.16 Fol. 8r. Studies after the south side of the base of the Base of Trajan's Column red chalk: 8; in brown ink: H] Kupferstichkabinett, [U.IV.27] Trajan's Column drawn from up close. 5 Study After the South Side of the Base Pen and brown ink with brown wash, 210 × 300 mm [In Basel, Kunstmuseum, T5 Fol. 9r. This drawing continues that on the previous of the Trajan’s Column, right half red chalk: 9; in brown ink: I] Kupferstichkabinett, [U.IV.28] folio, showing the right half of the same relief on the south side of the base of Trajan's Column. 6 Studies after a Relief Depicting an Pen and brown ink with brown wash, 207 × 299 mm [In Basel, Kunstmuseum, T6 Fol. 10r. Study of a relief then in Piazza Sciarra, Imperial Victory red chalk: 10; in pen K; inscribed: ANTICK op Straet] Kupferstichkabinett, [U.IV.9] now in the Palazzo dei Conservatori, representing a victorious Emperor. The head and foot at right are details extracted from the frieze at left. The flying genius at right comes from the south side of the base of Trajan's column. 7 Studies of a Neo-Attic Round Base in Pen and brown ink with brown wash, 222 × 297 mm [In Basel, Kunstmuseum, T7 Fol. 14r. The drawing depicts dancing Hours from Casa Cesi red chalk: 14; inscribed in brown ink: N; inscribed: antiCA Kupferstichkabinett, [U.IV.15] an antique puteal formerly in Casa Cesi, now in Villa in casa de seze] Albani. The woman at left, Autumn Carrying Game, had to have been drawn separately. The figure at right is Hecate and should be shown carrying torches, but because the base was placed against a wall they may not have been fully visible. 8 Study of Figures on the Base of the Pen and brown ink with brown wash, 210 × 296 mm Basel, Kunstmuseum, T8 Fol. 15r. The Altar of the Twelve Gods, also known as Twelve Gods [In red chalk: 15; inscribed in brown in: O; inscribed in Kupferstichkabinett, [U.IV.17] the Ara Borghese, is now in Paris, Musée du Louvre, brown ink: INCASAPTLDOE] inv. MA 672. Rather than copy the base precisely Floris freely combined the figures to create his own composition. Edward H. Wouk - 9789004343252 Downloaded from Brill.com09/24/2021 04:36:47AM via free access 630 Checklist of Drawings (cont.) Number Title Date Medium and support, dimension, inscription City, repository, inventory number Van de velde Illustration Comment number 9 Frieze on the Medea Sarcophagus Pen and brown ink with brown wash, 221 × 296 mm Basel, Kunstmuseum, T9 Fig. 3.22 Fol. 18v. The sarcophagus depicting Jason and [In pencil: 8; in red chalk: 18; in brown ink r; in brown Kupferstichkabinett, [U.IV.8] Medea is now in Ancona. The frieze represents ink: ANTICK by templum pacis an dat cleijn kercke dat gy Medea's children offering poisonous wedding gifts gescuetsert hebt] to Creusa. At the time Floris drew this sarcophagus it was outside the Church of Saints Cosmas and Damian next to the Basilica of Constantine and Maxentius, the “Temple of Peace” that he names on the drawing. 10 Victoria with a Laurel Branch and Pen and brown ink with brown wash, 215 × 296 mm [In Basel, Kunstmuseum, T10 Fol. 19v. The woman and two children at right are Study after Michelangelo red chalk: 19; in pencil 23] Kupferstichkabinett, [U.IV.23] after a group in the lunettes of the Sistine Chapel. 11 Polyphemus and a Greek in the Pen and brown ink with brown wash; drawing traced Basel, Kunstmuseum, T11 Fig. 3.12 Fol. 23v. First Floris drew the unidentified figures Palazzo Barbaro, Dying Amazon at through on the recto in pen at a later date, 216 × 292 mm Kupferstichkabinett, [U.IV.19] at left, then the man dragging the boy, known as Palazzo Medici, and Unidentified [In upper right 23 in red chalk, in lower left W with in Polyphemus and a Greek, now in the Capitoline Antique and Non-Antique Figures pen.
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