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Cambridge University Press 978-1-108-83944-0 — Swift in Print Valerie Rumbold Index More Information
Cambridge University Press 978-1-108-83944-0 — Swift in Print Valerie Rumbold Index More Information Index This index focuses on four areas: Swift’s attitudes, actions and engagements with print and publication; his published writings and relevant collections; general topics relating to print; and individuals variously connected with Swift and his published work. For works attributable to individuals other than Swift, see references under their names; for Swift’s correspondence, see addressee. For a more general overview of the book’s contents, see chapter summaries in the Preface; and, for modern scholarship and editions, see the listing in Works Cited. Acheson, Sir Arthur and Lady Anne, 205, 206–7, Baudrier, Sieur de, 121–2 215, 286 Beckingham, Charles, 255 Addison, Joseph, 94, 107, 108, 132 Bentley, Richard, 110, 130–1, 240 Allen, Joshua, second Viscount Allen, 214 Berkeley, Charles, second Earl of Berkeley, 35, 41, All Fools’ Day, 69 48, 91, 126–7 almanacs and astrological writing, 4, 10, 28, 67–8, Berkeley, Elizabeth, Countess of Berkeley, 91, 95 72, 74, 78, 83–4, 159 Berkeley, Lady Elizabeth, see Lady Betty Germain Amy, Robert, 254 Best in Christendom, The, 198–9 Anderson, Andrew, 92 Bettenham, James, 188 Anne, Queen, 79, 89, 102, 114–15, 120, 123, 124, Bettesworth, Arthur, 254 129, 131, 195, 240–1 Bible, 4, 165 Answer to the Proposal for the Universal Use of Irish Bickerstaff, Isaac (librettist), 72 Manufactures, An, 151 Bickerstaff, Isaac (fictitious author), 28, 66, 67, Arbuthnot, John, 130–1, 185–6, 191, 195, 196, 68, 71, 72–3, -
A Modest Proposal and Other Writings
J O NAT HA N SWIFT A Modest Proposal and Other Writings Edited with an Introduction by • CAROLE FABRICANT Contents Acknowledgements ix Chronology xi Abbreviations - xvi Introduction xxi Further Reading xxxix Note on the Text xlvi List of Illustrations xlix A MODEST PROPOSAL AND OTHER WRITINGS When I come to be old (1699) 3 A Meditation upon a Broom-Stick (?i7O3) 5 The Story of the Injured Lady. In a Letter to her Friend, with his Answer (1707) 7 from The Bickerstaff Papers (1708-1709): 15 Predictions for the Year 1708 15 The Accomplishment of the First of Mr. Bickerstaff's Predictions 24 A Vindication of Isaac Bickerstaff, Esq. 27 A Famous Prediction of Merlin, the British Wizard 3 2 An Argument against the Abolishing of Christianity in England (1708) 38 The Tatler, Number CCXXX ['the continual Corruption of our English Tongue'] (28 September 1710) 51 VI CONTENTS from The Examiner (1710-11): 56 Number 13 (2 November 1710) 56 Number 14 (9 November 1710) 61 Number 20 (21 December 1710) 66 from the Journal toStella(i7io-i7i3): 72 Letter V (30 September-10 October 1710) 72 Letter XVII (24 February-10 March 1711) 79 A Hue and Cry after Dismal (1712) 89 Letter from Swift to the Earl of Oxford (3 July 1714) 92 A Modest Defence of Punning (1716) 94 Sermon, On False Witness (c. 1717) 100 A Letter to a Young Gentleman, Lately entered into Holy Orders (1720) 109 Letter from Swift to Charles Ford (4 April 1720) 128 A Proposal for the Universal Use of Irish Manufacture (1720) 130 A Letter from Dr. -
The Oxford Companion to English Literature, 6Th Edition
e cabal, from the Hebrew word qabbalah, a secret an elderly man. He is said by *Bede to have been an intrigue of a sinister character formed by a small unlearned herdsman who received suddenly, in a body of persons; or a small body of persons engaged in vision, the power of song, and later put into English such an intrigue; in British history applied specially to verse passages translated to him from the Scriptures. the five ministers of Charles II who signed the treaty of The name Caedmon cannot be explained in English, alliance with France for war against Holland in 1672; and has been conjectured to be Celtic (an adaptation of these were Clifford, Arlington, *Buckingham, Ashley the British Catumanus). In 1655 François Dujon (see SHAFTESBURY, first earl of), and Lauderdale, the (Franciscus Junius) published at Amsterdam from initials of whose names thus arranged happened to the unique Bodleian MS Junius II (c.1000) long scrip form the word 'cabal' [0£D]. tural poems, which he took to be those of Casdmon. These are * Genesis, * Exodus, *Daniel, and * Christ and Cade, Jack, Rebellion of, a popular revolt by the men of Satan, but they cannot be the work of Caedmon. The Kent in June and July 1450, Yorkist in sympathy, only work which can be attributed to him is the short against the misrule of Henry VI and his council. Its 'Hymn of Creation', quoted by Bede, which survives in intent was more to reform political administration several manuscripts of Bede in various dialects. than to create social upheaval, as the revolt of 1381 had attempted. -
Jonathan Swift and the Stage of the World
JONATHAN SWIFT AND THE STAGE OF THE WORLD: A STUDY OF SWIFT'S POETRY, , WITH PARTICULAR REFERENCE TO THE POEMS ABOUT WOMEN. By JOAN ELIZABETH METCALFE A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1974 SK^^^LORIDA 3 1262 08666 231 8 ACKNOWLEDGEMENTS I wish to thank Professor Aubrey Williams for directing my disser- tation; Professors Robert H. Bowers and Douglas Bonneville for serving on my committee; and Professors T. Walter Herbert and Melvyn New for participating in my final examination. I wish also to record my gratitude to friends and family for their help and encouragement. il TABLE OF CONTENTS Page ACKNOWLEDGEMENTS ±± ABSTRACT iv I. INTRODUCTION 1 Notes , 20 II. THE PERFORMANCE OF WOMEN Chapter I. Inadequacies 24 Notes 46 Chapter 2. Men's Share of the Blame 49 Notes 73 Chapters. The Ideal 76 Notes 88 Hi. THE PERFORMANCE OF SWIFT Chapter 4. Tutor and Courtier 89 Notes 108 Chapter 5. Courtier and Tutor 110 Notes 127 Chapter 6. Courtier, Lover and Poet 129 Notes 149 IV. DRAMATIC DEVICES, FORMS, AND IMAGERY Chapter 7. The Dean Observed 151 Notes 167 Chapter 8. The First Person 169 Notes 180 Chapter 9. Dramatic Imagination and Dramatic Structure: Scene and Play 182 Notes 213 Chapter 10. Further Echoes of a Tradition 216 Notes 231 APPENDIX 234 WORKS CITED 242 BIOGRAPHICAL SKETCH 246 iii Abstract of Dissertation Presented to the Graduate Council of the University of Florida in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy JONATHAN SWIFT AND THE STAGE OF THE WORLD: A STUDY OF SWIFT'S POETRY WITH PARTICULAR REFERENCE TO THE POEMS ABOUT WOMEN. -
The Yiddishists
THE YIDDISHISTS OUR SERIES DELVES INTO THE TREASURES OF THE WORLD’S BIGGEST YIDDISH ARCHIVE AT YIVO INSTITUTE FOR JEWISH RESEARCH From top: Illustration from Kleyne Mentshelekh (Tiny Little People), a Yiddish adaptation of Gulliver’s Travels published in Poland, 1925. The caption reads, “With great effort I liberated my left hand.”; cover page for Kleyne Mentshelekh Manger was not the only 20th-century Yiddish-speaking Jew to take an interest in Swift’s 18th-century works. Between 1907 and 1939, there were at least five Yiddish translations and adaptations of Gulliver’s Travels published in the United States, Poland and Russia. One such edition, published in 1925 by Farlag Yudish, a publishing house that specialised in Yiddish translations of literary classics, appeared in their Kinder-bibliotek (Children’s Library) series alongside other beloved books such as Harriet Beecher GULLIVER IN YIDDISHLAND Stowe’s Uncle Tom’s Cabin, Edith Nesbit’s The Enchanted Castle and fairytales by the Jonathan Swift, Oscar Wilde and Samuel Beckett were just some brothers Grimm. Literature and journals THE YIDDISHISTS of the Anglo-Irish and Irish writers whose work was translated and for children and youth, both those written specifically in Yiddish and those translated adapted by 20th-century Yiddishists, says Stefanie Halpern into the language, were a lucrative branch of Yiddish publishing in the interwar n his 1942 poem ‘A Song of the Dean of Stella’s golden brooch, a reference to ‘A period. Such material became especially Jonathan Swift and the Yiddish Journal to Stella’, Swift’s 1766 work based important with the establishment of a IRhyme-maker Itzik Manger’, the poet on letters he sent to his real-life lover Yiddish secular school network across and playwright Itzik Manger imagines a Esther Johnson. -
{PDF EPUB} the Works of of the Rev. Jonathan Swift, Volume 18 by John Nichols the Works of the Rev
Read Ebook {PDF EPUB} The Works of of the Rev. Jonathan Swift, Volume 18 by John Nichols The Works of the Rev. Jonathan Swift, Volume 18 (1739) by Jonathan Swift, edited by Thomas Sheridan, John Nichols, John Boyle, Patrick Delany, John Hawkesworth, Deane Swift, William Bowyer, John Birch, and George Faulkner Letter from Jonathan Swift to John Barber - 8 May 22, 2020 · The works of the Rev. Jonathan Swift .. by Jonathan Swift, 1808, Printed for J. Johnson [etc. edition, in English - A new ed., ... corrected and revised by John Nichols ...Pages: 19The Works of the Rev. Jonathan Swift - Jonathan Swifthttps://www.bbrarebooks.com/pages/books/JSW002/...Jonathan Swift (1667-1745) was born in Ireland. He studied at Trinity College and was close with Alexander Pope and John Gay, the two other most important writers of his time period. He penned poetry and prose, and is best remembered for writing Travels into Several Remote Nations of the World, or Gulliver’s Travels (1726). Jun 04, 2001 · Letters written by the Late Jonathan Swift, D.D. Dean of St. Patrick's, Dublin and Several of His Friends from the year 1710 to 1740, published from the originals. The following volumes from "The Letters " edited by John Hawkesworth. Printed in London by T. Davies and others. 1769. Volume 18. (volume 1 of 'the letters'.) 396 pages. 1769. Volume 19. Swift, Jonathan, 1667-1745: The works of the Rev. Jonathan Swift, (London, Printed for J. Johnson, 1801), also by John Nichols and Thomas Sheridan (page images at HathiTrust) Swift, Jonathan, 1667-1745: The works of the Rev. -
Language and Reality in Swift's a Tale of a Tub ?
Language and Reality in Swift's A Tale of a Tub ?. ill if pi p 1 J \ Language and Reality in Swift's A Tale of a Tub Frederik N. Smith OHIO STATE UNIVERSITY PRESS : COLUMBUS Frontispiece Giovanni Battista Piranesi, Le Carceri ("The Prisons") Plate VII, second state (ca. 1761) Copyright © 1979 by the Ohio State University Press All Rights Reserved Library of Congress Cataloging in Publication Data Smith, Frederik N 1940 Language and reality in Swift's A tale of a tub. Bibliography: p. Includes index. 1. Swift, Jonathan, 1667-1745. A tale of a tub. 2. Swift, Jonathan, 1667-1745—Style. I. Title. PR3724.T33S6 823'.5 79-15355 ISBN 0-8142-0294-2 To the memory of my mother and father Contents Preface ix Introduction 3 One Words and Things 9 Two Wordplay 27 Three Lexical Fields 49 Four Syntax and Rhythm 71 Five Language and Madness 93 Six Reality and the Limits of Mind 125 Glossary for A Tale of a Tub 145 Bibliography 165 Index 169 Preface The manuscript of a book may be written alone, but it is not revised without the opinions of others, nor does it reach publication without the assistance of still others. I owe a great debt to my friends Professor William B. Piper of Rice University and Professor Robert Wallace of Case Western Reserve University, both of whom read the entire manuscript and made innumerable, invaluable comments and criticisms—the majority of which I incorporated into the final draft. I wish also to thank my friends and former colleagues Professor Louis D. -
Alphabetical Index of Articles Published in Swift Studies (1986-2020)
Alphabetical Index of Articles Published in Swift Studies (1986-2020) Alderson, Simon J., ‘Swift and the Pun’, Swift Studies, 1996, 47–57 Apke, Bernd, ‘When Nature Took Sides: Richard Janthur’s Expressionist Illustrations of Gulliver’s Voyage to the Country of the Houyhnhnms’, Swift Studies, 2013, 115– 27 Arnold, Bruce, ‘“A Protestant Purchaser”: Bartholomew Van Homrigh, Merchant Adventurer’, Swift Studies, 2000, 42–50 ———, ‘“Those Who Seek to Obtain My Estate”: Swift on Love and Envy’, Swift Studies, 1996, 25–45 Arnott, Les G., ‘A Letter to the Editor of The Independent: Modest Proposal’, Swift Studies, 2006, 125 Baines, Paul, ‘Swift’s Last Speech and Dying Words of Ebenezor Elliston: Reading the Ephemeral Text’, Swift Studies, 2013, 78–95 Baltes, Sabine, ‘Diversion, Dollars, and the Dean: Jonathan Swift and Popular Culture’, Swift Studies, 2004, 110–20 ———, ‘Father Time: The Emblematic and Iconographic Context of “The Epistle Dedicatory to His Royal Highness Prince Posterity” in Swift’s Tale’, Swift Studies, 2005, 41–50 ———, ‘“The Grandson of That Ass Quin”: Swift and Chief Justice Whitshed’, Swift Studies, 2008, 126–46 Bernard, Stephen J., ‘Jonathan Swift and A Key, Being Observations and Explanatory Notes, upon the Travels of Lemuel Gulliver, with a New Edition of A Key’, Swift Studies, 2012, 87–119 Blanchard, W. Scott, ‘Swift’s Tale, the Renaissance Anatomy, and Humanist Invective’, Swift Studies, 2001, 83–97 Bony, Alain, ‘Mutiny on the Adventure: A Possible Source of Gulliver’s Travels’, Swift Studies, 2004, 72–85 Boucé, Paul-Gabriel, ‘The Rape of Gulliver Reconsidered’, Swift Studies, 1996, 98–114 Boyle, Frank T., ‘Ehrenpreis’s Swift and the Date of the Sentiments of a Church-of-England Man’, Swift Studies, 1991, 30–37 Brown, M. -
Introduction
Cambridge University Press 0521802474 - The Cambridge Companion to Jonathan Swift Edited by Christopher Fox Excerpt More information CHRISTOPHER FOX Introduction “When a true Genius appears in the World,” Swift wrote, “you may know him by this infallible Sign; that the Dunces are all in Confederacy against him”(PW i: 242). He may well have been speaking about himself. After his death, his ghost was said to haunt the aisles of St. Patrick’s Cathedral in Dublin, complaining that “The Pamphlets wrote against me, would have form’d a Library.”1 Jonathan Swift (1667–1745) lived a contentious life in a contentious age. The day Swift, an ordained Anglican priest, became Dean of St. Patrick’s in 1713, these lines of welcome were said to be posted on the Cathedral gate: Look down St. Patrick, look we pray, On thine own Church and Steeple, Convert thy Dean, on this great Day, Or else God help the People.2 Swift of course invited and sometimes even welcomed this response. He did so because he was first and foremost a political writer, and one who was not afraid to speak truth to power. As a political writer, Swift was a brilliant controversialist with an uncanny ability to become what he attacked and then burrow from within. During his lifetime, political writers were at a premium. Swift lived to see the emergence of the new two-party system in the wake of the so-called Glorious Revolution of 1688 and the explosion of print media after the lapse of the Licensing Act in 1695. -
A Magazine of Verse Edited by Harriet Monroe January 1921
Vol. XVII No. IV A Magazine of Verse Edited by Harriet Monroe January 1921 Swift's Pastoral by Padraic Colum A Good-night by Wm. Carlos Williams Poems by Mary Austin and Edgar Lee Masters 543 Cass Street Chicago $3.00 per Year Single Numbers 25c Vol. XVII No. IV POETRY for JANUARY, 1921 PAGE Swift's Pastoral Padraic Colum 175 Keats to Fanny Brawne Edgar Lee Masters 181 A Goodnight William Carlos Williams 182 Feel of Brambles Hazel Raiuson Cades 184 Through Windows Mercedes de Acosta 185 Lumbermen—Soiled Hands—Unreality—To Vouletti Three Poems Moireen Fox a Cheavasa 188 Dierdre—Silence—Disillusion The Sorrowful Masquerade .... John Hall Wheelock 189 To One Who Asks Mary Aldis 190 Lyrics I-II Harold Cook 191 Two Poems Mary Austin 192 Whence—Unworthy Love Presage F. S. Putnam 193 Songs of Youth Benjamin Rosenbaum 194 Seeking Love—Gone—Glimpses of Her—My Purple Gown from Tyre The Fearless Mortimer J. Adler 197 Spectre-theme Leone Baker 198 Reflections Charles deGuire Christoph 199 Neighbor Moon I-IV—Profile—Old Places—Thought of Women—Herons—Improvisation What are They Doing? H. M. 204 Two Poets have Died H. M. 208 Reviews: The Old Adam .A. C. H. 212 "The Cleverest Young Poet in England" Isidor Schneider 217 Through a Mist Darkly Marion Strobel 220 The Democracy of Genius . Emanuel Carnevali 222 Correspondence: Miss Rittenhouse Explains . Jessie B. Rittenhouse 227 Australian and U. S. Copyrights . H. W Stewart 229 Poems in "The Touchstone" . Marguerite Wilkinson 230 Notes and Books Received . .231, 232 Manuscripts must be accompanied by a stamped and self-addressed envelope. -
Jonathan Swift (1667-1745)
JONATHAN SWIFT (1667-1745) Ian Campbell Ross Jonathan Swift is most famous as the author of Gulliver’s Travels (1726), the most widely read book ever written in Ireland or by an Irish writer. Never out of print since its first publication, translated into countless languages, read in innumerable editions and abridgements, made into films and cartoons (one starring Mickey Mouse), and the subject of impassioned arguments over nearly three centuries as to its essential morality or misanthropy, Gulliver’s Travels is nonetheless only a small part of Jonathan Swift’s writings, in verse and prose, produced over a period of more than fifty years, during which he served as a priest of the Protestant Church of Ireland, most notably as Dean of St. Patrick’s Cathedral, Dublin. Swift was born in Dublin in 1667. His father, a lawyer, died before Jonathan’s birth, and his childhood was partly spent in the care of a nurse and most likely in the absence of both parents. Certainly, he boarded at Kilkenny College between the ages of six and fourteen, receiving the foundations of the classical humanist education reserved for boys of his social class. In 1682, Swift entered what was then Ireland’s only university, Trinity College Dublin, continuing his studies in Latin and Greek, adding Hebrew, and deepening his knowledge of Aristotelian philosophy. After four years, he graduated with the degree of B.A. ex speciali gratia—a term that Swift later glossed to imply that he had been a poor student but which most likely did not have the negative connotations Swift would later mischievously suggest. -
Cornered: Intimate Relations in the Words Upon the Window-Pane
International Yeats Studies Volume 5 Issue 1 Article 3 April 2021 Cornered: Intimate Relations in The Words upon the Window-Pane Charles I. Armstrong University of Agder, Norway Follow this and additional works at: https://tigerprints.clemson.edu/iys Recommended Citation Armstrong, Charles I. (2021) "Cornered: Intimate Relations in The Words upon the Window-Pane," International Yeats Studies: Vol. 5 : Iss. 1 , Article 3. DOI: https://doi.org/10.34068/IYS.05.01.02 Available at: https://tigerprints.clemson.edu/iys/vol5/iss1/3 This Article is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in International Yeats Studies by an authorized editor of TigerPrints. For more information, please contact [email protected]. Cornered: Intimate Relations in The Words Upon the Window-Pane Charles I. Armstrong hen Wheels and Butterflies was published by Macmillan in 1934, both the cover and the title page featured an image of three faces clustered together in a circular formation. This image was based Won theatrical masks made by the Dutch artist Hildo van Krop for The Only Jealousy of Emer and subsequently used in a Dublin production of Fighting the Waves (a dance play based on The Only Jealousy of Emer). The masks belong to the characters of the Woman of the Sidhe, Emer, and Cuchulain, and their juxtaposition on the cover reflects the complex love triangle inFighting the Waves.1 Set in intimate proximity, the three partially overlapping faces appear anguished and awkwardly, even forcibly intertwined. Although originally written and staged in 1930, The Words upon the Window-Pane was—like Fighting the Waves—one of the four plays included in the Wheels and Butterflies volume.