The Restoration/18Th Century & Romantic Literature
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Rudyard Kipling's Techniques
Rudyard Kipling's Techniques The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Friedman, Robert Louis. 2016. Rudyard Kipling's Techniques. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33797390 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA ! Rudyard Kipling’s Techniques: Their Influence on a Novel of Stories An Introductory Essay and an Original Novel, Answers Lead Us Nowhere Robert Louis Friedman A Thesis in the Field of Literature and Creative Writing for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2016 ! ! Copyright 2016 Robert Louis Friedman ! ! Abstract This thesis investigates the techniques of Rudyard Kipling and his influence on my “novel of short stories”. How did Kipling advance the short story form over a half-century of experimentation? How did his approaches enliven the reader’s experience to such a degree that his greatest works have remained in print? Beginning in 1888 with Plain Tales From the Hills, Kipling utilized three innovative techniques: the accretion of unrelated stories into the substance of a novel; the use of tales with their fantastical dreamlike appeal (as opposed to standard fictional styles of realism or naturalism) to both salute and satirize characters in adult fiction; and the swift deployment of back story to enhance both the interwoven nature and tale-like feel of the collection. -
Read Ebook His Wedded Wife (Paperback)
WPZMCDKPNWYH # Doc // His Wedded Wife (Paperback) His W edded W ife (Paperback) Filesize: 5.29 MB Reviews This is the very best publication i actually have read until now. It really is packed with knowledge and wisdom I am happy to let you know that this is the very best publication i actually have read in my very own existence and could be he greatest pdf for ever. (Dr. Nelda Schuppe) DISCLAIMER | DMCA 0BM7PBBTCML1 ~ PDF » His Wedded Wife (Paperback) HIS WEDDED WIFE (PAPERBACK) To download His Wedded Wife (Paperback) eBook, you should refer to the web link beneath and download the file or have access to other information which are related to HIS WEDDED WIFE (PAPERBACK) ebook. Createspace, 2014. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.Joseph Rudyard Kipling (30 December 1865 - 18 January 1936 was an English short-story writer, poet, and novelist. He wrote tales and poems of British soldiers in India and stories for children. He was born in Bombay, in the Bombay Presidency of British India, and was taken by his family to England when he was five years old. Kipling s works of fiction include The Jungle Book (a collection of stories which includes Rikki-Tikki-Tavi ), the Just So Stories (1902), Kim (1901), and many short stories, including The Man Who Would Be King (1888). His poems include Mandalay (1890), Gunga Din (1890), The Gods of the Copybook Headings (1919), The White Man s Burden (1899), and If- (1910). He is regarded as a major innovator in the art of the short story; his children s books are enduring classics of children s literature; and one critic described his work as exhibiting a versatile and luminous narrative gi. -
Documentation De Liveusb V1.2.2-Stretch Version 1.2
Documentation de liveUSB v1.2.2-stretch Version 1.2 Gregory DAVID et Vincent LABBE 29 March 2016 Documentation principale 1 Présentation du système liveUSB 3 1.1 Logiciels installés..........................................3 1.2 Comparaison avec ClefAgreg/Clef ISN...............................7 2 Téléchargement et utilisation du système liveUSB 9 2.1 Pour utiliser un système déjà configuré et testé (méthode la plus simple)..............9 2.2 Pour configurer le système pour d’autres besoins (méthode plus complète)............9 3 Captures d’écran 11 3.1 Généralités.............................................. 11 3.2 Exemples d’applications préinstallées (ici en version 1.2.2-stretch )................ 13 4 Documentation utilisateur 15 4.1 Comment permettre le démarrage du système sur la clé....................... 15 4.2 Configuration par défaut....................................... 15 4.3 Comment installer un paquet manquant............................... 15 4.4 Erreurs ou avertissements possibles................................. 16 5 Documentation distributeur 17 5.1 Téléchargement de l’image système................................. 17 5.2 Transfert de l’image système et configuration de la persistance................... 17 5.3 Et si on dispose déjà d’une clef liveUSB ?.............................. 21 6 Documentation constructeur 23 6.1 Prologue............................................... 23 6.2 Mécanisme général d’une construction ............................... 23 6.3 Mise en œuvre de la construction.................................. 23 7 Documentation contributeur 27 7.1 Vous rencontrez des dysfonctionnements.............................. 27 7.2 Vous ne trouvez pas la documentation adaptée à votre besoin.................... 29 7.3 Vous voulez apporter votre aide, votre savoir-faire ou votre expertise................ 29 8 Nomenclature 33 9 Installation de live-build pour les utilisateurs sans Debian GNU/Linux 35 9.1 Récupération du code source..................................... 35 9.2 Installation de live-build ................................... -
John Carpenter Lost Themes II
John Carpenter Lost Themes II track listing: 1 Distant Dream (3:51) 2 White Pulse (4:21) 3 Persia Rising (3:40) 4 Angel’s Asylum (4:17) 5 Hofner Dawn (3:15) 6 Windy Death (3:40) 7 Dark Blues (4:16) 8 Virtual Survivor (3:58) 9 Bela Lugosi (3:23) 10 Last Sunrise (4:29) 11 Utopian Facade (3:48) 12 Real Xeno (4:30) (cD bonus track) key information / selling Points: Hometown / Key Markets: • Los Angeles, New York, Philadelphia, Chicago Selling Points / Key Press: • Lost Themes charted at #44 on Billboard Top Albums • More than 26,000 units of Lost Themes have shipped to date; Soundscan LTD is 14,733 On Halloween 2014, the director and composer John Carpenter introduced • Lost Themes is the highest selling album in label’s history the world to the next phase of his career with “Vortex,” the first single fromLost • Worldwide tour planned – playing live for the first time Themes, his first-ever solo record. In the months that followed,Lost Themes right- ever – with full band and stage production, May-Nov. 2016 fully returned Carpenter to the forefront of the discussion of music and film’s • Primavera, ATP Iceland, and ATP Release the Bats crucial intersection. Carpenter’s foundational primacy and lasting influence on already confirmed genre score work was both rediscovered and reaffirmed. So widespread was the • Secretly Distribution/ADA exclusive Purple & White Swirl acclaim for Lost Themes, that the composer was moved to embark on something Vinyl, edition of 2500 he had never before entertained – playing his music live in front of an audience. -
Cambridge University Press 978-1-108-83944-0 — Swift in Print Valerie Rumbold Index More Information
Cambridge University Press 978-1-108-83944-0 — Swift in Print Valerie Rumbold Index More Information Index This index focuses on four areas: Swift’s attitudes, actions and engagements with print and publication; his published writings and relevant collections; general topics relating to print; and individuals variously connected with Swift and his published work. For works attributable to individuals other than Swift, see references under their names; for Swift’s correspondence, see addressee. For a more general overview of the book’s contents, see chapter summaries in the Preface; and, for modern scholarship and editions, see the listing in Works Cited. Acheson, Sir Arthur and Lady Anne, 205, 206–7, Baudrier, Sieur de, 121–2 215, 286 Beckingham, Charles, 255 Addison, Joseph, 94, 107, 108, 132 Bentley, Richard, 110, 130–1, 240 Allen, Joshua, second Viscount Allen, 214 Berkeley, Charles, second Earl of Berkeley, 35, 41, All Fools’ Day, 69 48, 91, 126–7 almanacs and astrological writing, 4, 10, 28, 67–8, Berkeley, Elizabeth, Countess of Berkeley, 91, 95 72, 74, 78, 83–4, 159 Berkeley, Lady Elizabeth, see Lady Betty Germain Amy, Robert, 254 Best in Christendom, The, 198–9 Anderson, Andrew, 92 Bettenham, James, 188 Anne, Queen, 79, 89, 102, 114–15, 120, 123, 124, Bettesworth, Arthur, 254 129, 131, 195, 240–1 Bible, 4, 165 Answer to the Proposal for the Universal Use of Irish Bickerstaff, Isaac (librettist), 72 Manufactures, An, 151 Bickerstaff, Isaac (fictitious author), 28, 66, 67, Arbuthnot, John, 130–1, 185–6, 191, 195, 196, 68, 71, 72–3, -
XMAS DOUBLE NUMBER Nos. 6 & 7
XMAS DOUBLE NUMBER COTERIE NINA HAMNETT Nos. 6 & 7 Winter, 1920-21 COTERIE A Quarterly ART, PROSE, AND POETRY General Editor: Russell Green. American Editors: Conrad Aiken, South Yarmouth, Mass., U.S.A. Stanley I. Rypins, University of Minnesota, Minneapolis, Minn., U.S.A. Editorial Committee: T. W. Earp. Aldous Huxley. Nina Hamnett. Literary and Art Contributions for publication in COTERIE should be addressed to the Editor, 66 Charing Cross Road, London, W.C.2; or in U.S.A. to the American Editors. All other communications should be addressed to Hendersons, 66 Charing Cross Road, London, W.C.2. Contributors who desire the return of rejected MSS. are requested to enclose a stamped addressed envelope. COTERIE is published Quarterly, price 2s. 8d., post free. Yearly subscription, 10s. 8d., post free. New York, U.S.A.: Copies may be purchased at Brentano's, price 75 cents; or yearly, $3. Paris: Copies may be had from W. H. Smith & Son, Rue de Rivoli. COTERIE NINA HAMNETT LONDON : HENDERSONS SIXTY-SIX CHARING CROSS ROAD COTERIE, Winter, 1920-21, Nos. 6 and 7 Xmas Double Number - COVER DESIGN by NINA HAMNETT I. John Burley: " Chop and Change " 6 II. Roy Campbell: Canal 23 The Head 23 The Sleepers 24 III. Wilfrid Rowland Childe: Hymn to the Earth 26 IF. Thomas Earp: Grand Passion 28 Post-mortem 28 Cowboy Bacchanale 29 V. Godfrey Elton: Farcical Rhyme 31 VI. John Gould Fletcher: The Star 32 Who will Mark 33- VII. Frank Harris: Akbar: The " Mightiest" 34 VIII. Russell Green : Gulliver 52 IX. G. H. Johnstone : Naive 58 X. -
A Modest Proposal and Other Writings
J O NAT HA N SWIFT A Modest Proposal and Other Writings Edited with an Introduction by • CAROLE FABRICANT Contents Acknowledgements ix Chronology xi Abbreviations - xvi Introduction xxi Further Reading xxxix Note on the Text xlvi List of Illustrations xlix A MODEST PROPOSAL AND OTHER WRITINGS When I come to be old (1699) 3 A Meditation upon a Broom-Stick (?i7O3) 5 The Story of the Injured Lady. In a Letter to her Friend, with his Answer (1707) 7 from The Bickerstaff Papers (1708-1709): 15 Predictions for the Year 1708 15 The Accomplishment of the First of Mr. Bickerstaff's Predictions 24 A Vindication of Isaac Bickerstaff, Esq. 27 A Famous Prediction of Merlin, the British Wizard 3 2 An Argument against the Abolishing of Christianity in England (1708) 38 The Tatler, Number CCXXX ['the continual Corruption of our English Tongue'] (28 September 1710) 51 VI CONTENTS from The Examiner (1710-11): 56 Number 13 (2 November 1710) 56 Number 14 (9 November 1710) 61 Number 20 (21 December 1710) 66 from the Journal toStella(i7io-i7i3): 72 Letter V (30 September-10 October 1710) 72 Letter XVII (24 February-10 March 1711) 79 A Hue and Cry after Dismal (1712) 89 Letter from Swift to the Earl of Oxford (3 July 1714) 92 A Modest Defence of Punning (1716) 94 Sermon, On False Witness (c. 1717) 100 A Letter to a Young Gentleman, Lately entered into Holy Orders (1720) 109 Letter from Swift to Charles Ford (4 April 1720) 128 A Proposal for the Universal Use of Irish Manufacture (1720) 130 A Letter from Dr. -
Narcocorridos As a Symptomatic Lens for Modern Mexico
UCLA Department of Musicology presents MUSE An Undergraduate Research Journal Vol. 1, No. 2 “Grave-Digging Crate Diggers: Retro “The Narcocorrido as an Ethnographic Fetishism and Fan Engagement with and Anthropological Lens to the War Horror Scores” on Drugs in Mexico” Spencer Slayton Samantha Cabral “Callowness of Youth: Finding Film’s “This Is Our Story: The Fight for Queer Extremity in Thomas Adès’s The Acceptance in Shrek the Musical” Exterminating Angel” Clarina Dimayuga Lori McMahan “Cats: Culturally Significant Cinema” Liv Slaby Spring 2020 Editor-in-Chief J.W. Clark Managing Editor Liv Slaby Review Editor Gabriel Deibel Technical Editors Torrey Bubien Alana Chester Matthew Gilbert Karen Thantrakul Graphic Designer Alexa Baruch Faculty Advisor Dr. Elisabeth Le Guin 1 UCLA Department of Musicology presents MUSE An Undergraduate Research Journal Volume 1, Number 2 Spring 2020 Contents Grave-Digging Crate Diggers: Retro Fetishism and Fan Engagement 2 with Horror Scores Spencer Slayton Callowness of Youth: Finding Film’s Extremity in Thomas Adès’s 10 The Exterminating Angel Lori McMahan The Narcocorrido as an Ethnographic and Anthropological Lens to 18 the War on Drugs in Mexico Samantha Cabral This Is Our Story: The Fight for Queer Acceptance in Shrek the 28 Musical Clarina Dimayuga Cats: Culturally Significant Cinema 38 Liv Slaby Contributors 50 Closing notes 51 2 Grave-Digging Crate Diggers: Retro Fetishism and Fan Engagement with Horror Scores Spencer Slayton he horror genre is in the midst of a renaissance. The slasher craze of the late 70s and early 80s, revitalized in the mid-90s, is once again a popular genre for Treinterpretation by today’s filmmakers and film composers. -
Stories of the Fallen Willow
Stories of the Fallen Willow by Jessica Noel Casimir Senior Honors Thesis Department of English and Comparative Literature April 2020 1 dedication To my parents who sacrifice without hesitation to support my ambitions, To my professors who invested their time and shared their wisdom, And to my fellow-writer friends made along the way. Thank you for the unconditional support and words of encouragement. 2 table of contents Preface…………………………………………………………………………….4 Sellout……………………………………………………………………………..9 Papercuts…………………………………………………………………………24 Static……………………………………………………………………………...27 Dinosaur Bones………………………………………………………………..…32 How to Prepare for a Beach Trip in 4 Easy Steps………………………………..37 A Giver…………………………………………………………………………...39 Hereditary………………………………………………………………………...42 Tomato Soup…………………………………………………………………...…46 A Fair Trade………………………………………………………………………53 Fifth Base…………………………………………………………………………55 Remembering Bennett………………………………………………………….…60 Yellow Puddles……………………………………………………………………69 Head First…………………………………………………………………...…….71 3 preface This introduction is meant to be a moment of honesty. So, I’ll be candid in saying that this is my eighth attempt at writing it. I’ve started and stopped, deleted and retyped, closed my laptop and reopened it. Never in my life have I found it this difficult to write, never in my life has my body physically ached at the thought of sitting down and spending time in my own headspace. Right now, my headspace is the last place on earth I want to be. I’ve decided that this will be my last attempt at writing, and whatever comes out now will remain on the page. I am currently sitting on my couch under a pile of blankets, reclined back as far as my seat will allow me to go. My Amazon Alexa is belting music from an oldies playlist, and my dad is sitting at the kitchen table singing along to “December, 1963” by The Four Seasons as he works. -
Mistress of Magnolia Hall]
Library of Congress [Mistress of Magnolia Hall] Project #-1655 Chalmers S. Murray Edisto Island, S. C. LIFE HISTORY. MISTRESS OF MAGNOLIA HALL. Everything was quiet when I drove up. A few Negroes were moving listlessly about the cotton arbor, and a mangy mouse-colored hound lay like dead on the ground by the whitewashed barn. I took my eyes from the dog lying there in the dust and looked instead at the tall pines, the great laurel tree and the grove of live oaks. Then my eyes refreshed, wandered in a semi-circle and rested on the plantation dwelling - a large two and a half story structure, painted battle ship grey, rising sheerly from the black dirt of the front yard. The breeze died to a whisper. It was too tired even to rustle the pine needles. The September sun was hot on my cheeks, and I walked toward the dwelling already picturing myself seated in one of the porch chairs in the deep shade. Eight black forms were dragging themselves along the path leading to the cotton arbor where the staple would soon be weighed and later put out in the sun to dry. The figures were bearing burlap sacks, stuffed with cotton, on their heads. No words escaped from their thick lips. The last figure in the procession - a copper colored boy of about ten, was followed by a little black dog. I looked closely at the dog as it passed me. It seemed to have purple eyes. The boy walked within a few feet of the spot where the hound was 2 Project #-1655 [Mistress of Magnolia Hall] http://www.loc.gov/resource/wpalh3.31060532 Library of Congress Chalmers S. -
1 Joseph Conrad (1857-1924) Youth (1902) This Could Have Occurred
1 Joseph Conrad (1857-1924) Youth (1902) This could have occurred nowhere but in England, where men and sea interpenetrate, so to speak—the sea entering into the life of most men, and the men knowing something or everything about the sea, in the way of amusement, of travel, or of bread-winning. We were sitting round a mahogany table that reflected the bottle, the claret-glasses, and our faces as we leaned on our elbows. There was a director of companies, an accountant, a lawyer, Marlow, and myself. The director had been a Conway boy, the accountant had served four years at sea, the lawyer—a fine crusted Tory, High Churchman, the best of old fellows, the soul of honor— had been chief officer in the P. & O. service in the good old days when mail- boats were square-rigged at least on two masts, and used to come down the China Sea before a fair monsoon with stun'-sails set alow and aloft. We all began life in the merchant service. Between the five of us there was the strong bond of the sea, and also the fellowship of the craft, which no amount of enthusiasm for yachting, cruising, and so on can give, since one is only the amusement of life and the other is life itself. Marlow (at least I think that is how he spelt his name) told the story, or rather the chronicle, of a voyage: “Yes, I have seen a little of the Eastern seas; but what I remember best is my first voyage there. -
The Oxford Companion to English Literature, 6Th Edition
e cabal, from the Hebrew word qabbalah, a secret an elderly man. He is said by *Bede to have been an intrigue of a sinister character formed by a small unlearned herdsman who received suddenly, in a body of persons; or a small body of persons engaged in vision, the power of song, and later put into English such an intrigue; in British history applied specially to verse passages translated to him from the Scriptures. the five ministers of Charles II who signed the treaty of The name Caedmon cannot be explained in English, alliance with France for war against Holland in 1672; and has been conjectured to be Celtic (an adaptation of these were Clifford, Arlington, *Buckingham, Ashley the British Catumanus). In 1655 François Dujon (see SHAFTESBURY, first earl of), and Lauderdale, the (Franciscus Junius) published at Amsterdam from initials of whose names thus arranged happened to the unique Bodleian MS Junius II (c.1000) long scrip form the word 'cabal' [0£D]. tural poems, which he took to be those of Casdmon. These are * Genesis, * Exodus, *Daniel, and * Christ and Cade, Jack, Rebellion of, a popular revolt by the men of Satan, but they cannot be the work of Caedmon. The Kent in June and July 1450, Yorkist in sympathy, only work which can be attributed to him is the short against the misrule of Henry VI and his council. Its 'Hymn of Creation', quoted by Bede, which survives in intent was more to reform political administration several manuscripts of Bede in various dialects. than to create social upheaval, as the revolt of 1381 had attempted.