Introduction to Muslim Mysticism Module Code: IRFINT Course Duration
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№3 2015 Bahram Moghaddas, Mahdieh Boostani НААУЧНЫИ the INFLUENCE OFRUMI’S THOUGHT РЕЗУЛЬТАТ on WHITMAN’S POETRY Сетевой Научно-Практический Журн
View metadata, citation and similar papers at core.ac.uk brought to you by CORE providedа by DSpace у ч at Belgorod н ы State й University р е з у л ь т а т UDC 821 DOI: 10.18413 / 2313-8912-2015-1-3-73-82 Bahram Moghaddas PhD in TEFL, Ministry of Education, Mahmoodabad, Mazandaran, Iran Department of English, Khazar Institute of Higher Education, Iran E-mail: [email protected] Mahdieh Boostani PhD Candidate in the English Language and Literature, Banaras Hindu University, India E-mail: [email protected] Ab STRACT ufism or tasaw w uf is the inner, mystical, or psycho-spiritual dimension of Islam. SHowever, many scholars believe that Sufism is outside the sphere of Islam. As a result, there has always been disagreement among religious scholars and Sufis themselves regarding the origins of Sufism. The traditional view sees Sufism as the mystical school of Islam and its beginnings in the first centuries following the life of the Prophet Mohammad. Indeed, there is another view that traces the pre-Islamic roots of Sufism back through mystics and mystery schools of the other regions gathered into the trunk known as Islamic Sufism. The word Sufi originates from a Persian word meaning wisdom and wisdom is the ultimate power. The following survey tries to explore this concept in the works of Rumi and its impact on the western writers and poets particularly Whitman. It tries to show how Whitman inspired from Rumi and came to be the messenger of Sufism in his poems. These poems reveal the depth of Sufi spirituality, the inner states of mystical love, and the Unity of Being through symbolic expressions. -
Transformations of Iran Sufism in the 12Th and 13Th Centuries
Journal of Social Science Studies ISSN 2329-9150 2020, Vol. 7, No. 2 Transformations of Iran Sufism in the 12th and 13th Centuries Seyed Mohammad Hadi Torabi PhD Research Scholar, University of Mysore, India E-mail: [email protected] Received: January 10, 2020 Accepted: March 20, 2020 Published: March 28, 2020 doi: 10.5296/jsss.v7i2.16760 URL: https://doi.org/10.5296/jsss.v7i2.16760 Abstract The 12th and 13th centuries are among the most important periods in the history of Sufism in Iran. During this period, the emergence of many great elders of Sufism and the establishment of the most famous ways and organized dynasty in Sufism by them, the formation of some of the most important treasures of Islamic Sufism, such as the dressing gown and the permission document of the dynasty, the systematic growth and development of the Monasteries as formal institutions and the social status of Sufis and the influence of Sufism in the development of Persian and Arabic prose and poetic, which in this study, briefly, the transformation and effects of Iranian Sufism are examined. Keywords: Cultural equations, Political equations, Religion, Sufism 1. Introduction Iranian Sufism, which has formed in the context of Islamic Sufism and its influence on the Sufism of the ancient religions in Iran, such as Zoroastrianism and Manichaean, has seen tremendous transformations over time, which undoubtedly caused cultural, political, social and even economic changes that have arisen in Iran has led to many ups and downs in the path of growth and excellence. Prior to the 12th century, Sufism continued to exist as a belief system based on knowledge and paths and a mystical view of religion, in which many groups and branches were formed, but differences of them were mostly in the field of thought and had little effect on the space of the community. -
On the Modern Politicization of the Persian Poet Nezami Ganjavi
Official Digitized Version by Victoria Arakelova; with errata fixed from the print edition ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI YEREVAN SERIES FOR ORIENTAL STUDIES Edited by Garnik S. Asatrian Vol.1 SIAVASH LORNEJAD ALI DOOSTZADEH ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI Caucasian Centre for Iranian Studies Yerevan 2012 Siavash Lornejad, Ali Doostzadeh On the Modern Politicization of the Persian Poet Nezami Ganjavi Guest Editor of the Volume Victoria Arakelova The monograph examines several anachronisms, misinterpretations and outright distortions related to the great Persian poet Nezami Ganjavi, that have been introduced since the USSR campaign for Nezami‖s 800th anniversary in the 1930s and 1940s. The authors of the monograph provide a critical analysis of both the arguments and terms put forward primarily by Soviet Oriental school, and those introduced in modern nationalistic writings, which misrepresent the background and cultural heritage of Nezami. Outright forgeries, including those about an alleged Turkish Divan by Nezami Ganjavi and falsified verses first published in Azerbaijan SSR, which have found their way into Persian publications, are also in the focus of the authors‖ attention. An important contribution of the book is that it highlights three rare and previously neglected historical sources with regards to the population of Arran and Azerbaijan, which provide information on the social conditions and ethnography of the urban Iranian Muslim population of the area and are indispensable for serious study of the Persian literature and Iranian culture of the period. ISBN 978-99930-69-74-4 The first print of the book was published by the Caucasian Centre for Iranian Studies in 2012. -
Mewlana Jalaluddin Rumi - Poems
Classic Poetry Series Mewlana Jalaluddin Rumi - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Mewlana Jalaluddin Rumi(1207 - 1273) Jalal ad-Din Muhammad Balkhi (Persian: ?????????? ???? ?????), also known as Jalal ad-Din Muhammad Rumi (?????????? ???? ????), and more popularly in the English-speaking world simply as Rumi (30 September 1207 – 17 December 1273), was a 13th-century Persian[1][6] poet, jurist, theologian, and Sufi mystic.[7] Iranians, Turks, Afghans, Tajiks, and other Central Asian Muslims as well as the Muslims of South Asia have greatly appreciated his spiritual legacy in the past seven centuries.[8] Rumi's importance is considered to transcend national and ethnic borders. His poems have been widely translated into many of the world's languages and transposed into various formats. In 2007, he was described as the "most popular poet in America."[9] Rumi's works are written in Persian and his Mathnawi remains one of the purest literary glories of Persia,[10] and one of the crowning glories of the Persian language.[11] His original works are widely read today in their original language across the Persian-speaking world (Iran, Tajikistan, Afghanistan and parts of Persian speaking Central Asia).[12] Translations of his works are very popular in other countries. His poetry has influenced Persian literature as well as Urdu, Punjabi, Turkish and some other Iranian, Turkic and Indic languages written in Perso-Arabic script e.g. Pashto, Ottoman Turkish, Chagatai and Sindhi. Name Jalal ad-Din Mu?ammad Balkhi (Persian: ?????????? ???? ????? Persian pronunciation: [d?æl??læddi?n mohæmmæde bælxi?]) is also known as Jalal ad- Din Mu?ammad Rumi (?????????? ???? ???? Persian pronunciation: [d?æl??læddi?n mohæmmæde ?u?mi?]). -
The Comparison of Sanai and Rumi's Outlooks Towards Women
The Comparison of Sanai and Rumi's Outlooks Towards Women Abstract The position and prominence of women in any society is associated to the attitude of the time and individuals towards women. The place of women in Iranian society has always has been controversial. In the meantime, the works of poets can be a mirror for understanding the situation of women. By considering the fact that the worldview of every poet, writer, or thinker is influenced by the intellectual, social, and cultural memory of the time and place in which the person exists; Sanai and Rumi are prominent Iranian poets whose works reflect the political, social and cultural conditions of their life. The issue raised in this study is the transformation of the position of women in society during the time of the mentioned poets. This research is accomplished by a descriptive and analytical method and relies on library data. Findings show that from the Sanai to Rumi periods, a unique social and cultural change took place that led to the enhancement of the status of women and this has been effective in the depiction of women's personalities. Sanai has a mainly negative and critical view of women and rarely cares about her position as a mother and in the service of her religious attitude towards women; nonetheless, Rumi considers woman as a manifestation of divine beauty; furthermore, in Rumi's poetry, woman is the soul, earth, and essence, and she complements creation and this distinguishes the manner in which the female figure is depicted in the poetry of Sanai. -
Bust of Persian Poet Rudaki Unveiled at Moscow University
Prayer Times Noon:12:01 Evening: 17:14 Dawn: 5:39 (tomorrow) Sunrise: 7:09 (tomorrow) DECEMBER 19, 2019 ART&CULTURE I N T E R N A T I O N A L D A I L Y www.tehrantimes.com Managing Director: Mohammad Shojaeian Editor-in-Chief: Mohammad Ghaderi Editorial Dept.: Fax: (+98 21) 88808214 — 88808895 Bust of Persian poet Rudaki [email protected] Switchboard Operator: Tel: (+98 21) 43051000 Advertisements Dept.: Telefax: (+98 21) 43051450 Public Relations Office: Tel: (+98 21) 88805807 unveiled at Moscow university Subscription & Distribution Dept.: Tel: (+98 21) 43051603 www.eshterak.ir Distributor: Padideh Novin Co. CULTURE TEHRAN — A bust of Tel: 88911433 deskRudaki, who is considered Webmaster: [email protected] as the father of classical Persian poetry, has Printed at: Jame Jam Bartar Borna - 44197737 been unveiled at the Lomonosov Moscow State University in Russia. Tehrantimes79 Tehrantimesdaily The statue has been presented to the university by the Embassy of Iran, the Persian No. 18, Bimeh Alley, Nejatollahi St., Tehran, Iran P.o. Box: 14155-4843 service of IRNA reported on Tuesday. Zip Code: 1599814713 Lomonosov Moscow State University rector Victor Sadovnichy, Institute of Asian and African Studies acting director Igor I. Abylgaziyev, Iranian Ambassador Mehdi Sanai, some Tajik and Afghan diplomats and groups of students attended the unveiling ceremony. In his brief speech, Sadovnichy pointed to the close cultural ties between the Persian- speaking nations and the Russian people, and GUIDE TO stressed the need for the expansion of cultural SPIRITUAL AWAKENING and academic relations among the countries. He also expressed his thanks to the Being wealthy is a source of lustfulness. -
Art Illustration of Khaghani and Sanai with Beloved Figure
Special Issue INTERNATIONAL JOURNAL OF HUMANITIES AND March 2016 CULTURAL STUDIES ISSN 2356-5926 Art Illustration of Khaghani and Sanai with Beloved Figure Fazel Abbas Zadeh, Parisa Alizadeh1 1.Department of Persian Language and Literature, Parsabad Moghan Branch, Islamic Azad University, Parsabad Moghan, Iran Abstract In this paper, a beloved figure in the poetry of Khaghani and Sanai and art illustration of the beloved poet both studied and analyzed. Both Sanai with entering his poetic mysticism, poetry and pomp Khaghani a special place in Persian poetry and the tradition of its time focused on the issue of love and beloved. However, this possibility is the mystical dimension or later Ghanaian or other dimensions. The themes are discussed in this article, from the perspective of artistic imagery and imagery in describing the beloved and important way overnight. For each poetic images and titles to mention a poem by each poet control is sufficient. Finally, the author focuses on the overall analysis and the desired result is achieved. Keywords: beloved, Khaghani, Sanai, poetry, lyrics, imagery. http://www.ijhcs.com/index.php/ijhcs/index Page 2146 Special Issue INTERNATIONAL JOURNAL OF HUMANITIES AND March 2016 CULTURAL STUDIES ISSN 2356-5926 Introduction: In Persian poetry lover and beloved literary tradition is one of the themes in literature, especially in Ghana and its lyric, there has been much attention and centuries, in every period of Persian poetry, there have been two specific attitudes towards it. In fact, the beloved main role is decisive and in other words, the circuit is of Iranian literature. Art imaging, the main focus centered and superficial beauty of the beloved, the imaginary form of the simile, metaphor, virtual instruments and diagnostics (animation); that is the beauty and wonders of nature poet pays to describe the beloved around. -
"Flower" and "Bird" and the Related Mystical Literature
Science Arena Publications Specialty Journal of Humanities and Cultural Science Available online at www.sciarena.com 2017, Vol, 2 (2): 7-15 Study of "Flower" and "Bird" and the Related Mystical Literature hamideh samenikhah1, Ardeshir Salehpour2 1MA of art research, Department of Art and Architecture, Islamic Azad University, Tehran center Branch, Iran. Email: [email protected] 2PhD of art research, Department of Art and Architecture, Islamic Azad University, Tehran center Branch, Iran Abstract: In painting and scriptures, patterns and images transfer special meaning to the audience which are known as symbols. Understanding the concepts of such symbols forms a work. As it is known, there is a long- standing link between literature and art. Traditionally, poets or artists use symbols in literature and art to express their purposes. Since the images are the symbols of mystical concepts, it can be said that the painting is directly connected to mysticism. For example, in the paintings and scriptures of flower and bird, flower is the symbol of the beloved and bird is the symbol of lover. The romantic speeches between flower and bird are the symbol of God's praise. Flower and bird paintings are dedicated to Iranian art that refer to four thousand years ago, the companion of plant with bird is originated from the Phoenix myths and the tree of life. Interpretations of flowers and birds in nature are concerned by most poets. Flower and bird are used in the works of the poets, especially those who use the symbol for mystical concepts. The present research which is written in descriptive method aims to study "flower" and "bird" and the mystical literature related to these concepts. -
A Poet Builds a Nation.Pdf
DOI: 10.9744/kata.16.2.109-118 ISSN 1411-2639 (Print), ISSN 2302-6294 (Online) OPEN ACCESS http://kata.petra.ac.id A Poet Builds a Nation: Hafez as a Catalyst in Emerson’s Process of Developing American Literature Behnam Mirzababazadeh Fomeshi*, Adineh Khojastehpour Independent scholars * Corresponding author emails: [email protected] , [email protected] ABSTRACT Numerous studies have tried to elucidate the relationship between Emerson and Hafez. While most of these studies laid emphasis on influence of Hafez on Emerson and others on similarity and/or infatuation, they left untouched some vital historical aspects of this relationship. Taking into consideration the political and literary discourses of Emerson‘s America may illuminate the issue. America‘s attempt to gain independence from Britain, Emerson‘s resolution to establish an American literary tradition, his break with the European fathers to establish that identity, his open-mindedness in receiving non-European cultures and the correspondence between Emerson‘s transcendentalism and Hafez‘s mysticism led to Hafez‘s reception by Emerson. Keywords: Hafez; Emerson; comparative literature; reception; national identity INTRODUCTION The relationship between Hafez and Emerson has been extensively studied. Most of the researchers In addition to being considered the father of trans- have highlighted influence and some have empha- cendentalism, the American poet and philosopher, sized similarity or infatuation. For instance, Fotouhi Ralph Waldo Emerson (1803-1882) was a remar- and Taebi (2012) believed that Emerson‘s poetic taste kable figure concerning Persian literature. The poet‘s made him study Persian poets and ―correspondence most fruitful years coincided with his careful study of between their mystical insight and his transcendental Persian poets. -
Rumi (A Semiotics Approach)
ANALYSIS OF LANGUAGE STYLE IN POETRY "CINTA DALAM KEFANAAN" RUMI (A SEMIOTICS APPROACH) Fitriyah Fitriyah Dosen Universitas Bina Sarana Informatika Jalan Jl. Kramat Raya No.98, RT.2/RW.9, Kwitang, Kec. Senen, Kota Jakarta Pusat Sur-el: [email protected] Abstract :. The aim of this research is to analyze one of Rumi's poetries entitled "Cinta dalam Kefanaan" which was translated by Abdul Hadi. Poetry will be analyzed based on a semiotic approach, which is to determine the style of language used in Rumi's poetry, especially the language that shows symbols of love. The poetry "Cinta dalam Kefanaan" is one of Rumi's poetry filled with the language of love. Rumi was completely immersed in his newfound love. The result shows that Rumi used a symbolic and romantic image of the search for a lost beloved. Love is made aware of the presence of the Master. Rumi's life story shows us that the longing and emptiness we feel because of losing love is a reflection of a longing for God, who is ultimately a manifestation of compassion found in his own soul. Keywords: Poetry, Rumi, language style, semiotic Abstrak : Tujuan dari penelitian ini adalah untuk menganalisa salah satu puisi Rumi berjudul "Cinta dalam Kefanaan" yang diterjemahkan oleh Abdul Hadi. Puisi akan dianalisis berdasarkan pendekatan semiotik, yaitu untuk mengetahui gaya bahasa yang digunakan dalam puisi Rumi, terutama bahasa yang menunjukkan simbol cinta. Puisi “Cinta dalam Kefanaan” adalah salah satu puisi Rumi yang diisi dengan bahasa cinta. Rumi benar-benar melebur dalam cinta yang baru ditemukan. Ini menunjukkan citra simbolis dan romantis tentang pencarian kekasih tercinta yang hilang. -
Why Should Anyone Be Familiar with Persian Literature?
Annals of Language and Literature Volume 4, Issue 1, 2020, PP 11-18 ISSN 2637-5869 Why should anyone be Familiar with Persian Literature? Shabnam Khoshnood1, Dr. Ali reza Salehi2*, Dr. Ali reza Ghooche zadeh2 1M.A student, Persian language and literature department, Electronic branch, Islamic Azad University, Tehran, Iran 2Persian language and literature department, Electronic branch, Islamic Azad University, Tehran, Iran *Corresponding Author: Dr. Ali reza Salehi, Persian language and literature department, Electronic branch, Islamic Azad University, Tehran, Iran, Email: [email protected] ABSTRACT Literature is a tool for conveying concepts, thoughts, emotions and feelings to others that has always played an important and undeniable role in human life. Literature encompasses all aspects of human life as in love and affection, friendship and loyalty, self-sacrifice, justice and cruelty, manhood and humanity, are concepts that have been emphasized in various forms in the literature of different nations of the world. Poets and writers have endeavored to be heretics in the form of words and sentences and to promote these concepts and ideas to their community. Literature is still one of the most important identifiers of nations and ethnicities that no other factor has been able to capture. As a rich treasure trove of informative and educational material, Persian literature has played an important role in the development and reinforcement of social ideas and values in society, which this mission continues to do best. In this article, we attempt to explain the status of Persian literature and its importance. Keywords: language, literature, human, life, religion, culture. INTRODUCTION possible to educate without using the humanities elite. -
(PDF Format) the Booklet “Cultural Parameters of Iranian Musical
Cultural Parameters of Iranian Musical Expression Edited by Margaret Caton & Neil Siegel The Institute of Persian Performing Arts Cultural Parameters of Iranian Musical Expression Presented at the 1986 meetings of The Middle East Studies Association November, 1986 Margaret Caton Jean During Robyn Friend Thomas Reckord Neil Siegel Mortezâ Varzi Edited by Margaret Caton & Neil Siegel Published by: The Institute of Persian Performing Arts 38 Cinnamon Lane Rancho Palos Verdes, California 90275 Copyright (c) 1986 / 1988 by the authors and The Institute of Persian Performing Arts (IPPA). All Rights Reserved. Re-formatted 2002 Table of Contents 1. Performer-Audience Relationships in the Bazm. Mortezâ Varzi; assisted by Margaret Caton, Robyn C. Friend, and Neil Siegel . .....1 2. Contemporary Contexts for Iranian Professional Musical Performance. Robyn C. Friend and Neil G. Siegel . ......8 3. Melodic Contour in Persian Music, and its Connection to Poetic Form and Meaning. Margaret Caton . .....15 4. The Role of Religious Chant in the Definition of the Iranian Aesthetic. Thomas Reckord . 23 5. Emotion and Trance: Musical Exorcism in Baluchistan. Jean During . 31 Performer-Audience Relationships in the Bazm Mortezâ Varzi Assisted by Margaret Caton, Robyn C. Friend, and Neil Siegel The Institute of Persian Performing Arts Presented at the 1986 meetings of The Middle East Studies Association November, 1986 Abstract: The bazm is an intimate party at which refreshment and musical entertainment are provided. The role of the musical performer at the bazm is to establish a rapport that provides the proper environment for musical performance by means of an emotional and spiritual connection with the audience.