DOCSLIB.ORG

Bust of Persian Poet Rudaki Unveiled at Moscow University

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bust of Persian Poet Rudaki Unveiled at Moscow University Prayer Times Noon:12:01 Evening: 17:14 Dawn: 5:39 (tomorrow) Sunrise: 7:09 (tomorrow) DECEMBER 19, 2019 ART&CULTURE I N T E R N A T I O N A L D A I L Y www.tehrantimes.com Managing Director: Mohammad Shojaeian Editor-in-Chief: Mohammad Ghaderi Editorial Dept.: Fax: (+98 21) 88808214 — 88808895 Bust of Persian poet Rudaki [email protected] Switchboard Operator: Tel: (+98 21) 43051000 Advertisements Dept.: Telefax: (+98 21) 43051450 Public Relations Office: Tel: (+98 21) 88805807 unveiled at Moscow university Subscription & Distribution Dept.: Tel: (+98 21) 43051603 www.eshterak.ir Distributor: Padideh Novin Co. CULTURE TEHRAN — A bust of Tel: 88911433 deskRudaki, who is considered Webmaster: [email protected] as the father of classical Persian poetry, has Printed at: Jame Jam Bartar Borna - 44197737 been unveiled at the Lomonosov Moscow State University in Russia. Tehrantimes79 Tehrantimesdaily The statue has been presented to the university by the Embassy of Iran, the Persian No. 18, Bimeh Alley, Nejatollahi St., Tehran, Iran P.o. Box: 14155-4843 service of IRNA reported on Tuesday. Zip Code: 1599814713 Lomonosov Moscow State University rector Victor Sadovnichy, Institute of Asian and African Studies acting director Igor I. Abylgaziyev, Iranian Ambassador Mehdi Sanai, some Tajik and Afghan diplomats and groups of students attended the unveiling ceremony. In his brief speech, Sadovnichy pointed to the close cultural ties between the Persian- speaking nations and the Russian people, and GUIDE TO stressed the need for the expansion of cultural SPIRITUAL AWAKENING and academic relations among the countries. He also expressed his thanks to the Being wealthy is a source of lustfulness. Embassy of Iran for organizing several Imam Ali (AS) summit meetings of top Iranian and Russian universities over the past few years. Earlier in November, a bust of Ferdowsi, the composer of the Persian epic masterpiece Shahnameh, was set up at the North Ossetian Iranian director Qorban State University in Russia in collaboration with the Embassy of Iran. Mohammadpur to film next For his part Sanai praised Rudaki’s high project in Vietnam position in Persian literature and his role in the spread of the Persian language in the region. CULTURE TEHRAN — Qorban Mohammadpur, the He also called Rudaki a key factor in deskIranian director of the box office hit “Salam connecting the Persian-speaking nations to Mumbai”, will be shooting his next project in Vietnam. each other and asked the native speakers of Iranian Ambassador Mehdi Sanai (L) and Lomonosov Moscow State University rector Victor Sadovnichy attend “The screenplay of the co-production between Iran and Persian to use hours for contemplation and a meeting at the university in the Russian capital to unveil a bust of Persian poet Rudaki. Vietnam named ‘Falling in Love study of Rudaki’s poems every day. in Hanoi’ has been completed Iranica called Rudaki an archpoet who “The extant works of this poet at the court quality, this poetic corpus served as a model distinguishable entities in the 9th-century and shooting will begin in two stands at the fountainhead of Persian of the Samanids in Bukhara contain the first for subsequent generations. Rudaki, it seems, royal court: musician, poet and his declaimer/ months,” Mohammadpur told literary history. masterpieces of Persian poetry. By its exemplary was the first to combine roles that were still reciter, and copyist.” the Persian service of MNA on Wednesday. “We are waiting for the Cultural figures commemorate Rumi “Here My Village” wins awards at Vietnam government’s permission and the major part in Khoy India’s Smile film festival of the film will be shot in the country,” he said. “Two main members of the cast will be from Vietnam, added Mohammadpur who made his previous films “Salam Mumbai” and “The Devil’s Photo: A poster for Iranian direc- Daughter” in India with casts of tor Qorban Mohammadpur’s new Iranian and Bollywood actors. project “Falling in Love in Hanoi”. The film tells the story of a man named Ali who is suffering from depression since his fiance was killed in an accident. Ali’s parents decide to send him to Vietnam to visit a friend named Ahmad in order to change his mood but several events are waiting for Ali while he arrives in Hanoi. Arthur Miller’s “The Ride Down Mt. Morgan” to go on stage in Tehran ARTTEHRAN — The Iranian theater troupe Singer Fazel Jamshidi performs during a meeting at the tomb of Shams-i Tabrizi deskPeyvand led by veteran director Manijeh in Khoy on December 17, 2019. “Here My Village” by Iranian director Abbas Aram. Mohamedi will perform American writer Arthur Miller’s play “The Ride Down Mt. Morgan” at the Qashqai Hall of the City CULTURE TEHRAN — Groups of Rumi, and asked the participants to study ARTTEHRAN — Iranian the best story award in the short film desk desk Theater Complex in Tehran on December 23. Iranian art and cultural Rumi’s Masanvi-ye Manavi, the Divan of movie “Here My section. The film also received the young figures came together in Khoy on Tuesday to Shams and other books about the two now Village” written and directed by Abbas jury award for best short film. commemorate the 746th death anniversary more than ever. Aram won awards in four categories, “This Side, Other Side” shows that of the Persian mystic and poet, Molana Jamshidi and Qarebaghi also gave including best director and best story, no border can block friendship and Jalal ad-Din Rumi (1207-1273). performances during the meeting. at the 5th Smile International Film affection between children, in hopes They also visited the tomb of Shams-i Rumi undertook one or two journeys Festival for Children and Youth that the adult world, as well as the Tabrizi, the wandering sage who later to Syria, during one of which he met the (SIFFCY) in New Delhi, India on children’s world, would be full of peace became the mentor of Rumi in the 13th dervish Shams. Sunday. and friendship. century CE. However, he was deeply influenced by The film also received the Film “Binti” by Frederike Migom from Actor Behzad Farahani, singer Fazel Shams during their second visit in Konya Critic Circle India Award (FCCI) and Belgium was named best film for Jamshidi, and opera singer Esfandiar on November 30, 1244. the award from the Centre International children, while the award for best Qarebaghi were among the cultural figures For months, the two men constantly du Film pours l’Enfance et la Jeuneusse film for youth went to “Fight Girl” by who made short speeches during the visit interacted, and as a result, Rumi neglected – CIFEJ for the best feature film. Johan Timmers from the Netherlands. to the tomb of Shams. his disciples and family, who could not “Here My Village” is about Farhad, The award for best short for They next attended a meeting held in tolerate the close relationship. a 12-year-old village boy who is crazy children was presented to “Matilda”, memory of Rumi at the Khoy Office of One night in 1247, Shams about photos and magazines. He tries a co-production between France and Iranian stage director Manijeh Mohamedi in an undated photo. Culture and Islamic Guidance. disappeared forever. This experience to work hard to buy a second-hand Belgium co-directed by Irene Iborra Translated by Mohamedi, the 1991 play is about Lyman Felt, a Speaking at the ceremony, Rumi scholar turned Rumi into a poet. The Divan camera, but he does not succeed. and Eduardo Puertos, and “Three Feet” successful businessman and insurance tycoon who has an accident Seyyed Habib Nabavi lamented academic of Shams is a true translation of his “This Side, Other Side” by Iranian by Giselle Geney from Colombia won on the slopes of Mt. Morgan that puts him in the hospital. centers’ reckless disregard for Shams and experiences into poetry. director Lida Fazli was presented with the award best short film for youth. While Lyman recovers, two women meet in the hospital to discover that they are both married to him and he leads a double life. With his secrets exposed, Lyman tries to justify himself to the two women, the prim, cultured Theo and the restless, ambitious Hollywood cheers “Rise of Skywalker” at film’s world premiere Leah, at the same time hoping to convince himself that he is LOS ANGELES (Reuters) — Droids rolled down a other eclectic characters. blameless. blue carpet and stormtroopers kept order at the world At Monday’s premiere, superfans dressed as favorites Mohammad Eskandari, Mahvash Afsharpanah, Farnaz premiere on Monday of “Star Wars: The Rise of Skywalker”, from the heroine scavenger Rey to bounty hunter Boba Rahnama, Mohammad Naderi, Ailar Noshahri and Nastaran the ninth and final movie episode in the sci-fi fable of a Fett and villain Darth Vader. Hamill received a standing Baqerzadeh are the members of the cast for the play. celebrated Jedi master. ovation when he was introduced, as did composer John Walt Disney Co (DIS.N) closed off an entire city Williams. block in the center of Hollywood to host the celebrity- Initial reactions were largely positive. Throughout studded debut screening of the highly-anticipated film, the film, the audience applauded, gasped and cheered ABBA’s Bjorn sends Sweden’s which opens for the general public in theaters around at major plot twists. students SOS on fake news the world today. “Yeah, J.J.!,” one person yelled after a surprising Staff waving glowing light sabers guided premiere moment. attendees, among them “Star Wars” royalty Daisy Ridley Fan Katie Wilson said the movie “completely blew STOCKHOLM (Reuters) — ABBA’s Bjorn Ulvaeus has gifted books to and Mark Hamill, to a ceremonial blue carpet under my mind”.
Load more

Recommended publications
  • Transformations of Iran Sufism in the 12Th and 13Th Centuries
    Journal of Social Science Studies ISSN 2329-9150 2020, Vol. 7, No. 2 Transformations of Iran Sufism in the 12th and 13th Centuries Seyed Mohammad Hadi Torabi PhD Research Scholar, University of Mysore, India E-mail: [email protected] Received: January 10, 2020 Accepted: March 20, 2020 Published: March 28, 2020 doi: 10.5296/jsss.v7i2.16760 URL: https://doi.org/10.5296/jsss.v7i2.16760 Abstract The 12th and 13th centuries are among the most important periods in the history of Sufism in Iran. During this period, the emergence of many great elders of Sufism and the establishment of the most famous ways and organized dynasty in Sufism by them, the formation of some of the most important treasures of Islamic Sufism, such as the dressing gown and the permission document of the dynasty, the systematic growth and development of the Monasteries as formal institutions and the social status of Sufis and the influence of Sufism in the development of Persian and Arabic prose and poetic, which in this study, briefly, the transformation and effects of Iranian Sufism are examined. Keywords: Cultural equations, Political equations, Religion, Sufism 1. Introduction Iranian Sufism, which has formed in the context of Islamic Sufism and its influence on the Sufism of the ancient religions in Iran, such as Zoroastrianism and Manichaean, has seen tremendous transformations over time, which undoubtedly caused cultural, political, social and even economic changes that have arisen in Iran has led to many ups and downs in the path of growth and excellence. Prior to the 12th century, Sufism continued to exist as a belief system based on knowledge and paths and a mystical view of religion, in which many groups and branches were formed, but differences of them were mostly in the field of thought and had little effect on the space of the community.
    [Show full text]
  • Rubai (Quatrain) As a Classical Form of Poetry in Persian Literature
    INTERNATIONAL JOURNAL OF RESEARCH CULTURE SOCIETY ISSN: 2456-6683 Volume - 2, Issue - 4, Apr – 2018 UGC Approved Monthly, Peer-Reviewed, Refereed, Indexed Journal Impact Factor: 3.449 Publication Date: 30/04/2018 Rubai (Quatrain) as a Classical Form of Poetry in Persian Literature Ms. Mina Qarizada Lecturer in Samangan Higher Education, Samangan, Afghanistan Master of Arts in English, Department of English Lovely Professional University, Punjab, India Email – [email protected] Abstract: Studying literature, including poetry and prose writing, in Afghanistan is very significant. Poetry provides some remarkable historical, cultural, and geographical facts and its literary legacy of a particular country. Understanding the poetic forms is important in order to understand the themes and the styles of the poetry of the poets. All the Persian poets in some points of the time composed in the Rubai form which is very common till now among the past and present generation across Afghanistan. This paper is an overview of Rubai as a classical form of Poetry in Persian Literature. Rubai has its significant role in the society with different stylistic and themes related to the cultural, social, political, and gender based issues. The key features of Rubai are to be eloquent, spontaneous and ingenious. In a Rubai the first part is the introduction which is the first three lines that is the sublime for the fourth line of the poem. It represents the idea if sublet, pithy and clever. It also represents the poets’ literary works, poetic themes, styles, and visions. Key Words: Rubai, Classic, Poetry, Persian, Literature, Quatrain, 1. INTRODUCTION: Widespread geography of Persian speakers during the past centuries in the history of Afghanistan like many other countries, it can be seen and felt that only great men were trained in the fields of art and literature.
    [Show full text]
  • Jami and Nava'i/Fani's Rewritings of Hafez's Opening Ghazal
    Imitational Poetry as Pious Hermeneutics? Jami and Nava’i/Fani’s Rewritings of Hafez’s Opening Ghazal Marc Toutant To cite this version: Marc Toutant. Imitational Poetry as Pious Hermeneutics? Jami and Nava’i/Fani’s Rewritings of Hafez’s Opening Ghazal. Charles Melville. The Timurid Century, 9, I.B. Tauris, 2020, The Idea of Iran, 9781838606886. hal-02906016 HAL Id: hal-02906016 https://hal.archives-ouvertes.fr/hal-02906016 Submitted on 23 Jul 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Imitational Poetry as Pious Hermeneutics? Jami and Nava’i/Fani’s Rewritings of Hafez’s Opening Ghazal Marc Toutant (CNRS Paris) He was the unique of the age (nadera-ye zaman) and a prodigy of the world (o‘juba-ye jahan). These are the first words with which Dowlatshah Samarqandi begins the notice he devotes to Hafez in his Tazkerat al-sho‘ara in 1486. Then he adds: ‘His excellence (fazilat) and his perfection (kamal) are endless and the art of poetry is unworthy of his rank. He is incomparable in the science of Qur’an and he is illustrious in the sciences of the exoteric (zaher) and the esoteric (baten).’1 Although Hafez died in 1389, his poetry was widely celebrated one century later, as shown by Dowlatshah’s eulogy.
    [Show full text]
  • On the Modern Politicization of the Persian Poet Nezami Ganjavi
    Official Digitized Version by Victoria Arakelova; with errata fixed from the print edition ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI YEREVAN SERIES FOR ORIENTAL STUDIES Edited by Garnik S. Asatrian Vol.1 SIAVASH LORNEJAD ALI DOOSTZADEH ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI Caucasian Centre for Iranian Studies Yerevan 2012 Siavash Lornejad, Ali Doostzadeh On the Modern Politicization of the Persian Poet Nezami Ganjavi Guest Editor of the Volume Victoria Arakelova The monograph examines several anachronisms, misinterpretations and outright distortions related to the great Persian poet Nezami Ganjavi, that have been introduced since the USSR campaign for Nezami‖s 800th anniversary in the 1930s and 1940s. The authors of the monograph provide a critical analysis of both the arguments and terms put forward primarily by Soviet Oriental school, and those introduced in modern nationalistic writings, which misrepresent the background and cultural heritage of Nezami. Outright forgeries, including those about an alleged Turkish Divan by Nezami Ganjavi and falsified verses first published in Azerbaijan SSR, which have found their way into Persian publications, are also in the focus of the authors‖ attention. An important contribution of the book is that it highlights three rare and previously neglected historical sources with regards to the population of Arran and Azerbaijan, which provide information on the social conditions and ethnography of the urban Iranian Muslim population of the area and are indispensable for serious study of the Persian literature and Iranian culture of the period. ISBN 978-99930-69-74-4 The first print of the book was published by the Caucasian Centre for Iranian Studies in 2012.
    [Show full text]
  • Mewlana Jalaluddin Rumi - Poems
    Classic Poetry Series Mewlana Jalaluddin Rumi - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Mewlana Jalaluddin Rumi(1207 - 1273) Jalal ad-Din Muhammad Balkhi (Persian: ?????????? ???? ?????), also known as Jalal ad-Din Muhammad Rumi (?????????? ???? ????), and more popularly in the English-speaking world simply as Rumi (30 September 1207 – 17 December 1273), was a 13th-century Persian[1][6] poet, jurist, theologian, and Sufi mystic.[7] Iranians, Turks, Afghans, Tajiks, and other Central Asian Muslims as well as the Muslims of South Asia have greatly appreciated his spiritual legacy in the past seven centuries.[8] Rumi's importance is considered to transcend national and ethnic borders. His poems have been widely translated into many of the world's languages and transposed into various formats. In 2007, he was described as the "most popular poet in America."[9] Rumi's works are written in Persian and his Mathnawi remains one of the purest literary glories of Persia,[10] and one of the crowning glories of the Persian language.[11] His original works are widely read today in their original language across the Persian-speaking world (Iran, Tajikistan, Afghanistan and parts of Persian speaking Central Asia).[12] Translations of his works are very popular in other countries. His poetry has influenced Persian literature as well as Urdu, Punjabi, Turkish and some other Iranian, Turkic and Indic languages written in Perso-Arabic script e.g. Pashto, Ottoman Turkish, Chagatai and Sindhi. Name Jalal ad-Din Mu?ammad Balkhi (Persian: ?????????? ???? ????? Persian pronunciation: [d?æl??læddi?n mohæmmæde bælxi?]) is also known as Jalal ad- Din Mu?ammad Rumi (?????????? ???? ???? Persian pronunciation: [d?æl??læddi?n mohæmmæde ?u?mi?]).
    [Show full text]
  • Contextual Study of Drunk and Wine Drinking (Binge) in the Teachers’ Work with an Emphasis on the History of Beyhaqi
    Special Issue INTERNATIONAL JOURNAL OF HUMANITIES AND March 2016 CULTURAL STUDIES ISSN 2356-5926 Contextual study of drunk and wine drinking (binge) in the teachers’ work with an emphasis on the history of Beyhaqi *Hurieh Asadi Habib 1PhD Student in Persian Language and Literature, Department of Literature Humanities, Payame Noor University, Tehran, Iran Fatemeh kopa 2,4Professor in Persian Language and Literature, Department of Literature Humanities, Payame Noor University, Tehran, Iran Ali Pedram Mirzaee 3Associate Professor in Persian Language and Literature, Department of Literature Humanities, Payame Noor University, Tehran, Iran Mostafa Gorji 2,4Professor in Persian Language and Literature, Department of Literature Humanities, Payame Noor University, Tehran, Iran *Corresponding author email: [email protected] Abstract As you know, many verses of the Quran, has strongly forbidden and discouraged drunk and wine drinking in Islamic society and, but the issue here is questionable why people believed and Muslims in an Islamic society attempt binge (get drunk) and drunk. Looking at the works of the ancients and the wine in most of their lives has emerged, the presence of wine in ancient societies can be realized; but on Beyhaqi, pause and reflection it seems to be necessary; because Beyhaqi is a Muslim and a believer and Ghaznawids had fanatical and Muslim rulers who were under the supervision of the Islamic Caliphate. In this paper, with an in-depth investigation, we are going to analyze the grounds of drunk and wine drinking in the Ghaznavid according to Beyhaqi history and understand the reasons of Ghaznavid kings drunk and binge (get drunk) and teacher and author’s thought namely Abolfadl Beyhaqi.
    [Show full text]
  • The Poetics of Commitment in Modern Persian: a Case of Three Revolutionary Poets in Iran
    The Poetics of Commitment in Modern Persian: A Case of Three Revolutionary Poets in Iran by Samad Josef Alavi A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Near Eastern Studies in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Shahwali Ahmadi, Chair Professor Muhammad Siddiq Professor Robert Kaufman Fall 2013 Abstract The Poetics of Commitment in Modern Persian: A Case of Three Revolutionary Poets in Iran by Samad Josef Alavi Doctor of Philosophy in Near Eastern Studies University of California, Berkeley Professor Shahwali Ahmadi, Chair Modern Persian literary histories generally characterize the decades leading up to the Iranian Revolution of 1979 as a single episode of accumulating political anxieties in Persian poetics, as in other areas of cultural production. According to the dominant literary-historical narrative, calls for “committed poetry” (she‘r-e mota‘ahhed) grew louder over the course of the radical 1970s, crescendoed with the monarch’s ouster, and then faded shortly thereafter as the consolidation of the Islamic Republic shattered any hopes among the once-influential Iranian Left for a secular, socio-economically equitable political order. Such a narrative has proven useful for locating general trends in poetic discourses of the last five decades, but it does not account for the complex and often divergent ways in which poets and critics have reconciled their political and aesthetic commitments. This dissertation begins with the historical assumption that in Iran a question of how poetry must serve society and vice versa did in fact acquire a heightened sense of urgency sometime during the ideologically-charged years surrounding the revolution.
    [Show full text]
  • The Comparison of Sanai and Rumi's Outlooks Towards Women
    The Comparison of Sanai and Rumi's Outlooks Towards Women Abstract The position and prominence of women in any society is associated to the attitude of the time and individuals towards women. The place of women in Iranian society has always has been controversial. In the meantime, the works of poets can be a mirror for understanding the situation of women. By considering the fact that the worldview of every poet, writer, or thinker is influenced by the intellectual, social, and cultural memory of the time and place in which the person exists; Sanai and Rumi are prominent Iranian poets whose works reflect the political, social and cultural conditions of their life. The issue raised in this study is the transformation of the position of women in society during the time of the mentioned poets. This research is accomplished by a descriptive and analytical method and relies on library data. Findings show that from the Sanai to Rumi periods, a unique social and cultural change took place that led to the enhancement of the status of women and this has been effective in the depiction of women's personalities. Sanai has a mainly negative and critical view of women and rarely cares about her position as a mother and in the service of her religious attitude towards women; nonetheless, Rumi considers woman as a manifestation of divine beauty; furthermore, in Rumi's poetry, woman is the soul, earth, and essence, and she complements creation and this distinguishes the manner in which the female figure is depicted in the poetry of Sanai.
    [Show full text]
  • Four New-Found Verses of Rudaki in Ajayeb Al-Loqha: Original Or Forged?
    Journal of Research Literary Studies (Peer-reviewed Journal) Vol 53, No. 2 (2020) 29 Four New-found Verses of Rudaki in Ajayeb al-Loqha: Original or Forged? Dr. Zahra Nasiri Shiraz1*, Sajjad Dehghan2, Dr. Nasrallah Emami3 1 Assistant Professor, Department of Persian Language and Literature, Shahid Chamran University of Ahvaz, Ahvaz, Iran. 2 MA in Persian Language and Literature, Shahid Chamran University of Ahvaz, Ahvaz, Iran 3 Professor, Department of Persian Language and Literature, Shahid Chamran University of Ahvaz, Ahvaz, Iran. (Received: July 18, 2020 Accepted: September 13, 2020) Extended Abstract 1. Introduction Authentication of the sources of poems from pioneering poets is of utmost importance due to the partial loss of cultural identity over time. Among these sources, dictionaries have always played a vital role in retrieving the scattered poems and verses of these poets, especially Rudaki Samarqandi. One of these dictionaries is the Persian-to-Persian dictionary of Ajayeb al- Loqha (written around the middle of the tenth century) by Adibi. He has attributed some verses to Rudaki, of which, two verses and two stanzas does not seem to be in any other dictionaries such as Farsi dictionary, Sehah al- Fors, Qawas dictionary, etc., which are probably the sources used by the author. Since the editor of this dictionary has not previously studied these verses in detail in his correction or a separate article, and also because this work has not been published in any of the editions of Rudaki's Divan, including Nafisi, Mirzayev, Sheaar, Emami, Hadizadeh, Qader Rostam and was not one of the sources of the correctors, it was necessary to study these verses that are seen with a new appearance in the dictionary.
    [Show full text]
  • Acts of Devotion in Persian Classical Texts: Self and Friendship in Maulana Jalal Al-Din Rumi’S Poetry
    Mammad Aidani Acts of Devotion in Persian Classical Texts: self and friendship in Maulana Jalal al-Din Rumi’s poetry ‘The text brings a subject matter into language, but that it does so is ultimately the achievement of the interpreter.’1 This essay explores the relationships between acts of interpretation and understanding the significance of the Persian classical poets for Iranians, in terms of the endurance of their works. The essay provides some insights into what Persian poets at the core of their poetry intend to express; why Iranians read them and pay great attention to their works; and the impact of their poetry today. The essay will then make a brief reference to the philosophical shift in language in 20th-century Continental philosophy, and the emphasis on language and concepts such as hospitality, care, the ‘ Other’ and understanding. There will be a brief reference to Saʿdi (d. 1292) and ʿAttar (d. circa 1221) and in conclusion there will be my reflections on how Iranians may re-consider their conventional attention to Maulana Jalal al-Din Rumi’s (d. 1273) mode of ‘being’ as a human-being when they read his poetry. I conclude the essay with reference to the extreme importance of the concept of the ‘Other’ in Persian poetry. A Brief Hermeneutic Reflection We interpret things in the world in order to understand; we do this in order to discover the true nature of the subject matters that are presented in the dialogues we engage in with others, or the texts that we read. Any text has a history.
    [Show full text]
  • Ismaili of Central Asia
    The Ismaili of Central Asia Oxford Research Encyclopedia of Asian History The Ismaili of Central Asia Daniel Beben Subject: Central Asia, Modern Central Asia since 1750, Precolonial Central Asia, c. 750-1750, Middle East, Religion Online Publication Date: Apr 2018 DOI: 10.1093/acrefore/9780190277727.013.316 Summary and Keywords The Ismailis are one of the largest Muslim minority populations of Central Asia, and they make up the second largest Shiʿi Muslim community globally. First emerging in the second half of the 8th century, the Ismaili missionary movement spread into many areas of the Islamic world in the 10th century, under the leadership of the Ismaili Fatimids caliphs in Egypt. The movement achieved astounding success in Central Asia in the 10th century, when many of the political and cultural elites of the region were converted. However, a series of repressions over the following century led to its almost complete disappearance from the metropolitan centers of Central Asia. The movement later re- emerged in the mountainous Badakhshan region of Central Asia (which encompasses the territories of present-day eastern Tajikistan and northeastern Afghanistan), where it was introduced by the renowned 11th-century Persian poet, philosopher, and Ismaili missionary Nasir-i Khusraw. Over the following centuries the Ismaili movement expanded among the populations of Badakhshan, reaching a population of over 200,000 in the 21st century. In the 19th and 20th centuries, the Ismailis suffered a series of severe repressions, first under local Sunni Muslim rulers and later under the antireligious policies of the Soviet Union. However, in the decades since the end of the Soviet period, the Ismailis of the region have become increasingly connected with the global Ismaili community and its leadership.
    [Show full text]
  • Art Illustration of Khaghani and Sanai with Beloved Figure
    Special Issue INTERNATIONAL JOURNAL OF HUMANITIES AND March 2016 CULTURAL STUDIES ISSN 2356-5926 Art Illustration of Khaghani and Sanai with Beloved Figure Fazel Abbas Zadeh, Parisa Alizadeh1 1.Department of Persian Language and Literature, Parsabad Moghan Branch, Islamic Azad University, Parsabad Moghan, Iran Abstract In this paper, a beloved figure in the poetry of Khaghani and Sanai and art illustration of the beloved poet both studied and analyzed. Both Sanai with entering his poetic mysticism, poetry and pomp Khaghani a special place in Persian poetry and the tradition of its time focused on the issue of love and beloved. However, this possibility is the mystical dimension or later Ghanaian or other dimensions. The themes are discussed in this article, from the perspective of artistic imagery and imagery in describing the beloved and important way overnight. For each poetic images and titles to mention a poem by each poet control is sufficient. Finally, the author focuses on the overall analysis and the desired result is achieved. Keywords: beloved, Khaghani, Sanai, poetry, lyrics, imagery. http://www.ijhcs.com/index.php/ijhcs/index Page 2146 Special Issue INTERNATIONAL JOURNAL OF HUMANITIES AND March 2016 CULTURAL STUDIES ISSN 2356-5926 Introduction: In Persian poetry lover and beloved literary tradition is one of the themes in literature, especially in Ghana and its lyric, there has been much attention and centuries, in every period of Persian poetry, there have been two specific attitudes towards it. In fact, the beloved main role is decisive and in other words, the circuit is of Iranian literature. Art imaging, the main focus centered and superficial beauty of the beloved, the imaginary form of the simile, metaphor, virtual instruments and diagnostics (animation); that is the beauty and wonders of nature poet pays to describe the beloved around.
    [Show full text]