TOWN of BRECKENRIDGE PUBLIC ART COMMISSION AGENDA Wednesday, July 2, 2014 Meeting Location: Fuqua Livery Stable, 110 East Washington Avenue

Total Page:16

File Type:pdf, Size:1020Kb

TOWN of BRECKENRIDGE PUBLIC ART COMMISSION AGENDA Wednesday, July 2, 2014 Meeting Location: Fuqua Livery Stable, 110 East Washington Avenue TOWN OF BRECKENRIDGE PUBLIC ART COMMISSION AGENDA Wednesday, July 2, 2014 Meeting Location: Fuqua Livery Stable, 110 East Washington Avenue 4:00 Call to order Meeting 4:05 Review of Minutes June 4, 2014 4:10 Amendments/Approval of Agenda Updates 4:15 Public Art Program Breckenridge Theatre Gallery – Reception July12th Setup and Cleanup 2nd Saturday Update Sculpture on the Blue Signage/Brochure Public Reception – August 6th Albert Paley, “Syncline” - Contract and Visit Harris Street Community Center Quilt Update Timeline for Public Art Projects Art Around Town Tours - Update Discussion Items 4:30 Roundabout Sculpture – “Environmental Art” Contact with Dan Snow, Chris Booth and Ilan Averbuch Update Tom Lotke retaining wall option Sketch Presentation Format and Date 4:45 North Main Street Park - “Tom’s Baby” Sculpture Commission Presentations – up to 3 sculptors each w/ 5 min each Commissioner to present 5:30 Goebel Family Donation 5:40 Retreat Location and Date Loveland Sculpture Show – Friday, August 8th 5:45 Next Meeting/Absences The next meeting is scheduled for Wednesday, August 6, 2014 5:50 Adjourn For further information, please contact Jennifer Cram at 970-547-3116. 06-04-2014 Town of Breckenridge Public Art Commission – Regular Meeting Roll Call Stephanie Sadler called the June 4, 2014, Public Art Commission meeting to order at 4:00 pm at the Fuqua Livery Stable. The following people were present: Commissioners: Stephanie Sadler Tom Kramer Jenny Lundin Mara Sobeck Janis Bunchman Staff: Jennifer Cram Robb Woulfe APPROVAL OF MINUTES Minutes from the May 7, 2014, meeting were approved as submitted, as motioned by Tom and seconded by Jenny. APPROVAL OF AGENDA The agenda was approved as submitted. AGENDA Updates Public Art Program Updates Breckenridge Theatre Gallery There is no artist reception planned for June as the Backstage Theatre is dark. The next artist reception is scheduled for July 12th featuring the paintings of Leona Sophocles Brownson. Sculpture on the Blue Installation went well despite weather on Friday, May 30th. The last two sculptures were installed on Tuesday June 3rd. Signage will be ready for Town Party on June 13th and the brochure will be ready shortly afterwards. All agreed to continue to work with McGraphics since they have all the content and have done a good job in the past. The artists’ reception was well attended; all but two of the participating sculptors were present. The sculptors enjoyed meeting one another and the commission. All agreed that the reception was a success. The public reception is scheduled for Wednesday, August 6th during the regularly scheduled meeting. Jennifer will do a press release to share the diversity of sculptures and sculptors from around the country in this years show. Albert Paley “Syncline” Agreement The agreement has been finalized and Paley Studios will be sending signed copies soon. Jennifer has put in a check request for the first installment of $45,000. Albert Paley has also been confirmed for a visit to Breckenridge arriving September 25th and departing on the 27th. A public presentation will be organized during the launch of the Arts District on September 26th. Website Update Stephanie shared the new public art website, wwwbreckpublicart.com. The website features a map and photos of sculptures in the permanent collection and Sculpture on the Blue. Art Around Town Tours The subcommittee met prior to the meeting to review talking points to be able to assist in leading the tour. The tour starts in the Arts District on Fridays at 10:30 am throughout the summer. Participants learn about what is happening in the Arts District and then walk through Sculpture on the Blue and past several pieces in the public 06-04-2014 art collection. Tours take about an hour. Janis can cover most dates. A calendar was passed around to get Commissioners signed up for the remaining dates. Community Arts Updates Tom noted that the Summit County Arts Council (SCAC) would be hosting Meet the Artists again this year June 28th and 29th on the Riverwalk Lawn and in the Blue River Plaza. This event is the SCAC’s primary fund raiser and features local and regional CO artists. Discussion Items Roundabout Sculpture – “Environmental Art” and “Environmental Graphics” Jennifer has reached to Dan Snow, Chris Booth and Ilan Averbuch. After speaking with them about existing sculpture budgets, she learned that the budget for a large stone work is about $100,000 - $300,000 depending on scale. The Commission agreed that the original $100,000 budget was realistic. The Commission also agreed to move forward with having each of the sculptors prepare up to 3 sketches of proposals for the roundabout. Sketches will be due in August. Once the Commission has reviewed the sketches they will share them with the Cultural Arts Advisory Committee (CAAC) before going back to the Council. The Commission hopes to be able to share the proposals and make a recommendation to Council sometime in September. Jennifer also spoke with Elena Scott the landscape Architect and Mark Johnston from Public Works to understand the timeline for median and roundabout improvements. Jennifer was happy to share that there is still time to integrate an environmental piece into the roundabout with the existing timeline. The plan is to put the Civil portion out to bid this summer and start work in the fall. The concrete work will likely get completed fall of 2014 with landscaping completed in spring of 2015. The only thing that is set in stone (no pun intended) is the concrete work. Elena was excited to work with whomever the Commission recommends. North Main Street Park “Tom’s Baby” Sculpture The Commission agreed to follow the same process for creating a short list of sculptors as they did for the environmental sculptors. Each commissioner will do some homework and share with the rest of the commission at the nest meeting up to 3 sculptors that would be a good fit to create a larger than life bronze sculpture of a miner with “Toms Baby”. Each Commissioner will have up to 5 minutes to present. A short list of 3 sculptors will be created from the selection presented. Once the short list is created, the Commission will share it with Mike Dudick for input. Goebel Family Donation Jennifer shared the possibility of the Goebel family making a donation to commission or directly purchase a sculpture to be located near the new Speakeasy Theatre. The Goebel’s will be back in town in July. Jennifer will reach to them to try and get an idea of what resonates with them. The Commission thought that a piece that reflects the social nature of a theatre would be a good fit, but would like to know if the Goebel’s have any ideas. Annual Retreat The Commission agreed that it would be appropriate to attend the Loveland Sculpture Show in August to see all of the sculptures and to grow their list of sculptors that fit within certain genre’s. The tentative date for the retreat is Saturday, August 9th. It will be a full day. The majority of the commission present were ok with that date. Jennifer will reach to the other commissioners and confirm the date. Details for the retreat will be discussed at the next meeting. Action Items Action Items from October 2nd 2013 • The subcommittee will meet with Riverwalk Center staff and Public Works to discuss the relocation of the Nest. Pending 06-04-2014 Action Items from January 8th 2014 • Additional information on quilt archiving. Pending • Annual retreat final details. Complete, the Commission will attend the Loveland Sculpture Show in August. Action Items from April 2nd 2014 • The Commission will pause and research sculptors and sculptures that fit the “Environmental Art “and ‘Environmental Graphic” themes. Presentations from Commission Complete, short list Complete and sculptors working on sketches due in August. Action Items from May 7th 2014 • Discuss next steps and process for North Main Street Public Art piece. Complete • Finalize 10th sculpture for Sculpture on the Blue. Complete • Finalize location and catering for Sculpture on the Blue Artist’s Reception. Complete • Get invitations out for Sculpture on the Blue Artist’s Reception. Complete • Finalize Paley Agreement. Complete • Look into timeline for roundabout improvements. Complete • Schedule training for Art Around Town tours. Complete Action Items from June 4th 2014 • Press release to share the diversity of sculptures and sculptors from around the country in this year’s show. • Sketches due from environmental sculptors in August. • Commission to research sculptors for “Tom’s Baby” and create a short list. • Jennifer to reach to the Goebel family to learn more about their vision for a donation. • Details of the retreat to the Loveland Sculpture Show in August. The meeting was adjourned at 5:30 pm. Next Meeting: The Commission will meet again on Wednesday, July 2nd at 4:00 pm at the Fuqua Livery Stable. .
Recommended publications
  • Name That Sculpture
    Name that Sculpture Relja Arandjelovic´ Andrew Zisserman Department of Engineering Science Department of Engineering Science University of Oxford University of Oxford [email protected] [email protected] ABSTRACT 1. INTRODUCTION We describe a retrieval based method for automatically de- The goal of this work is to automatically identify both the termining the title and sculptor of an imaged sculpture. This sculptor and the name of the sculpture given an image of is a useful problem to solve, but also quite challenging given the sculpture, for example from a mobile phone. This is a the variety in both form and material that sculptures can capability similar to that offered by Google Goggles, which take, and the similarity in both appearance and names that can use a photo to identify certain classes of objects, and can occur. thereby carry out a text based web search. Our approach is to first visually match the sculpture and Being able to identify a sculpture is an extremely useful func- then to name it by harnessing the meta-data provided by tionality: often sculptures are not labelled in public places, Flickr users. To this end we make the following three con- or appear in other people’s photos without labels, or appear tributions: (i) we show that using two complementary vi- in our own photos without labels (and we didn’t label at the sual retrieval methods (one based on visual words, the other time we took them because we thought we would remember on boundaries) improves both retrieval and precision per- their names).
    [Show full text]
  • City Research Online
    City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETH-CENTURY ART COLLECTION SCIIEMES AND TIIEIR IMPACT ON LOCAL AUTHORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISH ART IN BRITAIN VOLUME If Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA.CT.................................................................................. ii ACKNOWLEDGEMENTS •........••.••....••........•.•.•....•••.......•....•...• xi CHAPTER 1:INTRODUCTION................................................. 1 SECTION 1 THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS..........................................................................
    [Show full text]
  • TOWN of BRECKENRIDGE PUBLIC ART COMMISSION AGENDA Wednesday, September 3, 2014 Meeting Location: Blue River Plaza Sculpture on the Blue Public Reception
    TOWN OF BRECKENRIDGE PUBLIC ART COMMISSION AGENDA Wednesday, September 3, 2014 Meeting Location: Blue River Plaza Sculpture on the Blue Public Reception 3:45 Meet at Fuqua to carry materials down to the Blue River Plaza 4:00 Call to order Meeting (This will be a casual meeting while hosting the public reception.) 4:05 Review of Minutes August 6, 2014 4:10 Amendments/Approval of Agenda Updates 4:15 Public Art Program Albert Paley, “Syncline” – Presentation and Reception Discussion Items 4:25 Phone Tours 4:35 Goebel Family Donation 4:45 Next Meeting/Absences The next meeting is scheduled for Wednesday, October 1, 2014 5:30 Adjourn For further information, please contact Jennifer Cram at 970-547-3116. 08-06-2014 Town of Breckenridge Public Art Commission – Regular Meeting Roll Call Tom Kramer called the August 6, 2014, Public Art Commission meeting to order at 4:00 pm at the Fuqua Livery Stable. The following people were present: Commissioners: Tom Kramer Stephanie Sadler Janis Bunchman Rick Hague Robin Theobald Gene Sosville Tony Wilson Staff: Jennifer Cram Robb Woulfe APPROVAL OF MINUTES Minutes from the July 2, 2014, meeting were approved as submitted, as motioned by Janis and seconded by Gene. APPROVAL OF AGENDA The agenda was approved as submitted. AGENDA Updates Public Art Program Updates Breckenridge Theatre Gallery The Breckenridge Theatre Gallery will feature the upcycled work of Pascal Desilio and Lisa Easton for 2nd Saturday. Rick volunteered to help with set up and Tony agreed to help with clean up. The Tin Shop will also be open with Tina Puckett, basket weaver from CT.
    [Show full text]
  • February 25, 2019 Minutes
    ARTS AND CULTURE ADVISORY COMMISSION CITY OF PARK RAPIDS Minutes of February 25, 2019 Paul Dove called the meeting of the Park Rapids Arts and Culture Advisory Commission to order at noon Monday, February 25, 2019 at City Hall. Also present were Laura Grisamore, Lu Ann Hurd-Lof, Nancy Newman, Rod Nordberg, and city planner Andrew Mack After brief discussion, Laura moved a resolution recommending support to the City Council to implement the Ojibwe signage project for city owned buildings and parks. Rod seconded the motion. Motion passed. The project is identified in the City Arts and Culture Plan, Goal 3: Protect and promote Park Rapids historic and cultural assets. An extension of the Peace by Piece project has been discussed at the City Parks Board meeting as a proposal to place one 2X4’ screen and one 4X4’ screen to block public view of the utility box in Pioneer Park. The Commission is interested in the art work that would be used on the screens and will invite Chris Fieldsend and Kim Donahue to present a concept plan at a future meeting. The Parks Board supports submitting a Department of Natural Resources Legacy grant application to remodel the bath house in Red Bridge Park. About half the space would be for restrooms. Andrew is suggesting the other half could be used as a makers space or arts quarters with rental fees going toward the cost of weekend restroom maintenance, possibly year round. There was some discussion about what entity would manage the rental space. Lu Ann moved to recommend the City Council support the grant application.
    [Show full text]
  • Art Contemporani De La Generalitat Valenciana/ Primers Moments
    ART CONTEMPORANI DE LA GENERALITAT VALENCIANA/ PRIMERS MOMENTS ART CONTEMPORANI DE LA GENERALITAT VALENCIANA/ VALENCIANA/ LA GENERALITAT DE CONTEMPORANI ART MOMENTSPRIMERS Col·laboren: ART CONTEMPORANI DE LA GENERALITAT VALENCIANA/ PRIMERS MOMENTS ART CONTEMPORANI DE LA GENERALITAT VALENCIANA/ PRIMERS MOMENTS CENTRE DEL CARME CULTURA CONTEMPORÀNIA 19 JUN./ 23 SEP. 2018 Col·laboren: ROSANA ANTOLÍ TERESA LANCETA XAVIER ARENÓS MOISÉS MAÑAS ART AL QUADRAT HUGO MARTÍNEZ-TORMO MAR ARZA ÀNGEL MASIP AURELIO AYELA XISCO MENSUA PILAR BELTRÁN JOËL MESTRE MIRA BERNABEU SEBASTIÀ MIRALLES TANIA BLANCO XAVIER MONSALVATJE BLEDA Y ROSA PALOMA NAVARES ERNESTO CASERO ANA TERESA ORTEGA TERESA CEBRIÁN JESÚS RIVERA OLGA DIEGO MERY SALES MARIBEL DOMÈNECH AGUSTÍN SERISUELO INMA FEMENÍA ANNA TALENS FERMÍN JIMÉNEZ LANDA AMPARO TORMO DAMIÀ JORDÀ NELO VINUESA JORGE JULVE 23 Presentació Vicent Marzà i Ibáñez Conseller d'Educació, Investigació, Cultura i Esport 27 Introducció Ricard Silvestre Comissari de l'exposició 55 Rosana Antolí / Álvaro de los Ángeles 69 Xavier Arenós / Mª Ángeles Pérez-Martín 81 Art al Quadrat / Pilar Tébar Martínez 97 Mar Arza / Irene Gras Cruz 109 Aurelio Ayela / María Marco Such 123 Pilar Beltrán / Paloma Palau Pellicer 137 Mira Bernabeu / Alba Braza Boils 151 Tania Blanco / Àngela Montesinos Lapuente 167 Bleda y Rosa / Ignacio Paris Bouza 181 Ernesto Casero / Ricardo Forriols González 193 Teresa Cebrián / Helena de las Heras Esteban 205 Olga Diego / Manuel Garrido Barberá 219 Maribel Domènech / Esther Parpal 231 Inma Femenía / Raquel Baixauli
    [Show full text]
  • TOWN of BRECKENRIDGE PUBLIC ART COMMISSION AGENDA Wednesday, August 6, 2014 Meeting Location: 2Nd Floor Conference Room, Town Hall 150 Ski Hill Road
    TOWN OF BRECKENRIDGE PUBLIC ART COMMISSION AGENDA Wednesday, August 6, 2014 Meeting Location: 2nd Floor Conference Room, Town Hall 150 Ski Hill Road This will be a late meeting, dinner will be provided. 4:00 Call to order Meeting 4:05 Review of Minutes July 2, 2014 4:10 Amendments/Approval of Agenda Updates 4:15 Public Art Program Breckenridge Theatre Gallery – Reception August 9th Setup and Cleanup 2nd Saturday Update Sculpture on the Blue Brochure Public Reception – September 3rd Albert Paley, “Syncline” – Presentation and Reception Discussion Items 4:30 Roundabout Sculpture – “Environmental Art” Review Proposals and Conference Calls with Sculptors (5:00 pm, 6:00 pm, 7:00 pm) Presentation to CAAC by Chair and Vice Chair 8/25 Presentation to Council 9/9 8:00 North Main Street Park - “Tom’s Baby” Sculpture Meeting with Mike Dudick and Next Steps 8:10 Goebel Family Donation Subcommittee Meeting with Goebel’s and Next Steps 8:20 Retreat Details Loveland Sculpture Show – Friday, August 8th 8:25 Next Meeting/Absences The next meeting is scheduled for Wednesday, September 3, 2014 8:30 Adjourn For further information, please contact Jennifer Cram at 970-547-3116. 07-02-2014 Town of Breckenridge Public Art Commission – Regular Meeting Roll Call Tom Kramer called the July 2, 2014, Public Art Commission meeting to order at 4:00 pm at the Fuqua Livery Stable. The following people were present: Commissioners: Tom Kramer Robin Theobald Jenny Lundin Mara Sobeck Gene Sosville Tony Wilson Staff: Jennifer Cram APPROVAL OF MINUTES Minutes from the June 4, 2014, meeting were approved as submitted, as motioned by Mara and seconded by Gene.
    [Show full text]
  • Finding and Cataloging Images of Native American Art
    VRA Bulletin Volume 36 Article 1 Issue 1 Special Bulletin No. 15 1-1-2009 Special Bulletin #15: Finding and Cataloging Images of Native American Art Follow this and additional works at: https://online.vraweb.org/vrab Part of the History of Art, Architecture, and Archaeology Commons, and the Indigenous Studies Commons Recommended Citation (2009) "Special Bulletin #15: Finding and Cataloging Images of Native American Art," VRA Bulletin:Vol. 36: Iss. 1, Article 1. Available at: https://online.vraweb.org/vrab/vol36/iss1/1 This Feature Articles is brought to you for free and open access by VRA Online. It has been accepted for inclusion in VRA Bulletin by an authorized editor of VRA Online. Special Bulletin #15: Finding and Cataloging Images of Native American Art Abstract The purpose of this special bulletin on Native American art is to provide sources for images that express Native American culture for use in teaching and lecturing and reference materials that will make it possible to identify, describe and catalog the works accurately and consistently. The components include a general chronology with a list of major sites and styles that distinguish each geographic region with accompanying maps, some general principles that illuminate the imagery employed, and a suggested core list of visual resource components for an introductory survey course in Native American art and culture. The bulletin aims to be useful to those curators who have little or no background in the subject, as well as those who have already developed collections of images of Native American art...Native American art features many animal images and non-objective patterns.
    [Show full text]
  • Oral History Interview with Buckley Mac- Gurrin, 1964 June 20
    Oral history interview with Buckley Mac- Gurrin, 1964 June 20 Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview BH: BETTY LOCHRIE HOAG BM: BUCKLEY MAC-GURRIN BH: Mr. Mac-Gurrin, you were one of the most important artists on the Projects which the Archives is studying because of the work that you did in the Los Angeles County Museum and also in the Los Angeles Hall of Records, where you did half of ten murals which are certainly some of the most interesting done during the Project. It involved more research and involved working with more of the Project groups that most others. But, before we talk about them, I'd like to ask you a little about your own life. Will you please tell us where you were born and when? BM: Well, I was born Kalamazoo, Michigan in 1896. BH: Of Irish-American parents? BM: Yes, yes. Both my parents were from Grand Rapids, and my grandparents were also. BH: Where did you go to school? BM: I went to parochial grammar school in Kalamazoo and then we moved out to Salt Lake City in 1912 and I went to Salt Lake High School for one semester and I went to All Hallows College for one semester. From there I went down to Santa Clara in California, and I went through high school down there and my first year in college at Santa Clara. BH: I see. And then you went on to the University of California after that, didn't you? BM: Yes.
    [Show full text]
  • Presentation
    Name that sculpture Relja Arandjelovid and Andrew Zisserman Visual Geometry Group Department of Engineering Science University of Oxford University of Oxford 7th June 2012 Problem statement Identify the sculptor and sculpture from an image Do it instantly Motivation: Often unlabelled in public spaces Unlabelled in other people’s images Unlabelled in our own photos and we forgot the name Sculptor: Giambologna Sculpture: Hercules and the Centaur Eurytion Motivation Right here in Hong Kong, so we know: Sculptor: Henry Moore Sculpture: Oval with Points Motivation Right here in Hong Kong, so we know: Sculptor: Henry Moore Sculpture: Oval with Points We recognize the style: Sculptor: Henry Moore Sculpture: ??????????? Motivation Right here in Hong Kong, so we know: Sculptor: Henry Moore Sculpture: Oval with Points We recognize the style: Sculptor: Henry Moore Sculpture: ??????????? Sculptor: Sculpture: ? Challenging problem Large variation in the visual appearance of sculptures Not much clean annotation is available Challenging problem Hartmut Neven (Head of Visual Search at Google) ICML 2011 Multimedia approach Image corpus with meta data Visual matching Labelling Sculptor: Giambologna Sculpture: Hercules and the Centaur Eurytion Matching set with meta data Image corpus: Sculptures 50k Image corpus with meta data Visual matching Labelling Sculptor: Giambologna Sculpture: Hercules and the Centaur Eurytion Matching set with meta data Image corpus: Sculptures 50k . List of prominent sculptors obtained from Wikipedia (616 names) . 50k
    [Show full text]
  • Bondi 2020 TERMS & CONDITIONS
    APPLICATION FORM & bondi 2020 TERMS & CONDITIONS Artists are invited to submit entries online or via post for pre-selection in the 24th annual Sculpture by the Sea to be staged along the coastal walk from Bondi to Tamarama in Sydney, Australia from 22 October – 8 November, 2020. Key Information: • Exhibiting over 100 sculptures by Australian and overseas artists Principal Sponsor • Strong sculpture sales • Open to emerging and experienced artists alike • Attracts 450,000 visitors each year Awards & Subsidies include: • The Aqualand Sculpture Award of $70,000 • Each artist’s costs are underwritten up to $2,000 and all reasonable installation equipment is provided at no cost • Three Helen Lempriere Scholarships of $30,000 each open to Australian artists • Four subsidies of $5,000 - $10,000 for new and innovative artworks funded by the Australia Council for the Arts • Two Clitheroe Foundation Emerging Artists Mentorships of $15,000 for young Australian artists Government Partners • $20,000 for a Greek artist to exhibit • $10,000 for a Czech artist to exhibit • Dick Bett Memorial Invitation for a Tasmanian artist of $5,000 DEADLINE FOR ONLINE APPLICATIONS IS MIDNIGHT SUNDAY 17 MAY AUSTRALIAN EASTERN STANDARD TIME. This year no paper copy applications are being accepted by post or hand delivery. For any assistance with the online application please email [email protected] Managed by Perpetual as Trustee Major Partners Our Host www.sculpturebythesea.com - 1 - PAGE 1 For Office Use Only Cheque Envelope Supplied bondi 2020 Initials Entered ACT APPLICATION FORM of submissions Under 35 Paid This application is a contract between the artist and Sculpture by the Sea Incorporated ABN 84 103 984 756 (SXSINC), the terms of which are outlined in this document.
    [Show full text]
  • Figuring the New Deal: Politics and Ideology in Treasury Section Painting and Sculpture in Washington, D.C., 1934-1943
    Figuring the New Deal: Politics and Ideology in Treasury Section Painting and Sculpture in Washington, D.C., 1934-1943 Warren Carter PhD Thesis History of Art University College London i UMI Number: U591437 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U591437 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Declaration I, Warren Carter, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Abstract This thesis uses neo-Marxist theories of the state and their application to New Deal historiography as the framework within which to analyse the artworks produced under the auspices of the Treasury Section of Painting and Sculpture from 1934 to 1943 in Washington, D.C. Taking as its focus the murals and sculptures produced for the Justice Department, the Interior Department, and the Social Security Administration buildings it seeks to demonstrate how Section art reflected the twists and turns of the Roosevelt administration as it moved through the First New Deal, the Second New Deal, and the constitutional crisis in the lead up to war in Europe.
    [Show full text]
  • Public Art ELEANOR HOWE
    The Art of Public Art ELEANOR HOWE IN THE LOBBY OF THE NATIONAL GUARD MILITARY CENTER ON THE western edge of Raleigh hangs a haunting portrait of a young citizen soldier preparing for active duty. Wearing a casual shirt and a baseball cap, he faces a mirror, his back to the viewer. A newspaper lies open on the bureau below the mirror. “Guard Mobilized!” its headline shouts. In the mirror the man’s image wears fatigues and a flak helmet. For Major Danny W. Hassell, this work made from hundreds of tiny pieces of wood “goes to the very heart of what the National Guard is all about; I think you can imagine the thoughts that are going through this man’s mind.”1 V WHEN THE SUN BEGINS TO SET OVER THE campus of East Carolina University in Green- ville, the broad, brick-lined plaza in front of Joyner Library comes alive with sound and lights. Keeping time to a recorded drumbeat, water dances across the surface of a high wall adjacent to a clock tower. Below the tower rises a wispy fog, illuminated by subterranean lights. As the sun’s last rays strike the tower, a set of Untitled marquetry (hand-cut wood doors opens, a small pirate cannon rolls out and—boom!—salutes the evening. panel), by Silas Kopf, 1992, at the For library director Carol Varner, this interactive entryway “pulls people in and National Guard Military Center, makes them want to experience the library and the rest of the campus in a Raleigh. different way.”2 V IN WEST JEFFERSON A LARGE PAINTING OF MOUNT JEFFERSON SURROUNDED by rhododendron, columbine, trillium, and other native plants and trees has transformed a once-drab wall facing a parking lot on the main street.
    [Show full text]