List of Sculptors 2008 Mailing Labels
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Discovery Guide
THE CITY OF WINTER PARK on the green2018-2019 Welcome! The Winter Park Public Art Advisory Board is proud to display six large-scale sculptures by David Hayes (1931-2013). His polychrome abstract sculptures reference nature, and are presented to ignite the imagination with their color and sense of movement, even as they remain stationary. The sculptor, like so many artists, wanted his viewers to come to their own interpretations of his work. As Hayes was quoted as saying, “The perennial question is: What’s it supposed to be? And I always answer: It’s whatever you interpret it to be…it’s based on imagination – my imagination and the viewer’s imagination.” Looking closely, viewers may see allusions to leaves or trees, but the ironical juxtaposition of steel and natural forms proves provocative. Another contradictory aspect is that even though nature is the inspiration, primary colors do not appear in nature as they do in the sculptures. These forms are bright and bold to provide visual delight. In 1953, Hayes received a Bachelor of Arts degree from the University of Notre Dame, Indiana. In 1955, he received a Master of Fine Arts degree from Indiana University, Bloomington, where he studied with David Smith. Hayes had some 400 exhibitions and is included in over 100 institutional collections, including those of the Museum of Modern Art and Guggenheim Museum in New York. Wave What color is water? Has it ever seemed orange or yellow? What time of day did this happen? What color is it when it breaks over your head? How does it feel? It’s exciting, isn’t it? Grasshopper What color is a grasshopper? How does it camouflage itself? Why? How does it move? It hops of course! What kind of legs are required for hopping? Look quickly – this grasshopper might just hop away! Hanging Sculpture #40 Look up in the tree! There’s a surprise. -
War Prevention Works 50 Stories of People Resolving Conflict by Dylan Mathews War Prevention OXFORD • RESEARCH • Groupworks 50 Stories of People Resolving Conflict
OXFORD • RESEARCH • GROUP war prevention works 50 stories of people resolving conflict by Dylan Mathews war prevention works OXFORD • RESEARCH • GROUP 50 stories of people resolving conflict Oxford Research Group is a small independent team of Oxford Research Group was Written and researched by researchers and support staff concentrating on nuclear established in 1982. It is a public Dylan Mathews company limited by guarantee with weapons decision-making and the prevention of war. Produced by charitable status, governed by a We aim to assist in the building of a more secure world Scilla Elworthy Board of Directors and supported with Robin McAfee without nuclear weapons and to promote non-violent by a Council of Advisers. The and Simone Schaupp solutions to conflict. Group enjoys a strong reputation Design and illustrations by for objective and effective Paul V Vernon Our work involves: We bring policy-makers – senior research, and attracts the support • Researching how policy government officials, the military, of foundations, charities and The front and back cover features the painting ‘Lightness in Dark’ scientists, weapons designers and private individuals, many of decisions are made and who from a series of nine paintings by makes them. strategists – together with Quaker origin, in Britain, Gabrielle Rifkind • Promoting accountability independent experts Europe and the and transparency. to develop ways In this United States. It • Providing information on current past the new millennium, has no political OXFORD • RESEARCH • GROUP decisions so that public debate obstacles to human beings are faced with affiliations. can take place. nuclear challenges of planetary survival 51 Plantation Road, • Fostering dialogue between disarmament. -
The Chadron-Chicago 1000-Mile Cowboy Race
Nebraska History posts materials online for your personal use. Please remember that the contents of Nebraska History are copyrighted by the Nebraska State Historical Society (except for materials credited to other institutions). The NSHS retains its copyrights even to materials it posts on the web. For permission to re-use materials or for photo ordering information, please see: http://www.nebraskahistory.org/magazine/permission.htm Nebraska State Historical Society members receive four issues of Nebraska History and four issues of Nebraska History News annually. For membership information, see: http://nebraskahistory.org/admin/members/index.htm Article Title: The Chadron-Chicago 1,000-Mile Cowboy Race Full Citation: William E Deahl, Jr., “The Chadron-Chicago 1,000-Mile Cowboy Race,” Nebraska History 53 (1972): 166-193. URL of article: http://www.nebraskahistory.org/publish/publicat/history/full-text/NH1972Chadron_Race.pdf Date: 6/22/2011 Article Summary: Horse racing was a popular sport of the American West. As preparations were made for the 1893 Columbian Exposition in Chicago, with its emphasis upon American accomplishments and customs, it was not surprising that someone suggested a horse race from the West to Chicago. The ride was designed to pit skilled Western horsemen against each other over a one thousand-mile route spanning the three states of Nebraska, Iowa and Illinois. This article presents the planning, the promotion, the opposition, and the story of the actual race. Cataloging Information: Names: A C Putnam, N H Weir, William -
Name That Sculpture
Name that Sculpture Relja Arandjelovic´ Andrew Zisserman Department of Engineering Science Department of Engineering Science University of Oxford University of Oxford [email protected] [email protected] ABSTRACT 1. INTRODUCTION We describe a retrieval based method for automatically de- The goal of this work is to automatically identify both the termining the title and sculptor of an imaged sculpture. This sculptor and the name of the sculpture given an image of is a useful problem to solve, but also quite challenging given the sculpture, for example from a mobile phone. This is a the variety in both form and material that sculptures can capability similar to that offered by Google Goggles, which take, and the similarity in both appearance and names that can use a photo to identify certain classes of objects, and can occur. thereby carry out a text based web search. Our approach is to first visually match the sculpture and Being able to identify a sculpture is an extremely useful func- then to name it by harnessing the meta-data provided by tionality: often sculptures are not labelled in public places, Flickr users. To this end we make the following three con- or appear in other people’s photos without labels, or appear tributions: (i) we show that using two complementary vi- in our own photos without labels (and we didn’t label at the sual retrieval methods (one based on visual words, the other time we took them because we thought we would remember on boundaries) improves both retrieval and precision per- their names). -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETH-CENTURY ART COLLECTION SCIIEMES AND TIIEIR IMPACT ON LOCAL AUTHORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISH ART IN BRITAIN VOLUME If Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA.CT.................................................................................. ii ACKNOWLEDGEMENTS •........••.••....••........•.•.•....•••.......•....•...• xi CHAPTER 1:INTRODUCTION................................................. 1 SECTION 1 THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS.......................................................................... -
MCC Continuing Education Spring 2021 Personal Development And
MANCHESTER COMMUNITY COLLEGE SPRING 2021 Continuing Education and PERSONAL DEVELOPMENT AND ENRICHMENT Workforce Development Non-Credit Courses: January-May ART AND CRAFTS A Guided Tour of the David Hayes Sculpture Fields in Coventry (Hybrid) David Hayes, a Manchester, Connecticut native, was a world-class sculptor and his works are on display in art museums across the country, including the Museum of Modern Art in New York. After earning an MFA from Indiana University and receiving a post-graduate Fulbright Scholarship and a Guggenheim Fellowship, he and his young family moved to Paris, where they lived for more than a decade and where Hayes studied and worked with the famous sculptor, Alexander Calder. When the family returned to the states in the 1970s, they moved into an old farmhouse in Coventry, the place where Hayes began to create his Sculpture Fields. You can sample the art online by Googling “David Hayes Sculpture Fields.” The first se sion of the course will discuss the life and work of Hayes through an online lecture, using WebEx. Students must have a webcam and microphone on their computer or device. The instructor will contact students with further instructions one to three NON-CREDIT PROGRAMS business days prior to class. The second session will meet at the David Hayes Sculpture Fields, 905 South Street, Coventry; the instructor will provide General Information .................. [email protected] directions. Students should wear appropriate boots or shoes for walking in damp grass and consider using tick protection. Due to COVID-19 guidelines, Director, mask wearing and social distancing will be required. -
Coventry Sculptor Created Rich Legacy of Artwork
Vol. XXX — No. 3 — 2018 With cutting torches and arc welders Coventry sculptor created rich legacy of artwork rom the 1950s until his death in F 2013, a Connecticut Irishman used the tools of ordinary craftsmen — cutting torches and arc welders — to create ex- traordinary artwork that today is displayed throughout the nation and abroad. Fashioned from heavy steel, the sculp- tures of David Hayes are on display — to name just a few of many places — at the Guggenheim Museum in New York City; National Museum of American Art in Wash- ington, D.C.; Musee des Arts Decoratifs, Paris; Museum of Modern Art, New York; Carnegie Institute, Pittsburg; Dartmouth College, N.H.; Williams College Museum of Art, Williamstown, Mass., Hartford Public Library; and on the campus of his alma mater, Notre Dame University. Entire city of Hayes creations In 2013, almost as if in a parting tribute to his contribution to the world of art, Dothan, Ala., sponsored a yearlong and The grandson of immigrants from County Cork and son of a father who was a gridiron star citywide outdoor exposition of Hayes sculp- for Notre Dame’s Fighting Irish, David Hayes, shown at work and with one of his sculptures, tures. “The 20 works,” explained the direc- won national and international honors for the artwork he fashioned out of industrial steel. tor of the Dothan Wiregrass Museum of Art, one of the sponsors of the event, “have been citywide exhibit, described the sculptor and giving each piece, no matter its size or pal- installed across the community. Located in his work: “A master of his media, Hayes’ ette, a bold presence in the community …” public parks and gardens, college campuses sculptures, unique in color, size and compo- Dothan is not the only city to have bene- and in front of municipal buildings, all are sition, stand tall and proud around fited from Hayes’ imagination. -
Housatonic Museum of Art Presents David Hayes: Modern Master of American Abstraction
DAVID HAYES: Modern Master of American Abstraction at the Housatonic Museum of Art Housatonic Museum of Art Presents David Hayes: Modern Master of American Abstraction December 3, 2014 to February 8, 2015 HOUSATONIC MUSEUM OF ART 900 Lafayette Boulevard, Bridgeport, Connecticut www.housatonicmuseum.org Photography by Paul Mutino Exhibition organized by Robbin Zella, Director 1 Housatonic Museum of Art hosts David Hayes: Modern Master of American Abstraction in celebration of this important Connecticut sculptor whose career spanned six decades. The drawings and maquettes on view here are studies for his monumental sculptures and include the biomorphic and geometric forms that comprise his signature style. Born in Hartford, he maintained a home and studio in Coventry, CT where dozens of his sculptures are situated throughout fifty-plus acres of bucolic farm and woodlands. The influence of his mentor David Smith and his friend Alexander Calder are visible in the playful welded steel polychrome works on display in the gallery. Hayes drew his inspiration from nature, translating delicate foliage into lyrical, brightly painted industrial strength sculptures. Robbin Zella 2 3 4 5 6 7 8 10 11 12 DAVID HAYES BIOGRAPHY AND LISTING OF SOLO EXHIBITIONS 1931 Born in Hartford, Connecticut. Lived in Coventry, 1973 Juror, Munson-Williams-Proctor Institute; Utica, New York – Connecticut. Annual Exhibition 1949–1953 University of Notre Dame; Notre Dame, Indiana, A.B. Illustrated Varmint Q by Charles Boer; Chicago: Swallow 1953–1955 Indiana University; -
Dad's Brochure 99-B-4
The Sculpture of David Hayes Leaf Figure 64½" × 68" × 51½" 1975 Semi Screen 91" × 58" × 43" 1987 Horned Field Figure 1992 73" × 42" × 44" Painted Metal Relief #9 1984 38½" × 26" × 2" Armored Animal 1985 41" × 40" × 32" Vertical Diamond #10 1983 92" × 24" × 24" Gladiator 74" × 53" × 104" 1989 Inchworm 55" × 71" × 83" 1971 Inchworm #2 81" × 36" × 75" 1989 Humpback 64½" × 68" × 51½" 1987 Cygne 96" × 90½" × 97" 1991 Screen Sculpture #48 1993 Screen Sculpture #59 1994 Vertical Motif #5 1976 95½" × 66½" × 45½" 78" × 81" × 29" 115" × 35" × 43" Model for Sculpture 1987 Screen Sculpture #83 73" × 58" × 34" 1997 Model for Sculpture 1990 Screen Sculpture #26 121" × 71" × 36" 1987 DAVID HAYES David Hayes was born in Hartford, Connecticut and received an A.B. degree from the University of Notre Dame in 1953, and a M.F.A. degree from Indiana University in 1955 where he studied with David Smith. He has received a post-doctoral Fulbright award, a Guggenheim Fellowship, and a grant from the National Institute of Arts and Letters. He has been appointed Visiting Artist at the Carpenter Art Center, Harvard University, and has represented the United States at the Forma Viva sculpture symposium in Portoroz, Yugoslavia. He has served three years on the National Screening Committee for the Fulbright-Hays awards in sculpture and was the subject of documentary films in 1991 and 1998 on Connecticut Public Television. He has had 93 one-man shows and is included in the collections of over 60 major museums. He resides in Coventry, Connecticut. PUBLIC COLLECTIONS Museum of Modern Art, New York Everson Museum of Art; Syracuse, Hunter Museum of Art; Chattanooga, Solomon R. -
Volume 2, Issue 2: Winter 2017
Volume 2, Issue 2: Winter 2017 I II I I I I I I I I I I I I I I ICSC Press JOURNAL OF GENIUS AND EMINENCE Editor Mark A. Runco Distinguished Research Fellow, American Institute for Behavioral Research and Technology Editorial Board Selcuk Acar James C. Kaufman International Center for Studies in Creativity, University of Connecticut, Storrs, Connecticut Buffalo State, State University of New York Arthur I. Miller Andrei Aleinikov University College, London, England International Academy of Genius, Monterey, California Robert Root-Bernstein Giovanni E. Corazza Michigan State University, East Lansing, Michigan University of Bologna, Marconi Institute for Creativity, Bologna, Italy Dean Keith Simonton University of California, Davis David Galenson Professor, University of Chicago Harriet Zuckerman Fellow, John Simon Guggenheim Memorial Foundation Senior Vice President, Andrew W. Mellon Foundation Academic Director of the Center for Creativity Economics, Professor Emerita, Columbia University. Universidad del CEMA I II I I I I I I I I I I I I I I ICSC Press Journal of Genius and Eminence (ISSN: 2334-1130 print, Permissions and submissions: Email [email protected] 2334-1149 electronic) is published semi-annually by ICSC Press, International Center for Studies in Creativity, Buffalo Copyright © 2017 by the International Center for Studies State, State University of New York, 1300 Elmwood Avenue, in Creativity. All rights reserved. No part of this publication Chase 248, Buffalo, NY 14222. ICSC Press Managing Editor: may be reproduced, stored, transmitted, or disseminated in Paul Reali, [email protected]. any form or by any means without prior written permission. ICSC Press grants authorization for individuals to photocopy Production, Advertising, and Subscription Office: ICSC copyright material for private research use on the sole basis Press, SUNY Buffalo State, 1300 Elmwood Avenue, Chase that requests for such use are referred directly to the requester’s 248, Buffalo, NY 14222. -
Ken Levy, C.V
DR. KEN M. LEVY HOLT B. HARRISON PROFESSOR OF LAW PAUL M. HEBERT LAW CENTER 1 E. CAMPUS DRIVE LOUISIANA STATE UNIVERSITY BATON ROUGE, LA 70803-0106 [email protected] (225) 578-7365 (office) EDUCATION COLUMBIA UNIVERSITY SCHOOL OF LAW New York, NY J.D., May 2002 Honors: Harlan Fiske Stone Scholar RUTGERS UNIVERSITY New Brunswick, NJ Ph.D. in Philosophy, October 1999 Honors: Excellence Fellowship Dissertation: FREE WILL HUNTING (under Colin McGinn) WILLIAMS COLLEGE Williamstown, MA B.A., magna cum laude, Philosophy, June 1991 Honors: Phi Beta Kappa Dean’s List, all semesters Recipient of Arthur B. Graves Essay Prize in Philosophy Senior Thesis: THE MYSTERY OF THE CAUSAL CONNECTION BOOK Free Will, Responsibility, and Crime: An Introduction (Routledge, 2020) ARTICLES Criminal Responsibility, BLACKWELL COMPANION TO Free WILL, eds. Joe Campbell, Kristin M. Mickelson, & V. Alan White (Wiley, forthcoming 2021) Normative Ignorance: A Critical Connection Between the Insanity and Mistake of Law Defenses, 47 FLA. ST. U. L. REV. 411 (2020) Criminal Responsibility, SAGE ENCYCLOPEDIA OF CRIMINAL PSYCHOLOGY, ed. Robert D. Morgan (2019) Why the Late Justice Scalia Was Wrong: The Fallacies of Constitutional Textualism, 21 LEWIS & CLARK L. REV. 45 (2017) Blocking Blockage, 44 PHILOSOPHIA 565-82 (2016) Trying to Make Sense of Criminal Attempts, 7 JURISPRUDENCE 656-64 (2016) Mental Illness, Dangerousness, and Involuntary Civil Commitment, co-authored with Alex Cohen, in PHILOSOPHY AND PSYCHIATRY: PROBLEMS, INTERSECTIONS AND NEW PERSPECTIVES, 147-160 (eds. Gary Gala & Daniel D. Moseley, Routledge, 2016) Does Situationism Excuse? The Implications of Situationism for Moral Responsibility and Criminal Responsibility, 68 ARK. L. REV. -
TOWN of BRECKENRIDGE PUBLIC ART COMMISSION AGENDA Wednesday, September 3, 2014 Meeting Location: Blue River Plaza Sculpture on the Blue Public Reception
TOWN OF BRECKENRIDGE PUBLIC ART COMMISSION AGENDA Wednesday, September 3, 2014 Meeting Location: Blue River Plaza Sculpture on the Blue Public Reception 3:45 Meet at Fuqua to carry materials down to the Blue River Plaza 4:00 Call to order Meeting (This will be a casual meeting while hosting the public reception.) 4:05 Review of Minutes August 6, 2014 4:10 Amendments/Approval of Agenda Updates 4:15 Public Art Program Albert Paley, “Syncline” – Presentation and Reception Discussion Items 4:25 Phone Tours 4:35 Goebel Family Donation 4:45 Next Meeting/Absences The next meeting is scheduled for Wednesday, October 1, 2014 5:30 Adjourn For further information, please contact Jennifer Cram at 970-547-3116. 08-06-2014 Town of Breckenridge Public Art Commission – Regular Meeting Roll Call Tom Kramer called the August 6, 2014, Public Art Commission meeting to order at 4:00 pm at the Fuqua Livery Stable. The following people were present: Commissioners: Tom Kramer Stephanie Sadler Janis Bunchman Rick Hague Robin Theobald Gene Sosville Tony Wilson Staff: Jennifer Cram Robb Woulfe APPROVAL OF MINUTES Minutes from the July 2, 2014, meeting were approved as submitted, as motioned by Janis and seconded by Gene. APPROVAL OF AGENDA The agenda was approved as submitted. AGENDA Updates Public Art Program Updates Breckenridge Theatre Gallery The Breckenridge Theatre Gallery will feature the upcycled work of Pascal Desilio and Lisa Easton for 2nd Saturday. Rick volunteered to help with set up and Tony agreed to help with clean up. The Tin Shop will also be open with Tina Puckett, basket weaver from CT.