Coventry Sculptor Created Rich Legacy of Artwork
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“It Rushed Into the Fight with Its Well
IRISH BRIGADE Edited by Robert McLernon IRISH BRIGADE “…It Rushed Into The Fight With Its Well-known Gallantry…” I often find tributes to the courage and gallantry of the Irish Brigade in combat. William F. Fox Regimental Losses In The Civil War (1889) Page 118: “The Irish Brigade was, probably, the best known of any brigade organization, it having made an unusual reputation for dash and gallantry. The remarkable precision of its evolutions under fire; its desperate attack on the impregnable wall at Marye’s Heights; its never failing promptness on every field, and its long continuous service, made for it a name inseparable from the history of the war.” Joseph G. Bilby Remember Fontenoy! Introduction: “It was, many said, the best brigade in the Army of the Potomac. Some said it was the best brigade in the whole Union army and perhaps the best infantry brigade on either side in the American Civil War. Others, with the perspective of history, have come to believe it may have been the best infantry brigade that ever was.” William F. Fox Final Report on the Battlefield of Gettysburg – New York at Gettysburg, p. 485: “It would be impossible to write the history of the Army of the Potomac without giving the highest of praise to the gallant Irish Brigade.” “Their deeds will be remembered in song and in story so long as the history of our country is read. Irishmen everywhere have reason to be proud of the Irish Brigade.” Speech of Col. James D. Brady, 63rd New York “The Irish Brigade’s loss of 961 soldiers killed or mortally wounded in action was exceeded by only two other brigades in the Union army.” Fox “Regimental Losses” The other two were the Vermont Brigade, and the Iron Brigade. -
Discovery Guide
THE CITY OF WINTER PARK on the green2018-2019 Welcome! The Winter Park Public Art Advisory Board is proud to display six large-scale sculptures by David Hayes (1931-2013). His polychrome abstract sculptures reference nature, and are presented to ignite the imagination with their color and sense of movement, even as they remain stationary. The sculptor, like so many artists, wanted his viewers to come to their own interpretations of his work. As Hayes was quoted as saying, “The perennial question is: What’s it supposed to be? And I always answer: It’s whatever you interpret it to be…it’s based on imagination – my imagination and the viewer’s imagination.” Looking closely, viewers may see allusions to leaves or trees, but the ironical juxtaposition of steel and natural forms proves provocative. Another contradictory aspect is that even though nature is the inspiration, primary colors do not appear in nature as they do in the sculptures. These forms are bright and bold to provide visual delight. In 1953, Hayes received a Bachelor of Arts degree from the University of Notre Dame, Indiana. In 1955, he received a Master of Fine Arts degree from Indiana University, Bloomington, where he studied with David Smith. Hayes had some 400 exhibitions and is included in over 100 institutional collections, including those of the Museum of Modern Art and Guggenheim Museum in New York. Wave What color is water? Has it ever seemed orange or yellow? What time of day did this happen? What color is it when it breaks over your head? How does it feel? It’s exciting, isn’t it? Grasshopper What color is a grasshopper? How does it camouflage itself? Why? How does it move? It hops of course! What kind of legs are required for hopping? Look quickly – this grasshopper might just hop away! Hanging Sculpture #40 Look up in the tree! There’s a surprise. -
John Dwyer: Irish Brigade
474 85 D98 opy 1 ADDRESS OF JOHN DWYER Hudson Falls, N. Y. MAJOR 63D N. Y. V. Senior Officer Living of the Irish Brigade Association THE 52D ANNIVERSARY Held in New York City, December 12, 1914 Union Square Hotel HERALD PRESS u By transfer • WnTi«9Pi The V'. — Comrades and Friends: In compliance with the request of your presid- ing officer, I have prepared the story of Freder- icsburg, an event that will forever remain green in the memory of the renowned Brigade, while one remains to answer the roll call on this side of the river—yea, while their sons and daughters are here to tell the deeds of their sires on December 13, 1862. In our youthful days—in the Great Rebellion one hundred thousand men on the side of the Union and as many more in the Confederate ranks, was an unusual thing. Today the War of Nations beyond the seas, three millions of young manhood of six or more countries are engaged in deadly strife. Instead of our one to three days' battle, in the old world they are counted in consecutive weeks and months; and if only fifteen or twenty thousand fall in a day, it is a mere "skirmish." Should this slaughter continue, the leading na- tions of Europe will in truth be nothing short of wilderness. Comrades and friends! We should sincerely thank the good God that we call ourselves Ameri- cans, and that three thousand miles of ocean sep- arate the Continents. Also that we have a cap- tain guiding our ship of State—"Watching and Waiting," if you will—who has steered clear of European entanglements up to the present mo- ' ment. -
MCC Continuing Education Spring 2021 Personal Development And
MANCHESTER COMMUNITY COLLEGE SPRING 2021 Continuing Education and PERSONAL DEVELOPMENT AND ENRICHMENT Workforce Development Non-Credit Courses: January-May ART AND CRAFTS A Guided Tour of the David Hayes Sculpture Fields in Coventry (Hybrid) David Hayes, a Manchester, Connecticut native, was a world-class sculptor and his works are on display in art museums across the country, including the Museum of Modern Art in New York. After earning an MFA from Indiana University and receiving a post-graduate Fulbright Scholarship and a Guggenheim Fellowship, he and his young family moved to Paris, where they lived for more than a decade and where Hayes studied and worked with the famous sculptor, Alexander Calder. When the family returned to the states in the 1970s, they moved into an old farmhouse in Coventry, the place where Hayes began to create his Sculpture Fields. You can sample the art online by Googling “David Hayes Sculpture Fields.” The first se sion of the course will discuss the life and work of Hayes through an online lecture, using WebEx. Students must have a webcam and microphone on their computer or device. The instructor will contact students with further instructions one to three NON-CREDIT PROGRAMS business days prior to class. The second session will meet at the David Hayes Sculpture Fields, 905 South Street, Coventry; the instructor will provide General Information .................. [email protected] directions. Students should wear appropriate boots or shoes for walking in damp grass and consider using tick protection. Due to COVID-19 guidelines, Director, mask wearing and social distancing will be required. -
The Berminghams of the Irish Brigade
THE BERMINGHAMS OF THE IRISH BRIGADE The Story of Four Family Members who Served in Company A, 69th New York State Volunteers by Stephan D. O'Neill 69th New York Historical Association Where glory's beams are seen, boys, To cheer the way, to cheer the way, We bear the Emerald Green, boys, And clear the way, and clear the way; Our flag shall foremost be, boys, In battle fray, in battle fray, When the Fenians cross the sea, boys, And clear the way, and clear the way. That home where valor first, boys, In all her charms, in all her charms, Roused up the souls she nurs'd, boys, And called to arms, and called to arms; One trial more 'tis worth, boys, 'Tis worth our while, 'tis worth our while, To drive the tyrant forth, boys, Andfree our isle, andfree our isle! We love the generous land, boys, In which we live, in which we live; And which a welcome grand, boys, To all doth give, to all doth give. May God upon it smile, boys, And swell itsfame, and swell itsfame! But we don't forget the isle, boys, From whence we came, from whence we came. Things soon may take a turn, boys, There's no one knows, there's no one knows, When the Stars and Stripes may burn, boys, Against our foes, against our foes; When Yankee guns shall thunder On Britain's coast; on Britain's coast, And land, our greenflag under, The Fenian host, the Fenian host! Oh, let us pray to God, boys To grant the day, to grant the day, We may press our native sod, boys, In linked array, in linked array! Let them give us arms and ships, boys, We ask no more, we ask no more; And Ireland's long eclipse, boys, Will soon be 0 'er, will soon be 0 'er! THE BERMINGHAMS OF THE IRISH BRIGADE Famine raged in Ireland during the 1840's. -
Housatonic Museum of Art Presents David Hayes: Modern Master of American Abstraction
DAVID HAYES: Modern Master of American Abstraction at the Housatonic Museum of Art Housatonic Museum of Art Presents David Hayes: Modern Master of American Abstraction December 3, 2014 to February 8, 2015 HOUSATONIC MUSEUM OF ART 900 Lafayette Boulevard, Bridgeport, Connecticut www.housatonicmuseum.org Photography by Paul Mutino Exhibition organized by Robbin Zella, Director 1 Housatonic Museum of Art hosts David Hayes: Modern Master of American Abstraction in celebration of this important Connecticut sculptor whose career spanned six decades. The drawings and maquettes on view here are studies for his monumental sculptures and include the biomorphic and geometric forms that comprise his signature style. Born in Hartford, he maintained a home and studio in Coventry, CT where dozens of his sculptures are situated throughout fifty-plus acres of bucolic farm and woodlands. The influence of his mentor David Smith and his friend Alexander Calder are visible in the playful welded steel polychrome works on display in the gallery. Hayes drew his inspiration from nature, translating delicate foliage into lyrical, brightly painted industrial strength sculptures. Robbin Zella 2 3 4 5 6 7 8 10 11 12 DAVID HAYES BIOGRAPHY AND LISTING OF SOLO EXHIBITIONS 1931 Born in Hartford, Connecticut. Lived in Coventry, 1973 Juror, Munson-Williams-Proctor Institute; Utica, New York – Connecticut. Annual Exhibition 1949–1953 University of Notre Dame; Notre Dame, Indiana, A.B. Illustrated Varmint Q by Charles Boer; Chicago: Swallow 1953–1955 Indiana University; -
Dad's Brochure 99-B-4
The Sculpture of David Hayes Leaf Figure 64½" × 68" × 51½" 1975 Semi Screen 91" × 58" × 43" 1987 Horned Field Figure 1992 73" × 42" × 44" Painted Metal Relief #9 1984 38½" × 26" × 2" Armored Animal 1985 41" × 40" × 32" Vertical Diamond #10 1983 92" × 24" × 24" Gladiator 74" × 53" × 104" 1989 Inchworm 55" × 71" × 83" 1971 Inchworm #2 81" × 36" × 75" 1989 Humpback 64½" × 68" × 51½" 1987 Cygne 96" × 90½" × 97" 1991 Screen Sculpture #48 1993 Screen Sculpture #59 1994 Vertical Motif #5 1976 95½" × 66½" × 45½" 78" × 81" × 29" 115" × 35" × 43" Model for Sculpture 1987 Screen Sculpture #83 73" × 58" × 34" 1997 Model for Sculpture 1990 Screen Sculpture #26 121" × 71" × 36" 1987 DAVID HAYES David Hayes was born in Hartford, Connecticut and received an A.B. degree from the University of Notre Dame in 1953, and a M.F.A. degree from Indiana University in 1955 where he studied with David Smith. He has received a post-doctoral Fulbright award, a Guggenheim Fellowship, and a grant from the National Institute of Arts and Letters. He has been appointed Visiting Artist at the Carpenter Art Center, Harvard University, and has represented the United States at the Forma Viva sculpture symposium in Portoroz, Yugoslavia. He has served three years on the National Screening Committee for the Fulbright-Hays awards in sculpture and was the subject of documentary films in 1991 and 1998 on Connecticut Public Television. He has had 93 one-man shows and is included in the collections of over 60 major museums. He resides in Coventry, Connecticut. PUBLIC COLLECTIONS Museum of Modern Art, New York Everson Museum of Art; Syracuse, Hunter Museum of Art; Chattanooga, Solomon R. -
A Defense of the 63Rd New York State Volunteer Regiment of the Irish Brigade Patricia Vaticano
University of Richmond UR Scholarship Repository Master's Theses Student Research 5-2008 A defense of the 63rd New York State Volunteer Regiment of the Irish Brigade Patricia Vaticano Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Recommended Citation Vaticano, Patricia, "A defense of the 63rd New York State Volunteer Regiment of the Irish Brigade" (2008). Master's Theses. Paper 703. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. A DEFENSE OF THE 63RD NEW YORK STATE VOLUNTEER REGIMENT OF THE IRISH BRIGADE By PATRICIA VATICANO Master of Arts in History University of Richmond 2008 Dr. Robert C. Kenzer, Thesis Director During the American Civil War, New York State’s irrepressible Irish Brigade was alternately composed of a number of infantry regiments hailing both from within New York City and from within and without the state, not all of them Irish, or even predominantly so. The Brigade’s core structure, however, remained constant throughout the war years and consisted of three all-Irish volunteer regiments with names corresponding to fighting units made famous in the annuals of Ireland’s history: the 69th, the 88th, and the 63rd. The 69th, or Fighting 69th, having won praise and homage for its actions at First Bull Run, was designated the First Regiment of the Brigade and went on to even greater glory in the Civil War and every American war thereafter. -
Mailing Labels for Artists
Don Begg Brent Cooke Amore/Woody Dorsey/Kokaro PO Box 550 1336 Wood St. Carvers Cochrane , Alberta, Canada T4C 1A7 Victoria, British Columbia, Canada RR 1 Box 192 V9A 5E1 Castleton, VT 05735 Ken Nice Reg Parsons C205 Concession 12, RR #1 713 10th St South Cannington, Ontario, Canada L0E 1E0 Cranbrook , British Columbia, Canada V1C 1S7 Nathan Scott Jim Doubleday Elliot Offner 6375 W. Saanich Road 51 Amherst Road 74 Washington Ave. Saanichton, British Columbia, Canada Pelham, MA 01002 Northampton, MA 01060 V8M 1W8 Yin Deet John Pauplis Michael Updike 157 School St. 387 Commonwealth Road 36 Franklin St. Wayland, MA 01778 Cochituate, MA 01778 Newburyport, MA 01950 George Greenamyer Ralph Helmick Charles Hahn 994 Careswell St. 447 Lowell Ave. 241 Howard Street Marshfield, MA 02050 Newton, MA 02160 Melrose, MA 02176 Richard Gardner Stephen Mirabella Dore Van Dyke Art Deadlines List 1416 Indian Creek Rd. 285 Jacob St. P. O. Box 381067 Amherst, VA 02421 Seekonk, MA 02771 Cambridge, MA 02238 Donald Gerola J. Conklin Brower Hatcher 440 S Main Street David Winton Brown Gall… 148 Congdon St. Woonsocket, RI 02860 68 Hillside Avenue Providence, RI 02906 Providence, RI 02906 Walter Feldman Jonathan Bonner Buzz Masters Art Department P. O. Box 6023 RR 2 45 Lawrence Rd. Brown University Providence, RI 02940 Gray, ME 04039 Providence, RI 02912 Tom White Fred X. Brownstein Kathleen Schneider Tom White Studios P. O. Box 495 179 Main Street 162 Mayville Road North Bennington, VT 05257 Winooski, VT 05404 Bethel, ME 04217 B. Amore Woody Dorsey David Hayes Warren Owens R.R. -
Third Annual Teacher Leader Fellowship Program Institute TEACHER LEADERS AS ENABLERS of CREATIVITY, COLLABORATION, and INNOVATION in THEIR CLASSROOMS and BEYOND
Third Annual Teacher Leader Fellowship Program Institute TEACHER LEADERS AS ENABLERS OF CREATIVITY, COLLABORATION, AND INNOVATION IN THEIR CLASSROOMS AND BEYOND Monday, May 20, 2019 Central Connecticut State University Sponsored by Central Connecticut State University in partnership with Connecticut Education Association, American Federation of Teachers–CT, and Duke TeachHouse. Collaboration at Bristol Eastern High School PROGRAM 8:00 – 8:15am ��������������Registration & Refreshments – Alumni Hall 8:15 - 8:45am �������������� Welcome & Opening Remarks – Dr� Betty J� Sternberg, Moderator • Welcome – Dr� Zulma R� Toro, CCSU President • Purpose and Outcomes of Institute and Teacher Leader Fellowship Program Dr� Betty J� Sternberg, Commissioner Emerita & Director, Teacher Leader Fellowship Program at CCSU • The Teacher Perspective – Dr� Tina Manus, English Teacher & Department Head, Bullard Havens Technical High School, Bridgeport • The Administrator Perspective Ms� Sarhanna K� Smith, Principal, Read School, PreK-8, Bridgeport Ms� Fran Rabinowitz, Executive Director, CT Association of Public School Superintendents • The State Department of Education Perspective – Dr� Dianna R� Wentzell, Interim Commissioner of Education • The Importance of Teacher Leaders Mr� Donald E� Williams, Jr�, Executive Director, Connecticut Education Association Mr� David Hayes, Vice President, American Federation of Teachers, Connecticut • Introduction of Dr. Andy Hargreaves – Dr� Betty J� Sternberg 8:45 - 9:30 am �������������Dr� Andy Hargreaves, Supporting Teacher -
Season 2010 Season 2010-2011
Season 20102010----20112011 The Philadelphia Orchestra Thursday, January 6, at 8:00 Friday, January 77,, at 2:00 Saturday, January 88,, at 8:00 Sunday, January 99,, at 2:00 Yannick NézetNézet----SéguinSéguin Conductor Lucy Crowe Soprano Birgit Remmert Mezzo-soprano James Taylor Tenor Andrew FosterFoster----WilliamsWilliams Bass-baritone The Philadelphia Singers Chorale David Hayes Music Director Debussy Nocturnes I. Clouds II. Festivals III. Sirens Intermission Mozart/completed Süssmayr Requiem, K. 626 I. Introitus: Requiem II. Kyrie III. Sequentia 1. Dies irae 2. Tuba mirum 3. Rex tremendae 4. Recordare 5. Confutatis 6. Lacrimosa IV. Offertorium 1. Domine Jesu 2. Hostias V. Sanctus VI. Benedictus VII. Agnus Dei VIII. Communio: Lux aeterna This program runs approximately 1 hour, 45 minutes. The January 6 concert is sponsored by Medcomp. The January 8 concert is sponsored by Ballard Spahr LLP. Since his European conducting debut in 2004, Yannick Nézet-Séguin has become one of the most sought-after conductors on today’s international classical music scene, widely praised by audiences, critics, and artists alike for his musicianship, dedication, and charisma. A native of Montreal, he made his Philadelphia Orchestra debut in 2008 and last June was named the Orchestra’s next music director, a post he takes up with the 2012-13 season. Artistic director and principal conductor of Montreal’s Orchestre Métropolitain since 2000, he became music director of the Rotterdam Philharmonic and principal guest conductor of the London Philharmonic in 2008. Recent engagements have included concerts with the Vienna and Los Angeles philharmonics, the Boston Symphony, the Dresden Staatskapelle, the Orchestre National de France and, earlier this month, a tour with the Chamber Orchestra of Europe and his Berlin Philharmonic debut. -
Hartwood-RFQ.Pdf
Request for Qualifications for An Outdoor Sculpture Commission at Hartwood Acres Park Release date: Friday, October 30, 2020 Allegheny County Parks Foundation in Partnership with Allegheny County Budget: $100,000 Deadline: December 21, 2020 at 4:00 PM EST SUMMARY The Allegheny Parks Foundation in partnership with Allegheny County is soliciting proposals from individual artists or an artist team to install sculptural work outside at Hartwood Acres, one of the nine county parks. The artist or artist team will work in collaboration with the Allegheny County Parks Foundation to coordinate the design, fabrication and installation of the new artwork. The budget for this project is $100,000. PROJECT DESCRIPTION The Allegheny County Parks Foundation strengthens the health and vibrancy of the community by improving, conserving and restoring the nine parks in Allegheny County, Pennsylvania. Working in partnership with Allegheny County, the Parks Foundation brings together ideas, leadership and resources to make the parks more sustainable and enjoyable for all. Originally designed as a country estate for an equestrian family, Hartwood Acres Park channels its opulent past in 629 acres of beauty. The original bridle trails still serve runners, bikers and cross-country skiers today. The park is well-known for its popular outdoor entertainment, including free summer concerts at the amphitheater. The newest treasure is the reimagined Hartwood Acres Sculpture Garden, an outdoor exhibition space for public art. Eleven sculptures were gifted to Hartwood Acres Park in the 1980s, when it was envisioned as an arts and culture park. A twelfth sculpture was added years later and another is on loan from the Carnegie Museums of Pittsburgh.