Griffith REVIEW Editon 43: Pacific Highways

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Griffith REVIEW Editon 43: Pacific Highways Griffith 43 A QUARTERLY OF NEW WRITING & IDEAS GriffithREVIEW43 Pacific Highways ESSAY HINEMOANA BAKER Walking meditations BERNARD BECKETT School report DAVID BURTON A Kiwi feast HAMISH CLAYTON The lie of the land RE KATE DE GOLDI Simply by sailing in a new direction LYNN JENNER Thinking about waves FINLAY MACDONALD Primate city LYNNE McDONALD Cable stations V GREGORY O’BRIEN Patterns of migration ROBERTO ONELL To a neighbour I am getting to know IE ROD ORAM Tectonic Z REBECCA PRIESTLEY Hitching a ride W HARRY RICKETTS On masks and migration JOHN SAKER Born to run CARRIE TIFFANY Reading Geoff Cochrane MATT VANCE An A-frame in Antarctica 43 IAN WEDDE O Salutaris LYDIA WEVERS First, build your hut DAMIEN WILKINS We are all Stan Walker ALISON WONG Pure brightness Highways Pacific ASHLEIGH YOUNG Sea of trees MEMOIR KATE CAMP Whale Road PAMELA ‘JUDY’ ROSS Place in time PETER SWAIN Fitting into the Pacific LEILANI TAMU The beach BRIAN TURNER Open road MoreFREE great eBOOKstories and KATE WOODS Postcard from Beijing poetry are available in PACIFIC HIGHWAYS Vol. 2 REPORTAGE as a free download at SALLY BLUNDELL Amending the map www.griffithreview.com STEVE BRAUNIAS On my way to the border GLENN BUSCH Portrait of an artist FICTION WILLIAM BRANDT Getting to yes EMILY PERKINS Waiheke Island CK STEAD Anxiety POETRY JAMES BROWN GEOFF COCHRANE CLIFF FELL PACIFIC DINAH HAWKEN YA-WEN HO BILL MANHIRE GREGORY O’BRIEN HIGHWAYS VINCENT O’SULLIVAN CO-EDITED BY JULIANNE SCHULTZ ‘Australia’s most stimulating literary journal.’ & LLOYD JONES Cover design: Text Publishing design: Text Cover Canberra Times JOURNAL QUARTERLY Praise for Griffith REVIEW ‘Essential reading for each and every one of us.’ Readings ‘A varied, impressive and international cast of authors.’ The Australian ‘Griffith REVIEW is a must-read for anyone with even a passing interest in current affairs, politics, literature and journalism. The timely, engaging writing lavishly justifies the Brisbane-based publication’s reputation as Australia’s best example of its genre.’ The West Australian ‘There is a consistently high standard of writing: all of it well crafted or well argued or well informed, as befits the various genres.’ Sydney Review of Books ‘This quarterly magazine is a reminder of the breadth and talent of Australian writers. Verdict: literary treat.’ Herald Sun ‘Griffith REVIEW editor Julianne Schultz is the ultra-marathoner of Australian cultural life.’ Canberra Times ‘At a time when long form journalism is under threat and the voices in our public debate are often off-puttingly condescending, hectoring and discordant, Griffith REVIEW is the elegant alternative.’ Booktopia Buzz ‘Griffith REVIEW is a consistently good journal. There is some terrific writing on display as well as variety and depth to the issues being grappled with.’ The Age ‘Australia’s most important literary essay magazine.’ Courier-Mail ‘At once comfortable and thought-provoking, edgy and familiar, [it] will draw the reader through its pages.’ Australian Book Review ‘Griffith REVIEW is a wonderful journal. It’s pretty much setting the agenda in Australia and fighting way above its weight… You’re mad if you don’t subscribe.’ Phillip Adams ‘Once again, Griffith REVIEW has produced a stunning volume of excellent work. The pieces are diverse, the stories unique and real. But one thing remains constant – superb writing.’ Weekend Herald (NZ) SIR SAMUEL GRIFFITH was one of Australia’s great early achievers. Twice the premier of Queensland, that state’s chief justice and the author of its criminal code, he was best known for his pivotal role in drafting agreements that led to Federation, and as the new nation’s first chief justice. He was also an important reformer and legislator, a practical and cautious man of words. Griffith died in 1920 and is now best remembered in his namesakes: an electorate, a society, a suburb and a university. Ninety-six years after he first proposed establishing a university in Brisbane, Griffith University, the city’s second, was created. His commitment to public debate and ideas, his delight in words and art, and his attachment to active citizenship are recognised by the publication that bears his name. Like Sir Samuel Griffith, Griffith REVIEW is iconoclastic and non-partisan, with a sceptical eye and a pragmatically reforming heart and a commitment to public discussion. Personal, political and unpredictable, it is Australia’s best conversation. GriffithREVIEW43 Pacific Highways Co-edited by Julianne Schultz and Lloyd Jones GriffithREVIEW43 INTRODUCTION 7 Looking east JULIANNE SCHULTZ: Changing the focal length At the crossroads LLOYD JONES: Winds of change ESSAY 12 To a neighbour I am getting to know ROBERTO ONELL: Letter from Chile (Translated by Ross Woods) 27 On masks and migration HARRY RICKETTS: Learning to stand upright 33 Patterns of migration GREGORY O'BRIEN: Notes on eels, on the way to the Kermadecs 38 Cable stations LYNNE McDONALD: The encircled earth 48 Primate city FINLAY MACDONALD: Gorilla in the midst 67 Hitching a ride REBECCA PRIESTLEY: Nature knows no borders 88 A Kiwi feast DAVID BURTON: Paua with wild silverbeet, samphire & sea grapes 95 Thinking about waves LYNN JENNER: Knowing when to leave 113 Born to run JOHN SAKER: The remarkable tale of Steve Adams 126 Walking meditations HINEMOANA BAKER: Fingernails, feet and fossils 138 Sea of trees ASHLEIGH YOUNG: The road not taken 144 O Salutaris IAN WEDDE: Between here and there 154 Pure brightness ALISON WONG: Conversations with ghosts 172 School report BERNARD BECKETT: Cracking the literacy code 184 Tectonic Z ROD ORAM: Creating a zone of hope 200 We are all Stan Walker DAMIEN WILKINS: Why you should have watched the most hated show on television 247 First, build your hut LYDIA WEVERS: New Zealand’s missing great nineteenth century novel 256 Simply by sailing in a new direction KATE DE GOLDI: The search for Storyland 267 The lie of the land HAMISH CLAYTON: Jim’s wife by another name 276 An A-frame in Antarctica MATT VANCE: Getting away from it all 282 Reading Geoff Cochrane CARRIE TIFFANY: A constant companion MEMOIR 106 The beach LEILANI TAMU: States of transition 119 Fitting into the Pacific PETER SWAIN: Some things you ought to know 169 Postcard from Beijing KATE WOODS: Artistic villages and empty mansions 208 Open road BRIAN TURNER: No pain, no gain 214 Whale Road KATE CAMP: Things to do in Iceland 240 Place in time PAMELA ‘JUDY’ ROSS: Abridged interview from the Avonside Project REPORTAGE 16 On my way to the border STEVE BRAUNIAS: Learning by osmosis 233 Amending the map SALLY BLUNDELL: A city of becoming 235 Portrait of an artist GLENN BUSCH: Photographer, documentary-maker, storyteller FICTION 61 Anxiety CK STEAD 134 Waiheke Island EMILY PERKINS 196 Getting to yes WILLIAM BRANDT POETRY 15 Clearing at Dawn YA-WEN HO 46 Demarcations JAMES BROWN 75 L’Anima Verde CLIFF FELL 94 Whale Survey, Raoul Island, with Rosemary Dobson GREGORY O’BRIEN 103 The uprising DINAH HAWKEN 222 Green light JAMES BROWN 245 There, being Monday morning VINCENT O’SULLIVAN 254 Encounter above the Hurunui CLIFF FELL 281 Erebus voices BILL MANHIRE 285 Equinoctial GEOFF COCHRANE griffithreview.com More great stories and poetry are available in PACIFIC HIGHWAYS Vol. 2 as a free download at www.griffithreview.com GriffithREVIEW43 AUTUMN 2014 GriffithREVIEW is published four times a year by Griffith University in conjunction with Text Publishing. ISSN 1448-2924 Publisher Marilyn McMeniman AM Editor Julianne Schultz AM Co-editor Lloyd Jones Deputy Editors Erica Sontheimer, Nicholas Bray Production Manager Paul Thwaites Publicist Susan Hornbeck Publication & Cover Design WH Chong, Text Publishing Text Publishing Michael Heyward, Kirsty Wilson, Shalini Kunahlan Proofreading Alan Vaarwerk Editorial Interns Coco McGrath, Madeleine Watts, Alana Brekelmans, Nicholas Ivanovic, Jessica O’Neill, Sam Hooshmand, Kirra Smith Administration Jane Hunterland Typesetting Midland Typesetters Printing Ligare Book Printers Distribution Penguin Australia Cover Image Bill Hammond, Watching for Buller, 1993, (Detail), Oil on canvas, 1000 x 1200mm. Courtesy of Collection of the James Wallace Arts Trust Contributions by academics can, on request, be refereed by our Editorial Board. Details: www.griffithreview.com GRIFFITH REVIEW South Bank Campus, Griffith University PO Box 3370, South Brisbane QLD 4101 Australia Ph +617 3735 3071 Fax +617 3735 3272 [email protected] www.griffithreview.com TEXT PUBLISHING Swann House, 22 William St, Melbourne VIC 3000 Australia Ph +613 8610 4500 Fax +613 9629 8621 [email protected] www.textpublishing.com.au SUBSCRIPTIONS Within Australia: 1 year (4 editions) $111.80 RRP, inc. P&H and GST Outside Australia: 1 year (4 editions) A$161.80 RRP, inc. P&H Institutional and bulk rates available on application. COPYRIGHT The copyright of all material published in Griffith REVIEW and on its website remains the property of the author, artist or photographer, and is subject to copyright laws. No part of this publication may be reproduced without written permission from the publisher. ||| Opinions published in Griffith REVIEW are not necessarily those of the Publisher, Editor, Griffith University or Text Publishing. FEEDBACK AND COMMENT www.griffithreview.com INTRODUCTION Looking east Changing the focal length Julianne Schultz FOR a number of years I travelled on a New Zealand passport. It wasn’t so much that I identified with the land of my birth, but for pragmatic reasons: when I first needed a passport to travel – fittingly to the Pacific – I was a student, and a New Zealand passport cost less than half an Australian one, and lasted twice as long. Even if I hadn’t been back since I left at age four, for a penurious twenty-year-old, this was as good a reason as any to identify internationally as a Kiwi. In the 1970s the boundaries between being a Kiwi and being an Aussie were blurred, and had been for half a century.
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