Annual Report 2008-09
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Te Awamutu Courier
Te Awamutu Houses, Farms, Property Management List your property or rental with Ray White and we will advertise your property on TRADE ME rwteawamutu.co.nz CourierPublished Tuesday & Thursday THURSDAY, NOVEMBER 15, 2012 TM YOUR COMMUNITY NEWSPAPER FOR OVER 100 YEARS Ph: 871 7149 CIRCULATED FREE TO 12,109 HOMES THROUGHOUT TE AWAMUTU AND SURROUNDING DISTRICTS. EXTRA COPIES 40c. BRIEFLY Stop press Pupils track moon Short supply of Te Awamutu Couriers has meant that some readers may have missed out on their Tuesday edition. JOHN BORREN PHOTO We extend our apologies to anyone who didn’t receive their copy. It was an error in supply from the printers in Auckland and was not in any way the fault of our delivery people. Anyone who missed delivery and would like a copy can pick one up from the Te Awamutu Courier office. Guest speaker Olympian and Trans- BY CATHY ASPLIN Atlantic rower Rob Hamill of Te Pahu will be addressing the An eerie twilight Continuing Education Group descended on Te Awa- on Wednesday November 21. mutu during the solar His interesting eclipse yesterday. presentation, which includes The moon started anecdotes, humour and crossing in front of the sun around 9.20am, but perspective, covers some of reached the point of most his lifechanging experiences. coverage (approximately For more information see 87%) at about 10.30am. advertisement inside today’s While Australia got a Courier or phone 871 6434. total eclipse, the partial eclipse seen in New Zea- Annual clash land attacted plenty of A capacity field has entered spectators around the the singles over the opening country. -
Australian Films
AUSTRALIAN FILMS: The Rage in Placid Lake Just out of prep school -- where he was the target of tyrannical bullies -- misfit teen Placid Lake (Ben Lee) yearns to be a regular Joe. When a mishap lands Placid in a body cast for months, he formulates a plan to reinvent himself by donning a suit and taking a job as a drone at an insurance agency. But he soon discovers that conformity isn't what it's cracked up to be in this offbeat Aussie comedy from rookie director Tony McNamara. Strictly Ballroom This quirky, tenderly hilarious romantic comedy is sure to leave you tapping your toes. Directed by Baz Luhrmann, Strictly Ballroom is the off-beat story of a championship ballroom dancer (Paul Mercurio) who breaks all the rules by choosing an ugly duckling dancing partner (Tara Morice). Sweet, funny and original, this is one you won't forget quickly. The Castle When plans for an airport expansion threaten the home of Darryl Kerrigan (Michael Caton) and his family, the patriarch refuses to move from his "castle" -- in actuality, a shabby suburban tract house. Darryl rallies the troops and takes his battle to the highest court in Australia. This irreverent, warm-hearted comedy is frequently compared to The Full Monty. The Dish July 1969. Neil Armstrong is about to walk on the moon, and everyone's eyes are riveted to their TV screens. In Parkes, Australia, a radio dish antenna is slated to receive Apollo 11's video feed and send that historic sight out to the world … that is, if the Australian staff (including pipe-smoking, absent-minded scientist Sam Neill) and their NASA supervisor (the tense, by-the-book Patrick Warburton) don't make any mistakes! Rabbit Proof Fence Australia's aboriginal integration program of the 1930s broke countless hearts -- among them, those of young Molly (Evelyn Sampi), Gracie (Laura Monaghan) and Daisy (Tiana Sansbury), who were torn from their families and placed in an abusive orphanage. -
Journey to Ihipa Press
JOURNEY TO IHIPA Hope lasts a lifetime PRESS KIT A film by Nancy Brunning INTERNATIONAL SALES Juliette Veber - NZ Film - PO Box 11 546 - Wellington - New Zealand Tel +64 4 382 7686 - Fax +64 4 384 9719 - [email protected] Key Credits Writer Vicki-Anne Heikell Director Nancy Brunning Producer Makerita Urale Production Company Journey to Ihipa Ltd Executive Producer Catherine Fitzgerald Director of Photography Davorin Fahn Technical Information Format: 35mm Film Ratio: 1:1.85 Sound: Dolby Digital 5.1 Running Time 15mins Country of Production New Zealand Language English/Māori with English subtitles Date of Completion July 2008 Sales Juliette Veber, New Zealand Film Commission Email: [email protected] Te: +64 4 382 7686 Tag Line Hope lasts a lifetime One Liner A woman spends her whole adult life hoping her son, who was taken by Maori relatives, will return to her - but when he finally does, the reconciliation is not what she had imagined. Brief Synopsis When a young soldier dies during WWII, extended Maori family protect the bloodline by taking his baby son from his European mother. His mother spends her whole adult life hoping her son will return to his Maori home, but when he finally does, the reconciliation is not what she had imagined. Festival Screenings 2008 New Zealand International Film Festivals, New Zealand 2009 Magma Short Film Festival, New Zealand 2009 Dreamspeakers Film Festival, Canada 2009 Wairoa Maori Film Festival, New Zealand 2009 Vladivostok International Film Festival, Russia 2009 imagineNATIVE Film & Media Arts Festival, Canada 2010 Sukagawa International Short Film Festival, Japan Director’s Notes - Nancy Brunning In 2004 I read an early draft of Journey to Ihipa. -
Animated Stereotypes –
Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes. -
This Action Thriller Futuristic Historic Romantic Black Comedy Will Redefine Cinema As We Know It
..... this action thriller futuristic historic romantic black comedy will redefine cinema as we know it ..... XX 200-6 KODAK X GOLD 200-6 OO 200-6 KODAK O 1 2 GOLD 200-6 science-fiction (The Quiet Earth) while because he's produced some of the Meet the Feebles, while Philip Ivey composer for both action (Pitch Black, but the leading lady for this film, to Temuera Morrison, Robbie Magasiva, graduated from standing-in for Xena beaches or Wellywood's close DIRECTOR also spending time working on sequels best films to come out of this country, COSTUME (Out of the Blue, No. 2) is just Daredevil) and drama (The Basketball give it a certain edginess, has to be Alan Dale, and Rena Owen, with Lucy to stunt-doubling for Kill Bill's The proximity to green and blue screens, Twenty years ago, this would have (Fortress 2, Under Siege 2) in but because he's so damn brilliant. Trelise Cooper, Karen Walker and beginning to carve out a career as a Diaries, Strange Days). His almost 90 Kerry Fox, who starred in Shallow Grave Lawless, the late great Kevin Smith Bride, even scoring a speaking role in but there really is no doubt that the been an extremely short list. This Hollywood. But his CV pales in The Lovely Bones? Once PJ's finished Denise L'Estrange-Corbet might production designer after working as credits, dating back to 1989 chiller with Ewan McGregor and will next be and Nathaniel Lees as playing- Quentin Tarantino's Death Proof. South Island's mix of mountains, vast comes down to what kind of film you comparison to Donaldson who has with them, they'll be bloody gorgeous! dominate the catwalks, but with an art director on The Lord of the Dead Calm, make him the go-to guy seen in New Zealand thriller The against-type baddies. -
270 the Contemporary Pacific • 17:1 (2005) Ping-Ann
270 the contemporary pacific • 17:1 (2005) practices—however ancient or new- In the final scene, the narrator fangled—is glossed over in this focus reiterates the film’s title: “The old on cloth production activities, which women say, ‘Kuo hina ‘e hiapo’” today are the domain of commoner (The mulberry is ripe and ready for women. harvest). She emphasizes a genera- While the film does mention the tional rift by stating that younger increasing global relevance of Tongan people are rarely heard using this barkcloth, which is responsible for a saying. The message of generational large part of the demand for Tongan tensions resonates, echoing the senti- ngatu and the consequent depletion ments of an older kautaha woman of plant raw materials, it elides the who confidently states that ngatu- underlying topic of Tongans’ eco- making “will never end in this land” nomic dependence on overseas-based and a younger woman who says, “It Tongans. In order to contextualize seems like the younger generation will Tongan modernity, the filmmakers forget.” Thus the filmmakers provide might have explained that Tonga has a well-balanced presentation of these been a Christian nation with a top- differing opinions, even as the film down motivation toward national ends on a positive note: “Like the modernization for almost 200 years. beating of a heart as long as the beat- This would also have provided some ing of tutu can be heard . the cul- context for the prayers and hymns ture and traditions of Tonga will live that women say continually through- on.” I commend the filmmakers for out the film. -
Faith Review of Film 3
Union-PSCE, Charlotte Theology and Film Professor Pamela Mitchell-Legg No Juarez, Spring 2010 Faith Review of Film 3 Film Title : Whale Rider Year : 2002 Director : Niki Caro (Based on the book The Whale Rider by Witi Ihimaera) Original release form : Theaters Current Availability and Formats : DVD Genre : Drama, Family Story Elements: Cast: Keisha Castle-Hughes …………………. Paikea Apirana Rawirei Paratene ………………………..Koro Apirana Vicky Haughton ……………………… Nanny Flowers Cliff Curtis……………………………….Porourangi Grant Roa ……………………………….Uncle Rawiri Mana Taumaunu ………………………. Hemi Rachel House ………………………….. Shilo Taungaroa Emile ……………………….Willie Tammy Davis ………………………… Dog Plot Summary: Whale Rider is the story of young the girl Paikea, the newest descendant of the native community called Maori in New Zealand. This community struggles to find its place between their traditions and modernity. Paikea is the survivor of twins. Her brother and mother died the day Paikea was born. The grandfather Koro, the leader of Maori community was hoping for the baby boy to survive in order to make him the new leader of the community but only the girl survived. When the father of Paikea realizes that Koro rejects his granddaughter decides to migrate to Germany leaving her daughter Paikea. Meanwhile, Paikea faces rejection, but finds strength and comfort with her grandmother and searches her place in the community. In order to conserve the traditions of their ancestors, Koro decides to start a school for the boys. Paikea is convinced that she can also learn with the boys of the community but the grandfather does not allow her to be in the school. But soon, with the help of her uncle, Paikea learns all the skills and stories of her ancestors and wins a regional speech contest at her school. -
MAKING MAORI AD 1000-1200 1642 1769 ENTER EUROPE 1772 1790S
© Lonely Planet Publications 30 lonelyplanet.com HISTORY •• Enter Europe 31 THE MORIORI & THEIR MYTH History James Belich One of NZ’s most persistent legends is that Maori found mainland NZ already occupied by a more peaceful and racially distinct Melanesian people, known as the Moriori, whom they exterminated. New Zealand’s history is not long, but it is fast. In less than a thousand One of NZ’s foremost This myth has been regularly debunked by scholars since the 1920s, but somehow hangs on. years these islands have produced two new peoples: the Polynesian Maori To complicate matters, there were real ‘Moriori’, and Maori did treat them badly. The real modern historians, James and European New Zealanders. The latter are often known by their Maori Belich has written a Moriori were the people of the Chatham Islands, a windswept group about 900km east of the name, ‘Pakeha’ (though not all like the term). NZ shares some of its history mainland. They were, however, fully Polynesian, and descended from Maori – ‘Moriori’ was their number of books on NZ with the rest of Polynesia, and with other European settler societies, but history and hosted the version of the same word. Mainland Maori arrived in the Chathams in 1835, as a spin-off of the has unique features as well. It is the similarities that make the differences so Musket Wars, killing some Moriori and enslaving the rest (see the boxed text, p686 ). But they TV documentary series interesting, and vice versa. NZ Wars. did not exterminate them. The mainland Moriori remain a myth. -
Moana: a Romance of the Golden Age (1926) Film Screening
Moana: A Romance of the Golden Age (1926) Film Screening Thursday 1st September 6.00pm Ticket and a drink $12.00 Students $10.00 Hosted by Ngā Taonga Sound & Vision Stout Research Centre for New Zealand Studies, Victoria University of Wellington Moana Symposium Programme Friday 2 SeptemBer 2016 9.00-9.15am Introduction Rebecca Elvy (CE Ngā Taonga Sound & Vision), Assoc. Prof. (Hon.) Luamanuvao Winnie Laban, Prof. Lydia Wevers. 9.15-9.30am An excerpt from the documentary on the work of Robert Flaherty. Lisa Taouma (TheCoconet.TV) 9.30am-9.45am Preservation explained, the process of film restoration/digitisation. Dr Leslie Lewis [Moving Image Conservator, Ngā Taonga Sound & Vision]. 9.45am-11.00am Panel: Pasifika Film responds to Moana Chair: Victor Rodger [Playwright/screenwriter/F.C.C company]. Panellists: Makerita Urale [Filmmaker/Producer] Sima Urale [Filmmaker] Tusi Tamasese [Filmmaker] Karin Williams [Film/Theatre Producer] Whetu Fala [Film Producer] Nathaniel Lees [Actor/director/producer] 11.00-11.15am Morning Tea 11.15-12.00pm How does Moana look to us now? Session 1 Chair: Herbert Bartley [Pacific Liaison, Massey University] Speakers: Responses from Va’aomanu Students 12.00-12.45pm Session 2 Chair: Le’ausalilo Sadat Muaiava [Lecturer, Samoa Studies] Speaker: Dr Sailau Suaalii-Sauni [Senior Lecturer, Samoa Studies] 12.45-1.45pm Lunch 1.45-2.30pm Thinking about Moana Session 3 Chair: Tupe Lualua [Choreographer/Director: Le Moana Dance Company] Speaker: Dr Teresia Teaiwa [Director, Pacific Studies, VUW] 2.30-3.15pm Session 4 Chair: -
Griffith REVIEW Editon 43: Pacific Highways
Griffith 43 A QUARTERLY OF NEW WRITING & IDEAS GriffithREVIEW43 Pacific Highways ESSAY HINEMOANA BAKER Walking meditations BERNARD BECKETT School report DAVID BURTON A Kiwi feast HAMISH CLAYTON The lie of the land RE KATE DE GOLDI Simply by sailing in a new direction LYNN JENNER Thinking about waves FINLAY MACDONALD Primate city LYNNE McDONALD Cable stations V GREGORY O’BRIEN Patterns of migration ROBERTO ONELL To a neighbour I am getting to know IE ROD ORAM Tectonic Z REBECCA PRIESTLEY Hitching a ride W HARRY RICKETTS On masks and migration JOHN SAKER Born to run CARRIE TIFFANY Reading Geoff Cochrane MATT VANCE An A-frame in Antarctica 43 IAN WEDDE O Salutaris LYDIA WEVERS First, build your hut DAMIEN WILKINS We are all Stan Walker ALISON WONG Pure brightness Highways Pacific ASHLEIGH YOUNG Sea of trees MEMOIR KATE CAMP Whale Road PAMELA ‘JUDY’ ROSS Place in time PETER SWAIN Fitting into the Pacific LEILANI TAMU The beach BRIAN TURNER Open road MoreFREE great eBOOKstories and KATE WOODS Postcard from Beijing poetry are available in PACIFIC HIGHWAYS Vol. 2 REPORTAGE as a free download at SALLY BLUNDELL Amending the map www.griffithreview.com STEVE BRAUNIAS On my way to the border GLENN BUSCH Portrait of an artist FICTION WILLIAM BRANDT Getting to yes EMILY PERKINS Waiheke Island CK STEAD Anxiety POETRY JAMES BROWN GEOFF COCHRANE CLIFF FELL PACIFIC DINAH HAWKEN YA-WEN HO BILL MANHIRE GREGORY O’BRIEN HIGHWAYS VINCENT O’SULLIVAN CO-EDITED BY JULIANNE SCHULTZ ‘Australia’s most stimulating literary journal.’ & LLOYD JONES Cover design: Text Publishing design: Text Cover Canberra Times JOURNAL QUARTERLY Praise for Griffith REVIEW ‘Essential reading for each and every one of us.’ Readings ‘A varied, impressive and international cast of authors.’ The Australian ‘Griffith REVIEW is a must-read for anyone with even a passing interest in current affairs, politics, literature and journalism. -
Te Awamutu Courier
Te Awamutu Houses, Farms, Property Management List your property or rental with Ray White and we will advertise Courier your property on TRADE ME rwteawamutu.co.nz Published Tuesday & Thursday THURSDAY, DECEMBER 15, 2011 CELEBRATING 100 YEARS AS YOUR COMMUNITY NEWSPAPER TM Ph: 871 7149 CIRCULATED FREE TO ALL HOUSEHOLDS THROUGHOUT TE AWAMUTU AND SURROUNDING DISTRICTS. EXTRA COPIES 40c. BRIEFLY Site approval a major Kawhia liquor ban Otorohanga District Council has imposed a liquor ban for Kawhia and Aotea effective breakthrough for group from December 23, 2011 until January 9, 2012. Effectively alcohol may not be brought into, or consumed, in any public place. Unopened alcohol may be transported to a home or licenced venue. For details check www.otodc.govt.nz Twilight market at Pirongia A special Twilight Christmas Market is being staged at Pirongia next week. Stalls in the Memorial Hall and surrounding grounds on Thursday (December 22) will be open from 3pm - 7pm. Other businesses open in Pirongia that evening include the Persimmon Tree Cafe, Birdsong Gallery, Woodturners Gallery, Antiques and Alexandra Hotel. Summer snaps If you take any interesting photographs over summer and would like to share them with the community, send them to the Te Awamutu Courier. We were able to publish some wonderful photos at the beginning of this year and would like to do the same again at the start of 2012. Send your clear, high resolution photos to: cathy.asplin@ teawamutu TC151211DT01 courier.co.nz or drop prints into PIRONGIA VISION: Computer generated vision of Pirongia Te Aroaro o Kahu Restoration Society chairwoman Clare St Pierre outside the proposed our office at 336 Alexandra Environmental Activity Centre in Rangimarie Reserve in Crozier Street. -
Otago Bulletin
ISSUE 13 15 July 2011 OTAGO BULLETIN FORTNIGHTLY NEWSLETTER FOR UNIVERSITY STAFF AND POSTGRADUATE STUDENTS Photo: Sharron Bennett Photo: The winners of this year’s University of Otago Award for Exceptional Performance by General Staff, the Physics Mechanical Workshop team, Peter Stroud (left) and Richard Sparrow. General staff winners crucial to Physics’ success Without Peter Stroud and Richard Sparrow, Otago’s Not only are they extraordinarily capable and fast, Professor Department of Physics might not be performing so consistently Ballagh says, they are also a dream to work with. They are well on the world stage. invariably helpful, cheerful and inventive. Nothing is ever too Mr Stroud and Mr Sparrow, who make up the Department’s much trouble, and they get through an incredible amount of work. Mechanical Workshop team, have been named the winners of The two men say they are “rapt” to receive the award and the the University’s 2011 Award for Exceptional Performance by recognition for their work. General Staff. Mr Stroud, the Department’s Chief Technical Officer, has been The pair is responsible for manufacturing critical components with Physics for 26 years, while Mr Sparrow, the Department’s of the equipment required by the Department’s research groups Mechanical Technician, has been at the University 22 years and – equipment precise enough, for example, to manipulate and with Physics for five. photograph a single atom. “The work is always interesting,” Mr Sparrow says. Head of Department Professor Rob Ballagh, says they are “When you work with highly motivated researchers it makes invaluable. “The Physics Department has been very successful in you motivated to do your best,” adds Mr Stroud.