Activities Overview 2018,2019 Success of Rohm Music Friends

Total Page:16

File Type:pdf, Size:1020Kb

Activities Overview 2018,2019 Success of Rohm Music Friends Activities overview 2019 1 Nishinakamizu-cho, Saiin, Ukyo-ku, Kyoto 615-0044, Japan +81-75-331-7710 +81-75-331-0089 https://micro.rohm.com/en/rmf/ INDEX Objective, Detail of Operation, and Outline of the Foundation ………… 1 Directors, Trustees, Advisors and Members of Selection Committee … 2 Activities 2018 …………………………………………………………………………… 3 2019 …………………………………………………………………………… 9 Success of ROHM Music Friends …………………………………………… 15 (In chronological or alphabetical order.) 2019.9 Objective Directors Our foundation aims to contribute to the dissemination and development of the Japanese musical Chairman Ken Sato Chairman Emeritus ROHM CO., LTD. culture through the implementation of and financial support for music activities, and the provision of Managing Director Akitaka Idei Former Director, Member of the Board ROHM CO., LTD. scholarships for music students. Director Nobuhiro Doi President, Chairman of the Board The Bank of Kyoto, Ltd. Tadanobu Fujiwara President, Detail of Operation Chief Executive Officer ROHM CO., LTD. Yukitoshi Kimura Former Commissioner of the National Tax Agency Board Chairman, Zaikyo 1. Organizing music concerts and providing financial support for music activities Koichi Nishioka Journalist Director, Member of the Board ROHM CO., LTD. 2. Providing scholarships for both Japanese music students studying in Japan or abroad and overseas Seiji Ozawa Conductor music students studying in Japan Yasuhito Tamaki Lawyer Midosuji Legal Profession Corporation 3. Collecting, investigating and analyzing material related to music Mazumi Tanamura Guest Professor Tokyo College of Music Specially Appointed Principal Violist Tokyo Metropolitan Symphony Orchestra 4. Supporting overseas music research Shunichi Uchida Former Commissioner of the Consumer Affairs Agency President Kyoto International Conference Center Yasunori Yamauchi President and Editor in Chief The Kyoto Shimbun Newspaper Co., Ltd. Outline of the foundation Hiroaki Yoshihara Director, Member of the Board Murata Manufacturing Co., Ltd. Director, Member of the Board Hitachi Ltd. Auditor Kiyotaka Kawasaki Lawyer Midosuji Legal Profession Corporation 1. Date of establishment/ February 19, 1991 Former Vice-Minister of the Economy, Trade and Industry Chairman of the Board KOBE STEEL, LTD. 2. Basic assets Takao Kitabata (Alphabetical order) Bank deposits ¥3,650 million <as of September 11, 2019> 8,000,000 shares of ROHM CO., LTD. Stock (Market capitalization ¥55,200 million) Trustees 3. Specified assets Bank deposits ¥2,331 million Katsumi Azuma Director, Member of the Board Senior Managing Executive Officer ROHM CO., LTD. Million yen, rounded down to the nearest million yen <as of March 31, 2019> Bin Ebisawa Honorary Professor Kunitachi College of Music President Japan Mozart Research Institute Rohm Music Foundation was authorized to transfer to a public interest incorporated foundation by the Prime Minister on September 1, 2010. Kenichiro Kobayashi Professor Emeritus Tokyo University of the Art Music Director Tokyo Bunka Kaikan Seiichi Kondo Former Commissioner of the Agency for Cultural Affairs President Tokyo Metropolitan Symphony Orchestra Accumulated total of project, administrative and other expenditures from Takayoshi Nakamura Chairman of the Board of Directors Osaka College of Music Professor Emeritus Osaka College of Music FY1990 (foundation) to FY2019 (EST.) Hiroshi Tanami Director Japan Broadcasting Corporation Kyoto Station Yoshifumi Tsutsumi Certified Public Accountant (Unit: ¥1,000) Number of time and events Keizo Ueda Advisor Office of the President ROHM CO., LTD. Details * The number of participants until FY2018 Amount is specified on Page 15. Keiji Yamada Former Governor Kyoto Prefecture Chairman Kyoto Culture Foundation Project expenditure (A) 13,709,168 Juichi Yamagiwa President Kyoto University 1. Development of music culture ~ Education of musicians ~ 9,256,159 Masahiko Yamazaki Director, Member of the Board scholarships * 2,861,819 Senior Corporate Officer ROHM CO., LTD. Holding Rohm Music Foundation Scholarship Concerts 22 times 76,885 (Alphabetical order) <as of September 11, 2019> Overseas Music Research Support * 539,900 Holding Rohm Music Foundation Music Seminars 28 times* 814,130 Advisors Holding Rohm Music Seminar 1 time* 25,000 Takaharu Dohi Lawyer Former Prosecutor-General Holding Kyoto International Music Students Festival 27 times* 1,736,481 Sponsoring for "Seiji Ozawa Music Academy" 47 times* 3,201,941 Hiroshi Watanabe Former Chairman The Sanwa Bank Limited 2. Promotion of music culture ~Expansion of audiences~ 4,453,008 (Alphabetical order) Holding of Rohm Music Festival 4 times 414,680 <as of September 11, 2019> Holding Rohm Music Foundation Friends Concert 2 times 35,456 Members of Selection Committee Implementing the Project in Music Salon in ROHM Theatre Kyoto 224,043 Chairman Violin Professor Kyoto City University of Arts Financial Support for Music Activities 2,209 activities 1,848,524 Kyoko Shikata Financial support for orchestra concerts and CD release 63 activities 423,475 Vice Chairman Reiko Kikuchi Piano Professor Tokyo College of Music Financial Support for CD Release of Foreign Orchestra Performance by Japanese Conductor 5 activities 139,407 Member Fuyuko Fukunaka Musicology Professor Tokyo University of the Arts Financial support for concerts featuring works by Japanese composers 18 activities 72,700 Chiharu Hanaoka Piano Professor Kunitachi College of Music Financial support for concerts to support the earthquake-affected areas 27 activities 116,629 Koichi Honda Clarinet Vice Chairman of the Board of Directors Osaka College of Music Financial Support for New National Theatre’s Opera Appreciation Class for High School Students 24 activities 378,000 Hideto Ihara Vocal Music Professor Doshisha Women’s College of Liberal Arts Financial Support for the Kobaken World Concert of Japan Philharmonic Orchestra 32 activities 131,250 Financial support for Japan Philharmonic Orchestra Summer Family Concert, Education Program 7 activities 99,340 Tomoko Kato Violin Professor Toho Gakuen School of Music Publication of Music Information: Rohm Classic Science on Media 14 activities 198,451 Kunitaka Kokaji Musical Composition Professor Tokyo University of the Arts Release of ROHM Music Foundation CD reproduction series from SP records and explanatory DVDs 6 activities 221,227 Tsuyoshi Mihara Vocal Music Professor Osaka University of Arts Others 149,822 Koji Okazaki Bassoon Professor Musasino Academia Musicae Administrative and other expenditures (B) 1,623,044 Takehiko Yamada Piano Professor Senzoku Gakuen College of Music Total (A) + (B) 15,332,212 (Alphabetical order) Thousand yen, rounded down to the nearest thousand yen. <as of March 31, 2019> 1 2 (Million yen, rounded down to the nearest million yen) 2018 Project expenditure ¥1,060 million Development of music culture ~ Education of musicians ~ ¥749 million ●Holding Rohm Music Foundation Music Seminars ¥35 million 1 ●Scholarships <Public Offerings> ¥123 million Rohm Music Foundation Music Seminars 2017 (wind instruments class) Name School Area of Study Year of Adoption Expenses for production of archival materials Scholarship students / 30 students ¥113 million Rohm Music Foundation Music Seminars 2018 (wind instruments class) Instructors: Flute: Shigenori Kudo (École Normale de Musique de Paris, Alfred Cortot, Professor), Oboe: Ken-ichi Furube (New Japan Philharmonic, Principal), ①Yurina Arai University of Music and Performing Arts Vienna Violin Fiscal 2017 and 2018 Clarinet: Masaharu Yamamoto (Tokyo University of the Arts, Honorary Professor), Horn: Masayuki Naoi (Toho Gakuen School of Music, Specially ②Hideaki Fujiwara Tokyo University of the Arts, Graduate School, Berlin University of the Arts, Graduate School Cello Fiscal 2017 and 2018 Appointed Professor), Bassoon: Masaru Yoshida (Yomiuri Nippon Symphony Orchestra, Tokyo, Principal) Ren Fukase Berlin University of the Arts, Graduate School Baritone Fiscal 2016 and 2018 Students: 25 students (5 students for each instrument) ③ Date: Seminar: Dec. 17 - 22, 2018 (6 days) Concert: Dec. 23, 2018 ④Ichiro Higuchi Toho Gakuen School of Music Piano Fiscal 2018 Location: Seminar: Mielparque Kyoto (Kyoto) Concert: Kyoto Prefectural Citizens’ Hall ALTI (Kyoto) ⑤Wataru Hisasue Berlin University of the Arts, Graduate School Piano Fiscal 2018 Administration fee: ¥70,000/person as seminar course fee (incl. course fee and accommodation expense) Fee for attending lectures: ¥1,000 (1 day), ¥5,000 for the whole festival (6 days) Admission fee: ¥1,000/day ⑥Rune Hitsumoto Conservatoire à rayonnement régional de Paris, Graduate School Cello Fiscal 2018 ⑦Risa Hokamura Tokyo College of Music High School Violin Fiscal 2018 ⑧Kaoruko Igarashi Toho Gakuen School of Music, Graduate School Piano Fiscal 2018 ⑨Karen Kido Tokyo University of the Arts, Graduate School Violin Fiscal 2018 ●Holding Kyoto International Music Students Festival ¥111 million ⑩Chisa Kitagawa Tokyo University of the Arts Violin Fiscal 2017 and 2018 Kyoto International Music Students Festival 2018 ⑪Teppei Kuroda Toho Gakuen School of Music Piano Fiscal 2017 and 2018 Participating schools: United States of America (The Julliard School), Republic of Italy (Milan Conservatory), United Kingdom (Royal Academy of Music), ⑫Yuya Mizuno Toho Gakuen School of Music, Franz Liszt Academy of Music Cello Fiscal 2017 and 2018 Republic of Austria (University of Music and Performing Arts Vienna), Federal Republic of Germany (Berlin University of the Arts), ⑬Keisuke Morita Toho Gakuen School of Music Cello Fiscal
Recommended publications
  • The Flute Music of Yuko Uebayashi
    THE FLUTE MUSIC OF YUKO UEBAYASHI: ANALYTIC STUDY AND DISCUSSION OF SELECTED WORKS by PEI-SAN CHIU Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University July 2016 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Thomas Robertello, Research Director ______________________________________ Don Freund ______________________________________ Kathleen McLean ______________________________________ Linda Strommen June 14, 2016 ii ACKNOWLEDGEMENTS Thanks to my flute professor Thomas Robertello for his guidance as a research director and as mentor during my study in Indiana University. My appreciation and gratitude also expressed to the committee members: Prof. Kathleen McLean, Prof. Linda Strommen and Dr. Don Freund for their time and suggestions. Special thanks to Ms. Yuko Uebayashi for sharing her music and insight, and being cooperative to make this document happen. Thanks to Prof. Emile Naoumoff and Jean Ferrandis for their coaching and share their role in the creation and performance of this study. Also,I would also like to thank the pianists: Mengyi Yang, Li-Ying Chang and Alber Chien. They have all contributed significantly to this project. Thanks to Alex Krawczyk for his kind and patient assistance for the editorial suggestion. Thanks to Satoshi Takagaki for his translation on the program notes. Finally, I would like to thank my parents Wan-Chuan Chiu and Su-Jen Lin for their constant encouragement and financial support, and also my dearest sister, I-Ping Chiu and my other half, Chen-Wei Wei, for everything.
    [Show full text]
  • RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No.
    [Show full text]
  • Download Article
    International Conference on Arts, Design and Contemporary Education (ICADCE 2016) The Concertizing Clarinet in the Music of the 20th- 21st Centuries Yu Zhao Department of Musical Upbringing and Education Institute of Music, Theatre and Choreography Herzen State Pedagogical University of Russia Saint-Petersburg, Russia E-mail: [email protected] Abstract—The article deals with stating the problem of a clarinet concert of the 20-21 centuries (one should note in research in ontology of the genre of Clarinet Concert in 20-21 this regard S. E. Artemyev‟s full-featured thesis considering centuries. The author identifies genre variants of long forms the Concerto for clarinet and orchestra of the 18th century). for solo clarinet with orchestra or instrumental ensemble and proposes further steps in making such a research, as well. II. A SHORT GUIDE IN THE HISTORY OF THE CLARINET Keywords—instrumental concert; concertizing; concerto; CONCERT GENRE concert genres; genre diversity Studies in the executive mastership are connected with a research of the evolution of the genres of instrumental music. I. INTRODUCTION The initial period of genesis and development of clarinet concert is investigated widely. Contemporary music in its various genres has become in many aspects a subject of scrupulous studies in musicology. It is known that the most early is the composition of Our research deals with professional problematics of the Antonio Paganelli indicated by the author as Concerto per instrumental concert genre, viewed more narrowly, namely, Clareto (1733). Possibly, it was written for chalumeau, the connected with clarinet performance. instrument-predecessor of the clarinet itself. But, before this time clarinet was used as one of the concertizing instruments The purpose of this article is to identify the situation in the genre of Concerto Grosso, particularly by J.
    [Show full text]
  • Heralding a New Enlightenment
    Peculiarities of Clarinet Concertos Form-Building in the Second Half of the 20th Century and the Beginning of the 21st Century Marina Chernaya and Yu Zhao* Abstract: The article deals with clarinet concertos composed in the 20th– 21st centuries. Many different works have been created, either in one or few parts; the longest concert that is mentioned has seven parts (by K. Meyer, 2000). Most of the concertos have 3 parts and the fast-slowly-fast kind of structure connected with the Italian overture; sometimes, the scheme has variants. Our question is: How does the concerto genre function during this period? To answer, we had to search many musical compositions. Sometimes the clarinet is accompanied by orchestra, other times it is surrounded by an ensemble of instruments. More than 100 concertos were found and analyzed. Examples of such concertos were written by C. Nielsen, P. Boulez, J. Adams, C. Debussy, M. Arnold, A. Copland, P. Hindemith, I. Stravinsky, S. Vassilenko, and the attention in the article is focused on them. A special complete analysis is made as regards “Domaines” for clarinet and 21 instruments divided in 6 groups, by Pierre Boulez that had a great role for the concert routine, based on the “aleatoric” principle. The conclusions underline the significant development of the clarinet concerto genre in the 20th -21st centuries, the high diversity of the compositions’ structures, the considerable expressiveness and technicality together with the soloist’s part in the expressive concertizing (as a rule). Further studies suggest the analysis of stylistic and structural peculiarities of the found compositions that are apparently to win their popularity with performers and listeners.
    [Show full text]
  • 2019 Round Top Music Festival
    James Dick, Founder & Artistic Director 2019 Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE Bravo! We salute those who have provided generous gifts of $10,000 or more during the past year. These gifts reflect donations received as of May 19, 2019. ROUND TOP FESTIVAL INSTITUTE 49th SEASON PArtNER THE BURDINE JOHNSON FOUNDATION HERITAGE CIrcLE H-E-B, L .P. FOUNDERS The Brown Foundation Inc. The Clayton Fund The Estate of Norma Mary Webb BENEFACTORS The Mr. and Mrs. Joe W. Bratcher, Jr. Foundation James C. Dick Mark and Lee Ann Elvig Robert J. Kleberg, Jr. and Helen C. Kleberg Foundation Richard R. Royall V Rose P. VanArsdel SUSTAINERS Blue Bell Creameries, L.P. William, Helen and Georgina Hudspeth Nancy Dewell Braus Luther King Capital Management The Faith P. and Charles L. Bybee Foundation Paula and Kenneth Moerbe Malinda Croan Anna and Gene Oeding Mandy Dealey and Michael Kentor The Gilbert and Thyra Plass Arts Foundation Dickson-Allen Foundation Myra Stafford Pryor Charitable Trust June R. Dossat Dr. and Mrs. Rolland C. Reynolds and Yvonne Reynolds Dede Duson Jim Roy and Rex Watson Marilyn T. Gaddis Ph.D. and George C. Carruthers Tod and Paul Schenck Ann and Gordon Getty Foundation Texas Commission on the Arts Alice Taylor Gray Foundation Larry A. Uhlig George F. Henry Betty and Lloyd Van Horn Felicia and Craig Hester Lola Wright Foundation Joan and David Hilgers Industry State Bank • Fayetteville Bank • First National Bank of Bellville • Bank of Brenham • First National Bank of Shiner ® Bravo! Welcome to the 49th Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE The sole endeavor of The James Dick Foundation for the Performing Arts To everything There is a season And a time to every purpose, under heaven A time to be born, a time to die A time to plant, a time to reap A time to laugh, a time to weep This season at Festival Hill has been an especially sad one with the loss of three of our beloved friends and family.
    [Show full text]
  • Ball State Symphony Orchestra) Saturday, December 8 | 7:30 P.M
    COLLEGE OF FINE ARTS Robert A. Kvam, dean Michael O’Hara, associate dean SCHOOL OF MUSIC Ryan Hourigan, director Rebecca Braun, assistant to the director Linda Pohly, coordinator of graduate programs in music Kevin Gerrity, coordinator of undergraduate programs in music ORCHESTRA STAFF Douglas Droste, director of orchestras Suzanne Rome and Ian Elmore, graduate assistant conductors Taylor Matthews, librarian APPLIED INSTRUMENT FACULTY Anna Vayman, violin Yu-Fang Chen, violin Zoran Jakovcic, viola Peter Opie, cello Joel Braun, double bass Mihoko Watanabe, flute Lisa Kozenko, oboe Elizabeth Crawford, clarinet Keith Sweger, bassoon Stephen Campbell, trumpet Gene Berger, horn Chris Van Hof, trombone Matthew Lyon, tuba and euphonium Braham Dembar, percussion Elizabeth Richter, harp UPCOMING ORCHESTRA CONCERTS BALL STATE The Nutcracker (Dept. of Theatre and Dance with Ball State Symphony Orchestra) Saturday, December 8 | 7:30 p.m. | Emens Auditorium SYMPHONY ORCHESTRA Campus Band and Campus Orchestra Wednesday, December 5 | 7:30 p.m. | Sursa Hall BSSO Performance at IMEA Professional Development Conference Douglas Droste, conductor Friday, January 18 | 2:30 p.m. | Grand Wayne Center (Fort Wayne) BSSO Tour and Performance at CODA National Conference Chris Van Hof, trombone February 7–9 | Ohio, Pennsylvania, and Massachusetts BSSO with Undergraduate Concerto Competition Winners Tuesday, February 26 | 7:30 p.m. | Sursa Hall Ball State Opera Theatre with BSSO: Mozart’s Don Giovanni Friday, March 29 (7:30 p.m.) and Sunday, March 31 (2 p.m.) | Sursa Hall Campus Orchestra Wednesday, April 10 | 7:30 p.m. | Sursa Hall Masterworks Concert featuring Beethoven’s Symphony No. 9 Friday, April 12 | 7:30 p.m.
    [Show full text]
  • Kazuki Yamada Bertrand Chamayou
    ORCHESTRE DE LA OSR.CH SUISSE ROMANDE JONATHAN NOTT Directeur musical et artistique DEBUSSY JARRELL RAVEL Trois Etudes Reflections Une barque sur l'océan (orchestration M. Jarrell) La Mer 03. 02. 21 merdredi 20h00 — Victoria Hall KAZUKI YAMADA direction BERTRAND CHAMAYOU piano série d’abonnement O6 Grand Mécène Partenaire de diffusion Partenaire radio Avec le soutien de Bracelet_Femme_148x210_PRG_ORCHESTRE_SUISSE_ROMANDE_SUIS_FR.indd 2 03/08/2020 14:08 PROGRAMME KAZUKI YAMADA direction BERTRAND CHAMAYOU piano CLAUDE DEBUSSY MAURICE RAVEL Trois Etudes, pour orchestre Une barque sur l'océan (orchestration Michael Jarrell) pour orchestre MICHAEL JARRELL CLAUDE DEBUSSY Reflections, La Mer, trois esquisses symphonique pour piano et orchestre pour orchestre 1.Tempo 96 I. De l'aube à midi sur la mer 2.Tempo 48. Pur, simple mais intense II. Jeux des vagues 3.Tempo 90. Très cristallin, soutenu, un III. Dialogue du vent et de la mer peu mécanique RADIO Ce concert est enregistré le 03.02.21 et diffusé le 10.02.21 à l'enseigne de l'émission « Plein jeu », une production de Mitsou Carré et Daniel Rausis. La plupart des concerts captés par Espace 2 sont disponibles en streaming durant trente jours après leur diffusion sur le lien wwww.rts.ch 3 CE QUI SE PASSAIT EN 1907... Dans le monde Alors que la presse musicale descend en flammes la création de la version orchestrale d’Une barque sur l’océan de Maurice Ravel, ce dernier écrit sa Rhapsodie espagnole. Paul Dukas donne la première de son opéra Ariane et Barbe-Bleue à l’Opéra-Comique. Richard Strauss travaille sur sa tragédie Elektra, qui sera créée deux ans plus tard.
    [Show full text]
  • 555350 Bk Yamadaec 12/12/2003 14:53 Pm Page 12
    555350 bk YamadaEC 12/12/2003 14:53 pm Page 12 Hana zur Uraufführung brachte. 1918 und 1919 führte Schülern gehören Hidemaro Konoye, Tamezo Narita, DDD er seine Werke mit dem New York Symphony Kiyomi Fujii, Toraji Onaka, Teiji Miyahara, Wen-ye Orchestra (dem heutigen New York Philharmonic) in Jiang und Ikuma Dan. Er entdeckte junge Talente wie 8.555350 der Carnegie Hall auf. Bei dieser Gelegenheit wurde Kazuo Yamada, Urato Watanabe, Fumio Hayasaka und auch Das dunkle Tor uraufgeführt. Während seines Akira Ifukube. Im Laufe seiner Karriere wandte sich Aufenthalts in den Vereinigten Staaten begegnete er Yamada mehr und mehr der Oper zu. Mit Ayame (1931) Kôsçak Rachmaninow, Prokofjew und Ornstein. Die und Yoake (1940) gelangen ihm zwei Meisterwerke. Verfeinerung und Perfektionierung seines typischen Eine große Oper über die chinesische Geschichte mit Kompositionsstils führte ihn zur Vollendung seiner dem Titel Die Prinzessin Shian-Fei, die er im von Japan YAMADA epochalen Sinfonie „Inno Meiji“ (1921), in der er besetzten China aufzuführen hoffte und mit der er der traditionelle japanische Instrumente solistisch in ein Welt die Qualitäten asiatischer Musiker demonstrieren Symphony in F major ‘Triumph and Peace’ Sinfonieorchester europäischer Prägung integriert. Er wollte, blieb Fragment (sie wurde von seinem Schüler war der Gründungsvater des führenden japanischen Ikuma Dan vollendet und 1981 uraufgeführt). Ulster Orchestra • New Zealand Symphony Orchestra Orchesters, des heutigen NHK Symphony Orchestra, 1948 erlitt Yamada einen Schlaganfall. Er musste mit dem er zahlreiche Werke von Mozart und seine aktive Laufbahn beenden und komponierte nur Takuo Yuasa Beethoven bis hin zu Kompositionen junger japanischer noch einzelne kurze Lieder. Er starb am 29.
    [Show full text]
  • Marco Polo – the Label of Discovery
    Marco Polo – The Label of Discovery Doubt was expressed by his contemporaries as to the truth of Marco Polo’s account of his years at the court of the Mongol Emperor of China. For some he was known as a man of a million lies, and one recent scholar has plausibly suggested that the account of his travels was a fiction inspired by a family dispute. There is, though, no doubt about the musical treasures daily uncovered by the Marco Polo record label. To paraphrase Marco Polo himself: All people who wish to know the varied music of men and the peculiarities of the various regions of the world, buy these recordings and listen with open ears. The original concept of the Marco Polo label was to bring to listeners unknown compositions by well-known composers. There was, at the same time, an ambition to bring the East to the West. Since then there have been many changes in public taste and in the availability of recorded music. Composers once little known are now easily available in recordings. Marco Polo, in consequence, has set out on further adventures of discovery and exploration. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again. In addition to pioneering recordings of the operas of Franz Schreker, Der ferne Klang (The Distant Sound), Die Gezeichneten (The Marked Ones) and Die Flammen (The Flames), were three operas by Wagner’s son, Siegfried. Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich and Schwarzschwanenreich (The Kingdom of the Black Swan) explore a mysterious medieval world of German legend in a musical language more akin to that of his teacher Humperdinck than to that of his father.
    [Show full text]
  • ASIAN SYMPHONIES a Discography of Cds and Lps Prepared By
    ASIAN SYMPHONIES A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis KOMEI ABE (1911-2006, JAPAN) Born in Hiroshima. He studied the cello with Heinrich Werkmeister at the Tokyo Music School and then studied German-style harmony and counterpoint with Klaus Pringsheim, a pupil of Gustav Mahler, as well as conducting with Joseph Rosenstock. Later, he was appointed music director of the Imperial Orchestra in Tokyo, and the musicians who played under him broadened his knowledge of traditional Japanese Music. He then taught at Kyoto's Elizabeth Music School and Municipal College of the Arts. He composed a significant body of orchestral, chamber and vocal music, including a Symphony No. 2 (1960) and Piccolo Sinfonia for String Orchestra (1984). Symphony No. 1 (1957) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) Sinfonietta for Orchestra (1964) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) NICANOR ABELARDO (1896-1934, PHILIPPINES) Born in San Miguel, Bulacan. He studied at the University of the Philippines Diliman Conservatory of Music, taking courses under Guy Fraser Harrison and Robert Schofield. He became head of the composition department of the conservatory in 1923. He later studied at the Chicago Musical College in 1931 under Wesley LaViolette. He composed orchestral and chamber works but is best-known for his songs. Sinfonietta for Strings (1932) Ramon Santos/Philippine Philharmonic Orchestra UNIVERSITY OF THE PHILIPPINES PRESS (2004) YASUSHI AKUTAGAWA (1925-1989, JAPAN) He was born in the Tabata section of Tokyo. He was taught composition by Kunihiko Hashimoto and Akira Ifukube at the Tokyo Conservatory of Music.
    [Show full text]
  • PENTATONE OXINGALE SERIES: PRIMAVERA I the Wind Matt Haimovitz Music by Lisa Bielawa, Inti Figgis-Vizueta, Jake Heggie, Vijay Iyer, David T
    PENTATONE OXINGALE SERIES: PRIMAVERA I the wind Matt Haimovitz Music by Lisa Bielawa, inti figgis-vizueta, Jake Heggie, Vijay Iyer, David T. Little, Tod Machover, Nkeiru Okoye, David Sanford, Laura Elise Schwendinger, Roberto Sierra, Asher Sizemore, Gabriella Smith, Jorge Sosa, Luna Pearl Woolf FOR IMMEDIATE RELEASE May 2021, Baarn, The Netherlands Talita Sakuntala, PR Manager +31 35 548 07 26 Digital Release Date 11 JUNE 2021 Released in digital formats for streaming and high-resolution downloads. Audio Resolution for digital files: 96/24 PCM stereo and 44.1k/16 PCM stereo PTC 5186286 PRIMAVERA I the wind is the first collection in a momentous series encompassing 81 world premieres for solo cello. This digital album presents 14 new commissions by The Primavera Project for ground-breaking, multi-Grammy nominated cellist Matt Haimovitz. Each composer responds to Sandro Botticelli’s enigmatic painting, Primavera, and the prophetic large-scale triptych, Primavera 2020, by world-renowned contemporary artist Charline von Heyl. Framed by Gabriella Smith’s bare, a moving chorale to environmental turmoil and Lisa Bielawa’s Missa Primavera, a hopeful fantasy on Josquin des Pres’ cantus firmi, Vijay Iyer, David Sanford, Nkeiru Okoye, Jorge Sosa, and others bring a multitude of influences from the world of Jazz and Latin music to Vivaldi and Scriabin. Recorded in January 2021 at Charline von Heyl’s artist studio near downtown Marfa, Texas, the distinct and diverse contemporary compositional voices bridge the centuries, expanding and redefining the range and repertoire of the solo cello. For more information on the project, composers and their works, please visit theprimaveraproject.com.
    [Show full text]
  • LA PRODUZIONE E CAST De “LA BOHEME” Di Puccini Una Nuova Produzione Per LTL Opera Studio (Livorno, Lucca E Pisa) Conferenza Stampa Stagione Lirica 2018-2019
    Giovedì 10 Gennaio, ore 12 – Teatro Goldoni LA PRODUZIONE E CAST de “LA BOHEME” di Puccini Una nuova produzione per LTL Opera Studio (Livorno, Lucca e Pisa) Conferenza stampa Stagione Lirica 2018-2019 Livorno, Teatro Goldoni Sabato 19 gennaio, ore 20.30 - Domenica 20 gennaio, ore 16.30 Pisa, Teatro Verdi Sabato 16 febbraio, ore 20.30 - Domenica 17 febbraio, ore 15.30 Lucca, Teatro del Giglio Sabato 16 marzo, ore 20.30 - Domenica 17 marzo, ore 16 LTL OPERASTUDIO 2018 La bohème Scene liriche in quattro quadri su libretto di Luigi Illica e Giuseppe Giacosa, dal romanzo Scènes de la vie de bohème di Henri Murger musica di Giacomo Puccini Editore Casa Ricordi, Milano personaggi e interpreti (in o.a.) Mimì Maria Bagalà / Martina Gresia Musetta Antonella Biondo / Dioklea Hoxha / Blerta Zhegu Rodolfo Francesco Fortes / Rosolino Claudio Cardile Marcello Jaime Eduardo Pialli / Francesco Solinas Schaunard Tommaso Caramia / Gangsoon Kim / Matteo Loi Colline Michele Gianquinto / Alessandro Yague Parpignol Francesco Fortes / Rosolino Claudio Cardile / Massimo Froli Benoît e Alcindoro Alessandro Ceccarini Sergente dei doganieri Giorgio Marcello Un doganiere Paolo Morelli La scelta degli interpreti e dei Maestri collaboratori è il risultato del Progetto LTL Opera Studio 2018 Direttore Gianna Fratta Regia di Bruno Ravella ripresa da João Carvalho Aboim Assistente alla regia Tecla Gucci Scene Tiziano Santi Costumi Angela Giulia Toso Luci Bruno Ciulli OGI Orchestra Giovanile Italiana CLT Coro Lirico Toscano Maestro del coro Flavio Fiorini Coro Voci Bianche
    [Show full text]