Public Events March 2019
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The Flute Music of Yuko Uebayashi
THE FLUTE MUSIC OF YUKO UEBAYASHI: ANALYTIC STUDY AND DISCUSSION OF SELECTED WORKS by PEI-SAN CHIU Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University July 2016 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Thomas Robertello, Research Director ______________________________________ Don Freund ______________________________________ Kathleen McLean ______________________________________ Linda Strommen June 14, 2016 ii ACKNOWLEDGEMENTS Thanks to my flute professor Thomas Robertello for his guidance as a research director and as mentor during my study in Indiana University. My appreciation and gratitude also expressed to the committee members: Prof. Kathleen McLean, Prof. Linda Strommen and Dr. Don Freund for their time and suggestions. Special thanks to Ms. Yuko Uebayashi for sharing her music and insight, and being cooperative to make this document happen. Thanks to Prof. Emile Naoumoff and Jean Ferrandis for their coaching and share their role in the creation and performance of this study. Also,I would also like to thank the pianists: Mengyi Yang, Li-Ying Chang and Alber Chien. They have all contributed significantly to this project. Thanks to Alex Krawczyk for his kind and patient assistance for the editorial suggestion. Thanks to Satoshi Takagaki for his translation on the program notes. Finally, I would like to thank my parents Wan-Chuan Chiu and Su-Jen Lin for their constant encouragement and financial support, and also my dearest sister, I-Ping Chiu and my other half, Chen-Wei Wei, for everything. -
Activities Overview 2018,2019 Success of Rohm Music Friends
Activities overview 2019 1 Nishinakamizu-cho, Saiin, Ukyo-ku, Kyoto 615-0044, Japan +81-75-331-7710 +81-75-331-0089 https://micro.rohm.com/en/rmf/ INDEX Objective, Detail of Operation, and Outline of the Foundation ………… 1 Directors, Trustees, Advisors and Members of Selection Committee … 2 Activities 2018 …………………………………………………………………………… 3 2019 …………………………………………………………………………… 9 Success of ROHM Music Friends …………………………………………… 15 (In chronological or alphabetical order.) 2019.9 Objective Directors Our foundation aims to contribute to the dissemination and development of the Japanese musical Chairman Ken Sato Chairman Emeritus ROHM CO., LTD. culture through the implementation of and financial support for music activities, and the provision of Managing Director Akitaka Idei Former Director, Member of the Board ROHM CO., LTD. scholarships for music students. Director Nobuhiro Doi President, Chairman of the Board The Bank of Kyoto, Ltd. Tadanobu Fujiwara President, Detail of Operation Chief Executive Officer ROHM CO., LTD. Yukitoshi Kimura Former Commissioner of the National Tax Agency Board Chairman, Zaikyo 1. Organizing music concerts and providing financial support for music activities Koichi Nishioka Journalist Director, Member of the Board ROHM CO., LTD. 2. Providing scholarships for both Japanese music students studying in Japan or abroad and overseas Seiji Ozawa Conductor music students studying in Japan Yasuhito Tamaki Lawyer Midosuji Legal Profession Corporation 3. Collecting, investigating and analyzing material related to music Mazumi Tanamura Guest Professor Tokyo College of Music Specially Appointed Principal Violist Tokyo Metropolitan Symphony Orchestra 4. Supporting overseas music research Shunichi Uchida Former Commissioner of the Consumer Affairs Agency President Kyoto International Conference Center Yasunori Yamauchi President and Editor in Chief The Kyoto Shimbun Newspaper Co., Ltd. -
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International Conference on Arts, Design and Contemporary Education (ICADCE 2016) The Concertizing Clarinet in the Music of the 20th- 21st Centuries Yu Zhao Department of Musical Upbringing and Education Institute of Music, Theatre and Choreography Herzen State Pedagogical University of Russia Saint-Petersburg, Russia E-mail: [email protected] Abstract—The article deals with stating the problem of a clarinet concert of the 20-21 centuries (one should note in research in ontology of the genre of Clarinet Concert in 20-21 this regard S. E. Artemyev‟s full-featured thesis considering centuries. The author identifies genre variants of long forms the Concerto for clarinet and orchestra of the 18th century). for solo clarinet with orchestra or instrumental ensemble and proposes further steps in making such a research, as well. II. A SHORT GUIDE IN THE HISTORY OF THE CLARINET Keywords—instrumental concert; concertizing; concerto; CONCERT GENRE concert genres; genre diversity Studies in the executive mastership are connected with a research of the evolution of the genres of instrumental music. I. INTRODUCTION The initial period of genesis and development of clarinet concert is investigated widely. Contemporary music in its various genres has become in many aspects a subject of scrupulous studies in musicology. It is known that the most early is the composition of Our research deals with professional problematics of the Antonio Paganelli indicated by the author as Concerto per instrumental concert genre, viewed more narrowly, namely, Clareto (1733). Possibly, it was written for chalumeau, the connected with clarinet performance. instrument-predecessor of the clarinet itself. But, before this time clarinet was used as one of the concertizing instruments The purpose of this article is to identify the situation in the genre of Concerto Grosso, particularly by J. -
Heralding a New Enlightenment
Peculiarities of Clarinet Concertos Form-Building in the Second Half of the 20th Century and the Beginning of the 21st Century Marina Chernaya and Yu Zhao* Abstract: The article deals with clarinet concertos composed in the 20th– 21st centuries. Many different works have been created, either in one or few parts; the longest concert that is mentioned has seven parts (by K. Meyer, 2000). Most of the concertos have 3 parts and the fast-slowly-fast kind of structure connected with the Italian overture; sometimes, the scheme has variants. Our question is: How does the concerto genre function during this period? To answer, we had to search many musical compositions. Sometimes the clarinet is accompanied by orchestra, other times it is surrounded by an ensemble of instruments. More than 100 concertos were found and analyzed. Examples of such concertos were written by C. Nielsen, P. Boulez, J. Adams, C. Debussy, M. Arnold, A. Copland, P. Hindemith, I. Stravinsky, S. Vassilenko, and the attention in the article is focused on them. A special complete analysis is made as regards “Domaines” for clarinet and 21 instruments divided in 6 groups, by Pierre Boulez that had a great role for the concert routine, based on the “aleatoric” principle. The conclusions underline the significant development of the clarinet concerto genre in the 20th -21st centuries, the high diversity of the compositions’ structures, the considerable expressiveness and technicality together with the soloist’s part in the expressive concertizing (as a rule). Further studies suggest the analysis of stylistic and structural peculiarities of the found compositions that are apparently to win their popularity with performers and listeners. -
Geneva Medical College*
GENEVA MEDICAL COLLEGE* Geneva Medical College was chartered in 1834 and gave its first course of instruction in 1835. Its first faculty were Edward Cutbush, Willard Parker, Thomas Spencer, John George Morgan, Charles B. Coventry and Anson Colman. Its faculty at a later period, including several years, were James Hadley, John Delamater, Thomas Spencer, James Webster, Charles B. Cov entry, Frank H. Hamilton and Charles A. Lee. After the Buffalo Medical School was opened the Geneva faculty was re-organized, consisting at dif ferent times of the following members: John Towler, A. P. Bowen, Fred er.ick Hyde, William Sweetzer, Joel Hardy, Caleb Green, George Burr, James H. Jerome, Alfred Butler, Nelson Nivison, Hiram N. Eastman, Ezra T. Allen and Charles E. Ryder, some of whom continued in their places, laboring in the school until it closed in 1872. When the Geneva Medical School was merged into the Medical Department of Syracuse University, the following members of its faculty, Towler, Hyde, Nivison, Eastman and Ryder, accepted professorships in the latter new institution.-Medica/ Register of. New York, New Jersey and Connecticut, I88I, p. 205. (Seep. 77·) Geneva Medical College as such had an existence of thirty-seven years, from 1835 to 1872. The period of its greatest prosperity being from 1840 to 1850. The largest class being that of 1844, with 196 matriculating stud ents and 47 graduates. The smallest graduating class being four, in 1856. During these thirty-seven years the degree of M. D. was conferred on 701 students.-Dr. Alfred Jl.fercer. (Seep. 77). FACULTY OF MEDICINE, 1834-72 1834 *EDWARD CUTBUSH. -
2019 Round Top Music Festival
James Dick, Founder & Artistic Director 2019 Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE Bravo! We salute those who have provided generous gifts of $10,000 or more during the past year. These gifts reflect donations received as of May 19, 2019. ROUND TOP FESTIVAL INSTITUTE 49th SEASON PArtNER THE BURDINE JOHNSON FOUNDATION HERITAGE CIrcLE H-E-B, L .P. FOUNDERS The Brown Foundation Inc. The Clayton Fund The Estate of Norma Mary Webb BENEFACTORS The Mr. and Mrs. Joe W. Bratcher, Jr. Foundation James C. Dick Mark and Lee Ann Elvig Robert J. Kleberg, Jr. and Helen C. Kleberg Foundation Richard R. Royall V Rose P. VanArsdel SUSTAINERS Blue Bell Creameries, L.P. William, Helen and Georgina Hudspeth Nancy Dewell Braus Luther King Capital Management The Faith P. and Charles L. Bybee Foundation Paula and Kenneth Moerbe Malinda Croan Anna and Gene Oeding Mandy Dealey and Michael Kentor The Gilbert and Thyra Plass Arts Foundation Dickson-Allen Foundation Myra Stafford Pryor Charitable Trust June R. Dossat Dr. and Mrs. Rolland C. Reynolds and Yvonne Reynolds Dede Duson Jim Roy and Rex Watson Marilyn T. Gaddis Ph.D. and George C. Carruthers Tod and Paul Schenck Ann and Gordon Getty Foundation Texas Commission on the Arts Alice Taylor Gray Foundation Larry A. Uhlig George F. Henry Betty and Lloyd Van Horn Felicia and Craig Hester Lola Wright Foundation Joan and David Hilgers Industry State Bank • Fayetteville Bank • First National Bank of Bellville • Bank of Brenham • First National Bank of Shiner ® Bravo! Welcome to the 49th Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE The sole endeavor of The James Dick Foundation for the Performing Arts To everything There is a season And a time to every purpose, under heaven A time to be born, a time to die A time to plant, a time to reap A time to laugh, a time to weep This season at Festival Hill has been an especially sad one with the loss of three of our beloved friends and family. -
1 FLUTE MUSIC THROUGHOUT the YEARS by Katerina Koloustroubis A
FLUTE MUSIC THROUGHOUT THE YEARS by Katerina Koloustroubis A Senior Honors Project Presented to the Honors College East Carolina University In Partial Fulfillment of the Requirements for Graduation with Honors by Katerina Koloustroubis Greenville, NC May, 2018 Approved by: Dr. Christine Gustafson College of Fine Arts & Communication, School of Music, Instrumental Studies 1 Introduction To fulfill the Senior Honors Project requirements, I have chosen to partake in a senior recital performance of flute works from a range of eras, genres, and styles. As I began my musical journey at the mere age of three, music has played a vital role in shaping my cognitive and emotional status. Not only did piano and ultimately flute studies enhance my overall academic performance through nurturing a hierarchical understanding of notated rhythmic sequences (“Music and Spatial Task Performance” 611), but was a personal means of emotional expression. Thus, for my Senior Honors Project, I have decided to share this passion with an audience through performing a compilation of flute repertoire from a wide range of styles. Not only will this signify a milestone in my 18 years of musical studies, but will provide an enjoyable, emotional experience for the audience members. After all, sharing the soul of a work is the foremost purpose of creating music. This Senior Capstone performance will require me to access my toolbox of skills accumulated through countless lessons, rehearsals, master classes, auditions, competitions, and performances. Not only will this apply to the actual production of flute music, but also performance practices such as etiquette, stage presence, and wearing proper attire. -
The Significance of Vladimir Tsybin and His
THE RUSSIAN TAFFANEL: THE SIGNIFICANCE OF VLADIMIR TSYBIN AND HIS CONCERT ALLEGRO NO. 3 Inna Staneva, B.M., M.M Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS December 2014 APPROVED: Dennis Fisher, Major Professor Warren Henry, Committee Member Terri Sundberg, Committee Member Benjamin Brand, Director of Graduate Studies in the College of Music Richard Sparks, Chair of the Department of Conducting and Ensembles James Scott, Dean of the College of Music Mark Wardell, Dean of the Toulouse Graduate School Staneva, Inna. The Russian Taffanel: The Significance of Vladimir Tsybin and His Concert Allegro No. 3. Doctor of Musical Arts (Performance), December 2014, 54 pp., 10 musical examples, references, 130 titles. The purpose of this critical essay is to introduce Vladimir Nikolaevich Tsybin to English-speaking readers and flutists, specifically to demonstrate how his Russian identity informed his career, affected his posthumous legacy, and influenced his compositions. The essay is divided into three parts: an outline of his career, a discussion of the pedagogical lineage and techniques he founded, and an analysis of "Russian" elements in one exemplary composition for solo flute, his Concert Allegro No. 3. Copyright 2014 by Inna Staneva ii TABLE OF CONTENTS Page LIST OF MUSICAL EXAMPLES ........................................................................................... iv CHAPTER 1 INTRODUCTION ............................................................................................... 1 Purpose -
Men's Basketball Name School Year Major Hometown Mike Latulip Illinois So
Men's Basketball Name School Year Major Hometown Mike LaTulip Illinois So. Undeclared Arlington Heights, Ill. Finance And Operations Jeff Howard Indiana Sr. Westfield, Ind. Management Peter Jurkin Indiana So. Recreation Sport Management Juba, South Sudan Jonny Marlin Indiana Jr. Management Greenwood, Ind. Taylor Wayer Indiana Sr. Sport Marketing Management Indianapolis, Ind. Mike Gesell Iowa So. Finance South Sioux City, Neb. Jarrod Uthoff Iowa Jr. Economics Cedar Rapids, Iowa Adam Woodbury Iowa So. Sports Studies Sioux City, Iowa Brad Anlauf Michigan So. Undeclared Hinsdale, Ill. Masters, Manufacturing Jordan Morgan Michigan Gr. Detroit, Mich. Engineering Trevor Bonhoff Michigan State So. Pre‐Med Saginaw, Mich. Dan Chapman Michigan State Sr. Physiology Okemos, Mich. Matthew Costello Michigan State So. Marketing Bay City, Mich. Colby Wollenman Michigan State Jr. Physiology Big Horn, Wyo. Kye Kurkowski Nebraska Jr. Agricultural Engineering Grant, Neb. Trevor Menke Nebraska Sr. Social Science Education Beatrice, Neb. Shavon Shields Nebraska Jr. Microbiology Olathe, Kan. Sergej Vucetic Nebraska So. Undeclared Vrbas, Serbia Kale Abrahamson Northwestern So. Undeclared West Des Moines, Iowa Nikola Cerina Northwestern Sr. History Topola Oplenac, Serbia Drew Crawford Northwestern Gr. Sports Administration Naperville, Ill. Sanjay Lumpkin Northwestern So. Undeclared Wayzata, Minn. Dave Sobolewski Northwestern Jr. Economics Naperville, Ill. Aaron Craft Ohio State Sr. Nutrition (Pre‐Med) Findlay, Ohio Amedeo Della Valle Ohio State So. Business Management Alba, Italy Consumer, Family Financial Jake Lorbach Ohio State Jr. Elyria, Ohio Services Zachary Cooper Penn State Sr. Communication Arts And Sciences Ijamsville, Md. Timothy Frazier Penn State Sr. Communication Arts And Sciences State College, Pa. Kevin Montminy Penn State Jr. Finance Centre Hall, Pa. -
Ball State Symphony Orchestra) Saturday, December 8 | 7:30 P.M
COLLEGE OF FINE ARTS Robert A. Kvam, dean Michael O’Hara, associate dean SCHOOL OF MUSIC Ryan Hourigan, director Rebecca Braun, assistant to the director Linda Pohly, coordinator of graduate programs in music Kevin Gerrity, coordinator of undergraduate programs in music ORCHESTRA STAFF Douglas Droste, director of orchestras Suzanne Rome and Ian Elmore, graduate assistant conductors Taylor Matthews, librarian APPLIED INSTRUMENT FACULTY Anna Vayman, violin Yu-Fang Chen, violin Zoran Jakovcic, viola Peter Opie, cello Joel Braun, double bass Mihoko Watanabe, flute Lisa Kozenko, oboe Elizabeth Crawford, clarinet Keith Sweger, bassoon Stephen Campbell, trumpet Gene Berger, horn Chris Van Hof, trombone Matthew Lyon, tuba and euphonium Braham Dembar, percussion Elizabeth Richter, harp UPCOMING ORCHESTRA CONCERTS BALL STATE The Nutcracker (Dept. of Theatre and Dance with Ball State Symphony Orchestra) Saturday, December 8 | 7:30 p.m. | Emens Auditorium SYMPHONY ORCHESTRA Campus Band and Campus Orchestra Wednesday, December 5 | 7:30 p.m. | Sursa Hall BSSO Performance at IMEA Professional Development Conference Douglas Droste, conductor Friday, January 18 | 2:30 p.m. | Grand Wayne Center (Fort Wayne) BSSO Tour and Performance at CODA National Conference Chris Van Hof, trombone February 7–9 | Ohio, Pennsylvania, and Massachusetts BSSO with Undergraduate Concerto Competition Winners Tuesday, February 26 | 7:30 p.m. | Sursa Hall Ball State Opera Theatre with BSSO: Mozart’s Don Giovanni Friday, March 29 (7:30 p.m.) and Sunday, March 31 (2 p.m.) | Sursa Hall Campus Orchestra Wednesday, April 10 | 7:30 p.m. | Sursa Hall Masterworks Concert featuring Beethoven’s Symphony No. 9 Friday, April 12 | 7:30 p.m. -
Name School Year Major Hometown Michael Finke Illinois So
Men's Basketball Name School Year Major Hometown Michael Finke Illinois So. Communication Champaign, Ill. Malcolm Hill Illinois Jr. Media And Cinema Studies Fairview Heights, Ill. Cameron Liss Illinois So. Business Northbrook, Ill. Maverick Morgan Illinois Jr. Advertising Springboro, Ohio Jaylon Tate Illinois Jr. Communication Chicago, Ill. Ryan Burton Indiana Sr. Business Administration Bedford, Ind. Quentin Taylor Indiana So. Safety Management Indianapolis, Ind. Nick Zeisloft Indiana Sr. Finance LaGrange, Ill. Nicholas Baer Iowa So. Communication Studies Bettendorf, Iowa Michael Gesell Iowa Sr. Leisure Studies South Sioux City, Neb. Jarrod Uthoff Iowa Sr. Leisure Studies Cedar Rapids, Iowa Adam Woodbury Iowa Sr. Sports Studies & Communication Studies Sioux City, Iowa Trevor Anzmann Maryland Sr. Aerospace Engineering Westminster, Md. Kent Auslander Maryland So. Criminal Justice Herndon, Va. Michal Cekovsky Maryland So. Letters And Sciences Kosice, Slovakia Varun Ram Maryland Sr. Supply Chain Management Clarksville, Md. Andrew Dakich Michigan Jr. American Culture Zionsville, Ind. Sean Lonergan Michigan Jr. Secondary Education Fishers, Ind. Matt Costello Michigan State Sr. Interdisciplinary Studies In Social Science Linwood, Mich. Matt Van Dyk Michigan State Jr. Agribusiness Management Imlay City, Mich. Colby Wollenman Michigan State Sr. Physiology Big Horn, Wyo. Joey King Minnesota Sr. Communication Studies Eagan, Minn. Mike Lukashewich Minnesota So. Undeclared Appleton, Wis. Shavon Shields Nebraska Sr. Biological Sciences Olathe, Kan. Tre Demps Northwestern Sr. Communication Studies Concord, Calif. Sanjay Lumpkin Northwestern Sr. Learning & Organizational Change Wayzata, Minn. Bryant McIntosh Northwestern So. Undeclared Greensburg, Ind. Samuel Halle Penn State Sr. Kinesiology Springfield, Va. Julian Moore Penn State Jr. Information Sciences And Technology Philadelphia, Pa. Isaiah Washington Penn State So. -
Franck Saint-Saëns Widor Duruflé
FRENCH WORKS F O R FLUTE FRANCK SAINT-SAËNS WIDOR DURUFLÉ ADAM WALKER FLUTE TIMOTHY RIDOUT VIOLA JAMES BAILLIEU PIANO Charles-Marie Widor, c. 1875 c. Charles-Marie Widor, Anonymous portrait, now in a private collection / Heritage Images / Fine Art Images / AKG Images, London Camille Saint-Saëns (1835 – 1921) 1 Romance, Op. 37 (1871) 6:50 in D flat major • in Des-Dur • en ré bémol majeur for Flute and Piano Moderato assai César Franck (1822 – 1890) Sonata, M 8 (1886) 28:57 in A major • in A-Dur • en la majeur for Piano and Violin Edited for Piano and Flute by Jean-Pierre Rampal 2 I Allegretto ben moderato 6:24 3 II Allegro – Quasi lento – Tempo I (Allegro) – Poco più lento 8:21 4 III Recitativo-Fantasia Recitativo. Ben moderato – Molto lento – Poco animato – Fantasia. A tempo moderato – Largamente – Recitativo. Molto lento e mesto 7:33 5 IV Allegretto poco mosso 6:38 3 Camille Saint-Saëns Airs de ballet d’Ascanio (1887 – 88) 4:09 in F major / A major • in F-Dur / A-Dur • en fa majeur / la majeur Adagio et Variation pour la flûte [avec piano] (Adagio and Variation for Flute [with piano]) from the Opera Ascanio 6 Poco adagio – Espressivo – Molto espressivo – 2:32 7 Andantino 1:36 Charles-Marie Widor (1844 – 1937) Suite, Op. 34 (1877) 18:22 in C minor • in c-Moll • en ut mineur for Flute and Piano À Paul Taffanel 8 I Moderato – Vivo – Tempo I – Vivo 4:16 9 II Scherzo. Allegro vivace 2:53 10 III Romance.