Ball State Symphony Orchestra) Saturday, December 8 | 7:30 P.M

Total Page:16

File Type:pdf, Size:1020Kb

Ball State Symphony Orchestra) Saturday, December 8 | 7:30 P.M COLLEGE OF FINE ARTS Robert A. Kvam, dean Michael O’Hara, associate dean SCHOOL OF MUSIC Ryan Hourigan, director Rebecca Braun, assistant to the director Linda Pohly, coordinator of graduate programs in music Kevin Gerrity, coordinator of undergraduate programs in music ORCHESTRA STAFF Douglas Droste, director of orchestras Suzanne Rome and Ian Elmore, graduate assistant conductors Taylor Matthews, librarian APPLIED INSTRUMENT FACULTY Anna Vayman, violin Yu-Fang Chen, violin Zoran Jakovcic, viola Peter Opie, cello Joel Braun, double bass Mihoko Watanabe, flute Lisa Kozenko, oboe Elizabeth Crawford, clarinet Keith Sweger, bassoon Stephen Campbell, trumpet Gene Berger, horn Chris Van Hof, trombone Matthew Lyon, tuba and euphonium Braham Dembar, percussion Elizabeth Richter, harp UPCOMING ORCHESTRA CONCERTS BALL STATE The Nutcracker (Dept. of Theatre and Dance with Ball State Symphony Orchestra) Saturday, December 8 | 7:30 p.m. | Emens Auditorium SYMPHONY ORCHESTRA Campus Band and Campus Orchestra Wednesday, December 5 | 7:30 p.m. | Sursa Hall BSSO Performance at IMEA Professional Development Conference Douglas Droste, conductor Friday, January 18 | 2:30 p.m. | Grand Wayne Center (Fort Wayne) BSSO Tour and Performance at CODA National Conference Chris Van Hof, trombone February 7–9 | Ohio, Pennsylvania, and Massachusetts BSSO with Undergraduate Concerto Competition Winners Tuesday, February 26 | 7:30 p.m. | Sursa Hall Ball State Opera Theatre with BSSO: Mozart’s Don Giovanni Friday, March 29 (7:30 p.m.) and Sunday, March 31 (2 p.m.) | Sursa Hall Campus Orchestra Wednesday, April 10 | 7:30 p.m. | Sursa Hall Masterworks Concert featuring Beethoven’s Symphony No. 9 Friday, April 12 | 7:30 p.m. | Sursa Hall Sunday, April 14 | 3 p.m. | Hilbert Circle Theatre (Indianapolis) BSSO with Graduate Concerto Competition Winners Tuesday, April 23 | 7:30 p.m. | Sursa Hall Series LXXIII – 46 In keeping with copyright and artist agreements, the use of recording and photographic devices are permitted only by approved university personnel. Food and drink are prohibited in all concert halls; we request your cooperation. bsu.edu/music Tuesday, October 30, 2018 | 7:30 p.m. | SURSA HALL PROGRAM & PROGRAM NOTES PROGRAM NOTES Libby Larson Deep Summer Music Tomasi – Trombone Concerto (b. 1950) Henri Tomasi was a French composer of the early and mid-twentieth century. He is clearly influenced by both his French contemporaries and the Henri Tomasi Concerto for Trombone and Orchestra impressionistic French composers who preceded him. His Trombone Concerto is no exception. In the first movement, after a bold statement (1901–1971) I. Andante and Scherzo from the trombone, he uses soft colors to provide a soundscape upon which II. Nocturne the soloist can recite their statement. The movement concludes with a III. Finale–Tambourin waltz. The second movement, “Nocturne,” is a lyrical melody sung by the trombonist over an ostinato. The final movement, “Tambourin,” uses Chris Van Hof, trombone transformed themes from both the first and second movements. ---PAUSE--- Prokofiev – Romeo and Juliet Suite No. 2 Many composers have attempted to provide a musical telling of William Shakespeare’s classic story, with Prokofiev’s ballet being one of the more Sergei Prokofiev Romeo and Juliet Suite No. 2, Op. 64-ter successful. He extracted three suites from this ballet. In Romeo and Juliet (1891–1953) 1. Montagues and Capulets Suite No. 2, he gives a wonderful representation of the tenderness, turmoil, 2. Juliet, the Young Girl and tragedy of Shakespeare’s play. In the first movement, we are 3. Friar Laurence introduced to the “Montagues and Capulets” and can feel the tension between the families. The second movement, “Juliet, the Young Girl,” 7. Romeo and Juliet’s grave depicts the image of youth and vibrancy that is generally associated with the character. It also provides a second theme that depicts her as graceful Leonard Bernstein Symphonic Dances from West Side Story and sweet. “Friar Laurence” comes next, a simple movement featuring a (1918–1990) Prologue lyrical cello chorale. The suite ends with the well-known tragic conclusion, Somewhere “Romeo and Juliet’s grave.” Scherzo Bernstein – Symphonic Dances from West Side Story Mambo In the hundredth anniversary of his birth, Leonard Bernstein’s influence has Cha-Cha proven to be profound. Many ensembles across the nation are performing Meeting Scene his works in celebration of his life and his music. In Symphonic Dances Cool Fugue from West Side Story, extracted from the well known musical, the Rumble composer’s music presents a retelling of Shakespeare’s famous story. Finale Instead of Romeo and Juliet, it’s Tony and Maria. Instead of Montagues and Capulets, it’s Jets and Sharks. This piece is filled with fire, fun, passion, and dancing. Listen for the jazz and Latin music influences in Bernstein’s most famous work. Larson – Deep Summer Music -above program notes by Ian Elmore Panorama and horizon are part of the natural culture of the plain states. On the plains, one cannot help but be effected by the sweep of the horizon and #BernsteinAt100 is the world-wide depth of color as the eye adjusts from the nearest to the farthest view. The celebration of the 100th birthday of glory of this phenomenon is particularly evident at harvest time, in the deep Leonard Bernstein, the composer, summer, when acres of ripened wheat, sunflowers, corn, rye, and oats blaze conductor, educator, musician, with color. In the deep summer, winds create wave after wave of harvest cultural ambassador, and ripeness which, when beheld by the human eye, creates a kind of emotional humanitarian. Officially beginning on peace and awe: a feeling of abundance combined with the knowledge that August 25, 2017, Bernstein’s 99th his abundance is only as bountiful as nature will allow. birthday, and continuing through his -note by the composer 100th year until August 25, 2019. CONDUCTOR & SOLOIST BIOS PERSONNEL Douglas Droste is artistic director of the Muncie Symphony Orchestra, VIOLIN I CELLO BASSOON director of orchestras at Ball State University, and conductor of the I Chang Po-Chen Chang Lindsey Wiehl Music For All Summer Symposium Youth Orchestra. Megan Simmons AJ Jabarin Michael Pittman Droste’s guest conducting appearances include the INSO-Lviv Xiaoou Ma Kathy Burrell Sierra Watson Sarah Stoutamyer John Woodward Erin Gehlbach Symphony (Ukraine), and the orchestras of Kansas City, Indianapolis, Emma Andersen David Pira Columbus, Oklahoma City, Tulsa, Midland-Odessa, Fox Valley (IL), Taylor Matthews Jordan Scott HORN Chappaqua (NY), and Amarillo Virtuosi. Jonathan Hummel Radwan Khatib Corinne Edom A dedicated advocate of music education, Droste regularly conducts Grace Marshall Nicholas Burrell Justin Phillips youth orchestras and is active as a clinician and adjudicator throughout Isaac Mahoney Max Engler Anita Rodriguez the country. He has conducted the all-state orchestras of Missouri, Sam Turk William Smith Emily Schroeder Minnesota, Louisiana, Alaska, Oklahoma, Arkansas, and the Oklahoma Jeremy Anderson Ethan Wilkinson Summer Arts Institute. Droste is a Yamaha Artist and Master Educator. VIOLIN II Nick Leon Brian Reel A talented violinist, Droste has performed with the orchestras of Tian Li Indianapolis, Fort Wayne, Oklahoma City, Tulsa, Nashville, Memphis, Christopher Monty BASS TRUMPET Lubbock, and the Lancaster Festival. He is also skilled on viola, Emily McCroskey Ian Elmore Eric Rodriguez trumpet, and as a tenor. Droste holds degrees from The Ohio State Levacy Quinn Ariya Marr Kieran McNamara University and Texas Tech University. Alex Karker Gonzalo Kochi Drew Tomasik Maddie Edwards Kikuchi Nathan Leamer Mitch Borkowski TROMBONE Josiah Williams Emma Erickson Alma Mele A native of Grand Rapids, Michigan, Chris Van Hof is the assistant Aaliyah Winters Jacob Smith Peter Lehmann professor of trombone at Ball State University, and host of the 2019 Jose Rodriguez Roger Graves Austin Hinkle International Trombone Festival. An S. E. Shires Performing Artist and Jessica Joyner David Tweddell Facet Mutes Performing Artist, he is also trombonist in both the Da Sebastian Giraldo TUBA Camera Brass (in residence at Ball State), and the Emerald Brass, and is Alyssa Jerke FLUTE Sam Michels a regular extra/substitute performer with the Indianapolis Symphony Jacob Sumner Paola Cubillos Orchestra as well as jazz and commercial ensembles in the Indianapolis Alex Campbell Samantha Haake PERCUSSION metro area. Along with bass trombonist Evan Conroy, he performs in Emily Wickline Cyris Wallis Evan Moore the duo Make More Noise, which gave four world premieres in 2018 Lydia Perry Sam Thompson between the American Trombone Workshop and the 2018 International VIOLA Aaron Kaluza Trombone Festival. Chris has also been an invited artist/faculty member Julie Stuckert OBOE Brianna Rude at Rekkenze Brass Week in Bavaria, Germany (2018) and the Taller de Miranda Blevins Sarah Loos David Kuo Trombones Panamá (2017). Megan Grady Noah Connolly Daniel Daily Claire Harvey Rachel Gripp With over ten years of experience in higher education, Chris has a deep Christian Zepeda HARP background in teaching and is passionate about his work at Ball State. Ben Davis CLARINET Annie King He trains his students to be adept at all styles of music on the trombone, Katie Buchholz Rachel Jordan Emily West to establish clear career objectives, to explore entrepreneurial and Morgan Upton Liz Felsted alternative paths of employment in the arts, and to focus on a strong Kayla Welte Caleb Boswell PIANO/CELESTA process to accomplish their goals. Chris studied with Mark Hetzler (UW Morgan Kochanowski Nina Lee-Hecko -Madison, DMA), Mark Kellogg (Eastman School of Music, MM), and Steve Wolfinbarger (Western Michigan University, BM Music SAXOPHONE Education). He lives in Muncie with his wife Andrea and their two sons, Kendall Fowler The BSSO uses a Dexter and Fritz. rotational seating system .
Recommended publications
  • The Flute Music of Yuko Uebayashi
    THE FLUTE MUSIC OF YUKO UEBAYASHI: ANALYTIC STUDY AND DISCUSSION OF SELECTED WORKS by PEI-SAN CHIU Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University July 2016 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Thomas Robertello, Research Director ______________________________________ Don Freund ______________________________________ Kathleen McLean ______________________________________ Linda Strommen June 14, 2016 ii ACKNOWLEDGEMENTS Thanks to my flute professor Thomas Robertello for his guidance as a research director and as mentor during my study in Indiana University. My appreciation and gratitude also expressed to the committee members: Prof. Kathleen McLean, Prof. Linda Strommen and Dr. Don Freund for their time and suggestions. Special thanks to Ms. Yuko Uebayashi for sharing her music and insight, and being cooperative to make this document happen. Thanks to Prof. Emile Naoumoff and Jean Ferrandis for their coaching and share their role in the creation and performance of this study. Also,I would also like to thank the pianists: Mengyi Yang, Li-Ying Chang and Alber Chien. They have all contributed significantly to this project. Thanks to Alex Krawczyk for his kind and patient assistance for the editorial suggestion. Thanks to Satoshi Takagaki for his translation on the program notes. Finally, I would like to thank my parents Wan-Chuan Chiu and Su-Jen Lin for their constant encouragement and financial support, and also my dearest sister, I-Ping Chiu and my other half, Chen-Wei Wei, for everything.
    [Show full text]
  • Activities Overview 2018,2019 Success of Rohm Music Friends
    Activities overview 2019 1 Nishinakamizu-cho, Saiin, Ukyo-ku, Kyoto 615-0044, Japan +81-75-331-7710 +81-75-331-0089 https://micro.rohm.com/en/rmf/ INDEX Objective, Detail of Operation, and Outline of the Foundation ………… 1 Directors, Trustees, Advisors and Members of Selection Committee … 2 Activities 2018 …………………………………………………………………………… 3 2019 …………………………………………………………………………… 9 Success of ROHM Music Friends …………………………………………… 15 (In chronological or alphabetical order.) 2019.9 Objective Directors Our foundation aims to contribute to the dissemination and development of the Japanese musical Chairman Ken Sato Chairman Emeritus ROHM CO., LTD. culture through the implementation of and financial support for music activities, and the provision of Managing Director Akitaka Idei Former Director, Member of the Board ROHM CO., LTD. scholarships for music students. Director Nobuhiro Doi President, Chairman of the Board The Bank of Kyoto, Ltd. Tadanobu Fujiwara President, Detail of Operation Chief Executive Officer ROHM CO., LTD. Yukitoshi Kimura Former Commissioner of the National Tax Agency Board Chairman, Zaikyo 1. Organizing music concerts and providing financial support for music activities Koichi Nishioka Journalist Director, Member of the Board ROHM CO., LTD. 2. Providing scholarships for both Japanese music students studying in Japan or abroad and overseas Seiji Ozawa Conductor music students studying in Japan Yasuhito Tamaki Lawyer Midosuji Legal Profession Corporation 3. Collecting, investigating and analyzing material related to music Mazumi Tanamura Guest Professor Tokyo College of Music Specially Appointed Principal Violist Tokyo Metropolitan Symphony Orchestra 4. Supporting overseas music research Shunichi Uchida Former Commissioner of the Consumer Affairs Agency President Kyoto International Conference Center Yasunori Yamauchi President and Editor in Chief The Kyoto Shimbun Newspaper Co., Ltd.
    [Show full text]
  • Download Article
    International Conference on Arts, Design and Contemporary Education (ICADCE 2016) The Concertizing Clarinet in the Music of the 20th- 21st Centuries Yu Zhao Department of Musical Upbringing and Education Institute of Music, Theatre and Choreography Herzen State Pedagogical University of Russia Saint-Petersburg, Russia E-mail: [email protected] Abstract—The article deals with stating the problem of a clarinet concert of the 20-21 centuries (one should note in research in ontology of the genre of Clarinet Concert in 20-21 this regard S. E. Artemyev‟s full-featured thesis considering centuries. The author identifies genre variants of long forms the Concerto for clarinet and orchestra of the 18th century). for solo clarinet with orchestra or instrumental ensemble and proposes further steps in making such a research, as well. II. A SHORT GUIDE IN THE HISTORY OF THE CLARINET Keywords—instrumental concert; concertizing; concerto; CONCERT GENRE concert genres; genre diversity Studies in the executive mastership are connected with a research of the evolution of the genres of instrumental music. I. INTRODUCTION The initial period of genesis and development of clarinet concert is investigated widely. Contemporary music in its various genres has become in many aspects a subject of scrupulous studies in musicology. It is known that the most early is the composition of Our research deals with professional problematics of the Antonio Paganelli indicated by the author as Concerto per instrumental concert genre, viewed more narrowly, namely, Clareto (1733). Possibly, it was written for chalumeau, the connected with clarinet performance. instrument-predecessor of the clarinet itself. But, before this time clarinet was used as one of the concertizing instruments The purpose of this article is to identify the situation in the genre of Concerto Grosso, particularly by J.
    [Show full text]
  • Heralding a New Enlightenment
    Peculiarities of Clarinet Concertos Form-Building in the Second Half of the 20th Century and the Beginning of the 21st Century Marina Chernaya and Yu Zhao* Abstract: The article deals with clarinet concertos composed in the 20th– 21st centuries. Many different works have been created, either in one or few parts; the longest concert that is mentioned has seven parts (by K. Meyer, 2000). Most of the concertos have 3 parts and the fast-slowly-fast kind of structure connected with the Italian overture; sometimes, the scheme has variants. Our question is: How does the concerto genre function during this period? To answer, we had to search many musical compositions. Sometimes the clarinet is accompanied by orchestra, other times it is surrounded by an ensemble of instruments. More than 100 concertos were found and analyzed. Examples of such concertos were written by C. Nielsen, P. Boulez, J. Adams, C. Debussy, M. Arnold, A. Copland, P. Hindemith, I. Stravinsky, S. Vassilenko, and the attention in the article is focused on them. A special complete analysis is made as regards “Domaines” for clarinet and 21 instruments divided in 6 groups, by Pierre Boulez that had a great role for the concert routine, based on the “aleatoric” principle. The conclusions underline the significant development of the clarinet concerto genre in the 20th -21st centuries, the high diversity of the compositions’ structures, the considerable expressiveness and technicality together with the soloist’s part in the expressive concertizing (as a rule). Further studies suggest the analysis of stylistic and structural peculiarities of the found compositions that are apparently to win their popularity with performers and listeners.
    [Show full text]
  • 2019 Round Top Music Festival
    James Dick, Founder & Artistic Director 2019 Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE Bravo! We salute those who have provided generous gifts of $10,000 or more during the past year. These gifts reflect donations received as of May 19, 2019. ROUND TOP FESTIVAL INSTITUTE 49th SEASON PArtNER THE BURDINE JOHNSON FOUNDATION HERITAGE CIrcLE H-E-B, L .P. FOUNDERS The Brown Foundation Inc. The Clayton Fund The Estate of Norma Mary Webb BENEFACTORS The Mr. and Mrs. Joe W. Bratcher, Jr. Foundation James C. Dick Mark and Lee Ann Elvig Robert J. Kleberg, Jr. and Helen C. Kleberg Foundation Richard R. Royall V Rose P. VanArsdel SUSTAINERS Blue Bell Creameries, L.P. William, Helen and Georgina Hudspeth Nancy Dewell Braus Luther King Capital Management The Faith P. and Charles L. Bybee Foundation Paula and Kenneth Moerbe Malinda Croan Anna and Gene Oeding Mandy Dealey and Michael Kentor The Gilbert and Thyra Plass Arts Foundation Dickson-Allen Foundation Myra Stafford Pryor Charitable Trust June R. Dossat Dr. and Mrs. Rolland C. Reynolds and Yvonne Reynolds Dede Duson Jim Roy and Rex Watson Marilyn T. Gaddis Ph.D. and George C. Carruthers Tod and Paul Schenck Ann and Gordon Getty Foundation Texas Commission on the Arts Alice Taylor Gray Foundation Larry A. Uhlig George F. Henry Betty and Lloyd Van Horn Felicia and Craig Hester Lola Wright Foundation Joan and David Hilgers Industry State Bank • Fayetteville Bank • First National Bank of Bellville • Bank of Brenham • First National Bank of Shiner ® Bravo! Welcome to the 49th Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE The sole endeavor of The James Dick Foundation for the Performing Arts To everything There is a season And a time to every purpose, under heaven A time to be born, a time to die A time to plant, a time to reap A time to laugh, a time to weep This season at Festival Hill has been an especially sad one with the loss of three of our beloved friends and family.
    [Show full text]
  • Marco Polo – the Label of Discovery
    Marco Polo – The Label of Discovery Doubt was expressed by his contemporaries as to the truth of Marco Polo’s account of his years at the court of the Mongol Emperor of China. For some he was known as a man of a million lies, and one recent scholar has plausibly suggested that the account of his travels was a fiction inspired by a family dispute. There is, though, no doubt about the musical treasures daily uncovered by the Marco Polo record label. To paraphrase Marco Polo himself: All people who wish to know the varied music of men and the peculiarities of the various regions of the world, buy these recordings and listen with open ears. The original concept of the Marco Polo label was to bring to listeners unknown compositions by well-known composers. There was, at the same time, an ambition to bring the East to the West. Since then there have been many changes in public taste and in the availability of recorded music. Composers once little known are now easily available in recordings. Marco Polo, in consequence, has set out on further adventures of discovery and exploration. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again. In addition to pioneering recordings of the operas of Franz Schreker, Der ferne Klang (The Distant Sound), Die Gezeichneten (The Marked Ones) and Die Flammen (The Flames), were three operas by Wagner’s son, Siegfried. Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich and Schwarzschwanenreich (The Kingdom of the Black Swan) explore a mysterious medieval world of German legend in a musical language more akin to that of his teacher Humperdinck than to that of his father.
    [Show full text]
  • Graduate Recital in Trombone
    University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2019 Graduate recital in trombone Thomas Mortenson University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2019 Thomas Mortenson Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Music Performance Commons Recommended Citation Mortenson, Thomas, "Graduate recital in trombone" (2019). Dissertations and Theses @ UNI. 977. https://scholarworks.uni.edu/etd/977 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. GRADUATE RECITAL IN TROMBONE An Abstract of a Recital Submitted in Partial Fulfillment of the Requirements for the Degree Master of Music in Performance Thomas Mortenson University of Northern Iowa May 2019 This Abstract by: Thomas Mortenson Entitled: Master’s Recital: Thomas Mortenson, Trombone Has been approved as meeting the thesis requirement for the Degree of Master of Music in Performance __________ ______________________________________________________ Date Dr. Anthony Williams, Chair, Thesis Committee __________ ______________________________________________________ Date Dr. Alison Altstatt, Thesis Committee Member __________ ______________________________________________________ Date Dr. Randy Grabowski, Thesis Committee Member __________ ______________________________________________________ Date Dr. Jennifer Waldron, Dean, Graduate College This Recital Performance by: Thomas Mortenson Entitled: Master’s Recital: Thomas Mortenson, Trombone Date of Recital: March 12, 2019 Has been approved as meeting the thesis requirement for the Degree of Master of Music in Performance __________ ______________________________________________________ Date Dr. Anthony Williams, Chair, Thesis Committee __________ ______________________________________________________ Date Dr.
    [Show full text]
  • Public Events March 2019
    Public Events March 2019 Subscribe to this publication by emailing Shayla Butler at [email protected] Table of Contents Overview Highlighted Events ................................................................................................. 3 Youth Summer Camps ........................................................................................... 5 Neighborhood and Community Relations 1800 Sherman, Suite 7-100 Northwestern Events Evanston, IL 60208 Arts www.northwestern.edu/communityrelations Music Performances ..................................................................................... 15 Theater .......................................................................................................... 21 Exhibits and Art Discussions ...................................................................... 22 Dave Davis Film Screenings ............................................................................................23 Executive Director [email protected] Living 847-491-8434 Leisure and Social ......................................................................................... 25 Norris Mini Courses Around Campus ARTica (art studio) To receive this publication electronically Norris Outdoors every month, please email Shayla Butler at Northwestern Music Academy [email protected] Religious Services ........................................................................................ 28 Sports, Health, and Wellness Northwestern Wildcat Athletics .................................................................
    [Show full text]
  • Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
    Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD.
    [Show full text]
  • Dépliant AHT 2018-Eng
    Some recordings Don Juan de Mañara - Triomphe de Jeanne , Orchestra of France (Paris, 1952), direction Henri Tomasi. With Raoul Jobin (Prize of the Academy of the Disc, FORLANE UCD 1652-53, HENRI TOMASI 1992) Don Juan de Mañara , Recording of German-Language Creation (Munich, 1956), Chorus 1901 - 1971 and Orchestra of the Bavarian Opera, conductor André Cluytens, with Bernd Aldenhoff (MYTO, 2015) Requiem pour la Paix - Fanfares Liturgiques - Etre ou ne pas être , Marseille Philharmonic Orchestra, Regional PACA Choir, Departmental Choir of the Alpes-Maritimes, Michel Pi- quemal Direction - With Marie-Paule Lavogez, Jacqueline Mayeur, Michel Pastor and Di- dier Henry - Massilia Trombone (NAXOS 8.554223, 1997) L’œuvre pour Trompette , Eric Aubier, Alexandre Baty, Frédéric Mellardi, Thierry Escaich (anthology, INDESENS 038, 2012) Quatre concertos , Devy Erlih (violin), Alexandre Lagoya (guitar), Marielle Nordmann (harp), Jean-Pierre Rampal (flute) (LYRINX, 2003) Henri Tomasi : Le Silence de la mer, Symphonie du Tiers-Monde, Retour à Tipasa , ORTF Orchestra, ORTF Philharmonic Orchestra, Marseille Philharmonic Orchestra. With Daniel Mesguich (AD VITAM, AV 1211115, 2012) Henri Tomasi : Divertimento Corsica, Oboe Concerto, Bassoon Concerto, Clarinet Con- certo , Hamburg Reed Trio and German Strings, conducted by Olivier Tardy. With Nicolas Thiébaud, Christian Kunert and Rupert Wachter (Farao Classics 2B 108062, 2010) Henri Tomasi Association "The Mediterranean and its light, this is for me the perfect joy " e Honorary President M Marcel P AOLI │ President Jacques B ONNADIER │ Vice-Presidents Jac- queline MAGNE , Frédéric DUCROS , Lionel P ONS , Jean P ATERO , Gabriel V IALLE Secretary Any MURRACIOLE │ Treasurer Michel M URRACIOLE │ Communication Claude T OMASI │ Website Bernard R OBERT Since its creation in 1987, the Henri Tomasi Association has benefited from the support of an exceptional HONORARY C OMMITTEE comprising more than one hundred personalities from all fields of the world of culture.
    [Show full text]
  • Brett Evans, Bass Trombone Susan Teicher, Piano
    Eastern Illinois University The Keep Junior Recitals Concerts and Recitals 10-8-2001 Brett vE ans, bass trombone Music Department Follow this and additional works at: http://thekeep.eiu.edu/recitals_juniors Part of the Music Performance Commons Recommended Citation Music Department, "Brett vE ans, bass trombone" (2001). Junior Recitals. 63. http://thekeep.eiu.edu/recitals_juniors/63 This Article is brought to you for free and open access by the Concerts and Recitals at The Keep. It has been accepted for inclusion in Junior Recitals by an authorized administrator of The Keep. For more information, please contact [email protected]. EASTERN ILLINOIS UNIVERSITY Music Department PROGRAM presents a Sonata for Bass Trombone and Piano (1971) Alec Wilder (1907-1980) I. Energetically Junior Recital II. q = ca. 60 III. q k = ca. 80 IV. e = ca. 96 featuring V. Swinging Brett Evans, bass trombone Susan Teicher, piano Chorale “Heilig ist Gott der Vater” anonymous assisted by (Krichenordnung Braunschweig) (1543) Hosannah Franz Liszt Susan Teicher, piano (1811-1886) Paul Heiser, organ Eric Chapman, trombone Paul Heiser, organ Jon Siddle, trombone Brad Wallace, trombone Etre Ou Ne Pas Etre Monologue d’Hamlet (1957) Henri Tomasi (1901-1971) October 8, 2001 Jon Siddle, Brad Wallace & Eric Chapman, trombones 7:30 p.m. Leo J. Dvorak Concert Hall Quincy V. Doudna Fine Arts Center Intermission The composition “Hosannah” for bass trombone and organ was originally performed in a setting of a worship service. This is the only Lieder eines fahrenden Gesellen (1885) Gustav Mahler known work by Liszt that was written specifically for this (1860-1911) instrumentation.
    [Show full text]
  • The Clarinet Choir Music of Russell S
    Vol. 47 • No. 2 March 2020 — 2020 ICA HONORARY MEMBERS — Ani Berberian Henri Bok Deborah Chodacki Paula Corley Philippe Cuper Stanley Drucker Larry Guy Francois Houle Seunghee Lee Andrea Levine Robert Spring Charles West Michael Lowenstern Anthony McGill Ricardo Morales Clarissa Osborn Felix Peikli Milan Rericha Jonathan Russell Andrew Simon Greg Tardy Annelien Van Wauwe Michele VonHaugg Steve Williamson Yuan Yuan YaoGuang Zhai Interview with Robert Spring | Rediscovering Ferdinand Rebay Part 3 A Tribute to the Hans Zinner Company | The Clarinet Choir Music of Russell S. Howland Life Without Limits Our superb new series of Chedeville Clarinet mouthpieces are made in the USA to exacting standards from the finest material available. We are excited to now introduce the new ‘Chedeville Umbra’ and ‘Kaspar CB1’ Clarinet Barrels, the first products in our new line of high quality Clarinet Accessories. Chedeville.com President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Dear ICA Members, Jessica Harrie [email protected] t is once again time for the membership to vote in the EDITORIAL BOARD biennial ICA election of officers. You will find complete Mitchell Estrin, Heike Fricke, Denise Gainey, information about the slate of candidates and voting Jessica Harrie, Rachel Yoder instructions in this issue. As you may know, the ICA MUSIC REVIEWS EDITOR bylaws were amended last summer to add the new position Gregory Barrett I [email protected] of International Vice President to the Executive Board. This position was added in recognition of the ICA initiative to AUDIO REVIEWS EDITOR engage and cultivate more international membership and Kip Franklin [email protected] participation.
    [Show full text]