FLUTE/PICCOLO SOLO REPERTOIRE LIST Dr. Karen Mclaughlin Large Kansas State University

Total Page:16

File Type:pdf, Size:1020Kb

FLUTE/PICCOLO SOLO REPERTOIRE LIST Dr. Karen Mclaughlin Large Kansas State University FLUTE/PICCOLO SOLO REPERTOIRE LIST Dr. Karen McLaughlin Large Kansas State University Baroque (Barenreiter or Amadeus editions preferred): Johann Sebastian Bach Partita in A minor (unaccompanied) Johann Sebastian Bach Sonatas in B minor, E-flat Major, A Major, C Major, E minor, E Major Johann Sebastian Bach Suite in B minor Carl Philipp Emanuel Bach Concerto in D minor Carl Philipp Emanuel Bach Hamburg Sonata in G Carl Philipp Emanuel Bach Solo Sonata in A minor (unaccompanied) Carl Philipp Emanuel Bach Sonatas in A minor, E major, D major Michel Blavet Sonatas Francois Couperin Concert Royal No. 4 Georg Friedrich Handel Sonatas Jean-Marie Leclair Sonata in G Op. 9, No. 7 Jean-Marie Leclair Concerto in C Op. 7, No. 3 Pietro Antonio Locatelli Sonata in F Marin Marais Les Folies d’Espagne for solo flute (unaccompanied) Giovanni Battista Pergolesi Concerto in G Johann Joachim Quantz Concerto in G Georg Philipp Telemann 12 Fantasies (unaccompanied) Georg Philipp Telemann Sonata in F Major for Piccolo Antonio Vivaldi Concerto in G minor, “La Notte” Antonio Vivaldi Piccolo Concertos in C Major, RV 443, 444, and A minor 445 Classical: Ludwig van Beethoven Serenade in D Major Franz Joseph Haydn Concerto in D Major Johann Nepomuk Hummel Concerto in D Major Friedrich Kuhlau Grand Solo no. 1 op. 57 Friedrich Kuhlau Variations on “Last Rose of Summer” Wolfgang Amadeus Mozart Andante in C and Rondo in D Wolfgang Amadeus Mozart Concerto in G Wolfgang Amadeus Mozart Concerto in D Wolfgang Amadeus Mozart Concerto in C with Harp Carl Stamitz Concerto in G Jean-Louis Tulou Grand Solos Romantic: Theobald Boehm Air varie de la Molinara “Nel cor piu” Theobald Boehm Grande Polonaise Frances Bourne Carmen Fantasy Giulio Briccialdi Carnival of Venice Alfredo Casella Sicilienne et Burlesque Cecile Chaminade Concertino Fryderyk Chopin Variations on a theme of Rossini Gaetano Donizetti Concertino Albert Franz Doppler Berceuse Albert Franz Doppler Fantaisie Pastorale Hongroise George Enescu Cantabile and Presto Gabriel Faure Berceuse Gabriel Faure Fantasie Gabriel Faure Morceau de Concours Cesar Franck Sonata Louis Ganne Andante et Scherzo Philippe Gaubert Fantasie Philippe Gaubert Madrigal Philippe Gaubert Nocturne and Allegro Scherzando Philippe Gaubert Romance Paul-Agricole Genin Carnival of Venice Benjamin Godard Suite de Trois Morceaux Georges-Adolphe Hue Fantasie Saverio Mercadante Concerto in E minor Sergei Rachmaninoff Vocalise Carl Reinecke Ballade Carl Reinecke Concerto Carl Reinecke Sonata, “Undine” Camille Saint-Saens Odelette Franz Schubert Sonata in A minor, “Arpeggione” Franz Schubert Introduction and Variations on “Trockne Blumen” Robert Schumann Three Romances Paul Taffanel Andante Pastoral & Scherzettino Charles-Marie Widor Suite, Op. 34 Contemporary: Robert Aitken Icicle (unaccompanied) Malcolm Arnold Concerto Malcolm Arnold Fantasy (unaccompanied) Samuel Barber Canzone Bela Bartok Suite Paysanne Hongroise Claude Bolling Suite for Flute and Jazz Piano (Nos. 1 and 2) Ernest Bloch Suite Modale Eugene Bozza Aria Eugene Bozza Image for solo flute (unaccompanied) Eldin Burton Sonatina Elliott Carter Scrivo in Vento (unaccompanied) Ian Clarke Hypnosis Ian Clarke Orange Dawn Ian Clarke Sunstreams and Sunday Morning Ian Clarke The Great Train Race (unaccompanied) Ian Clarke TRK’s (with CD) Ian Clarke Within… (flute choir or solo with CD) Ian Clarke Zoom Tube (unaccompanied) Michael Colquhoun Charanga (unaccompanied) Aaron Copland Duo for Flute and Piano John Corigliano Voyage Claude Debussy Syrinx (unaccompanied) Robert Dick The Fish Are Jumping (unaccompanied) Robert Dick Flying Lessons (unaccompanied) Robert Dick Lookout (unaccompanied) Ernst Von Dohnanyi Passacaglia for solo flute (unaccompanied Henri Dutilleux Sonatine Pierre-Octave Farroud Trois pieces (unaccompanied) Lukas Foss Renaissance Concerto Kazuo Fukushima Requiem (unaccompanied) Kazuo Fukushima Mei (unaccompanied) Otar Gordeli Concerto Charles T. Griffes Poem Marco Granados “La Bella y … El Terco” (unaccompaied?) Howard Hanson Serenade Paul Hindemith Acht Stucke (unaccompanied) Paul Hindemith Sonata Arthur Honegger Danse de la Chevre (unaccompanied) Kathryn Hoover Kokopeli (unaccompanied) Jaques Ibert Concerto Jaques Ibert Aria Jaques Ibert Piece (unaccompanied) Andre Jolivet Chant de Linos Andre Jolivet Cinq Incantations (unaccompanied) Sigfrid Karg-Elert Sonata Appasionata (unaccompanied) Aram Khachaturian Concerto John La Montaine Sonata (unaccompanied) Lowell Liebermann Piccolo Concerto Lowell Liebermann Soliloquy (unaccompanied) Lowell Liebermann Sonata Frank Martin Ballade Bohuslav Martinu First Sonata Olivier Messiaen La merle noir Darius Milhaud Sonatine Robert Muczynski 3 Preludes, Op. 18 (unaccompanied) Robert Muczynski Sonata Carl Nielsen Concerto Carl Nielsen The Children are Playing (unaccompanied) Carl Nielsen The Fog is Lifting Greg Patillo Three Beats for Beatbox Flute Walter Piston Sonata Francois Poulenc Sonata Sergei Prokofiev Sonata Jean Rivier Concerto Joaquin Rodrigo Concierto Pastoral Albert Roussel Joueurs de Flute John Rutter Suite Antique Pierre Sancan Sonatine Toru Takemitsu Voice (unaccompanied) Otar Taktakishvili Sonata Ralph Vaughan Williams Suite de Ballet Edgard Varese Density 21.5 (unaccompanied) FLUTE STUDIES/METHODS/ETUDES LIST Dr. Karen McLaughlin Large Kansas State University Middle/High School Cavally Melodious and Progressive Studies Voxman Advanced Method (Rubank) Wye Practice Books for the Flute Advanced High/College Andersen Op. 15, Op. 33, Op. 41 Berbiguier Etudes Boehm 24 Caprices, Op. 26 Casterede Douze etudes Clardy The Flute Etudes Book Dick Flying Lessons Gasser Papierbluten Karg Elert 30 Caprices Op. 107 Kohler Etudes Moyse De la sonorite, Tone Development Through Interpretation, Taffanel and Gaubert Complete Method .
Recommended publications
  • The Evolution of the Clarinet and Its Effect on Compositions Written for the Instrument
    Columbus State University CSU ePress Theses and Dissertations Student Publications 5-2016 The Evolution of the Clarinet and Its Effect on Compositions Written for the Instrument Victoria A. Hargrove Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Commons Recommended Citation Hargrove, Victoria A., "The Evolution of the Clarinet and Its Effect on Compositions Written for the Instrument" (2016). Theses and Dissertations. 236. https://csuepress.columbusstate.edu/theses_dissertations/236 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. THE EVOLUTION OF THE CLARINET AND ITS EFFECT ON COMPOSITIONS WRITTEN FOR THE INSTRUMENT Victoria A. Hargrove COLUMBUS STATE UNIVERSITY THE EVOLUTION OF THE CLARINET AND ITS EFFECT ON COMPOSITIONS WRITTEN FOR THE INSTRUMENT A THESIS SUBMITTED TO HONORS COLLEGE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE HONORS IN THE DEGREE OF BACHELOR OF MUSIC SCHWOB SCHOOL OF MUSIC COLLEGE OF THE ARTS BY VICTORIA A. HARGROVE THE EVOLUTION OF THE CLARINET AND ITS EFFECT ON COMPOSITIONS WRITTEN FOR THE INSTRUMENT By Victoria A. Hargrove A Thesis Submitted to the HONORS COLLEGE In Partial Fulfillment of the Requirements for Honors in the Degree of BACHELOR OF MUSIC PERFORMANCE COLLEGE OF THE ARTS Thesis Advisor Date ^ It, Committee Member U/oCWV arcJc\jL uu? t Date Dr. Susan Tomkiewicz A Honors College Dean ABSTRACT The purpose of this lecture recital was to reflect upon the rapid mechanical progression of the clarinet, a fairly new instrument to the musical world and how these quick changes effected the way composers were writing music for the instrument.
    [Show full text]
  • 1 FLUTE MUSIC THROUGHOUT the YEARS by Katerina Koloustroubis A
    FLUTE MUSIC THROUGHOUT THE YEARS by Katerina Koloustroubis A Senior Honors Project Presented to the Honors College East Carolina University In Partial Fulfillment of the Requirements for Graduation with Honors by Katerina Koloustroubis Greenville, NC May, 2018 Approved by: Dr. Christine Gustafson College of Fine Arts & Communication, School of Music, Instrumental Studies 1 Introduction To fulfill the Senior Honors Project requirements, I have chosen to partake in a senior recital performance of flute works from a range of eras, genres, and styles. As I began my musical journey at the mere age of three, music has played a vital role in shaping my cognitive and emotional status. Not only did piano and ultimately flute studies enhance my overall academic performance through nurturing a hierarchical understanding of notated rhythmic sequences (“Music and Spatial Task Performance” 611), but was a personal means of emotional expression. Thus, for my Senior Honors Project, I have decided to share this passion with an audience through performing a compilation of flute repertoire from a wide range of styles. Not only will this signify a milestone in my 18 years of musical studies, but will provide an enjoyable, emotional experience for the audience members. After all, sharing the soul of a work is the foremost purpose of creating music. This Senior Capstone performance will require me to access my toolbox of skills accumulated through countless lessons, rehearsals, master classes, auditions, competitions, and performances. Not only will this apply to the actual production of flute music, but also performance practices such as etiquette, stage presence, and wearing proper attire.
    [Show full text]
  • The Significance of Vladimir Tsybin and His
    THE RUSSIAN TAFFANEL: THE SIGNIFICANCE OF VLADIMIR TSYBIN AND HIS CONCERT ALLEGRO NO. 3 Inna Staneva, B.M., M.M Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS December 2014 APPROVED: Dennis Fisher, Major Professor Warren Henry, Committee Member Terri Sundberg, Committee Member Benjamin Brand, Director of Graduate Studies in the College of Music Richard Sparks, Chair of the Department of Conducting and Ensembles James Scott, Dean of the College of Music Mark Wardell, Dean of the Toulouse Graduate School Staneva, Inna. The Russian Taffanel: The Significance of Vladimir Tsybin and His Concert Allegro No. 3. Doctor of Musical Arts (Performance), December 2014, 54 pp., 10 musical examples, references, 130 titles. The purpose of this critical essay is to introduce Vladimir Nikolaevich Tsybin to English-speaking readers and flutists, specifically to demonstrate how his Russian identity informed his career, affected his posthumous legacy, and influenced his compositions. The essay is divided into three parts: an outline of his career, a discussion of the pedagogical lineage and techniques he founded, and an analysis of "Russian" elements in one exemplary composition for solo flute, his Concert Allegro No. 3. Copyright 2014 by Inna Staneva ii TABLE OF CONTENTS Page LIST OF MUSICAL EXAMPLES ........................................................................................... iv CHAPTER 1 INTRODUCTION ............................................................................................... 1 Purpose
    [Show full text]
  • PROGRAM NOTES Antonio Vivaldi Piccolo Concerto in C Major, RV
    PROGRAM NOTES Antonio Vivaldi Born March 4, 1678, Venice, Italy. Died July 28, 1741, Vienna, Austria. Piccolo Concerto in C Major, RV 443 Details regarding the composition and first performance of this concerto are unknown. The concerto is scored for piccolo and string orchestra with harpsichord. Performance time is approximately twelve minutes. The Chicago Symphony Orchestra's first performance of Vivaldi's Piccolo Concerto, RV 443 was given on a special June Festival concert at Orchestra Hall on June 9, 1966, with Walfrid Kujala as soloist and Antonio Janigro conducting. Our only previous subscription concert performances of this concerto were given on May 6, 7, and 8, 1982, also with Kujala and with Sir Georg Solti conducting. The Orchestra first performed this work at the Ravinia Festival on July 13, 1969, under Antonio Janigro, and most recently on August 11, 1973, under Lawrence Foster, with Kujala as soloist on both occasions. A 1966 performance of Vivaldi's C major piccolo concerto with Walfrid Kujala as soloist and Antonio Janigro conducting is included in From the Archives, vol. 21. The most original, popular, and influential Italian composer of his time, Vivaldi was very quickly forgotten. Within a hundred years of his death, he had achieved the ultimate fate of most composers—complete oblivion. After he was finally rediscovered in the early twentieth century, and eventually became one of the most performed of all composers again, he often was written off as excessively prolific and facile. Stravinsky famously dismissed his entire career as "the same concerto four hundred times," an assessment that was not just unkind, but also unfair.
    [Show full text]
  • PICCOLO/FLUTE AUDITION REPERTOIRE LIST Preliminary and Semifinal Rounds: October 27 - 29, 2014 Final Round: November 24, 2014 Onstage, Jones Hall
    PICCOLO/FLUTE AUDITION REPERTOIRE LIST Preliminary and Semifinal Rounds: October 27 - 29, 2014 Final Round: November 24, 2014 Onstage, Jones Hall Solo Pieces: Piccolo: Liebermann Concerto, Mvt. I m. 145 – m. 208 Taffanel Andante Pastoral et Scherzettino* m. 1- m.28 Flute: Mozart Flute Concerto in G major Mvt II: m. 10 – m.27 Bizet Entr’acte (w/piano accompaniment m.1 – m. 23 from Theodore Presser Orchestral Excerpts) Semi-Final Round may begin with piano accompaniment for solo pieces listed above. There will be no opportunity to rehearse with a pianist beforehand. Candidates may tune before reading through each selection. One restart per piece is allowed if needed. Houston Symphony tunes to A=442. Piccolo Excerpts Bartok Concerto for Orchestra Mvt. III: m. 29 – m. 33; m. 123 – end Bartok Concerto for Orchestra Mvt. V: m. 418 – m.429 Beethoven Symphony No. 9 Mvt. IV: m. 343- m.432 or 16 before H to K Berlioz Symphonie Fantastique Mvt. V: 7 after #63 – 5 before #65 Brahms Haydn Variations Variation VIII (complete) Mahler Symphony No. 2 Mvt. V ‘Der Grosse Appell’: 5 after #30 - #31 Ravel Daphnis and Chloe 3 after #156 – 2 after #159 Ravel Mother Goose Mvt. II: #7 – #8 Ravel Mother Goose Mvt. III: beginning – 5 after #3; #7 – #8 Ravel Piano Concerto in G Major Beginning to #1 Rossini La Gazza Ladra m.1- m. 11; 18 after D - 25 after D; 32 after G - 39 after G Shostakovich Symphony No. 8 Mvt. II: m. 65 – m.113 Shostakovich Symphony No. 8 Mvt. IV: m.
    [Show full text]
  • Klarinette Komplett
    58. WETTBEWERB 'JUGEND MUSIZIERT' 2021 Wertungsprogramm Seite 1 Klarinette, Altersgruppe II *Datum ungültig*, 0. *Datum ungültig* 0, h Rafael Asmus Leon, Göttingen Klarinette Jean Xavier Lefèvre (1763-1829) Cecilia Asmus Leon (AG III), Klavier Sonate Nr. 1 g-Moll Göttingen 1. Satz Allegro ma non troppo Carl August Nielsen (1865-1931) Fantasistykke Andante catabile Paul Harvey (1935) Pets a Suite of 8 Pieces for unaccompanied Clarinet No. 8 Jack and Gervase the jolly gerbils h Santiago Kirchhoff, Northeim Klarinette Darius Milhaud (1892-1974) Antonio Kirchhoff, Northeim Klavier Petit Concert pour clarinette en sib et piano B-Dur 1. Satz Allegro Darius Milhaud (1892-1974) Petit Concert pour clarinette en sib et piano B-Dur 3.Satz Finale Johann Carl Stamitz (1745-1801) Konzert für Klarinette und Orchester Nr.11 B-Dur 2. Satz Aria Paul Harvey (1935) Ten Tunesien For Kathy for unaccompanied Clarinet No. 10 Plane to Catch h Emily King, Buchholz Klarinette Valentin Hausmann (1560-1611) Dance and Afterdance B-Dur Manfred Schmitz (1939) Katzen - Suite B-Dur 1. Samtpfoten Swing, 2. Lovesong in the Moonlight 3. Starker Schmusekater Engelbert Humperdinck (1854-1921) Abendsegen B-Dur David Cullen (1959) Dodgems B-Dur h Mattis Wolter, Celle Klarinette Christine Marty-Lejon (1965) Johannes Reindl (AG II), Celle Klavier Ciel de neige Gareth Walters (1928-2012) Caprice Alexander Gretchaninoff (1864-1956) Song of the Dawn Gareth Walters (1928-2012) Serenade John Noble (1936-2006) Cat Mandu h Jule Niessner, Wolfsburg Klarinette Franz Krommer (1759-1831) Konzert in Es-Dur, op. 36 Pablo de Sarasate (1844-1908) Carmen fantasie: L´amour est un oiseau rebelle Ivan Kostlan (1877-1963) Etüde Nr.
    [Show full text]
  • June 29 to July 5.Txt
    CLASSIC CHOICES June 29 - July 5, 2020 PLAY DATE : Mon, 06/29/2020 6:02 AM Antonio Vivaldi Violin Concerto 6:11 AM Johann Nepomuk Hummel Serenade for Winds 6:31 AM Johan Helmich Roman Concerto for Violin and Strings 6:46 AM Carl Philipp Emanuel Bach Symphony 7:02 AM Johann Georg Pisendel Concerto forViolin,Oboes,Horns & Strings 7:16 AM Franz Joseph Haydn Piano Sonata No. 32 7:30 AM Jean-Marie Leclair Violin Concerto 7:48 AM Antonio Salieri La Veneziana (Chamber Symphony) 8:02 AM Heinrich Ignaz Franz Biber Mensa sonora, Part III 8:12 AM Wolfgang Amadeus Mozart Symphony No. 34 8:36 AM Johannes Brahms Violin Sonata No. 3 9:05 AM Leroy Anderson Concerto for piano and orchestra 9:25 AM Arthur Foote Piano Quartet 9:54 AM Leroy Anderson Syncopated Clock 10:00 AM Wolfgang Amadeus Mozart Requiem: Communio: Lux aeterna 10:06 AM Wolfgang Amadeus Mozart Violin Sonata No. 21, K 304/300c 10:23 AM Wolfgang Amadeus Mozart DON GIOVANNI Selections 10:37 AM Wolfgang Amadeus Mozart Sonata for 2 pianos 10:59 AM Felix Mendelssohn String Quartet No. 3 11:36 AM Mauro Giuliani Guitar Concerto No. 1 12:00 PM Danny Elfman A Brass Thing 12:10 PM Johann Strauss, Jr. Schwärmereien Concert Waltz 12:23 PM Franz Liszt Un Sospiro (A Sigh) 12:32 PM George Gershwin Rhapsody in Blue 12:48 PM John Philip Sousa Our Flirtations 1:00 PM Ludwig Van Beethoven Symphony No. 6 1:43 PM Michael Kurek Sonata for Viola and Harp 2:01 PM Paul Dukas La plainte, au loin, du faune...(The 2:07 PM Leos Janacek Sinfonietta 2:33 PM Johannes Brahms Violin Sonata No.
    [Show full text]
  • Franck Saint-Saëns Widor Duruflé
    FRENCH WORKS F O R FLUTE FRANCK SAINT-SAËNS WIDOR DURUFLÉ ADAM WALKER FLUTE TIMOTHY RIDOUT VIOLA JAMES BAILLIEU PIANO Charles-Marie Widor, c. 1875 c. Charles-Marie Widor, Anonymous portrait, now in a private collection / Heritage Images / Fine Art Images / AKG Images, London Camille Saint-Saëns (1835 – 1921) 1 Romance, Op. 37 (1871) 6:50 in D flat major • in Des-Dur • en ré bémol majeur for Flute and Piano Moderato assai César Franck (1822 – 1890) Sonata, M 8 (1886) 28:57 in A major • in A-Dur • en la majeur for Piano and Violin Edited for Piano and Flute by Jean-Pierre Rampal 2 I Allegretto ben moderato 6:24 3 II Allegro – Quasi lento – Tempo I (Allegro) – Poco più lento 8:21 4 III Recitativo-Fantasia Recitativo. Ben moderato – Molto lento – Poco animato – Fantasia. A tempo moderato – Largamente – Recitativo. Molto lento e mesto 7:33 5 IV Allegretto poco mosso 6:38 3 Camille Saint-Saëns Airs de ballet d’Ascanio (1887 – 88) 4:09 in F major / A major • in F-Dur / A-Dur • en fa majeur / la majeur Adagio et Variation pour la flûte [avec piano] (Adagio and Variation for Flute [with piano]) from the Opera Ascanio 6 Poco adagio – Espressivo – Molto espressivo – 2:32 7 Andantino 1:36 Charles-Marie Widor (1844 – 1937) Suite, Op. 34 (1877) 18:22 in C minor • in c-Moll • en ut mineur for Flute and Piano À Paul Taffanel 8 I Moderato – Vivo – Tempo I – Vivo 4:16 9 II Scherzo. Allegro vivace 2:53 10 III Romance.
    [Show full text]
  • L'age D'or of the Chamber Wind Ensemble
    L’Age d’or of the Chamber Wind Ensemble A document submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Ensembles and Conducting Division of the College-Conservatory of Music 2013 by Danielle D. Gaudry BM, McGill University, 2000 BE, University of Toronto, 2001 MM, The Pennsylvania State University, 2009 Committee Chair: Terence Milligan, DMA ABSTRACT This document presents a narrative history of the chamber wind ensembles led by Paul Taffanel, Georges Barrère and Georges Longy in the late nineteenth and early twentieth centuries. Using different historical approaches, this study examines contemporaneous musical society and the chamber wind ensemble genre to explore the context and setting for the genesis of the Société de musique de chambre pour instruments à vents, the Société moderne des instruments à vents, the Longy Club and the Barrère Ensemble of Wind Instruments. A summary of each ensemble leader’s life and description of the activities of the ensemble, selected repertoire and press reactions towards their performances provide essential insights on each ensemble. In demonstrating their shared origins, ideologies, and similarities in programming philosophies, this document reveals why these chamber wind ensembles created a musical movement, a golden age or age d’or of wind chamber music, affecting the local music scene and continuing to hold influence on today’s performers of wind music. ""!! ! Copyright 2013, Danielle D. Gaudry """! ! ! ACKNOWLEDGMENTS I would like to extend my deepest gratitude to all those who have been a part of my journey, both in the completion of this document and over the course of this degree.
    [Show full text]
  • University of Cincinnati
    UNIVERSITY OF CINCINNATI Date: 12-May-2010 I, Chiu-Ching Su , hereby submit this original work as part of the requirements for the degree of: Doctor of Musical Arts in Viola It is entitled: A Performance Guide to Franz Anton Hoffmeister’s Viola Concerto in D Major with an Analytical Study of Published Cadenzas Student Signature: Chiu-Ching Su This work and its defense approved by: Committee Chair: Catharine Carroll, DMA Catharine Carroll, DMA 6/18/2010 657 A Performance Guide to Franz Anton Hoffmeister’s Viola Concerto in D Major with an Analytical Study of Published Cadenzas A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2010 by Chiu-Ching Su B.M. Fu Jen Catholic University, 2001 M.M. University of Cincinnati, 2003 ABSTRACT Franz Anton Hoffmeister’s Viola Concerto in D Major (written prior to 1799) has become among the standard repertoire of viola concertos, due to the rise of viola virtuosos since the beginning of the twentieth century and the rarity of virtuosic viola concertos with stylistic forms from the Classical period. This piece has been included in several major orchestra auditions and competitions. While violists often lack hands-on experiences of the Classical repertoire, this document is to provide violists ways to perform this piece and pieces from the same period. Hoffmeister’s Viola Concerto in D Major has been published by G. Henle Verlag, Kunzelmann, Peters, Kalmus, International Music Company (New York), H.
    [Show full text]
  • Raphael [email protected]
    Piccolo Perspectives by Nan Raphael [email protected] Repertoire Golden age of the piccolo-late 1800s- early 1900s- hundreds of “concert in the park” style solos written, many of which have been resurrected after being out of print for many years Movement to promote the piccolo as a solo instrument over the last 30 years has resulted in a wealth of new repertoire especially written for the instrument Who should play piccolo? Anyone who has a very good ear who wants to dedicate time to practicing In band or orchestra, one of the strongest players in the section as it is a solo part and requires confidence Placement of the piccolo in band Best in second row next to the Eb Clarinet player. Conductors don’t necessarily hear the same balance that is heard out in the hall so placement further away from the conductor is better Role of the piccolo in band Icing on the cake as highest voice in band Adds color, humor and at times lyricism Differences between flute and piccolo Just because one can play flute well, doesn’t mean they can play piccolo well Differences in response and intonation Some upper register can be flat on piccolo as opposed to flute Smaller margin of error for pitch on piccolo Placement on lip higher than on flute Demands more endurance and strength Use of air-not as much is required on piccolo. Sometimes necessary to expel air while playing as oboe players often do How flute playing helps piccolo playing Keeps embouchure more relaxed Technique How piccolo playing helps flute playing Builds endurance especially in upper register
    [Show full text]
  • Public Events March 2019
    Public Events March 2019 Subscribe to this publication by emailing Shayla Butler at [email protected] Table of Contents Overview Highlighted Events ................................................................................................. 3 Youth Summer Camps ........................................................................................... 5 Neighborhood and Community Relations 1800 Sherman, Suite 7-100 Northwestern Events Evanston, IL 60208 Arts www.northwestern.edu/communityrelations Music Performances ..................................................................................... 15 Theater .......................................................................................................... 21 Exhibits and Art Discussions ...................................................................... 22 Dave Davis Film Screenings ............................................................................................23 Executive Director [email protected] Living 847-491-8434 Leisure and Social ......................................................................................... 25 Norris Mini Courses Around Campus ARTica (art studio) To receive this publication electronically Norris Outdoors every month, please email Shayla Butler at Northwestern Music Academy [email protected] Religious Services ........................................................................................ 28 Sports, Health, and Wellness Northwestern Wildcat Athletics .................................................................
    [Show full text]