{FREE} a Song for the Dying
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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Bullets High Five
DUC REDAKTION Hofweg 61a · D-22085 Hamburg T 040 - 369 059 0 WEEK 31 [email protected] · www.trendcharts.de 29.07.2021 Approved for publication on Tuesday, 03.08.2021 THIS LAST WEEKS IN PEAK WEEK WEEK CHARTS ARTIST TITLE LABEL/DISTRIBUTOR POSITION 01 01 06 Tyga Ft. Moneybagg Yo Splash Last Kings/Empire 01 02 02 07 Ty Dolla $ign x Jack Harlow x 24kGoldn I Won Atlantic/WMI/Warner 02 03 04 05 Wale Ft. Chris Brown Angles Maybach/Warner/WMI 03 04 03 08 Nicky Jam x El Alfa Pikete Sony Latin/Sony 02 05 05 09 City Girls Twerkulator Quality Control/Motown/UMI/Universal 02 06 06 06 Meghan Thee Stallion Thot Shit 300/Atlantic/WMI/Warner 03 07 14 03 J Balvin x Skrillex In Da Getto Sueños Globales/Universal Latin/UMI/Universal 07 08 09 04 dvsn & Ty Dolla $ign Ft. Mac Miller I Believed It OVO/Warner/WMI 08 09 17 07 Doja Cat Ft. SZA Kiss Me More Kemosabe/RCA/Sony 08 10 21 02 Post Malone Motley Crew Republic/UMI/Universal 10 11 NEW Daddy Yankee Ft. Jhay Cortez & Myke Towers Súbele El Volumen El Cartel/Republic/UMI/Universal 11 12 07 03 Shirin David Lieben Wir Juicy Money/VEC/Universal 01 13 13 02 Maluma Sobrio Sony Latin/Sony 13 14 NEW Pop Smoke Ft. Chris Brown Woo Baby Republic/UMI/Universal 14 15 NEW MIST Ft. Burna Boy Rollin Sickmade/Warner/WMI 15 16 12 03 Brent Faiyaz Ft. Drake Wasting Time Lost Kids 09 17 11 04 RIN Ft. -
Y'all Call It Technical and Professional Communication, We Call It
Y’ALL CALL IT TECHNICAL AND PROFESSIONAL COMMUNICATION, WE CALL IT #FORTHECULTURE: THE USE OF AMPLIFICATION RHETORICS IN BLACK COMMUNITIES AND THEIR IMPLICATIONS FOR TECHNICAL AND PROFESSIONAL COMMUNICATION STUDIES by Temptaous T. Mckoy July 2019 Director of Dissertation: Michelle F. Eble Major Department: Department of English This project seeks to define and identify the use of Amplification Rhetorics (AR) in the social movement organization TRAP Karaoke and at three Historically Black Colleges and Universities (HBCUs). In highlighting the AR practices in Black communities. This project will provide insight into what these practices and spaces have to offer to the field of Technical and Professional Communication (TPC). AR is a theoretical framework that details the discursive and communicative practices, both written/textual and embodied/performative performed/used by individuals that self-identify as Black and centers the lived experiences and epistemologies of Black people and other historically marginalized groups. AR are #ForTheCulture practices that provoke change within the academy, regardless the field, however for this project I focus on the field of TPC. The phrase “For the Culture,” is used to describe or allude to an action that can benefit those individually or within a community much like TPC artifacts. This project identifies rhetorical practices located in Black spaces and communities that can be identified as TPC through the reclamation of agency, the sharing of narratives, and the inclusion of Black epistemologies. It illustrates just what it means to pass the mic and remind folks that we not ‘bout to act like there aren’t people of color at the TPC table. -
Vinyl Theory
Vinyl Theory Jeffrey R. Di Leo Copyright © 2020 by Jefrey R. Di Leo Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to publish rich media digital books simultaneously available in print, to be a peer-reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. The complete manuscript of this work was subjected to a partly closed (“single blind”) review process. For more information, please see our Peer Review Commitments and Guidelines at https://www.leverpress.org/peerreview DOI: https://doi.org/10.3998/mpub.11676127 Print ISBN: 978-1-64315-015-4 Open access ISBN: 978-1-64315-016-1 Library of Congress Control Number: 2019954611 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Without music, life would be an error. —Friedrich Nietzsche The preservation of music in records reminds one of canned food. —Theodor W. Adorno Contents Member Institution Acknowledgments vii Preface 1 1. Late Capitalism on Vinyl 11 2. The Curve of the Needle 37 3. -
Take Control of Icloud (6.1) SAMPLE
EBOOK EXTRAS: v6.1 Downloads, Updates, Feedback TAKE CONTROL OF iCLOUD by JOE KISSELL $14.99 6th Click here to buy the full 203-page “Take Control of iCloud” for only $14.99! EDITION Table of Contents Read Me First ............................................................... 6 Updates and More ............................................................. 6 Basics .............................................................................. 7 What’s New in Version 6.1 .................................................. 7 What Was New in the Sixth Edition ...................................... 8 Introduction .............................................................. 10 iCloud Quick Start ...................................................... 12 Catch Up with iCloud Changes ................................... 14 iCloud Feature Changes .................................................... 14 Storage Checkup ............................................................. 15 Get to Know iCloud .................................................... 17 What Is iCloud? ............................................................... 17 Major iCloud Features ...................................................... 20 About iCloud System Requirements .................................... 24 About Your Apple ID ........................................................ 25 About iCloud Storage ....................................................... 30 Set Up iCloud ............................................................. 32 Update Your Software ..................................................... -
Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-8-2020 Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry Chinwe Salisa Maponya-Cook Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Maponya-Cook, Chinwe Salisa, "Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/aas_theses/66 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONFESSIONS OF A BLACK FEMALE RAPPER: AN AUTOETHNOGRAPHIC STUDY ON NAVIGATING SELFHOOD AND THE MUSIC INDUSTRY by CHINWE MAPONYA-COOK Under the DireCtion of Jonathan Gayles, PhD ABSTRACT The following research explores the ways in whiCh a BlaCk female rapper navigates her selfhood and traditional expeCtations of the musiC industry. By examining four overarching themes in the literature review - Hip-Hop, raCe, gender and agency - the author used observations of prominent BlaCk female rappers spanning over five deCades, as well as personal experiences, to detail an autoethnographiC aCCount of self-development alongside pursuing a musiC career. MethodologiCally, the author wrote journal entries to detail her experiences, as well as wrote and performed an aCCompanying original mixtape entitled The Thesis (available on all streaming platforms), as a creative addition to the research. -
Doja Cat Shares New Single and Video for “Tia Tamera” Ft
DOJA CAT SHARES NEW SINGLE AND VIDEO FOR “TIA TAMERA” FT. RICO NASTY CLICK HERE TO WATCH AMALA DELUXE ALBUM SET FOR RELEASE ON MARCH 1ST [New York, NY – February 20, 2019] Today, rapper/singer/songwriter/producer, Doja Cat releases her new single and accompanying video for “Tia Tamera” ft. Rico Nasty. She also announces that a deluxe version of her debut album Amala will be available everywhere on March 1st via RCA Records. Click HERE to listen. Produced by Doja Cat, the hard hitting, yet uncanny beat allows Doja to flex her lyrical abilities and implausible flow. “Tia Tamera” is the follow up to Doja’s viral hit, “Mooo!,” the hilarious tounge-in-cheek track and visual which garnered over 10 million views in just a few days on Twitter. With countless memes and celebrity co-signs including Chance The Rapper, Katy Perry, Khalid and Chris Brown, the video and track have been streamed over 60 million times worldwide. “Mooo!” was included in various “Best Of 2018” end of year lists including, NPR, Vulture, FADER and also earned Doja a spot in V Magazine’s “The New Generation in Music” feature in their current issue which focuses on rising musicians. Click HERE to see. Earlier last year Doja Cat released her debut album Amala, which NPR Music included in their “40 Favorite Albums of 2018.” They described the album as “…a manifesto of a young woman striving to take ownership of her craft, her image and her sexuality, mixing genres like dancehall, trap, house and R&B with a healthy dose of sass and humor…an unexpected pop gem…,” while PAPER exclaimed, “She’s about to be everywhere…. -
Universal Music Group's Profit Margins Grew in 2020, Despite
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 3, 2021 Page 1 of 31 Leader; Travis Denning Makes History INSIDE Universal Music Group’s Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No.Profit 1 on Billboard’s lion audienceMargins impressions, up 16%).Grew Top• Country TuneCore Albums Unveils chart dated April 18. In its first week (ending April 9), it earnedRewards 46,000 Program equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingas Indie to Nielsen Distributors Music/MRC Data. in 2020, Despiteand total Country Airplay No.Pandemic 1 as “Catch” (Big Machine Label Group) ascends SouthsideFend Off marks Major Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartLabels: and fourth Exclusive top 10. It follows freshman LP BY ED CHRISTMAN Young’s first of six chart entries, “Sleep With- Montevallo, which arrived at the summit in No - out You,” reached No. 2 in December 2016. He • David Crosby Sells vember 2014 and reigned for nineEven weeks. in Toa nearly date, year-long economic downturn, the hit 1.487 billionfollowed euros with ($1.68 the multiweek billion), orNo. a 1s20% “In Casemargin. -
Press Record and Just Get the Hell out of the Way.”
MAVIS STAPLES “I’m the messenger,” Mavis Staples says on the eve of her 80th birthday. “That’s my job—it has been for my whole life—and I can’t just give up while the struggle’s still alive. We’ve got more work to do, so I’m going to keep on getting stronger and keep on delivering my message every single day.” That message—a clarion call to love, to faith, to justice, to brotherhood, to joy—lies at the heart of ‘We Get By,’ Staples’ spectacular twelfth studio album and first full-length collaboration with multi-GRAMMY Award-winner Ben Harper. Backed by her longtime touring band, Staples breathes extraordinary life into Harper’s compositions on the record, delivering roof-raising performances with both a youthful vigor and a commanding maturity. The arrangements here are spare but weighty, matched by Harper’s suitably lean and thoughtful production, and Staples seizes the opportunity to showcase her remarkable and continued evolution as an artist, one still growing and exploring more than half a century into her storied career. ‘We Get By’ is undoubtedly a timely collection, arriving such as it does in the face of deep social divisions and heightened political tensions, but like everything Staples touches, it’s also larger than any particular moment, a timeless appeal to the better angels of our nature that’s universal in its reach and unwavering in its assurance of better things to come. “When I first started reading the lyrics Ben wrote for me, I said to myself, ‘My God, he’s saying everything that needs to be said right now,’” Staples remembers. -
STORM Report Is a Compilation of Up-And-Coming Bands and Artists Popular Music in America Has Never Been More Who Are Worth Watching
Music Without Borders BLACKPINK Jeremy Zucker RY X MISSIO and more ISSUE NO. 63 SUMMER 2019 TABLE OF CONTENTS 4 EYE OF THE STORM Music Without Borders: The Rise of Non-English Language Music in America 5 STORM TRACKER Clairo, Natti Natasha, Raveena, and Florida Georgia Line 6 STORM FORECAST Rihanna @ NYFW, Discover WORLDZ, Life Is Beautiful, and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. On the Cover: Jessie Reyez. Photo by Mabdulle ©2019 ABOUT A LETTER THE STORM FROM THE REPORT EDITOR Watching the MTV Video Music Awards this STORM = STRATEGIC TRACKING OF RELEVANT MEDIA week, it was undeniable to note that, despite a continuing immigration crisis in our country, The STORM Report is a compilation of up-and-coming bands and artists popular music in America has never been more who are worth watching. Only those showing the most promising globally influenced and inspired. One of our potential for future commercial success make it onto our monthly list. favorite new artists Rosalía (who was all of the buzz of Coachella 2019) and Columbian reggaeton How do we know? singer, J Balvin (STORM 35) claimed the award for “Best Latin” at the event this year. And while Through correspondence with industry insiders and our own ravenous there remains some industry controversy in media consumption, we spend our month gathering names of artists defining Rosalía as a “Latinx” artist (she is from who are “bubbling under”. We then extensively vet this information, Barcelona vs. Latin American countries), the fact analyzing an artist’s print & digital media coverage, social media that she primarily performs in Spanish and has growth, sales chart statistics, and various other checks and balances to collaborated with breakthrough Latin musicians ensure that our list represents the cream of the crop. -
Gashi Releases 1984 (Deluxe) Today New Tracks “Running Away” Ft
GASHI RELEASES 1984 (DELUXE) TODAY NEW TRACKS “RUNNING AWAY” FT. DEVAULT & SEB TORGUS AND “NEVER GIVE UP ON ME” FT. G-EAZY WATCH THE MUSIC VIDEO FOR “RUNNING AWAY” HERE (Download Press Images & Artwork Here) (New York, New York – September 4, 2020) – Just in time for the holiday weekend, GASHI releases the deluxe version of his highly buzzed about album 1984 via RCA Records. The deluxe version of the album features two new tracks, “Running Away” ft. Devault & Seb Torgus and “Never Give Up On Me” ft. G-Eazy (listen to the whole album here). Also released today is the 80’s retro style music video for “Running Away” which pays homage to Gary Numan’s “Cars” video and sees Gashi and company cruising down Sunset Blvd in his 1984 Rolls Royce Corniche. Just last week GASHI released the music video for his current single, “Mama” ft. Sting which Billboard called the track, “a throwback groove.” The track is featured on the 1984 album which US Weekly called your, “summer soundtrack” while POPDUST said “1984, with its lush instrumentals and sleek '80s synths, certifies GASHI as a budding pop star rather than just another rapper.” The album also featured love from UPROXX, VMAN, XXL, Hip Hop DX, Young Hollywood and more while Forbes claimed Gashi is “a rising star.” In August, GASHI performed his first ever livestream performance featuring tracks from the 1984 album (watch the performance here). Directly following his performance, GASHI premiered his documentary GASHI: Now You Know (watch here). 1984 (Deluxe) Track List 01 1984 02 Don’t Kill Me 03 Lies 04 Mama feat. -
Executive of the Week: Carbon Fiber Music President Franklin
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE AUGUST 27, 2021 Page 1 of 28 INSIDE Executive of the Week: • Roblox’s Music Play: ‘Hundreds’ Carbon Fiber Music President of Daily Concerts, Building a Franklin Martínez Digital Vegas & NMPA Lawsuit BY LEILA COBO • UK Festival Industry Primed for Biggest Farruko’s “Pepas,” an EDM/reggaetón track about Enter “Pepas,” which kicks off with Farruko sing- Weekend Since pill-popping partygoers, hit No.1 this week on Bill- ing gently over simple chords, almost as if it were a Pandemic Began board’s Hot Latin Songs and Hot Dance/Electronic love song, before it pumps up, finessed by a sextet of Songs charts. Equally impressive is the fact that producers: IAmChino, Sharo Towers, Keriel “K4G” • Apple to Make Changes to “Pepas” is not a multi-artist collaboration, but a Far- Quiroz, Victor Cárdenas, White Star and Axel Ra- App Store Rules in ruko solo single, bolstered by an irresistible, anthemic fael Quezada Fulgencio “Ghetto.” Settlement With chorus that sent fans wild at the recent Baja Beach The song was released June 24 on Sony Music Latin U.S. Developers Fest in Rosarito, Mexico despite the fact that the song with little fanfare — there wasn’t even a video ready • Bruno Mars’ is only two months old. — and debuted at No. 28 on the Hot Latin Songs chart Las Vegas Show That’s all sweet news for Farruko (real name Carlos dated July 17. It jumped to the top 10 four weeks later, Grosses More Than Efrén Reyes Rosado), a reggaetón star who’s had eight reaching No.