Executive of the Week: Carbon Fiber Music President Franklin

Total Page:16

File Type:pdf, Size:1020Kb

Executive of the Week: Carbon Fiber Music President Franklin Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE AUGUST 27, 2021 Page 1 of 28 INSIDE Executive of the Week: • Roblox’s Music Play: ‘Hundreds’ Carbon Fiber Music President of Daily Concerts, Building a Franklin Martínez Digital Vegas & NMPA Lawsuit BY LEILA COBO • UK Festival Industry Primed for Biggest Farruko’s “Pepas,” an EDM/reggaetón track about Enter “Pepas,” which kicks off with Farruko sing- Weekend Since pill-popping partygoers, hit No.1 this week on Bill- ing gently over simple chords, almost as if it were a Pandemic Began board’s Hot Latin Songs and Hot Dance/Electronic love song, before it pumps up, finessed by a sextet of Songs charts. Equally impressive is the fact that producers: IAmChino, Sharo Towers, Keriel “K4G” • Apple to Make Changes to “Pepas” is not a multi-artist collaboration, but a Far- Quiroz, Victor Cárdenas, White Star and Axel Ra- App Store Rules in ruko solo single, bolstered by an irresistible, anthemic fael Quezada Fulgencio “Ghetto.” Settlement With chorus that sent fans wild at the recent Baja Beach The song was released June 24 on Sony Music Latin U.S. Developers Fest in Rosarito, Mexico despite the fact that the song with little fanfare — there wasn’t even a video ready • Bruno Mars’ is only two months old. — and debuted at No. 28 on the Hot Latin Songs chart Las Vegas Show That’s all sweet news for Farruko (real name Carlos dated July 17. It jumped to the top 10 four weeks later, Grosses More Than Efrén Reyes Rosado), a reggaetón star who’s had eight reaching No. 6 on the chart dated Aug. 7, and finally $50 Million As prior top 10 hits on Hot Latin Songs, and who in the No. 1 this week, thanks to a 20% boost in streams Residencies Resume past decade has seen many of his pals, including J (reaching the top 20 of Streaming Songs and No. 1 on • With Ibiza Clubs Balvin and Bad Bunny, ultimately climb to the top Latin streaming songs) and airplay support. Closed, Ravers Rage of the mainstream charts, even though their collabs The real driver of the song on the Latin charts was at Illegal Villa Parties with Farruko were often their major launching pads. its performance on the dance charts. There, it debuted • Rolling Stones Witness 2014’s “6 a.m.” with Balvin (No. 3 on Hot at No. 9 on the chart dated July 17 and has remained to Play 2021 U.S. Latin Songs); 2017’s “Krippy Kush” with Rvssian and on the top 10 since, peaking at No. 1 last week. That’s Dates as Planned Bad Bunny (No. 5); “2019’s Calma” with Pedro because at heart, “Pepas” is an EDM track, propelled Following Death of Capó (No. 3); and, most recently, 2020’s “Relación,” by dozens of remixes by DJs big and small that also Charlie Watts the Sech track that features Balvin, Daddy Yan- aided its rise on the global charts — climbing this kee, Rosalía and, of course, Farruko (No. 2). (continued) Page 3 of 28 IN BRIEF week to No. 6 on both the Global 200 and album is a gas pump. La 167 is the road he came out June 24 and it started to go viral. the Global Excl. U.S. — and on the Hot 100, had to drive to and from every day. We had no playlisting. Even today, 33% of where this week it rose to No. 23, Farruko’s In fact, you were considering a single the plays come from user-generated playl- highest position yet. called “La Perla” after the San Juan ists and only 25% from editorial playlists. All that success was part of a strategy neighborhood, right? Once the record started to pick up, it went instigated by Farruko and his longtime man- We were going to release it. The video to another level. You can have a great or- ager Franklin Martínez, who is also the was done. And I kept saying, “Farruko, this ganic record, but if no one jumps behind it, president of Carbon Fiber Music, the music ‘Pepas’ is a World Cup record.” I’m a huge it won’t go anywhere. If you don’t have radio company the two are owners and partners fan of soccer, and when I heard this song it and the DSPs, it will not happen. And the in. And the result earns Martínez the title reminded me of the World Cup and of [Don truth is, after it took off, everyone helped. I of Billboard’s Executive of the Week. Omar’s] “Danza Kuduro.” As we began to want to send out a special shout out to the With the upward trajectory of “Pepas” talk the album up, I had mini conversations smallest DJs. They were playing it on their showing no signs of stopping, and with with people I pitched the record to [for col- social media; Facebook and Instagram were Farruko readying a September release for laborations]. For example, I sent it to Noah the first adopters. Then we got the big DJs his upcoming studio album, La 167, Mar- [Assad, Bad Bunny’s manager], and I said, like Tiesto, Alan Walker, DJ Carnage. tínez spoke with Billboard about the song’s “This is a global hit!” But they passed on it. Is there a remix coming? surprising success, the DJ factor and an up- I sent it to the A&R at Interscope, to other The remix is coming out hopefully by coming remix. “You can have a great organic artists, everyone passed. Finally, about two October, and hopefully it will be a remix record,” he says, “but if no one jumps behind months ago, Farruko said, “You know what, with one or two mainstream acts. To me, as a it, it won’t go anywhere.” you’re right. Let’s go out with ‘Pepas.’” manager, for Farruko’s career, we don’t work “Pepas” is part of Farruko’s upcom- Two months ago was about when this to be No. 1. And it was so difficult before, ing La 167. What’s the story behind the single came out. How did you work so when we wanted to do records with Anglo album and the song? fast? artists. Now that we went digital, and the We were working on the album for a I had to run, call the DSPs, call Sony, Latin movement took over, to combine three couple of years, in different sessions, differ- call everyone. Then, we started thinking worlds — dance, Anglo, Latin — is so special. ent recording camps, until we got to the last that everything had shut down during the I think the culture is going to love it. We’ve one in Puerto Rico. It took place right where pandemic, but the first thing that opened been in many good positions, but never like Farruko grew up, in Bayamón Puerto Rico, were restaurants and clubs, and the people this. Finally, it’s a solo Farruko record. He in his parents’ house. Farruko built his little performing were the DJs. So we decided had a hit with “Calma.” We had a big hit with home studio there, where this track was re- to make a call to DJs everywhere and ask “6 a.m.” Farruko wrote that. We did “Krippy corded. The concept of the album is coming them to create their version of the record. Kush,” “Passion Whine,” “La Toxica.” But it’s out of that place. Farruko wanted the album On June 22, we leaked the a capellas and the been with different artists. This is the one to let people know about him; not the artist, beat on Instagram and Facebook with a link that made the non-believers believe. Finally but him: Carlos. That’s why the cover of the so the DJs could download them. The song we have to recognize that this is Farruko and AUTHORITATIVE INTELLIGENCE. DELIVERED DIGITALLY. CLICK HERE FOR FREE DELIVERY DIGITAL NEWSLETTERS BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE Page 4 5 OF of 1928 ON THE CHARTS JIM ASKER [email protected] IN BRIEF SamHunt’s Southside Rules Top Country thisA is thelbu real animalms; here. Brett Young ‘Catch’-es Fifthare Airplay now over 40 million) and spend real And while this is not a World Cup year, Roblox’s Music money on virtual currency called “Robux” there is soccerLea in theder; mix, isn’t Travis there? Denning Makes Historyto buy accessories for their avatars. Over We own a second division soccer club in Play: ‘Hundreds’ the last nine months, Roblox has partnered Honduras, FC Alvarado, and we’re doing a with Zara Larsson, Royal Blood, Ava Samversion Hunt for’s them,second using studio a full-length, “punta” rhythm, and first in overof five Daily years, Southside Concerts, sales (up 21%) in the tracking Max week., Why On Country Don’t Airplay,We and it Lilhops Nas X 18-15 (11.9 on mil- (MCAwhich Nashville/Universal is a traditional Honduran Music Group beat. Nashville), We debuts at No. 1 on Billboard’s lion audience impressions, musicup 16%). experiences such as virtual concerts Tophave Country 25 players, Albums and chart we supportdated April them 18. In with its first week (ending April 9), it (where artists perform as avatars) and new- earned 46,000 equivalent album units, including 16,000Building in album sales, ac -a TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingtheir housing to Nielsen and Music/MRC their studies. Data. and total Country Airplay No.release 1 as “Catch” launch (Big parties Machine (where, Label Group) like KSI’s ascends Southside marks Hunt’s second No.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • 3/30/2021 Tagscanner Extended Playlist File:///E:/Dropbox/Music For
    3/30/2021 TagScanner Extended PlayList Total tracks number: 2175 Total tracks length: 132:57:20 Total tracks size: 17.4 GB # Artist Title Length 01 *NSync Bye Bye Bye 03:17 02 *NSync Girlfriend (Album Version) 04:13 03 *NSync It's Gonna Be Me 03:10 04 1 Giant Leap My Culture 03:36 05 2 Play Feat. Raghav & Jucxi So Confused 03:35 06 2 Play Feat. Raghav & Naila Boss It Can't Be Right 03:26 07 2Pac Feat. Elton John Ghetto Gospel 03:55 08 3 Doors Down Be Like That 04:24 09 3 Doors Down Here Without You 03:54 10 3 Doors Down Kryptonite 03:53 11 3 Doors Down Let Me Go 03:52 12 3 Doors Down When Im Gone 04:13 13 3 Of A Kind Baby Cakes 02:32 14 3lw No More (Baby I'ma Do Right) 04:19 15 3OH!3 Don't Trust Me 03:12 16 4 Strings (Take Me Away) Into The Night 03:08 17 5 Seconds Of Summer She's Kinda Hot 03:12 18 5 Seconds of Summer Youngblood 03:21 19 50 Cent Disco Inferno 03:33 20 50 Cent In Da Club 03:42 21 50 Cent Just A Lil Bit 03:57 22 50 Cent P.I.M.P. 04:15 23 50 Cent Wanksta 03:37 24 50 Cent Feat. Nate Dogg 21 Questions 03:41 25 50 Cent Ft Olivia Candy Shop 03:26 26 98 Degrees Give Me Just One Night 03:29 27 112 It's Over Now 04:22 28 112 Peaches & Cream 03:12 29 220 KID, Gracey Don’t Need Love 03:14 A R Rahman & The Pussycat Dolls Feat.
    [Show full text]
  • November 2013 Master Calendar of Cultural Events & Activities
    October 2014 Master Calendar of Cultural Events & Activities Cultural Services Department, City of Albuquerque Richard J. Berry, Mayor ABC Libraries Albuquerque Museum ABQ BioPark Balloon Museum Aquarium KiMo Theatre Botanic Garden Old Town Tingley Beach South Broadway Cultural Center Zoo CONTENTS Events & Activities – All Venues Pages 1-13 Exhibitions Pages 13-14 Library programs - kids, teens, tweens, etc. Page 15-16 Ongoing programs for children and families Page 16 Ongoing events at your library Pages 16-22 Venues – locations and hours Pages 22-23 EVENTS & ACTIVITIES – ALL VENUES 1 KiMo Theatre Wednesday Cinema: Taxi Driver (1978) Wednesday 7 – 9 pm “De Niro Done Right” is the theme of the new series featuring some of Robert De Niro’s most popular films. Taxi Driver features De Niro as Travis Bickle, ex-Marine and Vietnam War veteran, who drives a NYC taxi late nights and watches seedy porn films during the day. The insomniac, who has strong opinions about right and wrong, becomes obsessed with the one bright spot in his life, Betsy, who works on the campaign of a Senator. After an incident involving her, Bickle decides he needs to do whatever it takes to make the world a better place for people like Betsy. A priority is to save a 12-year-old prostitute who he believes wants to escape the control of her pimp and lover, Matthew. Jodie Foster, Harvey Keitel, Cybill Shepherd, Peter Boyle, and Albert Brooks star in this powerful film that garnered numerous awards and nominations. Rated R. General Admission $5 - 7. Tickets are available at www.KiMoTickets.com.
    [Show full text]
  • FARRUKO Biography Carlos Efren Reyes Rosado, Better Known As Farruko, Was Born in Bayamon, Puerto Rico, on May 2, 1991
    FARRUKO Biography Carlos Efren Reyes Rosado, better known as Farruko, was born in Bayamon, Puerto Rico, on May 2, 1991. This singer-songwriter is considered by experts as a musical phenomenon of our times for his great musical versatility performance expertise. Farruko has consistently demonstrated his dominion over most sub-genres of urban music like Reggaeton, Rap, Hip Hop, R & B and now Trap Latino. He has also proved his adaptability, crossing over into pop, bachata, mambo and vallenato genres. Farruko has released several albums, delighting the fans production after production. In 2011, Farruko introduced us to his first solo album, “El Talento del Bloque,” which contains 13 songs written mostly by the artist himself and included collaborations with Jose Feliciano in “Su Hija Me Gusta” and Daddy Yankee in “Romper La Discoteca.” A year later, in 2012, the artist launches his second album, “TMPR *THE MOST POWERFUL ROOKIE,” which earned a nomination for Best Urban Album of the Year at the prestigious Latin Grammy 2012. In 2013, Farruko launched his third album “Imperio Nazza - Farruko Edition,” with which Farruko toured around major U.S. Hispanic markets throughout the year, earning more notoriety and helping his fans put a face to the voice that was already taking over the airwaves, websites and digital sales charts. Part of this album was his internationally popular hit song, “Besas Tan Bien,” which reached the Top 20 in Billboard’s Latin Rhythm chart and stayed there for more than 16 consecutive weeks, and 21 weeks in total. Throughout 2014, Farruko positioned himself firmly among the most successful artist of the genre.
    [Show full text]
  • Songs by Artist
    Songs by Artist Artist Title DiscID 10,000 Maniacs Because The Night 00321,15543 10,000 Maniacs Candy Everybody Wants 10942 10,000 Maniacs Like The Weather 05969 10,000 Maniacs More Than This 06024 10cc Donna 03724 10cc Dreadlock Holiday 03126 10cc I'm Mandy Fly Me 03613 10cc I'm Not In Love 11450,14336 10cc Rubber Bullets 03529 10cc Things We Do For Love, The 14501 112 Dance With Me 09860 112 Peaches & Cream 09796 112 Right Here For You 05387 112 & Ludacris Hot & Wet 05373 112 & Super Cat Na Na Na 05357 12 Stones Far Away 12529 1999 Man United Squad Lift It High (All About Belief) 04207 2 Brothers On 4th Come Take My Hand 02283 2 Evisa Oh La La La 03958 2 Pac Dear Mama 11040 2 Pac & Eminem One Day At A Time 05393 2 Pac & Eric Will Do For Love 01942 2 Unlimited No Limits 02287,03057 21st Century Girls 21st Century Girls 04201 3 Colours Red Beautiful Day 04126 3 Doors Down Be Like That 06336,09674,14734 3 Doors Down Duck & Run 09625 3 Doors Down Kryptonite 02103,07341,08699,14118,17278 3 Doors Down Let Me Go 05609,05779 3 Doors Down Loser 07769,09572 3 Doors Down Road I'm On, The 10448 3 Doors Down When I'm Gone 06477,10130,15151 3 Of Hearts Arizona Rain 07992 311 All Mixed Up 14627 311 Amber 05175,09884 311 Beyond The Grey Sky 05267 311 Creatures (For A While) 05243 311 First Straw 05493 311 I'll Be Here A While 09712 311 Love Song 12824 311 You Wouldn't Believe 09684 38 Special If I'd Been The One 01399 38 Special Second Chance 16644 3LW I Do (Wanna Get Close To You) 05043 3LW No More (Baby I'm A Do Right) 09798 3LW Playas Gon' Play
    [Show full text]
  • Global Nomads: Techno and New Age As Transnational Countercultures
    1111 2 Global Nomads 3 4 5 6 7 8 9 1011 1 2 A uniquely ‘nomadic ethnography,’ Global Nomads is the first in-depth treat- 3111 ment of a counterculture flourishing in the global gulf stream of new electronic 4 and spiritual developments. D’Andrea’s is an insightful study of expressive indi- vidualism manifested in and through key cosmopolitan sites. This book is an 5 invaluable contribution to the anthropology/sociology of contemporary culture, 6 and presents required reading for students and scholars of new spiritualities, 7 techno-dance culture and globalization. 8 Graham St John, Research Fellow, 9 School of American Research, New Mexico 20111 1 D'Andrea breaks new ground in the scholarship on both globalization and the shaping of subjectivities. And he does so spectacularly, both through his focus 2 on neomadic cultures and a novel theorization. This is a deeply erudite book 3 and it is a lot of fun. 4 Saskia Sassen, Ralph Lewis Professor of Sociology 5 at the University of Chicago, and Centennial Visiting Professor 6 at the London School of Economics. 7 8 Global Nomads is a unique introduction to the globalization of countercultures, 9 a topic largely unknown in and outside academia. Anthony D’Andrea examines 30111 the social life of mobile expatriates who live within a global circuit of counter- 1 cultural practice in paradoxical paradises. 2 Based on nomadic fieldwork across Spain and India, the study analyzes how and why these post-metropolitan subjects reject the homeland to shape an alternative 3 lifestyle. They become artists, therapists, exotic traders and bohemian workers seek- 4 ing to integrate labor, mobility and spirituality within a cosmopolitan culture of 35 expressive individualism.
    [Show full text]
  • Spanglish Code-Switching in Latin Pop Music: Functions of English and Audience Reception
    Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 II Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 © Magdalena Jade Monteagudo 2020 Spanglish code-switching in Latin pop music: functions of English and audience reception Magdalena Jade Monteagudo http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo IV Abstract The concept of code-switching (the use of two languages in the same unit of discourse) has been studied in the context of music for a variety of language pairings. The majority of these studies have focused on the interaction between a local language and a non-local language. In this project, I propose an analysis of the mixture of two world languages (Spanish and English), which can be categorised as both local and non-local. I do this through the analysis of the enormously successful reggaeton genre, which is characterised by its use of Spanglish. I used two data types to inform my research: a corpus of code-switching instances in top 20 reggaeton songs, and a questionnaire on attitudes towards Spanglish in general and in music. I collected 200 answers to the questionnaire – half from American English-speakers, and the other half from Spanish-speaking Hispanics of various nationalities.
    [Show full text]
  • Anthonycurtis '
    $5 ANTHONY CURTIS’ May 2017 Vol. 34 LasVegasAdvisor Issue 5 FRANKIE MORENO Dinner and a show at the Golden Nugget … pgs. 3, 8 LAS VEGAS RAIDERS Football’s bad boys coming for real … pg. 1 SHOW-PRICE SURVEY Price of show tickets up again … pgs. 1, 5 THE $2 BUZZ At a Strip casino, no less … pg. 8 $1 BLACKJACK Play it 24/7 … pg. 9 CASINOS Local (702) Toll Free • 2017 LVA MEMBER REWARDS • † †† Numbers (800) ( 855) ( 866) (*877) (**888) ALL-PURPOSE COMP DINING—“LOCAL CORNER” Local Toll Free Aliante Casino+Hotel+Spa ........692-7777 ............477-7627* 50% off up to $50 (Palms) 2-For-1 Menu Item: Gambler’s Café (Gambler’s General Store), Sagos; Aria ............................................590-7111 ............359-7757†† 2-For-1 Burger or Philly (Home Plate); Pizza Upgrade at Naked City Pizza Arizona Charlie’s Boulder ..........951-5800 ............362-4040 ACCOMMODATIONS Shop; $25 off Dining (Rosati’s); Comped Lunch or Dinner at Sporting Life Arizona Charlie’s Decatur ..........258-5200 ............342-2695 2-For-1 Room (El Cortez); 25% off Room Rate (Mardi Gras) Bar Bally’s ........................................739-4111 ............603-4390* Bellagio ......................................693-7111 ............987-7111** BUFFETS DRINKS Binion’s ......................................382-1600 ............937-6537 2-For-1 Buffet (Aliante Casino+Hotel, Arizona Charlie’s Boulder, Arizona Free Drink Brewers, Kixx, or Havana Bar (Boulder Station); 3 Free Rounds Boulder Station ..........................432-7777 ............683-7777 Caesars
    [Show full text]
  • Most Requested Songs of 2019
    Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence music request system at weddings & parties in 2019 RANK ARTIST SONG 1 Whitney Houston I Wanna Dance With Somebody (Who Loves Me) 2 Mark Ronson Feat. Bruno Mars Uptown Funk 3 Journey Don't Stop Believin' 4 Cupid Cupid Shuffle 5 Neil Diamond Sweet Caroline (Good Times Never Seemed So Good) 6 Walk The Moon Shut Up And Dance 7 Justin Timberlake Can't Stop The Feeling! 8 Earth, Wind & Fire September 9 Usher Feat. Ludacris & Lil' Jon Yeah 10 V.I.C. Wobble 11 DJ Casper Cha Cha Slide 12 Outkast Hey Ya! 13 Black Eyed Peas I Gotta Feeling 14 Bon Jovi Livin' On A Prayer 15 ABBA Dancing Queen 16 Bruno Mars 24k Magic 17 Garth Brooks Friends In Low Places 18 Spice Girls Wannabe 19 AC/DC You Shook Me All Night Long 20 Kenny Loggins Footloose 21 Backstreet Boys Everybody (Backstreet's Back) 22 Isley Brothers Shout 23 B-52's Love Shack 24 Van Morrison Brown Eyed Girl 25 Bruno Mars Marry You 26 Miley Cyrus Party In The U.S.A. 27 Taylor Swift Shake It Off 28 Luis Fonsi & Daddy Yankee Feat. Justin Bieber Despacito 29 Montell Jordan This Is How We Do It 30 Beatles Twist And Shout 31 Ed Sheeran Thinking Out Loud 32 Sir Mix-A-Lot Baby Got Back 33 Maroon 5 Sugar 34 Ed Sheeran Perfect 35 Def Leppard Pour Some Sugar On Me 36 Killers Mr. Brightside 37 Pharrell Williams Happy 38 Toto Africa 39 Chris Stapleton Tennessee Whiskey 40 Flo Rida Feat.
    [Show full text]
  • Análisis De Los Contenidos Más Vistos En La Historia De Youtube En España: Posibles Decisiones Y Futuros Desafíos En Torno Al Modelo De Negocio De La Plataforma
    Trípodos, número 40 | Barcelona 2017 | 113-129 Rebut / Received: 09/03/2017 ISSN: 1138-3305 Acceptat / Accepted: 01/06/2017 113 Análisis de los contenidos más vistos en la historia de YouTube en España: posibles decisiones y futuros desafíos en torno al modelo de negocio de la plataforma Analysis of the Most Viewed Content in the History TRÍPODOS 2017 | 40 of YouTube in Spain: Possible Decisions and Future Challenges around the Business Model of the Platform Rebeca Antolín Prieto Universidad Francisco de Vitoria (España) Jorge Clemente Mediavilla Universidad Complutense de Madrid (España) La plataforma gratuita de video strea- The free online video streaming plat- ming online YouTube cumplió una dé- form YouTube completed a decade in cada en abril de 2015, contando con April 2015, with more than one billion más de mil millones de usuarios —lo users —a third of all Internet users—. It que viene a ser un tercio de todos los was then that it published the ranking usuarios de internet—. Fue entonces of the twenty most viewed videos in ten cuando hizo público el ranking de los years in Spain. The present work analy- veinte videos más vistos en diez años en zes the relationship of the contents of España. El presente trabajo analiza la the videos seen in the sample, to better relación de los contenidos de los videos understand the possible decisions and vistos de la muestra, para entender future challenges around the platform mejor las posibles decisiones y futuros business model. Since Google bought desafíos en torno al modelo de negocio YouTube in 2006 for about 1.6 billion de la plataforma, ya que desde que en US dollars in shares, the business model 2006 Google comprara YouTube por remains uncertain.
    [Show full text]
  • I Refuse Free
    FREE I REFUSE PDF Per Petterson,Don Bartlett | 288 pages | 23 Oct 2014 | Vintage Publishing | 9781846557828 | English | London, United Kingdom Aaliyah (album) - Wikipedia You can help confirm this entry by contributing facts, media, and other evidence of notability and mutation. As an adaptation of the story, the episode featured Rohan saying this quote akin to how it was I Refuse in the manga. Due to the context of the scene and the sudden and abrupt appearance of the quote, it and the panels in which it appears have become the subject of many parodies. View All Images. Know Your Meme is an advertising supported site and we noticed that you're using an ad-blocking solution. By using this site, you are agreeing by the site's terms of use and privacy policy and DMCA policy. No thanks, take me back to the meme zone! Like us on Facebook! You're Approaching Me? Awaken, My Masters. View All Related Entries. I Refuse explores the Internet. Kishibe Rohan - I refuse [ DA Add a Comment. We see that you're using an ad-blocker! Infinite Scroll. You must login or signup first! Already a memeber? Login Now! Don't have an account? Sign up Now! I Refuse [X]. My Name Is Yoshikage I Refuse. JoJo's Pose. Is This a JoJo Reference? I Refuse Yare Daze. King Crimson JoJo. Even Speedwagon Is Afraid! Cultural Appropriation. Netsky - I Refuse / Midnight Express | Releases | Discogs It is also known as "The Red Album" because of its packaging design. Aaliyah started to work on the album inbut rescheduled its I Refuse around her developing film career.
    [Show full text]
  • Investing in Music How Music Companies Discover, Nurture and Promote Talent
    Investing in MusiC How music companies discover, nurture and promote talent Investing In Music 2012 contents 1 Introduction by Plácido Domingo 2 Commentary by Frances Moore and Alison Wenham 3 Section One: The Cycle of Investment 4 Section Two: Dicovering and Signing Talent 16 Section Three: Nurturing Talent 18 Section 4: Promoting Talent 3 2012 Investing In Music introduction by Plácido Domingo, Chairman of IFPI Other collaborations are also possible, for example between the artist and a management company. But all these efforts to promote music depend on the protection of the copyrights and intellectual property of the musicians and the producers of the music. Without such protection, investment will not be forthcoming. Collaboration and investment are defining qualities of the music industry and play a vital role in helping artists pursue their career. Of course, the digital era has brought dramatic changes, but I do not believe it has made the investors in music any less important. Even in the age of the internet, where self-publishing is so much easier for artists than in the past, technology alone I am fortunate to have had a career of more than 50 years in cannot ensure an artist’s work is heard and appreciated. music. I have worked with people of exceptional artistic talent That is why artists continue to work in partnership with record and I continue to work today to try and help young musicians companies, management and others to develop their careers fulfil their ambitions and creative potential as opera singers. and bring their music to the widest possible audience.
    [Show full text]