BRAND PARTNERSHIPS X 2020 European Air Max Verona Digital Campaign SEE HERE

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BREE“Bree Runway is 1000% lit” “Bree Runway is about RUNWAYto be “Bree could be the kind of artist it’s “She is everything I know I your new obsession” almost impossible to ignore” definitely want a popstar to be” CLARA AMFO PRESS NOTION cover and 12-pg feature Evening Standard Virtually Famous feature Under The Radar feature i-D “10 Things You Need To Know” feature PAPER Be Runway EP review Huffington Post #1 “Rising star to look out for in 2020” DAZED named the Be Runway EP one of their “best moments, dramas and trends in 2019's weird world of pop” Receipts Podcast interview HERE Further support/mentions and playlist inclusion from: COMPLEX, NPR Music, The Line of Best Fit, gal-dem, Hot New Hip Hop, Earmilk and more RADIO Annie Mac Radio 1 Hottest Record In The World (Apeshit/Ain't It) Clara Amfo Radio 1 Tune Of The Week (Apeshit/Ain't It) Radio 1Xtra B List (Apeshit/Ain't It) A.Dot Radio 1Xtra Tune Of The Week (Apeshit/Ain't It) MistaJam Radio 1Xtra Jam Hot (2ON) Further support from: Nick Grimshaw, Yasmin Evans, Jordan North, Rickie, Charlie and Melvin, Rebecca Judd (Beats 1) and more STREAMING Almost 5M combined audio and video streams Spotify Followers: 11K (+4.8K Jan – April) Key Spotify support across: NMF, Rap UK (and playlist cover), This Is How We Do, Who We Be Key Apple Music support across: NMD, Future Hits, Agenda, New Fire, UK Rap BRAND PARTNERSHIPS X 2020 European Air Max Verona digital campaign SEE HERE 2019-20 European sync campaign with “2ON” SEE HERE MUSIC SOCIAL NOISE VIRAL BUZZ Instagram: 42.6K (+8.3K Jan-Apr) Twitter: 16.5K (+6.2K Jan-Apr) YouTube: 25.8K (+10K Jan-Apr) IG video views: 1.7M / IG interactions: 700k VAST SOCIAL MEDIA Kehlani, Aminé, Diplo, Winnie Harlow, Paris Jackson, Jorja Smith, Jourdan Dunn, Jeremy Corbyn, Noname, FOLLOWING: Maya Jama, Rico Nasty, Ryan Destiny, Missy Elliot, Doja Cat, Ncuti Gatwa, Kali Uchis, Russ and more.

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April 5, 2021
APRIL 5, 2021 APRIL 5, 2021 Tab le o f Contents 4 #1 Songs THIS week 5 powers 7 action / recurrents 9 hotzone / developiong 10 pro-file 12 video streaming 13 Top 40 callout 14 Hot ac callout 15 future tracks 16 INTELESCOPE 17 intelevision 18 methodology 19 the back page Songs this week #1 BY MMI COMPOSITE CATEGORIES 4.5.21 ai r p lay OLIVIA RODRIGO “drivers license” retenTion THE WEEKND “Save Your Tears” callout OLIVIA RODRIGO “drivers license” audio DRAKE “What’s Next” VIDEO CARDI B “Up” SALES BRUNO MARS/A. PAAK/SILK SONIC “Leave The Door Open” COMPOSITE OLIVIA RODRIGO “drivers license” Your weekly REsource for music research MondayMorningIntel.com CLICK HERE to E-MAIL Monday Morning Intel with your thoughts, suggestions, or ideas. mmi-powers 4.5.21 Weighted Airplay, Retention Scores, Streaming Scores, and Sales Scores this week combined and equally weighted deviser Powers Rankers. TW RK TW RK TW RK TW RK TW RK TW RK TW COMP AIRPLAY RETENTION CALLOUT AUDIO VIDEO SALES RANK ARTIST TITLE LABEL 1 10 2 10 10 8 1 OLIVIA RODRIGO drivers license Geffen/Interscope 7 1 15 12 13 10 2 THE WEEKND Save Your Tears XO/Republic 23 x 21 1 6 2 3 JUSTIN BIEBER Peaches f/Daniel Caesar/Giveon Def Jam 10 2 3 16 23 18 4 24KGOLDN Mood f/Iann Dior RECORDS/Columbia 15 x 35 5 4 3 5 BRUNO MARS/A .PAAK/SILK SONIC Leave The Door Open Aftermath Ent./Atlantic 2 9 8 34 20 13 6 BILLIE EILISH Therefore I Am Darkroom/Interscope 6 6 10 31 25 11 7 TATE MCRAE You Broke Me First RCA 4 7 7 21 17 37 8 ARIANA GRANDE 34+35 Republic 21 16 11 20 15 7 9 SAWEETIE Best Friend f/Doja
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Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018.
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Bullets High Five
DUC REDAKTION Hofweg 61a · D-22085 Hamburg T 040 - 369 059 0 WEEK 31 [email protected] · www.trendcharts.de 29.07.2021 Approved for publication on Tuesday, 03.08.2021 THIS LAST WEEKS IN PEAK WEEK WEEK CHARTS ARTIST TITLE LABEL/DISTRIBUTOR POSITION 01 01 06 Tyga Ft. Moneybagg Yo Splash Last Kings/Empire 01 02 02 07 Ty Dolla $ign x Jack Harlow x 24kGoldn I Won Atlantic/WMI/Warner 02 03 04 05 Wale Ft. Chris Brown Angles Maybach/Warner/WMI 03 04 03 08 Nicky Jam x El Alfa Pikete Sony Latin/Sony 02 05 05 09 City Girls Twerkulator Quality Control/Motown/UMI/Universal 02 06 06 06 Meghan Thee Stallion Thot Shit 300/Atlantic/WMI/Warner 03 07 14 03 J Balvin x Skrillex In Da Getto Sueños Globales/Universal Latin/UMI/Universal 07 08 09 04 dvsn & Ty Dolla $ign Ft. Mac Miller I Believed It OVO/Warner/WMI 08 09 17 07 Doja Cat Ft. SZA Kiss Me More Kemosabe/RCA/Sony 08 10 21 02 Post Malone Motley Crew Republic/UMI/Universal 10 11 NEW Daddy Yankee Ft. Jhay Cortez & Myke Towers Súbele El Volumen El Cartel/Republic/UMI/Universal 11 12 07 03 Shirin David Lieben Wir Juicy Money/VEC/Universal 01 13 13 02 Maluma Sobrio Sony Latin/Sony 13 14 NEW Pop Smoke Ft. Chris Brown Woo Baby Republic/UMI/Universal 14 15 NEW MIST Ft. Burna Boy Rollin Sickmade/Warner/WMI 15 16 12 03 Brent Faiyaz Ft. Drake Wasting Time Lost Kids 09 17 11 04 RIN Ft.
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Y'all Call It Technical and Professional Communication, We Call It
Y’ALL CALL IT TECHNICAL AND PROFESSIONAL COMMUNICATION, WE CALL IT #FORTHECULTURE: THE USE OF AMPLIFICATION RHETORICS IN BLACK COMMUNITIES AND THEIR IMPLICATIONS FOR TECHNICAL AND PROFESSIONAL COMMUNICATION STUDIES by Temptaous T. Mckoy July 2019 Director of Dissertation: Michelle F. Eble Major Department: Department of English This project seeks to define and identify the use of Amplification Rhetorics (AR) in the social movement organization TRAP Karaoke and at three Historically Black Colleges and Universities (HBCUs). In highlighting the AR practices in Black communities. This project will provide insight into what these practices and spaces have to offer to the field of Technical and Professional Communication (TPC). AR is a theoretical framework that details the discursive and communicative practices, both written/textual and embodied/performative performed/used by individuals that self-identify as Black and centers the lived experiences and epistemologies of Black people and other historically marginalized groups. AR are #ForTheCulture practices that provoke change within the academy, regardless the field, however for this project I focus on the field of TPC. The phrase “For the Culture,” is used to describe or allude to an action that can benefit those individually or within a community much like TPC artifacts. This project identifies rhetorical practices located in Black spaces and communities that can be identified as TPC through the reclamation of agency, the sharing of narratives, and the inclusion of Black epistemologies. It illustrates just what it means to pass the mic and remind folks that we not ‘bout to act like there aren’t people of color at the TPC table.
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Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-8-2020 Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry Chinwe Salisa Maponya-Cook Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Maponya-Cook, Chinwe Salisa, "Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/aas_theses/66 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONFESSIONS OF A BLACK FEMALE RAPPER: AN AUTOETHNOGRAPHIC STUDY ON NAVIGATING SELFHOOD AND THE MUSIC INDUSTRY by CHINWE MAPONYA-COOK Under the DireCtion of Jonathan Gayles, PhD ABSTRACT The following research explores the ways in whiCh a BlaCk female rapper navigates her selfhood and traditional expeCtations of the musiC industry. By examining four overarching themes in the literature review - Hip-Hop, raCe, gender and agency - the author used observations of prominent BlaCk female rappers spanning over five deCades, as well as personal experiences, to detail an autoethnographiC aCCount of self-development alongside pursuing a musiC career. MethodologiCally, the author wrote journal entries to detail her experiences, as well as wrote and performed an aCCompanying original mixtape entitled The Thesis (available on all streaming platforms), as a creative addition to the research.
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uk music video awards 18 ten years on from the very first uk music video awards, it’s been exciting to see entries coming in from all around the globe in greater numbers than ever, from regular ukmva participants, former nominees and first-time entrants. this year more than 1800 videos were submitted for judging. 400 jury members were invited to vote in round 1 and the top-voted entries were reviewed by 100 industry professionals in a series of live judging panels. the entries for the individual awards for director, new director, producer, commissioner, artist and production company, based on a body of work from the past year, were voted on by jury members. it is thanks to the participation of the jury members that the uk music video awards is a respected and valued competition. our special thanks go to our friends at the mill, bfi stephen street, and black dog films for hosting judging sessions, and to martin roker, carrie sutton, toby abbott, dan massie, barnaby laws, dan kreeger and thom trigger who chaired panels. the uk music video awards 2018 will take place at london’s legendary roundhouse on thursday 25 october. we will be presenting more than 30 awards for achievement in music video and music film, and we will be proud once again to bring together british and international music filmmaking talent for one night under one roof to celebrate the most creative, innovative and successful work of the past 12 months. we look forward to seeing you there. the ukmva team ukmva.com special thanks to the mill london for hosting the 2018 ukmva
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KC Lights Bio 2018
KC Lights In what may seem like overnight, Glasgow’s multitalented DJ/musician/producer KC Lights has broken out as one of the fastest-rising acts in the global dance music scene. Undoubtedly one of the brightest hopes to come out of Glasgow, Scotland, he’s evolved his expansive production range and uplifting DJ style in the studio and on the road, with fans touting his unique take on house music. KC Lights finished his degree in music and initially intended to write electro acoustic compositions, along with exploring his interest in jazz and classical music. After working more closely with electronic sounds, he also ventured out on holiday to Ibiza. The trip, along with the music and energy, inspired him. His new sounds incorporated layers of lush melodies with powerful piano chords, bass, and uplifting strings behind hypnotic vocals atop a framework of soulful, driving house. The official debut of KC Lights came in 2013 via the Sweet Step EP on Cheap Thrills. The EP set off a chain reaction of subsequent hit singles and releases. The 2015 single, “Lose It All,” was his first release to gain major traction within the electronic world, with house music heavyweights Rudimental, MK, and Danny Howard all singing its praises. It was his following single, “No No No,” that became KC Lights’ breakthrough track and a definitive Ibiza anthem of 2015. The song hit #3 on the BBC Radio 1 Dance Charts and reached the Top 10 on the Shazam UK Dance Chart. Influential BBC Radio 1 DJ/host Annie Mac championed the track and included it on her Annie Mac Presents 2015 compilation released through Virgin EMI Records.
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{FREE} a Song for the Dying
A SONG FOR THE DYING PDF, EPUB, EBOOK Stuart MacBride | 544 pages | 24 Mar 2015 | HarperCollins Publishers | 9780007344338 | English | London, United Kingdom A Song for the Dying PDF Book On "Song 32," she lays down her verses with a spoken-word clarity and stamina, and even pays ode to her rise declaring, "Started getting money from writing the haiku. Advertisement - Continue Reading Below. DC talent Ari Lennox 's brand of neo-soul is pretty and feminine, but nixes the idea that to be womanly means keeping quiet about the messy and personal. Rarely does she fail to take her greater aesthetic into consideration: For instance, her debut album Whack World , was a minute visual album odyssey inviting others into her obscure world. Eilish is the bad guy, and you damn well should be scared of this year-old because it's terrifying how talented she is, which she proves on hit. Synthesizers and Hatchie's hushed, yearning voice make "Stay With Me" euphoric, even as she recalls a romance that's ended. This cover of a Dire Straits song has managed to eclipse the original in pop culture, and doubles as a karaoke favorite. Here Birdman comes in handy as a useful example. We're more familiar with causes of death like heart attack , cancer and stroke. The translation sees dollar signs and the finer things in life on the singer's mind, but even as she ascends to pop domination, there's a cynicism to her tone over the upbeat song. It doesn't sound like disco in the slightest, but it sure is a movie-like party we're all longing for an invite to.
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Doja Cat Shares New Single and Video for “Tia Tamera” Ft
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Universal Music Group's Profit Margins Grew in 2020, Despite
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Nick Grimshaw
Nick Grimshaw Nick Grimshaw has worked in the UK broadcast industry for over 15 years and is firmly established as one of the country's most successful radio and TV personalities. He currently hosts BBC Radio 1's Drive Time show, and in 2019 joined the cast of Channel 4’s Celebrity Gogglebox with his niece Liv. Born in Oldham in 1984 Nick took his first steps into broadcasting on student radio while studying Communications & Business Studies at the University of Liverpool. During holidays he interned at a music PR agency, and on graduation threw himself into the music industry as a radio plugger and DJ promoter. In 2006 Nick was spotted by Channel 4 and was signed up as a presenter for E4 Music and the channel’s morning show, Freshly Squeezed. With his easy charm, pop culture knowledge and confidence in front of the camera Nick quickly established himself as one of the UK's hottest young talents. Having cut his teeth in national TV, Nick was next signed up by BBC2 where he co-hosted three series of their youth music show Sound, alongside Radio 1's Annie Mac. The pair’s chemistry proved a winner and Nick soon joined Annie on Radio 1 hosting the Sunday evening Switch youth strand, which became a huge hit with listeners. This led to Nick being given his first solo BBC Radio 1 show in 2008 as host of the Weekend Breakfast Show, before moving on to present the prestigious weekday 10pm to midnight New Music slot the following year.
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