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Broadcast Bulletin Issue Number 228 22/04/13
Ofcom Broadcast Bulletin Issue number 228 22 April 2013 1 Ofcom Broadcast Bulletin, Issue 228 22 April 2013 Contents Introduction 4 Standards cases In Breach Retention and production of recordings My Channel, 24 December 2012, 04:00 5 Cancer: Forbidden Cures Showcase 2, 8 May 2012, 19:00 8 The Alan Titchmarsh Show ITV, 14 February 2013, 15:00 31 Advertising Scheduling cases In Breach Breach findings table Code on the Scheduling of Television Advertising compliance reports 37 Fairness and Privacy cases Not Upheld Complaint by Mrs Karen Peaston Obese: A Year to Save My Life, Sky1 HD, 30 January 2012 and repeat broadcasts until 13 May 2012 38 Complaint by Miss Karen Richardson EastEnders, BBC 1, 25 December 2012 46 Other Programmes Not in Breach 49 Complaints Assessed, Not Investigated 50 Investigations List 56 2 Ofcom Broadcast Bulletin, Issue 228 22 April 2013 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom must include these standards in a code or codes. These are listed below. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. The Broadcast Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes below, as well as licence conditions with which broadcasters regulated by Ofcom are required to comply. We also report on the outcome of ODPS sanctions referrals made by ATVOD and the ASA on the basis of their rules and guidance for ODPS. -
Anne Karpf/The Sound of Home? Some Thoughts on How the Radio Voice Anchors, Contains and Sometimes Pierces (Pre-Print Version; Published in The
1 Anne Karpf/The sound of home? Some thoughts on how the radio voice anchors, contains and sometimes pierces (pre-print version; published in The Radio Journal, vol.11, no.1, April 2013, pp.59-73) Abstract This article argues that while psychoanalytic theory has been valuably employed by television, film and cultural studies, there has been no comparable 'psychoanalytic turn' in radio studies. It suggests that the concept of 'containment', as developed variously by Wilfred Bion and Esther Bick, might go some way to explain the powerful role that the voice of the radio presenter can play in the regular listener's internal world, with the capacity both to 'hold' the listener together, and to transform overwhelming fears into more manageable feelings. It argues that the disembodied radio voice does this partly because it recalls the prenatal power of the maternal voice, and partly through the temporal order that regular radio voices impose on the internal and external world. Both Second World War British radio catchphrases and Roosevelt's Fireside Chats are discussed in relation to their containment function. The article also explores the radio as a transitional space, as defined by Donald Winnicott, through which it can constitute listeners into an 'imagined community'. It ends by reflecting on the impact of the angry voice of 2 the 'shock-jock' which, it suggests, amplifies rather than contains overwhelming feelings.1 Contributor's details Anne Karpf is Reader in Professional Writing and Cultural Inquiry at London Metropolitan University. A journalist, broadcaster and radio critic of The Guardian for seven years, her books include 'The Human Voice' (Bloomsbury, 2006; Ehrenwirth, 2007; Autrement, 2008; Soshisha, 2008). -
Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
ABC Kids/ABC TV Plus: Week 32 Index
1 | P a g e ABC Program Guide: ABC Kids/ABC TV Plus: Week 32 Index Index Program Guide .............................................................................................................................................................. 3 Sunday, 1 August 2021 .......................................................................................................................................... 3 Monday, 2 August 2021 ........................................................................................................................................ 8 Tuesday, 3 August 2021 ...................................................................................................................................... 14 Wednesday, 4 August 2021 ................................................................................................................................ 20 Thursday, 5 August 2021 ..................................................................................................................................... 26 Friday, 6 August 2021.......................................................................................................................................... 32 Saturday, 7 August 2021 ..................................................................................................................................... 38 2 | P a g e ABC Program Guide: ABC Kids/ABC TV Plus: Week 32 Sunday 1 August 2021 Program Guide Sunday, 1 August 2021 5:05am Miffy's Adventures Big and Small (Repeat,G) 5:15am The Furchester -
KC Lights Bio 2018
KC Lights In what may seem like overnight, Glasgow’s multitalented DJ/musician/producer KC Lights has broken out as one of the fastest-rising acts in the global dance music scene. Undoubtedly one of the brightest hopes to come out of Glasgow, Scotland, he’s evolved his expansive production range and uplifting DJ style in the studio and on the road, with fans touting his unique take on house music. KC Lights finished his degree in music and initially intended to write electro acoustic compositions, along with exploring his interest in jazz and classical music. After working more closely with electronic sounds, he also ventured out on holiday to Ibiza. The trip, along with the music and energy, inspired him. His new sounds incorporated layers of lush melodies with powerful piano chords, bass, and uplifting strings behind hypnotic vocals atop a framework of soulful, driving house. The official debut of KC Lights came in 2013 via the Sweet Step EP on Cheap Thrills. The EP set off a chain reaction of subsequent hit singles and releases. The 2015 single, “Lose It All,” was his first release to gain major traction within the electronic world, with house music heavyweights Rudimental, MK, and Danny Howard all singing its praises. It was his following single, “No No No,” that became KC Lights’ breakthrough track and a definitive Ibiza anthem of 2015. The song hit #3 on the BBC Radio 1 Dance Charts and reached the Top 10 on the Shazam UK Dance Chart. Influential BBC Radio 1 DJ/host Annie Mac championed the track and included it on her Annie Mac Presents 2015 compilation released through Virgin EMI Records. -
The Radio 1 Breakfast Show with Nick Grimshaw Industries
AS and A LEVEL MEDIA STUDIES Factsheet Industries and audiences factsheet: The Radio 1 Breakfast Show with Nick Grimshaw Industries Production and distribution • The Radio 1 Breakfast Show with Nick Grimshaw is broadcast weekdays from 06.30-10.00 am. • The Breakfast Show has been running since 1967, but Nick Grimshaw took over as the 15th presenter in 2012. • BBC Radio 1 is broadcast on FM, DAB, Freeview, Freesat, Virgin, Sky, or online via BBC Radio Player (including via the phone or tablet app) where it can be heard live or streamed for 30 days. • It is produced by the BBC from its own studios at Broadcasting House in London. • There’s a useful BBC Academy podcast (with transcript) about how the programme is produced http://www.bbc. co.uk/academy/articles/art20170619095219011 • You can also hear what one of the producers (Fiona Hanlon) thinks when she talks about what it’s like to work on the programme: https://www.shu.ac.uk/learn-more/radio-1- breakfast-show • The music is largely playlisted – what is going to be played on daytime Radio 1 is decided by a committee; they choose around 40 records each week for repeated daytime play (A-list records get 25 plays a week, B-list 15, and C-list eight to 10). It’s explained here: http://www.bbc.co.uk/ programmes/articles/SYYQz3WNpBJFs6MrRcs0B5/how-do-i- get-my-music-played-on-radio-1 . Choices are partly guided by what’s already popular with young people online; many older artists are not included as the network is trying to keep an under-30 audience. -
Interviews, 1- 2 of Which Are Likely to Be National
Shout! Out Spring/Summer 2018 News, features and tips about Broadcast PR Including broadcast in a Peak, prime and perfect new business proposal By Catherine Bayfield It is often seen as the icing on the cake and if you're not considering broadcast as part of your campaign, you're missing out on a far reaching and influential medium. An opportunity on Chris Evans’ breakfast show on Radio 2 for example attracts a weekly audience of 9.43 million. Radio 4’s Today Programme reaches 7.15 million, but more importantly its analysis sets the news P&O Cruises' flagship Britannia agenda for the day. Listening figures like these are clearly The delicate art of securing long lead going to help you or your client reach your KPIs and even if broadcast PR is a service broadcast PR coverage you outsource, it's still possible to make a profit by marking up. By Keren Haynes beautiful ship” and we agree, she looked stunning. There are many different elements that The would-be apprentices were tasked with selling you could include in a new business The backdrop for an hour long, prime bespoke day tours round Bruges to Britannia broadcast proposal but some key ones are: time television programme, on the UK’s passengers. As any follower of the programme would expect, most watched channel: BBC One’s “The • Television the apprentices’ efforts were predictably chaotic, Apprentice” was filmed on P&O Cruises’ • Radio but their work was set against a stunning flagship Britannia and it resulted in an • Online video placement background, including the ship’s pool deck, luxury • Video production in particular B-roll amazing piece of PR generated coverage. -
BRAND PARTNERSHIPS X 2020 European Air Max Verona Digital Campaign SEE HERE
BREE“Bree Runway is 1000% lit” “Bree Runway is about RUNWAYto be “Bree could be the kind of artist it’s “She is everything I know I your new obsession” almost impossible to ignore” definitely want a popstar to be” CLARA AMFO PRESS NOTION cover and 12-pg feature Evening Standard Virtually Famous feature Under The Radar feature i-D “10 Things You Need To Know” feature PAPER Be Runway EP review Huffington Post #1 “Rising star to look out for in 2020” DAZED named the Be Runway EP one of their “best moments, dramas and trends in 2019's weird world of pop” Receipts Podcast interview HERE Further support/mentions and playlist inclusion from: COMPLEX, NPR Music, The Line of Best Fit, gal-dem, Hot New Hip Hop, Earmilk and more RADIO Annie Mac Radio 1 Hottest Record In The World (Apeshit/Ain't It) Clara Amfo Radio 1 Tune Of The Week (Apeshit/Ain't It) Radio 1Xtra B List (Apeshit/Ain't It) A.Dot Radio 1Xtra Tune Of The Week (Apeshit/Ain't It) MistaJam Radio 1Xtra Jam Hot (2ON) Further support from: Nick Grimshaw, Yasmin Evans, Jordan North, Rickie, Charlie and Melvin, Rebecca Judd (Beats 1) and more STREAMING Almost 5M combined audio and video streams Spotify Followers: 11K (+4.8K Jan – April) Key Spotify support across: NMF, Rap UK (and playlist cover), This Is How We Do, Who We Be Key Apple Music support across: NMD, Future Hits, Agenda, New Fire, UK Rap BRAND PARTNERSHIPS X 2020 European Air Max Verona digital campaign SEE HERE 2019-20 European sync campaign with “2ON” SEE HERE MUSIC SOCIAL NOISE VIRAL BUZZ Instagram: 42.6K (+8.3K Jan-Apr) Twitter: 16.5K (+6.2K Jan-Apr) YouTube: 25.8K (+10K Jan-Apr) IG video views: 1.7M / IG interactions: 700k VAST SOCIAL MEDIA Kehlani, Aminé, Diplo, Winnie Harlow, Paris Jackson, Jorja Smith, Jourdan Dunn, Jeremy Corbyn, Noname, FOLLOWING: Maya Jama, Rico Nasty, Ryan Destiny, Missy Elliot, Doja Cat, Ncuti Gatwa, Kali Uchis, Russ and more. -