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Andrea Abbate Annie Abbott Rose Abdoo Louisa
CHARACTERS and COMEDIENNES ACADEMY PLAYERS DIRECTORY #196 BOOK PAGE: 1 Agency(310)Personal 273-0744(213)Jo for Anne theN11571500 466-5170ManagementInc.96 Performing Astrow (212) 582- Arts, RussianImprovisation,SusanMid-EastGerman5Accent,DANCETerryCOUNSELLOR-AT-LAW,THESEVENTHMAD ft.Accent,LEGALINTOCommercialAccent,FEATURED 3(818)(213)ROSEANNE Accent,NatheYOUNG LichtmanRESTLESSSpecial in.LA ABOUT Accent,New THEWITHAccent,M8530CreditsER EAGLESC.P.C. FrenchLAW 120783-3003653-7573Irish91 HEAVEN & Singer, WOODS,TVYork Italian Skills Associates/AND MEAgency YOUlbs.Company StageAccent, TV Southern- TVMidwest- Accent TV Accent, Film Stage THEBritish-AdultAccent, TV (213)NewFencing,Accent, 878-1155YorkGeddesSpecial Firearms, SpanishL9984Accent,833396 Agency Skills (312) Russian- Accent Singer, 787- 5C.L.Inc.Personal ft.CHICAGOCommercialGABRIEL'S 4(213)SEINFELDSpecial in.HenryCreditsH6173Singer Talent 200461-3971461-5699Management96 HOPE Ong SkillsFIRE Agencylbs. Agency TV TV AdultTV ANDREA ANNIE ROSE LOUISA ABBATE ABBOTT ABDOO ABERNATHY MOTHERBritishTHOMPSONSAccent,Ice(714) Skating,ONEFEATUREDSpecial Accent,Messages & SouthernM6668Credits INCHCHILD, 751-500796 Swimming, Skills New EXPRESS, FilmDIE, STAR Accent York- TV 5 ft.Cavaleri 8(818) in.L8722 122Adult 955-9300&96 Associates lbs. Mature (310)Cycling,5Sailing, ft.Commercial 274-93565GillaSpecial in.Swimming Equestrian,N0179 Scuba7820 Roos,13596 Skills Agencylbs. (212) Diving,Ltd. Guitar, Adult 727- IT'SMURDER,TALES APersonal MAD,(818)HenriWORLD OFM2916Credits SHE MAD, 784-0534Management96 BollingerTHE -
Tom Fleischman CAS
Career Achievement Award Recipient Tom Fleischman CAS CAS Award Nominees Production Equipment FOMO How the CAS Started Remembering Jim Alexander WINTER 2020 CINEMA AUDIO SOCIETY AWARDS NOMINEE OUTSTANDING ACHIEVEMENT IN SOUND MIXING MPSE GOLDEN REEL AWARDS NOMINEE FEATURE - ADR/DIALOGUE PHILIP STOCKTON, MPSE, EUGENE GEARTY, MARISSA LITTLEFIELD “EXQUISITELY MADE, EVERY DETAIL CAREFULLY CONSIDERED. IT FEELS UTTERLY TRANSPORTING.” NETFLIXGUILDS.COM CAS QUARTERLY, COVER 2 NETFLIX: THE IRISHMAN PUB DATE 12/30/19 BLEED: 8.625” X 11.125” TRIM: 8.375” X 10.875” CINEMA AUDIO SOCIETY AWARDS NOMINEE OUTSTANDING ACHIEVEMENT IN SOUND MIXING MPSE GOLDEN REEL AWARDS NOMINEE FEATURES FEATURE - ADR/DIALOGUE Production Sound Equipment Purchases . 20 PHILIP STOCKTON, MPSE, EUGENE GEARTY, MARISSA LITTLEFIELD Ever have a “Fear of Missing Out”? 147th AES Convention . 26 Career Achievement Recipient . 34 Re-recording mixer Tom Fleischman CAS CAS Filmmaker Award . 44 34 Director, producer, and writer James Mangold CAS Award Nominations . 46 Outstanding Product Nominees . 50 Student Recognition Award Finalists . 52 The Start of the CAS . 54 Bob Hoyt had a vision A Case Study in Multilanguage Production Sound . 60 Possession 54 The “Sound” of Genre Storytelling . 64 Mixing approaches infl uenced by genre Remembering a Legend . 68 Production sound mixer Jim Alexander “EXQUISITELY MADE, DEPARTMENTS EVERY DETAIL The President’s Letter . 4 From the Editor . 6 CAREFULLY CONSIDERED. 60 Collaborators . 9 Meet the people behind the words IT FEELS UTTERLY Technically Speaking -
The Fan/Creator Alliance: Social Media, Audience Mandates, and the Rebalancing of Power in Studio–Showrunner Disputes
Media Industries 5.2 (2018) The Fan/Creator Alliance: Social Media, Audience Mandates, and the Rebalancing of Power in Studio–Showrunner Disputes Annemarie Navar-Gill1 UNIVERSITY OF MICHIGAN amngill [AT] umich.edu Abstract Because companies, not writer-producers, are the legally protected “authors” of television shows, when production disputes between series creators and studio/ network suits arise, executives have every right to separate creators from their intellectual property creations. However, legally disempowered series creators can leverage an audience mandate to gain the upper hand in production disputes. Examining two case studies where an audience mandate was involved in overturning a corporate production decision—Rob Thomas’s seven-year quest to make a Veronica Mars movie and Dan Harmon’s firing from and subsequent rehiring to his position as the showrunner of Community—this article explores how the social media ecosystem around television rebalances power in disputes between creators and the corporate entities that produce and distribute their work. Keywords: Audiences, Authorship, Management, Production, Social Media, Television Scripted television shows have always had writers. For the most part, however, until the post-network era, those writers were not “authors.” As Catherine Fisk and Miranda Banks have shown in their respective historical accounts of the WGA (Writers Guild of America), television writers have a long history of negotiating the terms of what “authorship” meant in the context of their work, but for most of the medium’s history, the cultural validation afforded to an “author” eluded them.2 This began to change, however, in the 1990s, when the term “showrunner” began to appear in television trade press.3 “Showrunner” is an unofficial title referring to the executive producer and head writer of a television series, who acts in effect as the show’s CEO, overseeing the program’s story development and having final authority in essentially all production decisions. -
Author of 1St Book Ever Published on College Safety Issues
Author of 1st book ever published on college safety issues – Protect Yourself at College: Smart Choices – Safe Results Advocate for student safety and public speaker for college safety awareness programs Testified before the PA House and Senate Committee on the problem of underage drinking Founder of The College Safety Zone and source for local, regional and national media affiliates regarding college safety incidents Author of the book, Priests Are People Too! College Safety Zone is one of only a handful of businesses in the country that offers crime prevention education programs for high school and college students. College Safety Zone programs instruct students to become proactive and train them to expect the unexpected regarding their safety both on and off campus. Using a unique combination of actual stories, interactive media, and role playing, speaker and author Tom Kane captures student's attention from beginning to end, and teaches them about the potential pitfalls and dangerous areas within the campus environment. Due to Tom's books, his media appearances read like a Who's Who of television and radio personalities. Tom has appeared and been featured on the following programs: The Dr. Phil Show in Hollywood, California The O'Reilly Factor 3 times and debated with Bill O'Reilly Appeared with Geraldo Rivera and reported on At Large with Geraldo The Voice of Reason with Larry Kane Appeared on MSNBC with Alan Keyes PCNC's Night Talk with Mike Pintek Debated on CNN's Crossfire with Bob Novack and Paul Begala Pittsburgh Now with Chris Moore Appeared with talk-radio veteran Joey Reynolds in the WOR studios in New York City Featured on ABC News in Pittsburgh Appeared on the FOX News program FOX Wire with Rita Cosby Appeared with the God Squad in New York City KDKA's Pittsburgh Today Live with Kristine Sorensen Featured on hundreds of talk-radio stations throughout the United States Appeared on The Radio Factor with Bill O'Reilly WTAE TV Action News in Pittsburgh Appeared on The Blanquita Cullum Radio Show - Washington, D.C. -
Sinclair Broadcast Group / Tammy Dupuy
SINCLAIR BROADCAST GROUP / TAMMY DUPUY 175 198 194 195 203 170 197 128 201 DR. OZ 3RD QUEEN QUEEN SEINFELD 4TH SEINFELD 5TH DR. OZ CYCLE LATIFAH LATIFAH MIND OF A MAN CYCLE CYCLE KING 2nd Cycle KING 3rd Cycle RANK MARKET %US STATION 2011-2014 2014-2015 2013-2014 2014-2015 2015-2016 4th Cycle 5th Cycle 2nd Cycle 3rd Cycle 8 WASHINGTON (HAGERSTOWN) DC 2.08% NEWS8/WJLA WTTG WDCA/WTTG WJLA WJLA WDCW WDCW WJAL 13 SEATTLE-TACOMA WA 1.60% KOMO/KOMO-DT2 KOMO/KOMO-DT2 KONG KSTW KSTW KSTW KSTW KSTW KSTW 23 PITTSBURGH PA 1.02% WPGH/WPMY WTAE WTAE KDKA/WPCW KDKA/WPCW WPGH/WPMY WPGH/WPMY KDKA/WPCW KDKA/WPCW 27 BALTIMORE MD 0.95% WBFF/WNUV/WUTB WBAL WBAL WBFF/WNUV/WUTB WBFF/WNUV/WUTB WBFF/WNUV/WUTB WBFF/WNUV WBFF/WNUV 32 COLUMBUS OH 0.80% WSYX/WTTE/WWHO WBNS WBNS WSYX/WTTE WSYX/WTTE WSYX/WTTE WSYX/WTTE W23BZ 35 CINCINNATI OH 0.78% EKRC/WKRC/WSTR WLWT WLWT WLWT WKRC/WSTR EKRC/WKRC EKRC/WKRC/WSTR WXIX WXIX 38 WEST PALM BEACH-FT PIERCE FL 0.70% WPEC/WTCN/WTVX WPBF WPBF WPTV WPTV WFLX WFLX WTCN/WTVX 43 HARRISBURG-LANCASTER-LEBANON-YORK PA 0.63% EHP/ELYH/WHP/WLYH WGAL WGAL WHP WHP WPMT WPMT WHP/WLYH 44 BIRMINGHAM (ANNISTON-TUSCALOOSA) AL 0.62% WABM/WBMA/WTTO WBMA WBMA WBRC WBRC WABM/WTTO WABM/WTTO WABM/WTTO 45 NORFOLK-PORTSMOUTH-NEWPORT NEWS VA 0.62% WTVZ WVEC WVEC WAVY/WVBT WAVY/WVBT WTVZ WTVZ WSKY WSKY 46 GREENSBORO-HIGH POINT-WINSTON SALEM NC 0.61% WMYV/WXLV WXII WXII WMYV/WXLV WMYV/WXLV WGHP WGHP WCWG WCWG 52 BUFFALO NY 0.55% WNYO/WUTV WIVB/WNLO WIVB WKBW WKBW WNYO/WUTV WNYO/WUTV 57 RICHMOND-PETERSBURG VA 0.48% WRLH/WRLH-DT WTVR WRIC WUPV/WWBT WUPV/WWBT -
SOBHA KAVANAKUDIYIL [email protected] • 917.270.0578 • • @Mssobhak
SOBHA KAVANAKUDIYIL [email protected] • 917.270.0578 • www.sobha.net • @mssobhak EXPERIENCE IN HIGHER EDUCATION The City College of New York - CUNY, New York, New York 8/2010-present Program Director/Faculty Lecturer • Program Director Manage and create outreach programs; Harlem Children’s Theatre Festival, Creative Play Workshops, Readings on the Road, Family Arts Engagement; admissions, graduation, special programs, created and developed new program tracks and accelerated masters option. Supervise full time faculty and adjunct instructors, advise students and development of promotional material for the program and service to the School of Education and City College. • Interim Program Director during Fall 2011 semester, Spring 2014 semester, Summer 2014 semester, beginning of the Fall 2014 semester. Managed outreach, admissions, graduation, special programs, oversee adjunct instructors, advise students of the entire graduate program as the only faculty member. •Teach and Develop Drama in Education, Theatre for Youth and Young Audiences, Fundamentals of Teaching, Teaching Literacy through Drama, Integrating Theatre and other related Arts into the Classroom, Acting I, Children’s Theatre, Devising Theatre, Conflict Resolution through Theatre, Devising Theatre, Developing and Facilitating Drama and Dramatic Activities in Non – Traditional Settings, Drama as a Learning Medium, Developing Curriculum in Non – Traditional Settings, Capstone Field Experience, The Teaching Artist: Reflective Practices for the Artist Educator, Applied -
Station ID Time Zone Long Name FCC Code 10021 Eastern D.S. AMC AMC 10035 Eastern D.S
Furnace IPTV Media System: EPG Support For Furnace customers who are subscribed to a Haivision support program, Haivision provides Electronic Program Guide (EPG) services for the following channels. If you need additional EPG channel support, please contact [email protected]. Station ID Time Zone Long Name FCC Code Station ID Time Zone Long Name FCC Code 10021 Eastern D.S. AMC AMC 10035 Eastern D.S. A & E Network AETV 10051 Eastern D.S. BET BET 10057 Eastern D.S. Bravo BRAVO 10084 Eastern D.S. CBC CBC 10093 Eastern D.S. ABC Family ABCF 10138 Eastern D.S. Country Music Television CMTV 10139 Eastern D.S. CNBC CNBC 10142 Eastern D.S. Cable News Network CNN 10145 Eastern D.S. HLN (Formerly Headline News) HLN 10146 Eastern D.S. CNN International CNNI 10149 Eastern D.S. Comedy Central COMEDY 10153 Eastern D.S. truTV TRUTV 10161 Eastern D.S. CSPAN CSPAN 10162 Eastern D.S. CSPAN2 CSPAN2 10171 Eastern D.S. Disney Channel DISN 10178 Eastern D.S. Encore ENCORE 10179 Eastern D.S. ESPN ESPN 10183 Eastern D.S. Eternal Word Television Network EWTN 10188 Eastern D.S. FamilyNet FAMNET 10222 Eastern D.S. Galavision Cable Network GALA 10240 Eastern D.S. HBO HBO 10243 Eastern D.S. HBO Signature HBOSIG 10244 Pacific D.S. HBO (Pacific) HBOP 10262 Central D.S. Fox Sports Southwest (Main Feed) FSS 10269 Eastern D.S. Home Shopping Network HSN 10309 Pacific D.S. KABC ABC7 KABC 10317 Pacific D.S. KINC KINC 10328 Central D.S. KARE KARE 10330 Central D.S. -
Inside Tv Pg 7 01-03
The Goodland Daily News / Friday, January 3, 2003 7 Channel guide Legal Notice Prime time 2 PBS; 3 TBS; 4 ABC; 5 HBO; 6 CNN; 7 CBS; 8 NBC (KS); 11 TVLND; 12 Pursuant to K.S.A. 82a-1030, the board of directors of ESPN; 13 FOX; 15 MAX; 16 TNN; 18 the Northwest Kansas Ground water Management LIFE; 20 USA; 21 SHOW; 22 TMC; 23 Mammograms can District No. 4 will conduct on February 19, 2003 a TV MTV; 24 DISC; 27 VH1; 28 TNT; 30 public hearing in order to hear testimony regarding FSN; 31 CMT; 32 FAM; 33 NBC (CO); save your life. 34 NICK; 36 A&E; 38 SCI; 39 TLC; 40 If you are between 50-64 revisions to the 2003 operating budget. Said revisions FX; 45 FMC; 49 E!; 51 TRAV; 53 WB; you may qualify for a FREE consist of incorporating all 2002 unexpended funds 54 ESPN2; 55 ESPN News; 58 HIST; mammogram. into the previously approved 2003 operating budget. schedule 62 HGTV; 99 WGN. The hearing will begin at 11:30 a.m. central standard For more information time at the Comfort Inn, 2225 S. Range, Colby, Kan- regarding this program Friday Evening January 3, 2003 contact: sas. Copies of the proposed revised 2003 budget will 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 KLBY/ABC Tostitos Fiesta Bowl Local Local Local Dorendo Harrel be made available at the hearing site. Attest: Robin Deeds, GMD 4 Secretary KBSL/CBS Hack 48 Hours Local Late Show Late Late Show Local (785) 899-4888 KSNW/NBC Dateline NBC Local Tonight Show Conan Local KUSA/NBC Dateline NBC Law & Order: SVU Local Tonight Show Conan KDVR/FOX The Nutty Professor Local Local Local Local Local Local Cable Channels A&E No Mercy Third Watch Biography No Mercy AMC Smokey and the Bandit II Tales from Empire of the Ants Tales from CMT Living Proof: The Hank Williams, Jr. -
Downloading of Movies, Television Shows and Other Video Programming, Some of Which Charge a Nominal Or No Fee for Access
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED DECEMBER 31, 2011 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM TO Commission file number 001-32871 COMCAST CORPORATION (Exact name of registrant as specified in its charter) PENNSYLVANIA 27-0000798 (State or other jurisdiction of (I.R.S. Employer Identification No.) incorporation or organization) One Comcast Center, Philadelphia, PA 19103-2838 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (215) 286-1700 SECURITIES REGISTERED PURSUANT TO SECTION 12(b) OF THE ACT: Title of Each Class Name of Each Exchange on which Registered Class A Common Stock, $0.01 par value NASDAQ Global Select Market Class A Special Common Stock, $0.01 par value NASDAQ Global Select Market 2.0% Exchangeable Subordinated Debentures due 2029 New York Stock Exchange 5.50% Notes due 2029 New York Stock Exchange 6.625% Notes due 2056 New York Stock Exchange 7.00% Notes due 2055 New York Stock Exchange 8.375% Guaranteed Notes due 2013 New York Stock Exchange 9.455% Guaranteed Notes due 2022 New York Stock Exchange SECURITIES REGISTERED PURSUANT TO SECTION 12(g) OF THE ACT: NONE Indicate by check mark if the Registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ No ☐ Indicate by check mark if the Registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
AD AGE MAIN 05-19-03 a 141 AADB 5/16/03 7:55 PM Page 1
AD AGE MAIN 05-19-03 A 141 AADB 5/16/03 7:55 PM Page 1 May 19, 2003 | Advertising Age | 141 AD AGE’S ’03-’04 NETWORK HOUSEHOLD SHARE ESTIMATES Few new shows wow SUNDAY 7 p.m. (ET) 8 p.m. 9 p.m. 10 p.m. America’s Funniest Home Videos 10-8 Alias The Practice 10.3 8.5 8.5 11.3 60 Minutes Cold Case CBS Sunday Movie buyers in TV upfront 15.8 13.0 10.4 Dateline American Dreams Law & Order: Criminal Intent The Lyon’s Den 10.5 10.0 13.8 12.5 Star vehicles shine;Fox makes inroads on NBC Oliver Beene King of the Hill The Simpsons The Ortegas Malcolm Arrested Dev. No Fox programming 8.0 8.5 11.0 9.0 9.0 8.0 By WAYNE FRIEDMAN p.m. Monday show, “Skin,” is about Smallville: Beginnings Charmed Tarzan & Jane No WB programming and RICHARD LINNETT the romance between the children of 4.0 4.0 3.3 a politician and a porn mogul. MONDAY8 p.m. 9 p.m. 10 p.m. media buying executives don’t ex- “There might be some advertisers Prime Time / Movie of Week Monday Night Football pect many breakout shows from the who are skittish about ‘Skin,’” said 8.0 18.4 broadcast networks’ next season, as Brad Adgate, senior VP-audience re- Yes, Dear Still Standing Raymond Two & Half Men CSI: Miami 12.5 14.0 18.5 15.5 17.3 few shows struck them as instant hits. -
62. for Each of the Company's Cable Systems, State the Number Of
REDACTED - FOR PUBLICINSPECTION 62. For each of the Company's Cable Systems, state the number of communities that have either specifically requested or agreed to the migration of PEG content to a digital platform. The following systems serve communities that have either specifically requested or agreed to the migration ofPEG content to a digital platform:49 West Bay, CA system 6 communities Denver, CO system I community Carbondale, CO system I community Naples, FL system 4 communities Jacksonville, FL system I community Boca Raton/Del Ray Beach, FL system 44 communities Tallahassee, FL system I community Atlanta, GA system 5 communities Augusta, GA system 2 communities North Chicago, IL system 6 communities South Chicago, IL system 13 communities West Chicago, IL system 8 communities New Hampshire, ME 4 communities Sema Region, MA I community West New England system 3 communities York, PA system I community Philadelphia, PA system I community Three Rivers East, PA system 10 communities Chattanooga, TN system 1 community Knoxville, TN system 2 communities Nashville, TN system I community Houston, TX system 1 community South Puget Sound, WA system 2 communities 63. Provide copies of all strategic plans, analyses or models for switched digital video ("SDV") deployment on any of the Company's Cable Systems. Any responsive documents have been produced herewith. In the response submitted on June 11,2010, Comcast indicated tbat there were 224 communities that have requested or agreed to digital PEG carriage. The lower number here reflects the fact that certain FCC registered communities that were counted in the June 11,2010, response are in unincorporated areas or other areas that are not separately franchised communities.