'Wet Cleaning'

Total Page:16

File Type:pdf, Size:1020Kb

'Wet Cleaning' ‘Wet Cleaning’ The Future Of Garment Care ASBCI 22nd March 2017 1991 Miele System Kreussler (EP 0478 242) 1994 Working group – aim integration of wetcleaning in international system of textile care labeling (wfk institute) 1995 European Wet Cleaning Commitee TNO, CTTN, FCRA, IFP, wfk, industy Definition of testing criteria 1998 European research project „Aquacarb“ CEN Standards für (W) California – The first state in the world to ban PERC in all industries by the end of 2022 Denmark, Norway, Kuweit - The installation of new PERC machines is difficult or impossible New Zealand, Perc residues 7 times more expensive Wet cleaning globally: machine installations are increasing Perchlorethylene Phase Out 01/01/2022 01/03/2013 No new installations in buildings with offices, apartments 01/09/2014 Perc machines older than 15 years are prohibited PERC 8 hrs workplace mean value 138 mg/m³ Interior air limit 1250 µg/m³ WHO recommendation for interior air limit 250 µg/m³ INRS Publication DEC 2013 5000 – 6000 Drycleaners in France Arret 2345 90 % use Perchlorethylene 60% Perc Dry Cleaning Machines are replaced with Wet Cleaning Government Support - Aquabonus Outlook Wet cleaning is a fast growing market, in all major countries Sinner Circle Sinner Circle describes the influence of Chemicals, time, mechanics and temperature on the cleaning effect. These 4 parameters have to be adopted to the sensitivity of the textile. Wet cleaning: Mechanics Temperature Sensitive textiles: Time: limited Chemicals Wet cleaning – Machine Washing Wet Cleaning Process 60 % load factor Drum design Less threads penetrate the drum • Less mechanical stress • Lower shrinkage • More gentle Wet cleaning For a proven, innovative, and environmental friendly process ! GREW LIVED MAN MADE TEA SALIVA LIPSTICK COFFEE BLOOD NAIL VARNISH FRUIT JUICE SWEAT MASCARA COLA TEARS OIL GRASS URINE PAINT WINE MILK SHOE POLISH MUSTARD CREAM BIRO CURRY VOMIT GLUE POLLEN ICE CREAM GREASE BEETROOT YOGHURT MAKE UP MILDEW EGG TAR TANNIN PROTEIN SYNTHETIC ACID ALKALI OIL/COAL WET WET DRY Safe Stain Removal Colour Loss Heavily Spotted Silk Wedding Dress PROGRAM : WET CARE SILK WET CARE SENSITIVE/LANDOL DRY WET CARE INTENSIVE FIBRES MINERAL NATURAL MAN-MADE ASBESTOS METAL GLASS LUREX CELLULOSIC ANIMAL RAYON VEGETABLE REGENERATED DERIVED SPUN SILK HAIR POLYESTER OTHER SEED STEM LEAF WOOL ACETATE VISCOSE TERYLENE PVC COTTON LINEN RAYON POLYCARBAMIDE BEMBERG DACRON TUSSAH SISAL CRIMPLENE POLYPROPYLENE CAMEL CUPRO WILDSILK MICRO- POLYURETHANE LLAMA RAMIE MODAL KAPOK FIBRE ELASTANE GOAT LYOCEL SPANDEX ALPACA TENCEL BAMBOO POLYAMIDE LYCRA VICUNA MOHAIR NYLON POLYACRYLIC CASHMERE CELON MOD-ACRYLIC ANGORA ENKALON ACRILAN ORLAN ACRYLIC COURTELLE Stain – Fabric – Construction – Process - Mechanical Action – Detergent - Drying - Finishing Textiles – Professional Care, Dry Cleaning and Wet Cleaning of fabrics and garments ISO 3175 Defines Testing Procedures for Care Labelling ISO 3758 Textile Care Labels with Symbols ISO 3175 - 1 General Test Criteria Cleaning and Finish“ - 2 Perchloroethylene - 3 Hydrocarbon - 4 Wet Cleaning Wet Cleaning is a professional, aqueous cleaning process for sensitive and non washable textiles DIN EN ISO 3758 Textile Care Symbols (domestic) DIN EN ISO 3758 Textile Care Symbols (domestic) Professional wet cleaning Normal process Professional wet cleaning Mild process Professional wet cleaning Very Mild process Summary Wet cleaning is proven in practical use Professional Cleaners are able to expand their service Wet cleaning fulfils customer expectations Ecological advantages Less restrictions for installation Environmental friendly Economic Safe investment into the future [email protected] 07776164164.
Recommended publications
  • Fashion in The
    1 Sheffield U3A 1960s Fashion Project: What We Wore Sheffield U3A 60s Project 2018 – Fashion Group narrative 2 This document has been compiled by members of the Sheffield University of the Third Age (SU3A) who formed a Fashion Group as part of a wider Remembering the 1960s project. The group met regularly during 2018, sharing memories, photographs and often actual items of clothing that they wore during the 1960s, when most of the group were teenagers or young adults. The 1960s was a very exciting time to be a young fashion-conscious person, with most having enough spare cash to enjoy the many new styles pouring out of the waves of creativity which characterised the decade in so many ways. New easy-care fabrics became available, and cloth was still cheap enough to enable most women to copy the latest designs by making garments at home. In fact, the ubiquity of home-dressmaking was a key factor which emerged from our project and represents one of the biggest changes in everyday clothing between the 1960s and 50 years later. In those days almost every family had someone skilful enough make their own garments, and doing so was generally less expensive than buying clothing. Many books and a wealth of information and online resources are now available for students of 1960s fashion history and it is not our intention here to repeat that well-documented narrative. Instead we wanted to tell our own stories and record our personal recollections of our favourite outfits and memories associated with them. We did this by sharing and talking about our photographs, by showing each other garments and accessories we have kept and treasured, by reminiscing, and by writing up those reminiscences.
    [Show full text]
  • Swiss Textile News
    Swiss textile news Autor(en): [s.n.] Objekttyp: Article Zeitschrift: Textiles suisses [Édition multilingue] Band (Jahr): - (1968) Heft 3 PDF erstellt am: 27.09.2021 Persistenter Link: http://doi.org/10.5169/seals-796705 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch 9th European Fashion Schools Contest in Pratica-Orlon Club in Switzerland St. Gall The St. Gall embroidery and fine cotton fabrics On the initiative of Schappe Co. Ltd., in Basle, manufacturers have realised that to keep and with the backing of Du Pont de Nemours youthful, one has to mix with youth. And each in Geneva, three Swiss sock manufacturers year they give a practical demonstration of this F.
    [Show full text]
  • To Consignors Hip Color & No
    Index to Consignors Hip Color & No. Sex Name, Year Foaled Sire Dam Barn 5 Consigned by Amende Place (Lee McMillin), Agent I Broodmare 3231 gr/ro. m. Onda Ray, 2000 On Target Double Down Eleven Barn 2 Consigned by Anderson Farms, Agent Broodmares 3055 b. m. Capacity, 1998 Capote Rare Opportunity 3287 ch. m. Selborne, 1999 French Deputy Duchess Zea Racing or broodmare prospect 3158 dk. b./br. f. It's Outta Here, 2002 Grand Slam De La Cat Weanling 3026 ch. c. unnamed, 2006 E Dubai Baraha Barn 2 Consigned by Anderson Farms, Agent for Sam-Son Farm Broodmare 2996 b. m. Windstruck, 2001 Smart Strike Wilderness Hush Barn 25 Consigned by Ashview Farm (Mr. and Mrs. Wayne G. Lyster III), Agent Broodmares 3420 ch. m. Blastoise, 1998 Mt. Livermore Jurupa 3604 b. m. Mambo Quest, 2002 Kingmambo Vindicate 3625 dk. b./br. m. Morning Splendor, 1995 Broad Brush There Are Rainbows Broodmare prospect 3511 dk. b./br. f. Flip Cat, 2004 Maria's Mon Selina Kyle Weanlings 3421 b. c. unnamed, 2006 Military Blastoise 3626 dk. b./br. f. unnamed, 2006 Hold That Tiger Morning Splendor Barn 26 Consigned by Asmussen Horse Center, Agent Broodmare prospect 3457 ch. f. Coronado Rose, 2002 Coronado's Quest Lakabi Racing or broodmare prospect 3458 ch. f. Coronado Swinger, 2004 Coronado's Quest My Swinger Racing or stallion prospect 3771 b. c. Primal Storm, 2002 Storm Boot Primistal Barn 9 Consigned by Aspendell, Agent Weanling 3276 dk. b./br. c. unnamed, 2006 Ocean Terrace Rezister Barn 24 Property of F. Gill Aulick (Cedar Point Farm) Weanling 3609 b.
    [Show full text]
  • Legenden Und Informationen = Légendes Et Informations = Captions and Informations
    Legenden und Informationen = Légendes et informations = Captions and informations Objekttyp: Group Zeitschrift: Élégance suisse Band (Jahr): - (1969) Heft 2 PDF erstellt am: 10.10.2021 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Legenden und Informationen Légendes et informations Captions and informations 97 (illielleiM H AIM DSCHI IM & ROIMUS AG WIRKWARENFABRIK VICTOR TANNER AG 4410 Liestal I I A k. VOLLMOELLER AG Fürstenlandstrasse 159 Thiiimt^ Tel.(061) 841211 HAINKO Bahnstrasse 23 (Fashion) 9014 St. Gallen 8610 Uster Tel. (071) 27 3212 Tel. (051) 87 22 22 Seiten/Pages 8/9 Seiten/Pages 10/11 Showroom: Firma Adolf Preisig, Bleicherweg 33, 8002 Zürich, Tel.
    [Show full text]
  • Folk Dress As a Cultural Phenomenon
    Atlas of Polish Folk Costume Special Issue FOLK DRESS AS A CULTURAL PHENOMENON Scientific editors ANNA WERONIKA BRZEZIŃSKA MARIOLA TYMOCHOWICZ POLISH ETHNOLOGICAL SOCIETY Wrocław 2013 ATLAS OF POLISH FOLK COSTUME published by the Polish Ethnological Society, ul. Fryderyka Joliot-Curie 12, 50-383 Wrocław, phone +48 375 75 83, phone/fax +48 71 375 75 84, e-mail: [email protected], www.ptl.info.pl Editor-in-chief: Anna Weronika Brzezińska Deputy editor: Justyna Słomska-Nowak Secretary editor: Mariola Tymochowicz Translators: Anna Jelec Anna Broniarek Agnieszka Marciniak Aleksandra Iwasiewicz Scientific supervision in Polish: Anna Weronika Brzezińska Mariola Tymochowicz Scientific supervision in English: Anna Weronika Brzezińska Kinga Czerwińska Reviewers: Irena Bukowska-Floreńska Katarzyna Marciniak Publishing editor: Justyna Słomska-Nowak Graphic design and typesetting: Katarzyna Tużylak Cover graphics: Julia Anastazja Sienkiewicz-Wilowska Translation of the book into English financed by the Ministry of Science and Higher Education © Copyright by Polskie Towarzystwo Ludoznawcze and Renata Bartnik, Anna Weronika Brzezińska, Hubert Czachowski, Kin- ga Czerwińska, Anna Czyżewska, Jolanta Dragan, Sylwia Geelhaar, Hanna Golla, Barbara Hołub, Katarzyna Ignas, Małgorzata Imiołek, Izabela Jasińska, Janusz Kamocki, Tymoteusz Krol, Małgorzata Kunecka, Małgorzata Kurtyka, Magdalena Kwiecińska, Agnieszka Ławicka, Joanna Minksztym, Alicja Mironiuk-Nikolska, Aleksandra Paprot, Elżbieta Piskorz-Branekova, Ludmiła Ponomar, Justyna Słomska-Nowak, Stanisława
    [Show full text]
  • Clothing Textiles
    MINISTRY OF EDUCATION REPUBLIC OF GHANA TEACHING SYLLABUS FOR CLOTHING AND TEXTILES (SENIOR HIGH SCHOOL 1 – 3) Enquiries and comments on this syllabus should be addressed to: The Director Curriculum Research and Development Division (CRDD) P. O. Box 2739 Accra, Ghana Tel: 0302-683668 0302-683651 September, 2010 TEACHING SYLLABUS FOR CLOTHING AND TEXTILES (Senior High School) RATIONALE FOR TEACHING CLOTHING AND TEXTILES A major objective of the Ghanaian educational system is to equip individuals with employable skills to enable them contribute meaningfully towards the development of the nation. Consequently, the main aim of teaching Clothing and Textiles is to train students to acquire knowledge and skills in clothing production and management. Thus the Clothing and Textiles Syllabus aims at providing students with experiences that will develop their competences in textiles selection and use, and clothing production and management. GENERAL AIMS By the end of year 3, students will: 1. acquire basic scientific knowledge in textiles fibres. 2. recognize the significance of clothing and its management. 3. develop skills in the selection, use and maintenance of equipment for sewing. 4. appreciate the creative use of fabrics in clothing production. 5. develop clothing production skills. 6. develop appropriate work ethics in the textiles and clothing industry. 7. acquire skills in the repair and renovation of clothing and care of clothes. 8. acquire skills in selecting appropriate clothing for different occasions. 9. become aware of career opportunities in textiles and clothing. SCOPE OF CONTENT The Clothing and Textiles programme has been designed in such a way as to offer skills that are terminal and can be put to immediate use.
    [Show full text]
  • Functional to Fashionable: Knitwear's Evolution Throughout the Last Century and Into the Millennium
    Volume 5, Issue 4, Fall 2007 Functional to Fas hionable: Knitwear’s Evolution throughout the Last Century and into the Millennium Dr J. Power MA BSc ATI CtexT ILTM Senior Lecturer in Fashion Technology Manchester Metropolitan University Manchester [email protected] ABSTRACT Since the days of the humble hose, knitwear has expanded into a revolutionary industry that is classified within the high fashion category. This paper presents an investigation into knitwear’s evolution, which can only be described as remarkable from functional items of clothing to fashionable cutting edge styling utilizing the most advanced technology. The first obvious sign of knitwear changing its role from functional to fashionable, occurred during the latter part of the 19th century and the early part of the 20th century, and since then knitwear has never looked back. The 1920s brought about the birth of the classic twin -set promoted strongly by the English gentry and reinforced by a huge advertising campaign that pushed knitwear irrevocably to the forefront of fashion. The 30s remained quiet in terms of knitted fashion whilst the knitwear industry struggled to survive against the cheaper foreign imports. By the mid 30s the industry had recovered and had become ever more directional. However, it was not until after the second world war that a strong push was made in terms of design education to promote knitwear as a fashion item in its own right (rather than a mere accessory). Post the Second World War, fabric was in abundance and the classic knitted twin-set once again became high fashion with American film stars promoting the sophisticated image of knit.
    [Show full text]
  • OCCASION This Publication Has Been Made Available to the Public on The
    OCCASION This publication has been made available to the public on the occasion of the 50th anniversary of the United Nations Industrial Development Organisation. DISCLAIMER This document has been produced without formal United Nations editing. The designations employed and the presentation of the material in this document do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations Industrial Development Organization (UNIDO) concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries, or its economic system or degree of development. Designations such as “developed”, “industrialized” and “developing” are intended for statistical convenience and do not necessarily express a judgment about the stage reached by a particular country or area in the development process. Mention of firm names or commercial products does not constitute an endorsement by UNIDO. FAIR USE POLICY Any part of this publication may be quoted and referenced for educational and research purposes without additional permission from UNIDO. However, those who make use of quoting and referencing this publication are requested to follow the Fair Use Policy of giving due credit to UNIDO. CONTACT Please contact [email protected] for further information concerning UNIDO publications. For more information about UNIDO, please visit us at www.unido.org UNITED NATIONS INDUSTRIAL DEVELOPMENT ORGANIZATION Vienna International Centre, P.O. Box 300, 1400 Vienna, Austria Tel: (+43-1) 26026-0 · www.unido.org · [email protected] J£o tv ' TRAINING FOR INDUSTRY SERIES NO. 3 THE IJÓDÉ TEXTILE SEMINARS 1.
    [Show full text]
  • THE UNIVERSITY of HULL Fair Game for the Whole
    THE UNIVERSITY OF HULL Fair Game for the Whole Hog: celebrating abjection and puerility in a comic novel being a Thesis submitted for the Degree of PhD in the University of Hull by Jim Younger BA (York) Cert Ed (Garnett College) October 2011 CONTENTS Page 3 – Fair Game for the Whole Hog (a novel) Page 249 – Commentary Page 312 - Bibliography 2 COME ASHORE JOLLY TAR AND YOUR TROUSERS ON Where we live, we’re out of the way. The track turns to the river, drops, and vanishes into the estuary mud - or estuary water, depending on the tide. On the night we slaughtered the last of the summer porkers the tide was running full when brother Daz came home safe from the war and his ditty-box of treasures hoisted on his shoulder. Pappy Barking and me were sledging a most unhappy piglet over to the Doughnut when we heard Daz’s cheery whistle below on the track - causing us to pause, cock an ear, and look seaward. Out in the estuary, in the deep purple gloaming, we traced the shadow line of his darkened ship. A signal lamp winked amber. Up from the river, out of the shadow, Daz came bowling toward us, free hand raised in salute. ‘Proper job,’ said one-eyed Pappy Barking, ‘dropping you right by your door.’ ‘Britannia owes me,’ said Daz. Baco and Ham snuffled in the sties - original parents of thousands or more, so the Breed Book tells. Baco and Ham wept for the last of the present litter, but Ham was noisiest.
    [Show full text]
  • Download Document
    TRANSCRIPT Article from St Michael News Spring 1967 SWINGING into SPRING WITH St Michael DRESSES – The vivid impact of this season’s St Michael collection has been brought about by the application of selected styles to a wide range of brilliantly coloured, care-free and easy care fabrics. For the first time young styles in young colours have been carried over into the larger sizes, 20, 22 and 24, in many of the major Crimplene lines. JUNIOR MISSES have a range of their own this year. This is not a jumped up child’s department line, or a watered down version of the adult range. The St Michael Junior Miss styles are designed to suit the very special tastes and figures of the in-betweens. SUITS – Suits will be available in two and three-piece styles in Crimplene and two-piece styles in bonded checks with Tricel lining. Major stores. Left Long-sleeved lines foulard dress, sizes 12 to 20, 69s 11d. Centre Sleeveless dress in Crimplene, 12 to 18, 79s 11d. Right Semi-fitted dress in lined printed Terylene lawn, 10 to 16, 79s 11d. Twin styling in Tricel georgette, 12 to 20, plain fabric 69s 11d. printed 79s 11d. Both lined. Left Terylene nylon gingham dress, lined, sizes 12 to 20, 69s 11d. Right Semi-fitted dress in rayon Caprice, with deep cowl collar, 12 to 18, 59s 11d. Three-piece suit in Crimplene, 12 to 20, 150s. SHOWERPROOF COATS – Terylene-cotton is the major development, tailored in the striking, softly angular styling of today’s look; an all-store line.
    [Show full text]
  • Identifying Fibres and Fabrics DATS in Partnership with the V&A
    Identifying Fibres and Fabrics DATS in partnership with the V&A Identifying Fibres and Fabrics Dress and Textile Specialists Back to Basics workshop: Identifying and Understanding Textiles 16 March 2012 Mary M Brooks PhD MA DMS DipTexCons FIIC ARC Consultant, Museums, Conservation and Textiles DATS Back to Basics Identifying Fibres and Fabrics Workshop March 2011 Text copyright © Mary M Brooks Unless otherwise noted, all images are © author’s private collection. Identifying Fibres and Fabrics Contents 1. Introduction and Learning Outcomes 2. Timetable 3. Fibres in Public (small group work) 4. Looking at Fibres a. Natural fibres b. Man-made fibres 5. Introduction to Fabric Structures a. Woven fabric structures b. Non-woven fabric structures 6. Introduction to Microscopy 7. Glossary 8. Further Reading 9. Web Resources 10. Acknowledgements 1. Introduction and Learning Outcomes This workshop aims to introduce participants to basic approaches in identifying fibres and fabrics using simple microscopy. By the completion of the workshop participants should be able to: Distinguish common fibre types Understand processes used in forming simple yarns and fabrics from fibres Identify some common simple yarn and fabric construction techniques Understand how different fibres degrade and how textile construction affects degradation Undertake simple fibre microscopy Undertake simple documentation of yarns and fabric structures 2. Timetable 10:30 – 10.30 Welcome and outline of the day 10:30 – 11:30 Introduction to fibres and fabrics Why do we care? Why does it matter? 11:30 – 12:30 Fibres in public (small group work) Identification of fibres and fabrics in the galleries; feedback and discussion 12:30 – 13:30 Lunch 13:30 – 14:15 Introduction to fibre identification and simple microscopy 14:15 – 14:45 Identifying fibres using microscopy (small group work) Using microscopes to identify main fibre types 14.45 – 15.00 Break 15.00 – 15.30 Understanding yarns and simple weave structures 15:30 – 16:00 Round up and evaluation 1 3.
    [Show full text]
  • Internacional 2017.Pmd
    IILeilão Internacional/ SELEÇÃO A PARTIR DESTE ANO, FICA ESTABELECIDA A SEMANA DO DERBY GAÚCHO COMO A DATA ANUAL DO Leilão Internacional OS PRODUTOS DESTE LEILÃO DISPUTARÃO, EM 2018, NUM ÚNICO DIA NO HIPÓDROMO DO CRISTAL, 3 PROVAS, COM BOLSA GLOBAL ESTIMADA EM R$ 100.000,00 (CEM MIL REAIS): Taça Taça Taça Leilão Leilão Leilão Internacional Internacional Internacional Sprint Classic *machos* Classic *fêmeas* DATA = 28 de Abril de 2018 DATA = 28 de Abril de 2018 DATA = 28 de Abril de 2018 (“Derby Day) (“Derby Day) (“Derby Day) LOCAL = Hipódromo do Cristal LOCAL = Hipódromo do Cristal LOCAL = Hipódromo do Cristal BOLSA PREVISTA = BOLSA PREVISTA = BOLSA PREVISTA = R$ 33.000,00 R$ 33.000,00 R$ 33.000,00 (33% do total arrecadado) (33% do total arrecadado) (33% do total arrecadado) Distância = 700 metros Distância = 1.300 metros Distância = 1.300 metros Classe = Produtos Classe = Produtos Classe = Produtos credenciados pelo credenciados pelo credenciados pelo II Leilão Internacional II Leilão Internacional II Leilão Internacional *O credenciamento/inscrição se dará da mesma forma que no ano passado: um pagamento único de R$ 1.500, em favor do Jockey Club do Rio Grande do Sul, através de Nota Promissória com vencimento 90 dias após o leilão. Obrigatório para animais vendidos, opcional para animais defendidos. As 3 provas acima terão a premiação normal de eliminatória oferecida pelo Jockey Club do Rio Grande do Sul. Os valores arrecadados através do Leilão Internacional serão agregados como bônus, sendo destinados deste total 80% AO PROPRIETÁRIO, 10% AO CRIADOR, e 10% AO TREINADOR. As referidas provas poderão aceitar animais não credenciados pelo Leilão Internacional até o limite do partidor, desde que o total de inscritos através do leilão não seja suficiente, porém todos os BÔNUS acima serão sempre destinados ao animal credenciado pelo leilão que obtenha a melhor colocação em cada uma das 3 provas: Taça Leilão Internacional SPRINT e as 2 versões CLASSIC – machos e fêmeas.
    [Show full text]