Knits in Western Europe Their Impact on Cotton

Total Page:16

File Type:pdf, Size:1020Kb

Knits in Western Europe Their Impact on Cotton UNI TED STATE S DEPARTMENT or AGRI CULTURE FORE I GNAGRI CULTURAL SER'I CE WAS G ND HI NO C 2 2 0 50 T , . ' E R RNA T U M ' Kn it s i n We s t er n Enr Ope -Th e i r I mpa c t on Co t ton FAS M- z sz P e C s m s e d m e a g 8 h a r t capt id ne a c r o s bot to hou ld r a fr o l f t , ' A e We e I un t d K n d m l l count r i s , s t G r many , t a ly , i e i g o , N nd B e m eth er la nd , a l g iu . P e en e numbe s t l e t h ou ld r e d 8 0 9 40 r c ta g r a f s a , , 9 , , 2 0 , a nd o. P r efa ce h e chni u ofkni in a r n i ui Th e b eginnings oft te q e tt g e lost in a t q ty . Th e principles of hand knitting as a fabric-form ing process a a h av b n known for c n uri s. I n r his ori im s ppe r to e ee e t e p e t c t e , w f kni in M ch aniz a io o n ets were m ad e ith a typ e o tt g stit ch . e t n f th ss how v r o ccurr d m uch la r h an th e pro ce , e e , e te t e w a in lo m . A cura h e v . W d ev elopm ent of the e v g o t e, t R e illiam n land is n rall cr di d wi h in en in th e firs Lee of E g , ge e y e t e t v t g t kn in m achine in 1 589. This m a chine could kni s o kin itt g , t t c gs; equipm ent like it was used sub st a ntially unchanged for ab out e d of th e 1 sth cen r r r 200 y ears. B y th en t u y, the ota y fram e and w arp fram e h ad appeared ; m ech anical circular knitting was nv r nd A w er-d riv en m i ented a ou 1 81 6 . po achine capable of sh aping garm ents as th ey were b eing knitt ed was inv ent ed b y ’ W illi n s an his d m a m Cott on i 1 869 , d t evelop ent m ad e possible - full fashioned knit apparel. The warp knitting m a chine was ’ inv 0 ented also in th e 1 86 s. From these beginnings h as arisen an im portant sect or of m od rn x il ind us ries th e w orld v r wh os rowth in e te t e t o e , e g th e as d cad has be n nothin sh ort of h n m l p t e e e g (p e o ena . This report will a tt em pt to set forth and analyz e th ese ’ d e v elo pm ent s and to evaluat e cott on s fut ure role in this im or an se m en of the x ile ind us r in W es ern E ur p t t g t te t t y t ope. C o n t en t s S U M M A R Y C H A R A C TER IS TI C S OF K N ITTI N G I N D U STR Y Types of knit s D ev el opm ent of th e industry Characteristics by cou ntry Products of knitgood s ind ustry G R O WTH OF K N ITS Y arn cons um ption by fiber type Fact ors fost erin g growt h of knit s M anm ade fi b er prod ucers K nitting m achinery prod ucers K nitters and apparel m anufa ct urers Consum ers R ole of International I nstit ute for Cotton M AN U FA CT U R I N G A S P E C TS Y arns for knitting Cotton yarns i n N yl on , p olyester, acryl c, ble ds Te xt ured Other m anm ade yarns K nittin g m achinery dev elopm ent s Cost com parisons Problem s of knits Yarn probl em s ’ B arr e and other knittin g d efects Di m ensional stability S hrinkage i i n Bleachi ng, dye ng, pr nti g ’ Apparel m aker s problem s ’ Consum ers probl em s I NTER FIB ER R ELATION S H I P S INEND - PR OD U CTS cki h S to n gs , pantyhose, ose Fabrics U nderw ear O uterw ear S hirt s ’ m n i s d sses bl us W o e s s u t , re , o es ’ e sui M en s slacks, jack ts, ts H o useh ol d item s I nd ustrial item s O UTLOO K ' u ly 1 9 73 T H R I M PA CT ONco E I r m s c k t n e , C o to D iv isio n SUM M ARY 10 12 knit ood s Over the past to years , g have manufacturers to extend the use of manmade fi bers in constituted an ever- i ncreasing porti on of total textile knits and have promoted manmade fi ber knitg ood s production in Western Europe . at the consumer level . ’ l96os knit ood s R Pri or to the , the g industry of ecognizing the challenge to cotton consumpti on Western Europe largely produced fi ni shed garments , arisi ng from the growth of knits mainly of manmade l whereas in the recent past it has put greater emphasis fi bers , the Internati onal Institute for Cotton ( 11C ) on the producti on of fabrics . Although a su bstantial has di rected an increased proporti on of its research porti on of the knitting i ndustry still produces tradi and development funds i nto overcoming the pro tional — blem s items sweaters , st ocki ngs , socks , gl oves , and confronting cott on mainly in the knit outer — It underwear the character of the i ndustry has wear market . has fostered research on new types of In changed d ramatically . additi on , s ome textile firms cotton yarns and treatments and techniques t o deal whose traditional busi ness has been solely in woven with shrinkage and dimensi onal stability of cotton 1 . 1 C goods have added knitti ng equipment and expanded fabrics In additi on , the has placed emp hasi s on o i nto the producti on of knit fabrics . promoti on of cott n knit products in Western The m ost imp ortant single change occurring in European program countries . knits has been the development of knit fabri cs of Traditi onally utilized for knit items such as socks , out r varied characteristics suitable for and sewn sport shi ts , and underwear , regular cott on yarns can ’ ’ ap parel , particularly men s and women s outerwear , be pro cessed readily on practi cally all types of equip t whi ch had formerly been mad e almost exclusively of ment o her than tricot type warp knitting machi nes . “ woven fabrics . This phenomenon rested upon the H owever , they have a num ber of technical parallel improvement of knitti ng equipment and di sadvantages when processed on some types of knit manmade fi ber yarns of all types , parti cularly equipment . For these , cott on yarns must be pliable , textured yarns . A seri ous problem from the stand elasti c , extra fine , and st rong ; as a consequence , their of fi point cotton interests i s that , for a number of cost may be greater than alternative manmade ber reas ons , cotton has not shared in the growth of knits . yarns that can be used . M - oreover , some of the maj or end use markets for While it is diffi cult to make cost comparisons - both cotton and wool have been eroded by knit pro between knit and woven end products , it appears that ducts of manmade fi bers . there is no overwhelmi ng cost advantage to either , 1 1 196 1 1971 ehain The years , to inclusive , have been a and that the choice between them al ong the of peri od of active growth wherein , based on yarn con distri buti on will turn on other economi c considera sumpti on , the knitting indu stries of Western Europe ti ons and on fashi on elements . 1 i have expanded more than 00 percent . The increase Although the growth of k nits has been noth ng ' in several countries has been m ore than double the short of phenomenal , there conti nue to be many Western European average . In total , Western Europe problems in their production and use . It is li kely that is a net exporter of knit textiles , but imports of knit manmade fi ber producers , knitters , and apparel 1 7 9 0 .
Recommended publications
  • Optimisation of the Warp Yarn Tension on a Warp Knitting Machine
    AUTEX Research Journal, Vol. 12, No2, June 2012 © AUTEX OPTIMISATION OF THE WARP YARN TENSION ON A WARP KNITTING MACHINE Vivienne Pohlen, Andreas Schnabel, Florian Neumann, Thomas Gries Institut für Textiltechnik der RWTH Aachen University, Germany Otto-Blumenthal-Str. 1, D-52074 Aachen, Phone: +49 (0)241 80 23462, Fax: +49 (0)241 80 22422, E-Mail: [email protected], [email protected] Abstract: Investigations (calculations) based on a warp yarn tension analysis on a warp knitting machine with multiaxial weft yarn insertion allow prospective reduced yarn tension differences in technical warp knits. From this a future opportunity is provided to substitute the subjective warp let-off adjustment by a model of tension control. The outcome of this is a higher reproducibility with associated increasing process reliability and rising product quality. Key words: Multiaxial fabric, non-crimp fabric (NCF), warp knitting machine, warp yarn tension, yarn tension control. Initial situation warp knitted glass or carbon fibre layers. These are made on warp knitting machines with multiaxial weft insertion. These Increasing political pressure is demanding that industry now enable the production of NCFs for different applications by always produces environmentally sound products. The adjusting several parameters. automobile sector is developing more powerful, lighter electric vehicles (e.g. Megacity Vehicle, MCV). The MCV of BMW in A detailed study regarding various adjustable parameters on cooperation with SGL Automotive Carbon Fibers is based upon such a machine has not occurred in previous works. A basis a composite construction of steel, aluminium, and CFRP for this is provided by warp tension studies on conventional (carbon fibre reinforced plastic) of 40% [1].
    [Show full text]
  • Formulating Equations for Warp Knitted Structures (Fabrics) Notations Design Area
    Published by : International Journal of Engineering Research & Technology (IJERT) http://www.ijert.org ISSN: 2278-0181 Vol. 5 Issue 03, March-2016 Formulating Equations for Warp Knitted Structures (Fabrics) Notations Design Area Dereje Berihun Sitotaw Textile Engineering Ethiopian institute of Textile and Fashion Technology, Bahir Dar University, Bahir Dar, Ethiopia Abstract— this formula is developed to solve the problems In warp knitting the fabric is produced by the developments of repeated mistakes during the notations of warp knitted of lap instead of loop in weft knitting for it is formed by structures. Notation of warp knitted fabrics is not easy lapping movement of warp yarn guide. The lappings are two like that of weft knitted fabrics. The degree of shifting, types depending of the movement of guide bar with yarn design areas, numbers of overlaps are the main things relative to needle surface and termed as overlap and considered during warp knitted fabrics designing. The underlap. Overlap is the lateral movement of the guide bars formula was developed by considering degree of wale on the beard or hook side of the needle. This movement is shift and number of overlaps in one line in the knitted normally restricted to one needle space. Underlap is the fabrics/structure. The formula will help warp knit lateral movement of the guide bars on the side of the needle designers particularly for those designing without remote from the hook or beard. This movement is limited software. The formulation was done by analyzing only by the mechanical considerations. It is the connection different types of warp knit structures.
    [Show full text]
  • KNITTING Definition Statement Relationship Between Large Subject
    D04B KNITTING Definition statement This subclass/group covers: weft knitting machines are covered by D04B 7/00 to D04B 13/00, details of, or auxiliary devices incorporated in such machines are covered by D04B 15/00 and articles made by such machines are covered by D04B 1/00 warp knitting machines are covered by D04B 23/00 to D04B 25/00, details of, or auxiliary devices incorporated in such machines are covered by D04B 27/00 and articles made by such machines are covered by D04B 21/00 details of, or auxiliary devices incorporated in knitting machines not limited to a specific kind of knitting machine are covered by D04B 35/00 miscellaneous knitting machines and articles made by such machines are covered by D04B 39/00 hand knitting equipment is covered by D04B 3/00, D04B 5/00 and D04B 33/00 auxiliary apparatuses or devices for use with knitting machines are covered by D04B 37/00 or for hand knitting equipment are covered by D04B 17/00, D04B 19/00 and D04B 31/00 Relationship between large subject matter areas The difference between the subclass D04B and B32B5 is as follows:layered products including knitted products as such should be classified in B32B5 only; layered products formed by a knitting process featuring specified patterns or information on the composition of the knit article should be classified in D04B. Note that such products may comprise additional coated faces. References relevant to classification in this subclass This subclass/group does not cover: Layered products (i.e. laminates) B32B 5/00 including knitted articles 1 Knitted products of unspecified A41A61F structure or composition, e.g.
    [Show full text]
  • Textile Design: a Suggested Program Guide
    DOCUMENT RESUME CI 003 141 ED 102 409 95 Program Guide.Fashion TITLE Textile Design: A Suggested Industry Series No. 3. Fashion Inst. of Tech.,New York, N.T. INSTITUTION Education SPONS AGENCY Bureau of Adult,Vocational, and Technictl (DREW /OE), Washington,D.C. PUB DATE 73 in Fashion Industry NOTE 121p.; For other documents Series, see CB 003139-142 and CB 003 621 Printing AVAILABLE FROM Superintendent of Documents,U.S. Government Office, Washington, D.C.20402 EDRS PRICE NP -$0.76 HC-$5.70 PLUS POSTAGE Behavioral Objectives; DESCRIPTORS Adult, Vocational Education; Career Ladders; *CurriculumGuides; *Design; Design Crafts; EducationalEquipment; Employment Opportunities; InstructionalMaterials; *Job Training; Needle Trades;*Occupational Rome Economics; OccupationalInformation; Program Development; ResourceGuides; Resource Units; Secondary Education;Skill Development;*Textiles Instruction IDENTIFIERS *Fashion Industry ABSTRACT The textile designguide is the third of aseries of resource guidesencompassing the various five interrelated program guide is disensions of the fashionindustry. The job-preparatory conceived to provide youthand adults withintensive preparation for and also with careeradvancement initial entry esploysent jobs within the textile opportunities withinspecific categories of provides an overviewof the textiledesign field, industry. The guide required of workers. It occupational opportunities,and cospetencies contains outlines of areasof instruction whichinclude objectives to suggestions for learning be achieved,teaching
    [Show full text]
  • Mary Walker Phillips: “Creative Knitting” and the Cranbrook Experience
    Mary Walker Phillips: “Creative Knitting” and the Cranbrook Experience Jennifer L. Lindsay Submitted in partial fulfillment of the requirements for the degree Master of Arts in the History of Decorative Arts Masters Program in the History of Decorative Arts The Smithsonian Associates and Corcoran College of Art + Design 2010 ©2010 Jennifer Laurel Lindsay All Rights Reserved TABLE OF CONTENTS LIST OF ILLUSTRATIONS.............................................................................................iii PREFACE........................................................................................................................... x ACKNOWLDGEMENTS ............................................................................................... xiv INTRODUCTION .............................................................................................................. 1 CHAPTER 1. CRANBROOK: “[A] RESEARCH INSTITUTION OF CREATIVE ART”............................................................................................................ 11 Part 1. Founding the Cranbrook Academy of Art............................................................. 11 Section 1. Origins of the Academy....................................................................... 11 Section 2. A Curriculum for Modern Artists in Modern Times ........................... 16 Section 3. Cranbrook’s Landscape and Architecture: “A Total Work of Art”.... 20 Part 2. History of Weaving and Textiles at Cranbrook..................................................... 23
    [Show full text]
  • 19. Principles of Yarn Requirements for Knitting
    19. Principles of Yarn Requirements for Knitting Errol Wood Learning objectives On completion of this lecture you should be able to: • Describe the general methods of forming textile fabrics; • Outline the fibre and yarn requirements for machine knitwear • Describe the steps in manufacturing and preparing yarn for knitting Key terms and concepts Weft knitting, warp knitting, fibres, fibre diameter, worsted system, yarn count, steaming, clearing, winding, lubrication, needle loop, sinker loop, courses, wales, latch needle, bearded needle Introduction Knitting as a method of converting yarn into fabric begins with the bending of the yarn into either weft or warp loops. These loops are then intermeshed with other loops of the same open or closed configuration in either a horizontal or vertical direction. These directions correspond respectively to the two basic forms of knitting technology – weft and warp knitting. In recent decades few sectors of the textile industry have grown as rapidly as the machine knitting industry. Advances in knitting technologies and fibres have led to a diverse range of products on the market, from high quality apparel to industrial textiles. The knitting industry can be divided into four groups – fully fashioned, flat knitting, circular knitting and warp knitting. Within the wool industry both fully fashioned and flat knitting are widely used. Circular knitting is limited to certain markets and warp knitting is seldom used for wool. This lecture covers the fibre and yarn requirements for knitting, and explains the formation of knitted structures. A number of texts are useful as general references for this lecture; (Wignall, 1964), (Gohl and Vilensky, 1985) and (Spencer, 1986).
    [Show full text]
  • Fashion in The
    1 Sheffield U3A 1960s Fashion Project: What We Wore Sheffield U3A 60s Project 2018 – Fashion Group narrative 2 This document has been compiled by members of the Sheffield University of the Third Age (SU3A) who formed a Fashion Group as part of a wider Remembering the 1960s project. The group met regularly during 2018, sharing memories, photographs and often actual items of clothing that they wore during the 1960s, when most of the group were teenagers or young adults. The 1960s was a very exciting time to be a young fashion-conscious person, with most having enough spare cash to enjoy the many new styles pouring out of the waves of creativity which characterised the decade in so many ways. New easy-care fabrics became available, and cloth was still cheap enough to enable most women to copy the latest designs by making garments at home. In fact, the ubiquity of home-dressmaking was a key factor which emerged from our project and represents one of the biggest changes in everyday clothing between the 1960s and 50 years later. In those days almost every family had someone skilful enough make their own garments, and doing so was generally less expensive than buying clothing. Many books and a wealth of information and online resources are now available for students of 1960s fashion history and it is not our intention here to repeat that well-documented narrative. Instead we wanted to tell our own stories and record our personal recollections of our favourite outfits and memories associated with them. We did this by sharing and talking about our photographs, by showing each other garments and accessories we have kept and treasured, by reminiscing, and by writing up those reminiscences.
    [Show full text]
  • Swiss Textile News
    Swiss textile news Autor(en): [s.n.] Objekttyp: Article Zeitschrift: Textiles suisses [Édition multilingue] Band (Jahr): - (1968) Heft 3 PDF erstellt am: 27.09.2021 Persistenter Link: http://doi.org/10.5169/seals-796705 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch 9th European Fashion Schools Contest in Pratica-Orlon Club in Switzerland St. Gall The St. Gall embroidery and fine cotton fabrics On the initiative of Schappe Co. Ltd., in Basle, manufacturers have realised that to keep and with the backing of Du Pont de Nemours youthful, one has to mix with youth. And each in Geneva, three Swiss sock manufacturers year they give a practical demonstration of this F.
    [Show full text]
  • United States Patent 19 (11) 4,395,889 Schnegg 45) Aug
    United States Patent 19 (11) 4,395,889 Schnegg 45) Aug. 2, 1983 54 WOVEN-LIKE WARP KNIT FABRC WITH TENSON CONTROL FOR TOP EFFECT OTHER PUBLICATIONS YARN Paling, “Warp Knitting Technology', 1952, London, p. 75 Inventor: Julius R. Schnegg, Burlington, N.C. 152. (73) Assignee: Burlington Industries, Inc., Primary Examiner-Ronald Feldbaum Greensboro, N.C. Attorney, Agent, or Firm-Cushman, Darby & Cushman 21 Appl. No.: 97,972 22 Filed: Nov. 28, 1979 57 ABSTRACT 51 Int. Cl’.............................................. D04B 23/08 An improved warp knit fabric that can serve as a base 52) U.S.C. ........................................ 66/193; 66/190; fabric for producing full weight, self-lined drapery ma 661202 terial as well as sheer drapery material and the process 58) Field of Search .................................. 66/190-195, and apparatus therefor. The base fabric is primarily 66/202 comprised of three groups of yarns knit together to 56 References Cited form a sheer fabric that creates the visual effect of being woven. The full weight is formed by incorporating one U.S. PATENT DOCUMENTS or more additional groups of yarns into the base fabric. 3,036,448 5/1962 Cundiff............................... 66/195X One group is added to produce a self-lining on the rear 3,084,529 4/1963 Scheibe ... ... 66/193 side of the material while another group can include a 4,197,725 4f 1980 Kohl ...................................... 66,213 “laid-in' top effect yarn. This top effect yarn can be fed FOREIGN PATENT DOCUMENTS with varying tension control so that a relatively wide 430022 8, 1967 Switzerland .......................... 66, 193 variety of effects can be created.
    [Show full text]
  • To Consignors Hip Color & No
    Index to Consignors Hip Color & No. Sex Name, Year Foaled Sire Dam Barn 5 Consigned by Amende Place (Lee McMillin), Agent I Broodmare 3231 gr/ro. m. Onda Ray, 2000 On Target Double Down Eleven Barn 2 Consigned by Anderson Farms, Agent Broodmares 3055 b. m. Capacity, 1998 Capote Rare Opportunity 3287 ch. m. Selborne, 1999 French Deputy Duchess Zea Racing or broodmare prospect 3158 dk. b./br. f. It's Outta Here, 2002 Grand Slam De La Cat Weanling 3026 ch. c. unnamed, 2006 E Dubai Baraha Barn 2 Consigned by Anderson Farms, Agent for Sam-Son Farm Broodmare 2996 b. m. Windstruck, 2001 Smart Strike Wilderness Hush Barn 25 Consigned by Ashview Farm (Mr. and Mrs. Wayne G. Lyster III), Agent Broodmares 3420 ch. m. Blastoise, 1998 Mt. Livermore Jurupa 3604 b. m. Mambo Quest, 2002 Kingmambo Vindicate 3625 dk. b./br. m. Morning Splendor, 1995 Broad Brush There Are Rainbows Broodmare prospect 3511 dk. b./br. f. Flip Cat, 2004 Maria's Mon Selina Kyle Weanlings 3421 b. c. unnamed, 2006 Military Blastoise 3626 dk. b./br. f. unnamed, 2006 Hold That Tiger Morning Splendor Barn 26 Consigned by Asmussen Horse Center, Agent Broodmare prospect 3457 ch. f. Coronado Rose, 2002 Coronado's Quest Lakabi Racing or broodmare prospect 3458 ch. f. Coronado Swinger, 2004 Coronado's Quest My Swinger Racing or stallion prospect 3771 b. c. Primal Storm, 2002 Storm Boot Primistal Barn 9 Consigned by Aspendell, Agent Weanling 3276 dk. b./br. c. unnamed, 2006 Ocean Terrace Rezister Barn 24 Property of F. Gill Aulick (Cedar Point Farm) Weanling 3609 b.
    [Show full text]
  • Part V Suppliers and Manufacturers
    BCI MEMBERS’ LIST – PART V SUPPLIERS AND MANUFACTURERS Suppliers and Manufacturers include any organisations that run for profit activity within the cotton supply chain beyond the farm gate and before retail, from buying, selling, and financing to processing. Financial Institutions Financial institutions include all commercial banks and banking groups involved in the financing of cotton production. IFC Member since: Jul 01 20 2013 Country: United States Website: www.ifc.org Cotton Traders Cotton Traders (Merchants) are traders dealing in raw cotton only. Acme International Ltd. Member since: Jul 01 2010 Country: India Website: www.acmeintl.com Anandi Entreprises Member since: Dec 01 2010 Country: India Website: www.anandi.co.in Bafna Ginning & Pressing Pvt Ltd Member since: Jun 01 2015 Country: India Website: N/A Basil Commodities Pvt. Ltd. (Basil Group) Member since: Aug 01 2012 BASIL COMMODITIES PRIVATE LIMITED (Basil Group), is based in Ahmedabad (Gujarat). Basil Group is involved in Farming, Ginning and Trading/Exports of Indian Raw Cotton (S/6, J-34, MECH,MCU- 5). We claim to be one of the reliable suppliers of quality cotton in Page 1 of 177 www.bettercotton.org Last updated 03 May 2016 domestic and international markets through our belief in implementing proper business ethics and values on Transparency, Reliability, Sunstainability and more importantly Customer Satisfaction. Country: India Website: www.thisisbasil.com Bhadresh Trading Corporation Limited Member since: Feb 01 2015 Country: India Website: N/A Bhalchandram Clothing Ltd (Lahoti Group) Member since: Sep 01 2015 Country: India Website: www.bhalchandram.com BTG Pactual Commodity (Singapore) Pte. Ltd. Member since: Feb 01 2015 Country: Singapore Website: N/A Cargill Member since: Nov 01 2012 Cargill Cotton is very proud to be one of the world's largest and oldest cotton businesses.
    [Show full text]
  • Knitting Fundamentals Figure 9-4 1X1 Rib
    I Knitting To form a fabric by the intermeshing of loops of yam. wale course Wen €hitting Loops are formed by needles knitting the yam across the width .- of the fabric. Each weft thread is fed at right angles to the direction of fabric formation. 9-2 Knrmng Fmdamentals .I Warp Knitting Loops are formed by needles knitting a series of warp yarns fed parallel to the direction of fabric formation. Wale In warp knitting all needles knit simultaneously for all yams, while in weft knitting the needles knit in sequence for each yam. Knrmngkvrdamentals 9-3 Figure 9- 1 Weft (Circular) Knitting And Warp Knitting . .I Consumer Acceptance Comfortable Pliable High extensibility Easy care properties Inexpensive Apparel, home fashion, industrial Knmtng Furdamentals 9-5 Productivity And lead lime Faster than wovens Shorter lead time, quick response 0 Smalllots Body sizes, Full fashion 9-6 KnrmngFundarnentak -I Use Of Fibers And Yarns Allfibers Allyarns Low tensions/stress allow loop formation or entrapment Knrmngkndamentals 9-7 Capital Investment Low initial cost No expensive yam preparation Small area of floor space required Few auxiliary machines needed for operation 9-8 KnrmngFcndamentals I Figure 9-2 Weft Knitting d-- -- ~nrmngFundamentals 9-9 Basic Weft Knitting Terminology 0 Wale 0 CourseCount 0 Wale Count 0 Knithop *- 0 Facehop 0 Backhop 0 Stitch 0 Tuckhop 0 Floathop e Yield L 9-10 KnltiingFundamentab i 0 CourseLength CutorGauge 0 Gaiting Timing 0 DialHeight Backhop Stitch Tuckhop Floathop Yield Wmng Fmdamentah 9-11 Figure 9-3 Jersey Knit 9-12 Knitting Fundamentals Figure 9-4 1x1 Rib KnlMng Fundamentals 9-13 Figure 9-5 The latch Needle 4J 9-14 KnlmngFundamentab I Figure 9-6 Needle Cylinder Wmng Ftndamentds 9-15 Figure 9-7 latch Needle Activation “B I 2 I 3 Figure 9-8 Typical Cam System Of Single Jersy Direction Of Needle Travel b Needle Motion Required Clearing Loop pulling 4Irr-----l c Knlttlng Fundamentals 9-17 Figure 9-9 .
    [Show full text]