NICODOM IR Polymers All Package, 6701 Spectra
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Mineral Classifications-No Links
CLASSIFYING MINERALS Minerals are divided into nine (9) broad classifications. They are typically classified based on the negatively charged (anionic) portion of their chemical composition. For example, copper oxide (CuO) consists of copper (Cu ++ ) and oxygen (O -- ) ions, and the negatively charged oxygen ion puts it in the “Oxide” classification (which also includes iron oxide, titanium dioxide, etc). The classifications are: Silicate class The largest group of minerals by far, the silicates are mostly composed of silicon and oxygen, combined with ions like aluminum, magnesium, iron, and calcium. Some important rock-forming silicates include the feldspars, quartz, olivines, pyroxenes, garnets, and micas. Carbonate class 2− The carbonate minerals contain the anion (CO 3) . They are deposited in marine settings from accumulated shells of marine life and also in evaporitic areas like the Great Salt Lake and karst regions where they form caves, stalactites and stalagmites. Typical carbonates include calcite and aragonite (both calcium carbonate), dolomite (magnesium/calcium carbonate) and siderite (iron carbonate). The carbonate class also includes the nitrate and borate minerals. Sulfate class 2− Sulfate minerals all contain the sulfate anion, SO 4 . Sulfates commonly form in evaporitic settings where highly saline waters slowly evaporate, in hydrothermal vein systems as gangue minerals and as secondary oxidation products of original sulfide minerals. Common sulfates include anhydrite (calcium sulfate), celestine (strontium sulfate), barite (barium sulfate), and gypsum (hydrated calcium sulfate). The sulfate class also includes the chromate, molybdate, selenate, sulfite, tellurate, and tungstate minerals. Halide class The halide minerals form the natural salts and include fluorite (calcium fluoride), halite (sodium chloride) and sylvite (potassium chloride). -
Mineralogy and Origin of Coarse-Grained Segregations in the Pyrometallurgical Zn-Pb Slags from Katowice-Wełnowiec (Poland)
Miner Petrol DOI 10.1007/s00710-016-0439-1 ORIGINAL PAPER Mineralogy and origin of coarse-grained segregations in the pyrometallurgical Zn-Pb slags from Katowice-Wełnowiec (Poland) R. Warchulski1 & A. Gawęda 1 & J. Janeczek1 & M. Kądziołka-Gaweł2 Received: 20 December 2015 /Accepted: 9 March 2016 # The Author(s) 2016. This article is published with open access at Springerlink.com Abstract The unique among pyrometallurgical slags, coarse- Introduction grained (up to 2.5 cm) segregations (up to 40 cm long) rimmed by Baplitic^ border zones occur within holocrystalline histor- Pyrometallurgical slags from base-metal smelting have recent- ical Zn-smelting slag in Katowice, S Poland. Slag surrounding ly been studied extensively mainly with the purpose of the segregations consists of olivine, spinel series, melilite, assessing their environmental impact for many of them con- clinopyroxene, leucite, nepheline and sulphides. Ca-oliv- tain elevated concentrations of potentially toxic metals, in- ines, kalsilite and mica compositionally similar to cluding As, Cd, Cu, Pb and Zn (e.g. Ettler et al. 2001; oxykinoshitalite occur in border zones in addition to Puziewicz et al. 2007; Álvarez-Valero et al. 2009,Piatakand olivine, spinel series and melilite. Miarolitic and mas- Seal 2010; Vítková et al. 2010;Kierczaketal.2010;Ettlerand sive pegmatite-like segregations are built of subhedral Johan 2014). Those metals may be partitioned among phases crystals of melilite, leucite, spinel series, clinopyroxene with different leaching potential during weathering. and hematite. Melilite, clinopyroxenes and spinels in the Therefore, the detailed knowledge of phase composition of segregationsareenrichedinZnrelativelytooriginal slags is prerequisite for understanding their leaching behav- slag and to fine-grained border zones. -
Flat 923.01 - Tonon Collection
FLAT 923.01 - TONON COLLECTION DESIGNER MARTIN BALLENDAT SPECIFICATION Overall Height 82 cm 32.3" Width 62 cm 24.4" Overall Depth 56 cm 22" Seat Height 47 cm 18.5" Weight 7.8 kg 17.2 lbs Quantity / Carton 1 Carton Volume 0.404 m3 0.89 lbs Carton Weight 13 Kgs 28.66 lbs DESCRIPTION A flexible padded seat suspended on a lacquered black matte fixed base. The shell elements are secured to the frame with innovative steel fixings. NORTH AMERICA EUROPE ASIA Sandler Seating Inc. Sandler Seating Ltd. Sandler Seating Inc. 1201 Peachtree Street NE 1A Fountayne Road 60 Tannery Lane Suite 1625 Atlanta London, N15 4QL Singapore, 347803 GA 30361, USA United Kingdom Call +1 404 982 9000 Call +44 (0)203 284 8000 Fax +1 404 321 7882 Fax +44 (0) 203 234 2999 FLAT 923.01 - TONON COLLECTION FRAME FINISH OPTIONS LACQUERED BLACK MATT STEEL LACQUERE D BLACK MAT STEEL SEAT FINISH OPTIONS NORDIC Nordic 115 - Nordic 116 - Nordic 117 - Nordic 108 - Nordic 114 - Nordic 101 - Nordic 111 - Nordic 129 - Nordic 118 - Nordic 131 - Nordic 906 - Nordic 907 - 4NA 4NB 4NC 4ND 4NE 4NF 4NG 4NH 4NJ 4NK 4NL 4NM Nordic 909 - Nordic 121 - Nordic 132 - 4NN 4NP 4NQ SPECTRUM VINYLS 454306 454315 454366 454331 454353 454328 Coal 454316 454333 454290 454355 454302 454370 White Vinyl Snow White Glacier Vinyl Light Grey Cadet Vinyl Vinyl Slate Vinyl Expresso Black Vinyl Black Plum Grape Vinyl Wine Vinyl Vinyl Vinyl Vinyl Vinyl 454351 Port 454287 New 454288 454318 454363 Oak 454304 454299 454294 454301 454308 530452 454122 Vinyl Burgundy Deep Clay Chocolate Brown Vinyl Allspice Burnt Saffron -
Annex 2B Tariff Schedule of the United States See General Notes to Annex 2B for Staging Explanation HTSUS No
Annex 2B Tariff Schedule of the United States See General Notes to Annex 2B for Staging Explanation HTSUS No. Description Base Rate Staging 0101 Live horses, asses, mules and hinnies: 0101.10.00 -Purebred breeding animals Free E 0101.90 -Other: 0101.90.10 --Horses Free E 0101.90.20 --Asses 6.8% B --Mules and hinnies: 0101.90.30 ---Imported for immediate slaughter Free E 0101.90.40 ---Other 4.5% A 0102 Live bovine animals: 0102.10.00 -Purebred breeding animals Free E 0102.90 -Other: 0102.90.20 --Cows imported specially for dairy purposes Free E 0102.90.40 --Other 1 cent/kg A 0103 Live swine: 0103.10.00 -Purebred breeding animals Free E -Other: 0103.91.00 --Weighing less than 50 kg each Free E 0103.92.00 --Weighing 50 kg or more each Free E 0104 Live sheep and goats: 0104.10.00 -Sheep Free E 0104.20.00 -Goats 68 cents/head A 0105 Live poultry of the following kinds: Chickens, ducks, geese, turkeys and guineas: -Weighing not more than 185 g: 0105.11.00 --Chickens 0.9 cents each A 0105.12.00 --Turkeys 0.9 cents each A 0105.19.00 --Other 0.9 cents each A -Other: 0105.92.00 --Chickens, weighing not more than 2,000 g 2 cents/kg A 0105.93.00 --Chickens, weighing more than 2,000 g 2 cents/kg A 0105.99.00 --Other 2 cents/kg A 0106 Other live animals: -Mammals: 0106.11.00 --Primates Free E 0106.12.00 --Whales, dolphins and porpoises (mammals of the order Cetacea); manatees and dugongs (mammals of the order Sirenia) Free E 0106.19 --Other: 2B-Schedule-1 HTSUS No. -
Preparation Range Cotton and Cotton Blend
FORTY YEARS OF WANDERINGS IN TEXTILE CHEMISTRY PROCESS AND MATERIALS RESEARCH DR. FRED L. COOK MSE/GEORGIA TECH OLNEY MEDAL ADDRESS AATCC INTERNATIONAL CONFERENCE WILLIAMSBURG, VA APRIL 21, 2016 COMBINED DESIZE- SCOUR-BLEACH OPPORTUNITIES • Current Continuous Process Requires Three Separate Padding-Steam- Wash Steps/Sections • Process is an Energy, Water, Space, Chemical, etc., “Hog” RESEARCH APPROACH • Create a Chemical Formulation that will Allow a Single Step Path to Fully-Prepared, Cotton-Containing Woven Fabrics, i.e., a Combined Desize-Scour-Bleach Process Cook, F. L., et al., 1982. Evaluating Combined Preparation Processes for Energy And Material Conservation, Textile Chemist and Colorist, 14(1), 10-23. PREPARATION RANGE COTTON AND COTTON BLEND Heat Enzymes NaOH H2O2 Greige Singeing Desizing Scouring Bleaching Fabric Fiber Size Waxes Color Proteins Ends Pectins CONTINUOUS PREPARATION RANGE DSB FORMULATION INITIAL FORMULATION (50/50 COTTON/ POLYESTER FABRICS) 1. NaOH Comparable to Scour Formulation 2. NaSiO2 “ “ “ 3. Chelate “ “ “ 4. H2O2 Huge Excess Compared to Bleaching!! 5. Surfactant Comparable to Scour Formulation INITIAL RESULTS • All properties consistent with plant standards except whiteness (achieved ~ 70 on the whiteness scale, needed ~77 MAGIC CHEMICAL • Tetrapotassiumperoxydiphosphate, KPP (FMC Corp.) • Required only ~1% w/w concentration in pad to give desired whiteness DYEING/PRINTING OF NOMEX® ALTERNATE DYEING PROCESS • STX System from Rhone-Poulenc (France) • Based on 90% Perchloroethylene (PERC)/10% Methanol • Ionic Dyes Soluble in the Mixture, but not in PERC • Process is Based on the Differential Boiling Points between Methanol (~ 65C) and PERC (~121C) • R-P Developed the System for Acid Dyeing of Nylon (Commercialized in a Beam Dyeing Platform on Tufted Carpet in Belgium) 1. -
401 Part 73—Listing of Color Ad- Ditives Exempt from Certifi- Cation
Food and Drug Administration, HHS Pt. 73 the act, has notified the sponsor or in- 73.352 Paracoccus pigment. vestigator that the proposed disposi- 73.355 Phaffia yeast. tion for food is authorized. Any person 73.450 Riboflavin. 73.500 Saffron. who contests a refusal to grant such 73.530 Spirulina extract. authorization shall have an oppor- 73.575 Titanium dioxide. tunity for a regulatory hearing before 73.585 Tomato lycopene extract; tomato ly- the Food and Drug Administration pur- copene concentrate. suant to part 16 of this chapter. 73.600 Turmeric. (b) The person who introduced such 73.615 Turmeric oleoresin. shipment or who delivers the color ad- ditive or a food, drug, or cosmetic con- Subpart B—Drugs taining such an additive into interstate 73.1001 Diluents in color additive mixtures commerce shall maintain adequate for drug use exempt from certification. records showing the name and post-of- 73.1010 Alumina (dried aluminum hydrox- fice address of the expert to whom the ide). color additive is shipped, date, quan- 73.1015 Chromium-cobalt-aluminum oxide. tity, and batch or code mark of each 73.1025 Ferric ammonium citrate. 73.1030 Annatto extract. shipment and delivery for a period of 2 73.1070 Calcium carbonate. years after such shipment and delivery. 73.1075 Canthaxanthin. Upon the request of a properly author- 73.1085 Caramel. ized employee of the Department, at 73.1095 b-Carotene. reasonable times, he shall make such 73.1100 Cochineal extract; carmine. records available for inspection and 73.1125 Potassium sodium copper copying. chlorophyllin (chlorophyllin-copper com- plex). -
Artist Watercolor Color Chart | HK Holbein Artist Materials
6/29/2020 Artist Watercolor Color Chart | HK Holbein Artist Materials Select Page ARTIST WATERCOLOR COLOR CHART Available in 5ml & 15ml Tubes 5ml- (W001-W191) 15ml – (W201-W391) W010 W210 W006 W206 W009 W209 W011 W211 W012 W212 W005 W205 Crimson Lake Pyrrole Rubin Permanent Alizarin Carmine Rose Madder Quinacridone Red Laque Cramoisie Marron Pyrrol Crimson Carmin Laque de Garance Rose Rouge Quinacridone Series A Series A Alizarine Cramoisie Series A Series A Series C Code TNI Code HK Permanent Code TSI Code TKH Code KT *** *** Series C *** *** *** Code TSI *** W008 W208 W007 W207 W027 W227 W022 W222 W013 W213 W025 W225 Perylene Maroon Pyrrole Red Quinacridone Scarlet Scarlet Lake Opera Brilliant Pink Marron Pérylène Rouge Pyrrol Écarlate Quinacridone Laque Écarlate Opéra Rose Brillant Series B Series A Series C Series B Series B Series A Code BK Code BHS Code TSH Code TS Code TNI Code ONE *** *** *** *** * ** W026 W226 W017 W217 W015 W215 W014 W214 W018 W218 W019 W219 Shell Prink Cadmium Red Purple Cadmium Red Deep Cadmium Red Light Vermilion Vermilion Hue Rose de Coquille Rouge de Cadmium Rouge de Cadmium Rouge de Cadmium Vermillon Vermillion Imit. Series A Pourpre Foncé Clair Series F Series A Code ONE Series E Series E Series E Code BN Code OS ** Code OSI Code ON Code ON *** *** *** *** *** W044 W244 W016 W216 W047 W247 W038 W238 W043 W243 W042 W242 Privacy - Terms Cadmium Yellow Cadmium Red Orange Brilliant Orange Permanent Yellow Cadmium Yellow Deep Cadmium Yellow Light www.holbeinartistmaterials.com/artist-watercolor-color-chart/ -
Fashion in The
1 Sheffield U3A 1960s Fashion Project: What We Wore Sheffield U3A 60s Project 2018 – Fashion Group narrative 2 This document has been compiled by members of the Sheffield University of the Third Age (SU3A) who formed a Fashion Group as part of a wider Remembering the 1960s project. The group met regularly during 2018, sharing memories, photographs and often actual items of clothing that they wore during the 1960s, when most of the group were teenagers or young adults. The 1960s was a very exciting time to be a young fashion-conscious person, with most having enough spare cash to enjoy the many new styles pouring out of the waves of creativity which characterised the decade in so many ways. New easy-care fabrics became available, and cloth was still cheap enough to enable most women to copy the latest designs by making garments at home. In fact, the ubiquity of home-dressmaking was a key factor which emerged from our project and represents one of the biggest changes in everyday clothing between the 1960s and 50 years later. In those days almost every family had someone skilful enough make their own garments, and doing so was generally less expensive than buying clothing. Many books and a wealth of information and online resources are now available for students of 1960s fashion history and it is not our intention here to repeat that well-documented narrative. Instead we wanted to tell our own stories and record our personal recollections of our favourite outfits and memories associated with them. We did this by sharing and talking about our photographs, by showing each other garments and accessories we have kept and treasured, by reminiscing, and by writing up those reminiscences. -
Swiss Textile News
Swiss textile news Autor(en): [s.n.] Objekttyp: Article Zeitschrift: Textiles suisses [Édition multilingue] Band (Jahr): - (1968) Heft 3 PDF erstellt am: 27.09.2021 Persistenter Link: http://doi.org/10.5169/seals-796705 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch 9th European Fashion Schools Contest in Pratica-Orlon Club in Switzerland St. Gall The St. Gall embroidery and fine cotton fabrics On the initiative of Schappe Co. Ltd., in Basle, manufacturers have realised that to keep and with the backing of Du Pont de Nemours youthful, one has to mix with youth. And each in Geneva, three Swiss sock manufacturers year they give a practical demonstration of this F. -
Summer 1989 Gems & Gemology
VOLUME XXV SUMMER 1989 I The quarterly journal of the Gemological Institute of America SUMMER 1989 Volume 25 No. 2 TABLE OF CONTENTS EDITORIAL 67 New Challenges for the Diamond Industry Richard T Liddicoat FEATURE 68 The Characteristics and Identification ARTICLES of Filled Diamonds John I. Koivula, Robert C. Kam~nerling, Emmanuel Fritsch, C. W Fryer, David Hargett, and Robert E. Kane NOTES , , , 84 A Preliminary Gemological Study of AND NEW Synthetic Diamond Thin Films TECHNIQUES Emmanuel Fritsch, Laurie Conner, and John I. Koivula Grading the Hope Diamond Robert Crowningshield Contribution to the Identification of Treated Colored Diamonds: Diamonds with Peculiar Color-Zoned Pavilions Emmanuel Fritsch and lames E. Shigley REGULAR 102 Gem Trade Lab Notes FEATURES 109 Editorial Forum 110 Gem News 119 Book Reviews 120 Gemological Abstracts ABOUT THE COVER: Fine diamonds in fine jewelry -like this superb necklace and matching earclips -represent the heart of the jewelry industry. Because of the premier importance of diamonds, however, the rewards of making a diamond "better" are potentially very great. Although historically there have been numerous diamond substitutes, modern technology has led to new industries devoted to the treatment of natural diamonds. Three of the articles in this issue deal with some of the most important-or potentially important-diamond treatments. The fourth deals with one of the world's most notorious untreated diamonds: the Hope. The necklace (97.75 ct total weight) and earclips (24.63 ct total weight) are courtesy of Van Cleef ed Arpels. Photo @ Harold e'J Erica Van Pelt - Photographers, Los Angeles, CA. Typesetting for Gems & Gemology is by Scientific Composition, Los Angeles, CA. -
To Consignors Hip Color & No
Index to Consignors Hip Color & No. Sex Name, Year Foaled Sire Dam Barn 5 Consigned by Amende Place (Lee McMillin), Agent I Broodmare 3231 gr/ro. m. Onda Ray, 2000 On Target Double Down Eleven Barn 2 Consigned by Anderson Farms, Agent Broodmares 3055 b. m. Capacity, 1998 Capote Rare Opportunity 3287 ch. m. Selborne, 1999 French Deputy Duchess Zea Racing or broodmare prospect 3158 dk. b./br. f. It's Outta Here, 2002 Grand Slam De La Cat Weanling 3026 ch. c. unnamed, 2006 E Dubai Baraha Barn 2 Consigned by Anderson Farms, Agent for Sam-Son Farm Broodmare 2996 b. m. Windstruck, 2001 Smart Strike Wilderness Hush Barn 25 Consigned by Ashview Farm (Mr. and Mrs. Wayne G. Lyster III), Agent Broodmares 3420 ch. m. Blastoise, 1998 Mt. Livermore Jurupa 3604 b. m. Mambo Quest, 2002 Kingmambo Vindicate 3625 dk. b./br. m. Morning Splendor, 1995 Broad Brush There Are Rainbows Broodmare prospect 3511 dk. b./br. f. Flip Cat, 2004 Maria's Mon Selina Kyle Weanlings 3421 b. c. unnamed, 2006 Military Blastoise 3626 dk. b./br. f. unnamed, 2006 Hold That Tiger Morning Splendor Barn 26 Consigned by Asmussen Horse Center, Agent Broodmare prospect 3457 ch. f. Coronado Rose, 2002 Coronado's Quest Lakabi Racing or broodmare prospect 3458 ch. f. Coronado Swinger, 2004 Coronado's Quest My Swinger Racing or stallion prospect 3771 b. c. Primal Storm, 2002 Storm Boot Primistal Barn 9 Consigned by Aspendell, Agent Weanling 3276 dk. b./br. c. unnamed, 2006 Ocean Terrace Rezister Barn 24 Property of F. Gill Aulick (Cedar Point Farm) Weanling 3609 b. -
Workshop Supply List I Use Artist Colors As Follows (All Pigments by Daniel
Workshop Supply list I use Artist colors as follows (all pigments by Daniel Smith): Cobalt blue, French Ultramarine, Ultramarine violet, Cobalt violet, Magenta, Quinacridone Rose, carmine, burnt siena, neutral tint, Indigo, German green umber, Verona Gold Ochre, Monte Amiata, cadmium red medium, cad yellow, cad yellow light, cad orange, cobalt turquoise, cob turquoise light, horizon blue, Zinc white and Titanium white Please note that you don't have to get the exact same colors, as long as you have a good range of blues, yellows, reds and a few earth tones, you are fine! Remember, there are only three colors in nature! If you already have watercolor paints by all means use them. Paper: Arches blocks (12x16 or 14x20), 140 lbs or 300gsm, cold press or rough, please get artist grade paper, not student grade! If you get single sheets, please use ¼ (28by38cm, 11by15”) or ½ (38by57cm, 15by22”) and make sure you have enough for roughly two paintings per day. Also a few scrap pieces of paper would be good to have! Brushes: I use predominantly DaVinci mops (Casaneo 498) in three sizes (#2, 4 and 6). Squirrel Mops Petit Gris Pur Series 418 (#2 and 5) and synthetic rounds for details: Nova Series 1570 (#6 and 8) Maybe a rigger or a line brush for trees and line, mine is a DaVinci 5519 (#8). I also use cheap Chinese calligraphy brushes in a few different sizes. Painting palette with nice, deep mixing wells. I use a Holbein metal palette with porcelain coating Other stuff: easel with adjustable angle, painting surface (to tape the paper to) spray bottle (atomizer, mister), water container, tape (not blue tape!!!), paper towels rags, pencils for drawing (2B-4B), sketch book and note book, .