Flat 923.01 - Tonon Collection

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FLAT 923.01 - TONON COLLECTION DESIGNER MARTIN BALLENDAT SPECIFICATION Overall Height 82 cm 32.3" Width 62 cm 24.4" Overall Depth 56 cm 22" Seat Height 47 cm 18.5" Weight 7.8 kg 17.2 lbs Quantity / Carton 1 Carton Volume 0.404 m3 0.89 lbs Carton Weight 13 Kgs 28.66 lbs DESCRIPTION A flexible padded seat suspended on a lacquered black matte fixed base. The shell elements are secured to the frame with innovative steel fixings. NORTH AMERICA EUROPE ASIA Sandler Seating Inc. Sandler Seating Ltd. Sandler Seating Inc. 1201 Peachtree Street NE 1A Fountayne Road 60 Tannery Lane Suite 1625 Atlanta London, N15 4QL Singapore, 347803 GA 30361, USA United Kingdom Call +1 404 982 9000 Call +44 (0)203 284 8000 Fax +1 404 321 7882 Fax +44 (0) 203 234 2999 FLAT 923.01 - TONON COLLECTION FRAME FINISH OPTIONS LACQUERED BLACK MATT STEEL LACQUERE D BLACK MAT STEEL SEAT FINISH OPTIONS NORDIC Nordic 115 - Nordic 116 - Nordic 117 - Nordic 108 - Nordic 114 - Nordic 101 - Nordic 111 - Nordic 129 - Nordic 118 - Nordic 131 - Nordic 906 - Nordic 907 - 4NA 4NB 4NC 4ND 4NE 4NF 4NG 4NH 4NJ 4NK 4NL 4NM Nordic 909 - Nordic 121 - Nordic 132 - 4NN 4NP 4NQ SPECTRUM VINYLS 454306 454315 454366 454331 454353 454328 Coal 454316 454333 454290 454355 454302 454370 White Vinyl Snow White Glacier Vinyl Light Grey Cadet Vinyl Vinyl Slate Vinyl Expresso Black Vinyl Black Plum Grape Vinyl Wine Vinyl Vinyl Vinyl Vinyl Vinyl 454351 Port 454287 New 454288 454318 454363 Oak 454304 454299 454294 454301 454308 530452 454122 Vinyl Burgundy Deep Clay Chocolate Brown Vinyl Allspice Burnt Saffron Silk Marigold Lemon Peel Signal Citrus Vinyl Vinyl Vinyl Vinyl Vinyl Orange Vinyl Vinyl Vinyl Yellow Vinyl Vinyl 454361 454334 454360 454310 454365 454305 454309 454354 Rum 454336 454293 454303 454289 Melon Vinyl Ceylon Ivory Beige Vinyl Moonglow Melba Vinyl Camel Vinyl Saddle Tan Sherbert Brandy Vinyl Nasturtium Persimmon Indian Red Vinyl Vinyl Vinyl Vinyl Vinyl Vinyl Vinyl 454298 454285 454311 Fire 454348 Lox 454908 454367 454338 Pink 454368 Lilac 454341 454340 518804 454291 Candy Apple Tomato Red Vinyl Rosewood Mauve Vinyl Ice Vinyl Vinyl Dallas Dust Misti Blue Wood Violet Purple Iris Vinyl Vinyl Vinyl Vinyl Vinyl Vinyl Vinyl FLAT 923.01 - TONON COLLECTION 520053 New 454286 454292 454312 454346 518778 454350 454121 454283 454284 454347 Sky 454123 Purple Vinyl Blueberry Royal Blue Navy Vinyl Colonial Harbour Phoenician Bright Blue Marina Vinyl Bluejay Vinyl Vinyl Light Blue Vinyl Vinyl Blue Vinyl Vinyl Vinyl Vinyl Vinyl 517424 454349 454344 454339 454300 454330 454295 Turk 454317 Jade 454296 454325 454352 454314 Neptune Cerulean Fjord Vinyl Horizon Blue Light Teal Quartz Vinyl Vinyl Vinyl Hunter Spruce Vinyl Emerald Empire Vinyl Vinyl Vinyl Vinyl Green Vinyl Vinyl Green Viyl 454335 518780 454326 454313 454332 454358 518773 454364 454329 611603 611601 Spectrum Seafoam Leapfrog Lime Vinyl Mint Julep Ocean Grey Grey Vinyl Everglade Pumice Vinyl Natural Copper Vinyl Silver Vinyl Vinyls - Vinyl Vinyl Vinyl Vinyl Vinyl Vinyl T.B.D. VINTAGE w01 w02 w03 w04 w05 w06 w07 w08 w09 w10 w11 w12 w13 w14 RANGE Flat 923.44 Flat 9P3.52 Flat 923.52 Flat 923.41 Flat 923.12 Flat 923.02 FLAT 923.01 - TONON COLLECTION RANGE (CONT) Flat Soft 9W3.75 Flat 923.75 Flat 923.82 Flat 924.74 Flat 923.01 Flat 923.81 Flat 923.13 Flat 923.11 ADDITIONAL IMAGES Powered by TCPDF (www.tcpdf.org).

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Artist Watercolor Color Chart | HK Holbein Artist Materials
6/29/2020 Artist Watercolor Color Chart | HK Holbein Artist Materials Select Page ARTIST WATERCOLOR COLOR CHART Available in 5ml & 15ml Tubes 5ml- (W001-W191) 15ml – (W201-W391) W010 W210 W006 W206 W009 W209 W011 W211 W012 W212 W005 W205 Crimson Lake Pyrrole Rubin Permanent Alizarin Carmine Rose Madder Quinacridone Red Laque Cramoisie Marron Pyrrol Crimson Carmin Laque de Garance Rose Rouge Quinacridone Series A Series A Alizarine Cramoisie Series A Series A Series C Code TNI Code HK Permanent Code TSI Code TKH Code KT *** *** Series C *** *** *** Code TSI *** W008 W208 W007 W207 W027 W227 W022 W222 W013 W213 W025 W225 Perylene Maroon Pyrrole Red Quinacridone Scarlet Scarlet Lake Opera Brilliant Pink Marron Pérylène Rouge Pyrrol Écarlate Quinacridone Laque Écarlate Opéra Rose Brillant Series B Series A Series C Series B Series B Series A Code BK Code BHS Code TSH Code TS Code TNI Code ONE *** *** *** *** * ** W026 W226 W017 W217 W015 W215 W014 W214 W018 W218 W019 W219 Shell Prink Cadmium Red Purple Cadmium Red Deep Cadmium Red Light Vermilion Vermilion Hue Rose de Coquille Rouge de Cadmium Rouge de Cadmium Rouge de Cadmium Vermillon Vermillion Imit. Series A Pourpre Foncé Clair Series F Series A Code ONE Series E Series E Series E Code BN Code OS ** Code OSI Code ON Code ON *** *** *** *** *** W044 W244 W016 W216 W047 W247 W038 W238 W043 W243 W042 W242 Privacy - Terms Cadmium Yellow Cadmium Red Orange Brilliant Orange Permanent Yellow Cadmium Yellow Deep Cadmium Yellow Light www.holbeinartistmaterials.com/artist-watercolor-color-chart/
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Workshop Supply List I Use Artist Colors As Follows (All Pigments by Daniel
Workshop Supply list I use Artist colors as follows (all pigments by Daniel Smith): Cobalt blue, French Ultramarine, Ultramarine violet, Cobalt violet, Magenta, Quinacridone Rose, carmine, burnt siena, neutral tint, Indigo, German green umber, Verona Gold Ochre, Monte Amiata, cadmium red medium, cad yellow, cad yellow light, cad orange, cobalt turquoise, cob turquoise light, horizon blue, Zinc white and Titanium white Please note that you don't have to get the exact same colors, as long as you have a good range of blues, yellows, reds and a few earth tones, you are fine! Remember, there are only three colors in nature! If you already have watercolor paints by all means use them. Paper: Arches blocks (12x16 or 14x20), 140 lbs or 300gsm, cold press or rough, please get artist grade paper, not student grade! If you get single sheets, please use ¼ (28by38cm, 11by15”) or ½ (38by57cm, 15by22”) and make sure you have enough for roughly two paintings per day. Also a few scrap pieces of paper would be good to have! Brushes: I use predominantly DaVinci mops (Casaneo 498) in three sizes (#2, 4 and 6). Squirrel Mops Petit Gris Pur Series 418 (#2 and 5) and synthetic rounds for details: Nova Series 1570 (#6 and 8) Maybe a rigger or a line brush for trees and line, mine is a DaVinci 5519 (#8). I also use cheap Chinese calligraphy brushes in a few different sizes. Painting palette with nice, deep mixing wells. I use a Holbein metal palette with porcelain coating Other stuff: easel with adjustable angle, painting surface (to tape the paper to) spray bottle (atomizer, mister), water container, tape (not blue tape!!!), paper towels rags, pencils for drawing (2B-4B), sketch book and note book, .
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David R Becker Watercolor Workshop Student Supply List
David R Becker watercolor workshop Student Supply List: No student grade supplies please. Watercolor Paints: I recommend Holbein Watercolor paint because one can squeeze the whole tube into your palette and it won't dry to a big rock clump. When left to dry they become instantly workable with a spray of water. The Holbein colors I use are listed in Parentheses. You don't have to get these exact colors; colors close to them are just fine. Just look for a good range of color. • Burnt Sienna (Holbein Light Red) • Raw Umber (Holbein Quin gold, Yellow ochre) • Orange (Holbein Permanent Yellow Orange) • Burnt Umber (Holbein Imidazolone Brown) • Cadmium Yellow Lt. (Holbein Permanent Yellow Light) • Cadmium Red Lt. (Holbein Scarlet Lake) • Alizarin Crimson (Holbein Crimson Lake) • Cerulean Blue (Holbein Horizon Blue) • Violet (Holbein Permanent Violet & Holbein Lavender) • Cobalt Blue (Holbein Peacock Blue) • Ultramarine Blue (Holbein Ultramarine Deep) • Phthalo Blue (Holbein Prussian Blue) Opaque colors like white, colors with white in them like pastel colors, pinks, greys and black are also used but not necessarily needed. I will let you use mine if you want to try out using some opaque colors. Nylon brushes are great for the price • 1 Inch Flat Brush • #10 or #12 Round Brush • #4 or #6 Rigger Round Brush • Get good paper, no Spiral bound watercolor paper. I recommend 300lb Arches or 300lb Strathmore gemini. Arches 140 & 300lb blocks of paper are also okay. If you get 140lb and are working a large painting you will need to stretch the paper. • White Plastic combo Palette & Tray .
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MID-AMERICA SIDING COMPONENTS 29797 Beck Rd
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The Supply List
Museum Academy Summer 2021 Master Artist Workshop Mastering Skies & Reflections in Oil, Acrylic or Pastel with Michael Story August 26 – 29, 2021 Oil Supply List: PAINTS White: Titanium White Black: Ivory Black Earth Tones: Yellow Ochre, Raw Sienna, Burnt Sienna Yellow: Cadmium Yellow Medium Orange: Cadmium Orange Red: Cadmium Red Lt., Alizarin Crimson Blue: Ultramarine, Cobalt Blue, Cerulean or Compose Blue, (Compose is priced less than Cerulean & only Holbein makes it) Horizon Blue & Verditer Blue (optional colors for skies, Holbein) Green: Permanent Green Light, Sap Green Violet (optional) MEDIUMS Liquin (8 oz. bottle) Odorless Solvent/Thinner (Turpenoid or Gamsol [not turpentine]); Metal Container brush cleaning like a metal brush washer with a strainer inside with gasket type of lid attached BRUSHES #2 Round Brush; One Each- #2, #4, #8, and #10 Filbert Brushes; #3 Fan Brush 1 – all-purpose, small size, inexpensive house painter brushes, (one for applying gesso or for the initial color wash); and 1 Palette Knife (medium size) DRAWING MATERIALS I Box/Soft Vine Charcoal, (medium thickness) and 1 Kneaded Eraser CANVASES Suggested sizes: at least two canvases 9”x 12”; 11”x 14”; 12”x 16”; 16”x 20”; 18” x 24” Continued on next page. 300 Church Street SW Huntsville, Alabama 35801 256.535.6372 hsvmuseum.org PALETTE Wooden palette if you already have one or create your own home-made, glass palette, taped over a neutral gray poster board or painted background, 12x16 or larger (Michael prefers this one & will demonstrate in class.) or a tear-away, wax coated, white or gray paper palette EASEL Small table-top easel or a French easel if you prefer standing (Museum Academy will provide single-mast easels for use during the workshop.
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NICODOM IR Polymers All Package, 6701 Spectra
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Holbein Cat Final V5
ARTISTS’ QUALITY WATER SOLUBLE OIL COLOR There is no color medium that has made a greater impact on the advance of artistic achievement, particularly in the Western world, than oil color. Our traditions over the centuries from the Renaissance to the present have placed the oil colorists at the forefront of those who have influenced the evolution of visual artistic expression. For the manufacturer of artists’ paints, there has been an ever present challenge of improving the quality and performance of oil color. Toxic solvents have been an important element in the use of the traditional oil medium. For many, the medium resulted in allergic reactions while, for others, the use of solvents in the painting and clean up process was offensive. The presence of oil and solvent in the process made use by the young difficult, if not hazardous. There has always existed the need for an oil color for the The surface agent covers the pigment and oil, thus making professional and for the student with all the handling qualities both water sensitive or soluble. That is all. There is no other and characteristics of a true oil color, but without the ingredient present. negatives of the traditional medium. Now technology has produced a solution through the use of the most logical If the artist does not wish to use water, DUO may be used as a of mediums - water. traditional oil color and the result will be the same. DUO blends naturally with traditional oil color and mediums although water The production of a water soluble oil color has been solved solubility is lost if traditional oils or mediums exceed 30% of the by different manufacturers in different ways, though not mixture.
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David R. Becker the MOST IMPORTANT WATERCOLOR WORKSHOP June 27-July 2, 2021 (Four Teaching Days) Returning for the 9Th Year in 2021 REGISTER NOW
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COLOR Q Universal Language and Dictionary of Names
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A Fine Balance
Stewart White brings a unique perspective to watercolor from a career spent in architectural illustration. By Meredith E. Lewis a fine balance Simple Is Better “Morning in Luxembourg Gardens [watercolor on paper, 12x16] is a good example of saying just enough without overstating things,” says White. “The stately palace, the fountains, the joggers—it’s all there.” www.watercolorartistmagazine.com Watercolor Artist | August 2012 atercolor exposes everything you do,” says Baltimore-based artist Stewart W White. “From the initial line drawing in pencil to the slightest variation in a wash, it’s impossible to hide. For that reason, many shy away from watercolor, but that’s what I like about it. What you did is what you did.” For White, the honesty of watercolor is much like architecture: If the foundation fails, the entire project goes to pieces. White’s experience as a career architectural illustrator readily informs his work in water- color. Understanding geometry, line, proportion, space and light give him a natural (if also studied) facility with drawing that provides a blueprint for paintings that are strong on composition, structure and balance. “Balancing positive and negative shapes in a painting is as www.watercolorartistmagazine.com Made for Watercolor “As much as I love to travel to the Caribbean, Europe and all points west in the good old U.S.A., it amazes me how diverse and seemingly endless the sources of inspiration are in Maryland,” says White. “The subject of Saw Mill in Snow Hill [at left; watercolor on paper, 11x14] caught my eye as a plein air painting subject because it had so many elements that watercolor does so well: the hazy clouds of saw- dust that softened the edges of the milling machinery; interesting details; sunlight and shadows.
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Holbein-Artists-Watercolordlpc.Pdf
Much of the incomparable, world-wide reputation that Holbein enjoys is due to the exceptional quality of their Artist Watercolor. Originally introduced in the early 1920’s and now available in 108 highly concentrated colors,Holbein Artist Watercolor is a European style transparent watercolor which preserves the brush handling qualities inherent in Japanese watercolor techniques. More finely ground than any other artist watercolor, Holbein Artist Watercolor is produced without ox-gall, animal by-products or other dispersing agents. This affords the user greater control in the dispersal of their pigments, enhances handling qualities and delivers color of unequaled intensity, purity and reliability for brilliant transparent washes and/or powerful, clean darks. Holbein Artist Watercolor is available in two formats, in tubes (5 ml and 15 ml). Holbein Artist Watercolor is specifically designed to rewet instantly and not deteriorate in the tube, pan or palette. W010 W210 A W013 W213 B W038 W238 A W142 W342 C W074 W274 A W061 W261 A W099 W299 B W093 W293 A W175 W375 B W131 W331 A W157 W357 A W002 W201 A CRIMSON LAKE OPERA PERMANENT YELLOW ORANGE QUINACRIDONE GOLD OLIVE GREEN VIRIDIAN HUE TURQUOISE BLUE ULTRAMARINE LIGHT BRIGHT VIOLET RAW UMBER NEUTRAL TINT CHINESE WHITE Laque Cramoisie Opéra Jaune Permanent Orangé Or Quinacridone Vert Olive Vert Émeraude Imit. Bleu Turquoise Outremer Clair Violet Vif Terre d’Ombre Naturelle Teinte Neutre Blanc de Chine *** TNI * TNIX ** ONEI *** ENT *** TN *** TKHI ** TN *** TNEIX * BKEIX *** TNX ** TS *** O W009 W209 C W025 W225 A W044 W244 C W037 W237 A W077 W277 B W064 W264 B W106 W306 D W094 W294 A W170 W370 B W132 W332 A W156 W356 A W003 W203 A PERM.
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