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AFFRESCHI NASCOSTI a PARMA Bertoja E Mirola Al Palazzo Del Giardino

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AFFRESCHI NASCOSTI a PARMA Bertoja E Mirola Al Palazzo Del Giardino AFFRESCHI NASCOSTI A PARMA Bertoja e Mirola al palazzo del Giardino Convegno Internazionale - Parma, Palazzo del Governatore, 23 maggio 2013 Affreschi nascosti a Parma Bertoja e Mirola al palazzo del Giardino Un’iniziativa Rotary Club Parma Est AFFRESCHI NASCOSTI A PARMA Bertoja e Mirola al palazzo del Giardino Convegno internazionale a cura di Maria Cristina Chiusa Giovedì 23 maggio 2013 - ore 10,00 Palazzo del Governatore - Piazza Garibaldi - Parma intervengono Giuseppe Iannello, Federico Pizzarotti, Laura Maria Ferraris, Carlo Cerrina, Mariella Utili, Giancarlo Borellini, Pierre Rosenberg, ATTI Marzia Faietti, Bruno Adorni, Giuseppe Bertini, David Ekserdjian, Elisabetta Fadda, Fabrizio Tonelli, Alessandra Talignani, Benedetta Spadaccini, Maria Cristina Chiusa del Convegno Internazionale informazioni Parma, Palazzo del Governatore Natalia Conti 392 5664159 - www.affreschinascosti.it 23 maggio 2013 con il patrocinio di SOPRINTENDENZA BENI STORICI, SOPRINTENDENZA BENI ARTISTICI E ETNOANTROPOLOGICI ARCHITETTONICI E PAESAGGISTICI COMITATO SCIENTIFICO: DI PARMA E PIACENZA DI PARMA E PIACENZA Comune di Parma Pierre Rosenberg presidente in collaborazione con Mariella Utili Pier Carlo Bontempi Comando Provinciale Carabinieri di Parma David Ekserdjian Maria Cristina Chiusa Alessandra Talignani Fabrizio Tonelli Grafiche Step editrice - Parma 2018 ISBN 978-88-7898-154-6 AFFRESCHI NASCOSTI A PARMA Bertoja e Mirola al palazzo del Giardino ATTI del Convegno Internazionale Parma, Palazzo del Governatore 23 maggio 2013 COMITATOUn’iniziativaUn’iniziativa Rotary Rotary SCIENTIFICO: Club Club Parma Parma Est Est AFFRESCHIAFFRESCHIPierre NASCOSTIRosenberg NASCOSTI presidente A A PARMA PARMA Mariella Utili BertojaBertoja e eMirola MirolaPier Carloal al palazzo palazzo Bontempi del del Giardino Giardino ConvegnoConvegno internazionale internazionale a cura a cura di di DavidMariaMaria Cristina CristinaEkserdjian Chiusa Chiusa GiovedìGiovedìMaria 23 2maggio3 maggioCristina 2013 2013 -Chiusa ore - ore 10,00 10,00 PalazzoPalazzo del Alessandradel Go Governatorevernatore - Piazza - PiazzaTalignani Garibaldi Garibaldi - Parma - Parma Fabriziointervengonointervengono Tonelli GiuseppeGiuseppe Iannello, Iannello, Federico Federico Pizzarotti, Pizzarotti, Laura Laura Maria Maria Ferraris, Ferraris, Carlo Carlo Cerrina, Cerrina, Mariella Mariella Utili, Utili, Giancarlo Giancarlo Borellini, Borellini, Pierre Pierre Rosenb Rosenberg,erg, MarziaMarzia Faietti, Faietti, Bruno Bruno Adorni, Adorni, Giuseppe Giuseppe Bertini, Bertini, David David Ekserdjian, Ekserdjian, Elisabetta Elisabetta Fadda, Fadda, Fabrizio Fabrizio Tonelli, Tonelli, AlessandraAlessandra Talignani, Talignani, Benedetta Benedetta Spadaccini, Spadaccini, Maria Maria Cristina Cristina Chiusa Chiusa informazioniinformazioni NataliaNatalia Conti Conti 392 392 5664159 5664159 - www.affreschinascosti.it - www.affreschinascosti.it CON IL PATROCINIO DI concon il patrocinio il patrocinio di di SOPRINTENDENZASOPRINTENDENZA BENI BENISTORICI, STORICI, SOPRINTENDENZASOPRINTENDENZA BENI BENI ARTISTICIARTISTICI E ETNOANTROPOLOGICI E ETNOANTROPOLOGICI ARCHITETTONICIARCHITETTONICI E PAESAGGISTICI E PAESAGGISTICI DI PARMADI PARMA E PIACENZA E PIACENZA DI PARMADI PARMA E PIACENZA E PIACENZA ComuneComune di Parma didi ParmaParma in collaborazionein collaborazione con con ComandoComando Provinciale Provinciale Carabinieri Carabinieri di Parma di Parma Un sentito grazie a Roberto Massini, Presidente del Rotary Club Parma Est, cui va il merito di questa pubblicazione. Ringrazio inoltre Franco Furoncoli per la generosa disponibilità. Sommario PRIMA SESSIONE Bruno Adorni PREMESSA La corte estiva di Ottavio Farnese: dal giardino Maria Cristina Chiusa alla fontana e al bel palagio de cristallo e de oro. p. 29 Curatrice del Convegno p. 7 Alessandra Talignani Presentazione di: Dalla cerchia di Parmigianino Pierre Rosenberg alla corte di Ottavio Farnese: esordi e affermazione Presidente onorario del Louvre di Giambattista Barbieri scultore p. 61 Accademico di Francia p. 9 SECONDA SESSIONE Mariella Utili già Soprintendente per i Beni Storici, Artistici David Ekserdjian e Etnoantropologici di Parma e Piacenza p. 10 Bertoia e la scultura p. 117 Giovanna Paolozzi Strozzi David Ekserdjian Soprintendente Archeologia, Belle Arti e Paesaggio L’entrata di Cristo in Gerusalemme del Bertoia p. 129 per le Province di Parma e Piacenza p. 11 TERZA SESSIONE Chiara Burgio Giuseppe Bertini Soprintendenza per i Beni Architettonici Nuovi documenti su Girolamo Mirola, e del Paesaggio di Parma e Piacenza p. 13 Jacopo Bertoja, il Palazzo del Giardino e il Palazzetto di Eucherio Sanvitale p. 143 Sonia Cavicchioli Docente Storia dell’Arte moderna, Giuseppe Bertini Alma Mater Studiorum – Bologna p. 16 Cultura e committenza artistica di Ottavio Farnese, secondo duca di Parma e Piacenza p. 153 Federico Pizzarotti Sindaco di Parma p. 17 Benedetta Spadaccini Per la fortuna critica di Bertoja e Mirola: Laura Maria Ferraris alcune riflessioni sulle opere grafiche p. 163 Assessore alla Cultura del Comune di Parma p. 18 Maria Cristina Chiusa Giuseppe Iannello Addenda per Bertoja-Mirola e le stanze Presidente uscente Rotary Parma Est 2012-2013 p. 19 «meravigliosamente dipinte» p. 183 Roberto Massini Presidente in carica Rotary Parma Est 2017-2018 p. 21 FUORI SESSIONE Andrea Ghirarduzzi Edoardo Pepino Il Furioso per immagini: uno studio iconografico Direttore Labirinto della Masone di Franco Maria Ricci p. 22 e iconologico degli affreschi del Palazzo Ducale Pietro Di Loreto del Giardino di Parma. p. 223 Direttore About Art online p. 24 Gabriele Trivelloni Il programma educativo del sacrificio d’amore Nel ciclo pittorico di Bertoja e Mirola al Palazzo del Giardino p. 247 PREMESSA La giornata di studi è stata dedicata ad un’amica, Marie. Oggi, in queste note, alla Sua memoria. <<Nel Casino del Duca [...] è un bellissimo giardino de Né era valsa in occasione del Convegno internazionale naranci, una regia Fontana con molte statue, pitture e del 2005, (Parma, Palazzo Ducale), la delimitazione di giochi d’acqua..in alto è la fontana a due ordini, il pri- campo operata fra i differenti repertori della coppia d’ar- mo è a terra piana, il 2° vicino alle stanze tra le quali ne te; l’uno, quello di Bertoja, erede di Parmigianino, arric- sono alcune meravigliosamente depinte dal Mirola [...]>>. chito di accenti tosco-romani, francesi e d’oltralpe; l’altro, (Relatione di Francesco Maria Violardo sopra il stato di di Mirola, in bilico fra la cultura bolognese e romana, Parma e Piacenza, 1601-1603 c.) assai attento alla civiltà irradiata da Fontainebleau, cui Già all’inizio del Seicento Violardo non mancava di met- l’artista stesso aveva forse preso parte. tere a segno le bellezze del Casino di Ottavio al Giardino; Queste e molte altre ragioni ci inducono oggi a riprende- la fontana ideata dal Boscoli con i giochi d’acqua, mi- re in considerazione l’attività dei due pittori: proprio dalle rabolante architettura impreziosita di pitture e statue, il sale al Giardino, dai piccoli vani, soprattutto, intitolati a giardino, felice ricettacolo di una grande varietà di piante Perseo e ai Paesaggi, è forse lecito ripartire e scrivere una e di fiori, e le stanze “meravigliosamente dipinte”. Queste nuova pagina che possa aggiungere qualche nota. dovevano essere negli intenti del Duca e nella coscienza Tanto potrà, si auspica, favorire un intervento di recupero collettiva le delizie per le quali vennero impegnati gli ar- utile a rendere visibili ad un pubblico, il più ampio possi- tefici più accreditati del tempo. bile, le salette “nascoste” del casino1 del Duca, ancor oggi Le stanze cui Violardo fa riferimento sono inequivocabil- luogo di delizie. mente affrescate da Girolamo Mirola, l’artista che, sino L’attenzione all’opera di Bertoja e dei colleghi che opera- a tempi relativamente recenti, veniva ricordato in modo rono al suo fianco presso il Casino di Ottavio Farnese e in defilato dalla storiografia critica, quasi al seguito del più altre realtà geografiche si rivela alta e costante. Le ragioni noto Bertoja. sono molteplici e non si limitano ad una, pur decisiva, Siamo ormai avvertiti che le cose andarono diversamente; indagine storico-artistica: sono sollecitate infatti dai tanti come gli studi di D. De Grazia, seguiti da una ricca biblio- interrogativi ad oggi irrisolti inerenti le personalità arti- grafia sull’argomento, accertavano nell’ultimo decennio stiche coinvolte, le relative competenze messe in gioco, del Novecento, Mirola fu il pittore che più ebbe risalto e 1 risonanza presso Ottavio Farnese. Tuttavia, sia pure nel Il termine Casino o Casino grande, qui e altrove, indica il Castello del duca intorno alla Fontana: i documenti segnalano ancora il Casino di debito riconoscimento di un’autonomia creativa di tutto Porta Santa Croce e il Casino già Sanvitale. Si vedano al proposito A. Talignani – F. Tonelli, Bertoia, Paganino, Baglione alla corte di Ottavio rilievo, che puntava verso Bologna e l’eredità di Tibal- Farnese 1571-1574, in Cesare Baglione, atti del convegno 28 novembre di, fortemente attratta da una lezione ormai filtrata della 2015, Rocca Sanvitale, Sala Baganza, a cura di M. Danieli, Sala Baganza 2017, pp. 83-123. Il contributo offre una ricca documentazione inerente maniera parmigianinesca, la fortuna critica del Mirola era l’attività di Bertoja spesa presso le fabbriche annesse alla residenza far- destinata ad essere messa in ombra dalla fama di Bertoja. nesiana (i menzionati casini). 7 gli intrecci professionali che ne arricchivano i repertori.
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