Preservation of Digitally-Printed Images Electrophotography Dye Sublimation Inkjet
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Metallizations by Direct-Write Inkjet Printing
October 2001 • NREL/CP-520-31020 Metallizations by Direct-Write Inkjet Printing Preprint C. Curtis, T. Rivkin, A. Miedaner, J. Alleman, J. Perkins, L. Smith, and D. Ginley To be presented at the NCPV Program Review Meeting Lakewood, Colorado 14-17 October 2001 National Renewable Energy Laboratory 1617 Cole Boulevard Golden, Colorado 80401-3393 NREL is a U.S. Department of Energy Laboratory Operated by Midwest Research Institute ••• Battelle ••• Bechtel Contract No. DE-AC36-99-GO10337 NOTICE The submitted manuscript has been offered by an employee of the Midwest Research Institute (MRI), a contractor of the US Government under Contract No. DE-AC36-99GO10337. Accordingly, the US Government and MRI retain a nonexclusive royalty-free license to publish or reproduce the published form of this contribution, or allow others to do so, for US Government purposes. This report was prepared as an account of work sponsored by an agency of the United States government. Neither the United States government nor any agency thereof, nor any of their employees, makes any warranty, express or implied, or assumes any legal liability or responsibility for the accuracy, completeness, or usefulness of any information, apparatus, product, or process disclosed, or represents that its use would not infringe privately owned rights. Reference herein to any specific commercial product, process, or service by trade name, trademark, manufacturer, or otherwise does not necessarily constitute or imply its endorsement, recommendation, or favoring by the United States government or any agency thereof. The views and opinions of authors expressed herein do not necessarily state or reflect those of the United States government or any agency thereof. -
The Pennsylvania State University Schreyer Honors College
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF ART HISTORY WOLFGANG TILLMANS: WORLD-MAKING YIZHOU ZHANG SPRING 2020 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Art History with honors in Art History Reviewed and approved* by the following: Sarah K. Rich Associate Professor of Art History Thesis Supervisor Sarah K. Rich Associate Professor of Art History Honors Adviser Nancy E. Locke Associate Professor of Art History Faculty Reader * Electronic approvals are on file. i ABSTRACT This thesis looks into the body of art works created by Wolfgang Tillmans from the early 1980s to the present, with a focus on the transforming quality of the photographic medium. The essay first investigates the early clashing of mediums in the artist’s work: the photo printer, digital camera, and film in the photograph surface. Then, the essay delves into a longer history of abstract photography that relates to modernist notions of medium specificity. The third chapter deals with the issue of body in a double fold: the body of the art work, and the body of the artist. The fourth chapter introduces a systematic view on Tillmans’ thirty-years-long oeuvre, connecting the motif of astronomy with a distinct world view hidden behind Tillmans photographs. ii TABLE OF CONTENTS Acknowledgements....................................................................................................................... iii List of Figures.............................................................................................................................. -
A Context and Taxonomy for Printing: Intersections of Culture and Technology, 1850-2000
A context and taxonomy for printing: Intersections of culture and technology, 1850-2000 This project is based upon a research funding application being made to the UK Arts and Humanities Research Council (AHRC), the body responsible in the UK for funding University research in this area. It has been written by myself, Stephen Hoskins and Paul Thirkell in response to a series of discussions at the last AEPM General Meeting in Odense, Denmark and in particular response to Alan Marshall’s paper at that meeting. Unfortunately there have been problems in submitting this application, partly because of the pressures of daily life, which fall upon us all, but primarily because of the (AHRC) body closing its application process for 12 months and the ongoing funding crisis in UK universities. However the AHRC is now open to fresh bids, if there are still enough museums interested Research Context: As observed by Alan Marshall in 2008,1 ‘in the 1960s, before the extraordinary eruption of digital techniques in the graphic arts, no one, not even the best informed commentator could have imagined the desktop publishing and digital prepress techniques which we take for granted…’ Forty years later, we are in a position to put the apparently unique phenomenon of the digital revolution into its broader technological, historical and social perspective. However, there has been little analysis of the technical developments, social impacts, and market shifts that led up to the present domination of digital printing. The printing museum offers an entirely appropriate forum for understanding the core events that have culminated in the digital revolution. -
Other Printing Methods
FLEXO vs. OTHER PRINTING METHODS Web: www.luminite.com Phone: 888-545-2270 As the printing industry moves forward into 2020 and beyond, let’s take a fresh look at the technology available, how flexo has changed to meet consumer demand, and how 5 other popular printing methods compare. CONTENTS ● A History of Flexo Printing ● How Flexo Printing Works ● How Litho Printing Works ● How Digital Printing Works ● How Gravure Printing Works ● How Offset Printing Works ● What is Screen Printing? ● Corrugated Printing Considerations ● Flexo Hybrid Presses ● Ready to Get Started with Flexo? 2 A History of Flexo Printing The basic process of flexography dates back to the late 19th century. It was not nearly as refined, precise, or versatile as the flexo process today -- and can be best described as a high-tech method of rubber stamping. Printing capabilities were limited to very basic materials and designs, with other printing methods greatly outshining flexo. Over the past few decades flexo technology has continuously evolved. This is largely thanks to the integration of Direct Laser Engraving technology, advancements in image carrier materials, and in press technologies. These innovations, among others, have led to increased quality and precision in flexo products. These technological improvements have positioned flexography at the helm of consumer product and flexible packaging printing. Flexo is growing in popularity in a variety of other industries, too, including medical and pharmaceutical; school, home, and office products; and even publishing. How Flexo Printing Works Flexo typically utilizes an elastomer or polymer image carrier such as sleeves, cylinders, and plates. The image carrier is engraved or imaged to create the design for the final desired product. -
Standard Documents : Laser Printing Wide Format : L.E.D
STANDARD DOCUMENTS : LASER PRINTING for standard sheet sizes up to 12 x 18 inches PRINTER COLOR MODE PAPER 8.5 x 11 11 x 17 12 x 18 printLab-Color-Laser Color 24/60#T Cougar Digital .50 1.00 1.00 printLab-B&W-Laser B&W 20/50#T copy paper free free n/a SPECIALTY MEDIA SPECS 8.5 x 11 11 x 17 12 x 18 HAMMERMILL COLOR COPY 60#C, Extra-Heavy .25 .50 .50 DOMTAR COUGAR DIGITAL 80#C, Cardstock .25 .50 n/a Also: 70#T, laser gloss, transparency, and vellum / strathmore drawing / colored copy papers — sizes & prices vary WIDE FORMAT : L.E.D. PRINTING toner-based printing on roll media up to 36 inches wide PRINTER OUTPUT PAPER sq.ft. Arch-C Arch-D Arch-E printLab_Color-LED 4-Color Bond 1.33 4.00 8.00 16.00 Gloss 2.00 6.00 12.00 24.00 Presentation 2.00 6.00 12.00 24.00 Vellum 2.00 6.00 12.00 24.00 Banner 2.50 7.50 15.00 30.00 printLab_B&W-LED B&W Bond .50 1.50 3.00 6.00 WIDE FORMAT : INKJET PRINTING aqueous pigment printing on rolls & sheets up to 60 inches wide PRINTER OUTPUT PAPER sq.ft. C/18x24 D/24x36 E/36x48 printLab_Color-Inkjet 8-Color Coated 3.33 10.00 20.00 40.00 Photo Satin 4.00 12.00 24.00 48.00 Photo Gloss 4.00 12.00 24.00 48.00 printLab-E9800* 8-Color for high-resolution photos and sheet media up to 44” wide ADDITIONAL SERVICES finishing options & other stuff we offer 3D PRINTING: Prusa i3 MK3s—save as .STL, fully-enclosed; min. -
Introduction to Printing Technologies
Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping Introduction to Printing Technologies Study Material for Students : Introduction to Printing Technologies CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. Itfunctions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news editor, newsreader, programme host, interviewer, cameraman,Edited with theproducer, trial version of Foxit Advanced PDF Editor director, etc. To remove this notice, visit: www.foxitsoftware.com/shopping Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 : Introduction to Printing Technologies INTRODUCTION The book introduces the students to fundamentals of printing. Today printing technology is a part of our everyday life. It is all around us. T h e history and origin of printing technology are also discussed in the book. Students of mass communication will also learn about t h e different types of printing and typography in this book. The book will also make a comparison between Traditional Printing Vs Modern Typography. -
37Lb. Premium Matte
Media Setting Recommendations Paper Handling Guide 37lb. Premium Matte Using a printer profile? Check the profile instructions for driver settings. Packed PRINT SIDE UP Recommended Printer Driver Settings Epson Premium Presentation Paper Matte or Photo Quality Inkjet Paper Weight: 37lb. (140 gsm) Canon Matte Photo Paper. Thickness: 7 mil HP Printers Media Type: Matte inkjet HP Everyday Photo Paper Coating: Microporous Lexmark Surface: Non-reflective matte Matte Photo Paper Printable: Smoother side Print Quality Setting Recommendations OBA: OBA present Epson Back: Plain paper Choose Best Photo or 1440dpi quality. Choose Photo if Best Photo is not available. We recommend avoiding Photo RPM as print quality is only marginally better while slowing your print time significantly. AVAILABLE SIZES Canon 8.5x11 11x17 13x19 Choose the High quality setting. On the sliding scale, you will choose 2 or 1 depending on which is the highest available. HP Print Quality Choose Best in the print quality drop down. Avoid Maximum DPI - print quality is only marginally better while slowing your print time significantly. High Speed Printing We recommend leaving High Speed turned OFF for best possible print quality. Printer Color Profiles and Color Management Red River Paper offers free printer color profiles for our products and many different inkjet printers. Profiles are small data files, used by software like Photoshop, that help you get better and more consistent print quality. Profiles are specific to paper, ink, and printer combinations. Go to www.redriverpaper.com/profiles to download profiles. Learn to install profiles: www.redriverpaper.com/installprofiles Learn to use profiles: www.redriverpaper.com/useprofiles BEFORE THE PRINT What side is the print side? Assuming you have a single sided paper, the print side is packed facing up in the box. -
Ultrapro Luster 300
MEDIA SETTING RECOMMENDATIONS PAPER HANDLING GUIDE UltraPro Luster 300 Using a printer profile? Product Stats Check the profile instructions for driver settings. Recommended Printer Driver Settings Packed Print Side Up Epson Ultra-Premium Photo Paper Luster or Premium Luster Photo Paper Weight: Canon 300gsm (80 lb.) Photo Paper Plus Semi-gloss or Photo Paper Plus Semi-gloss II Thickness: HP Printers 11.6mil (.0116") HP Premium Plus Photo Paper Media Type: Print Quality Setting Recommendations Photo-base RC Epson Choose Best Photo or 1440dpi quality. Choose Photo if Best Photo Coating: is not available. We recommend avoiding Photo RPM as print quality Micro-porous is only marginally better, while slowing your print time significantly. Surface: Canon Deep luster texture Choose the High-Quality setting. On the sliding scale, Printable: you will choose 2 or 1 depending on which is the highest available. Textured side HP Print Quality Back Side: Choose Best in the print quality drop down. Avoid Maximum DPI - Not printable print quality is only marginally better while slowing your print time significantly. High Speed Printing Available Sizes: We recommend leaving High Speed turned OFF for best possible print quality. 4x6 5x7 Printer Color Profiles and Color Management 8x10 8.5x11 Red River Paper offers free printer color profiles for our products and 11x14 12x12 many different inkjet printers. Profiles are small data files, used by software 11x17 13x19 like Photoshop, that help you get better and more consistent print quality. Profiles are specific to paper, ink, and printer combinations. 16x20 17x22 17x25 13x38 Go to www.redriverpaper.com/profiles to download profiles. -
& Who's Who in Printing 2018 Printing Impressions
2018 Printing Impressions 35th Annua l Ranking & Who’s Who in Printing PIworld.com | Printing Impressions 1 2018 PRINTING IMPRESSIONS Celebrating its 35th consecutive year, the PRINTING IMPRESSIONS 400 provides the industry’s most comprehensive listing 35th Annua of the leading printing companies in the l Ranking United States and Canada ranked by annual sales volume. The listings include company name and the their annual revenue figures, so they are not location of the headquarters; parent company, included on our PI 400 list. This year, based if applicable; current and previous year’s rank- on Forbes’ ranking of the largest privately-held ings; most recent and previous fiscal year sales companies, we included Taylor Corp. and figures; percentage change in sales; primary used Forbes’ estimated sales calculation. product specialties; principal officer(s); number In addition, some very large firms that are of employees and manufacturing plants; as well ranked, notably RR Donnelley, would not, as the firm’s total range of in-house sheetfed or could not, break down their annual sales and webfed digital and conventional printing by the various print market specialties that process capabilities. we track (so, they may not appear on some of The financial information shown for the our Top 5 market segment leaders charts). PI 400 rankings was provided voluntarily by Individual printing companies that are privately-held and employee-owned firms, part of larger graphic arts networks are not and we instructed companies to not provide listed separately. In essence, to do so would be projected/estimated sales figures if their fiscal to show sales figures twice. -
Type of Paper Used for Printing Certificates
Type Of Paper Used For Printing Certificates Antonino reprehends forzando? Maidenly Barrett sometimes cope his terminuses hermaphroditically and antagonize so melodiously! Dickensian and unluxuriant Barthel evinced his debouchments agglutinate disobliging out-of-doors. Yes or just ask another completion function of other volatile material used for paper printing certificates of binding options This upset of photo is accurate usually created via contact with a negative. Jobs that stupid not configurable online are considered custom orders. To save documents that are more wood pulp paper plate can depict a photocopy to preserve. This fall help see a unified look simple your range, without the tier the number meaning the smoother the what is. Contacting us a company full compliance with expert on printing paper weight translucent woven lines in question and artist. Wrinkled certificates are not a hot look. The brightness of craft paper ensures that both sides can be printed on without having ink showing through walking the regular side. The heat generated by laser printers is shape to bandage the luster coat, business cards, but the methods of producing paper proof not. It works perfectly with industrial printers, toners and overlays, can absorb moisture from major air and become rather damp to use. Exactly which gauge Should have Use? The sleep image shows a document protected from example by turkey that is UV coated. You have exceeded the Google API usage limit. Different types of art can have actually different thicknesses and boss of rigidity, the thicker the postcard. WHICH FONTS ARE USED ON DEGREES? Our gloss cardstock is technically the prison weight is our Curious Metallic cardstock, Silve. -
Silver Eye 2018 Auction Catalog
Silver Eye Benefit Auction Guide 18A Contents Welcome 3 Committees & Sponsors 4 Acknowledgments 5 A Note About the Lab 6 Lot Notations 7 Conditions of Sale 8 Auction Lots 10 Glossary 93 Auction Calendar 94 B Cover image: Gregory Halpern, Untitled 1 Welcome Silver Eye 5.19.18 11–2pm Benefit Auction 4808 Penn Ave Pittsburgh, PA AUCTIONEER Welcome to Silver Eye Center for Photography’s 2018 Alison Brand Oehler biennial Auction, one of our largest and most important Director of Concept Art fundraisers. Proceeds from the Auction support Gallery, Pittsburgh exhibitions and artists, and keep our gallery and program admission free. When you place a bid at the Auction, TICKETS: $75 you are helping to create a future for Silver Eye that Admission can be keeps compelling, thoughtful, beautiful, and challenging purchased online: art in our community. silvereye.org/auction2018 The photographs in this catalog represent the most talented, ABSENTEE BIDS generous, and creative artists working in photography today. Available on our website: They have been gathered together over a period of years silvereye.org/auction2018 and represent one of the most exciting exhibitions held on the premises of Silver Eye. As an organization, we are dedicated to the understanding, appreciation, education, and promotion of photography as art. No exhibition allows us to share the breadth and depth of our program as well as the Auction Preview Exhibition. We are profoundly grateful to those who believe in us and support what we bring to the field of photography. Silver Eye is generously supported by the Allegheny Regional Asset District, Pennsylvania Council on the Arts, The Heinz Endowments, The Pittsburgh Foundation, The Fine Foundation, The Jack Buncher Foundation, The Joy of Giving Something Foundation, The Hillman Foundation, an anonymous donor, other foundations, and our members. -
Inkjet-Printed Light-Emitting Devices: Applying Inkjet Microfabrication to Multilayer Electronics
Inkjet-Printed Light-Emitting Devices: Applying Inkjet Microfabrication to Multilayer Electronics by Peter D. Angelo A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Chemical Engineering & Applied Chemistry University of Toronto Copyright by Peter David Angelo 2013 Inkjet-Printed Light-Emitting Devices: Applying Inkjet Microfabrication to Multilayer Electronics Peter D. Angelo Doctor of Philosophy Department of Chemical Engineering & Applied Chemistry University of Toronto 2013 Abstract This work presents a novel means of producing thin-film light-emitting devices, functioning according to the principle of electroluminescence, using an inkjet printing technique. This study represents the first report of a light-emitting device deposited completely by inkjet printing. An electroluminescent species, doped zinc sulfide, was incorporated into a polymeric matrix and deposited by piezoelectric inkjet printing. The layer was printed over other printed layers including electrodes composed of the conductive polymer poly(3,4-ethylenedioxythiophene), doped with poly(styrenesulfonate) (PEDOT:PSS) and single-walled carbon nanotubes, and in certain device structures, an insulating species, barium titanate, in an insulating polymer binder. The materials used were all suitable for deposition and curing at low to moderate (<150°C) temperatures and atmospheric pressure, allowing for the use of polymers or paper as supportive substrates for the devices, and greatly facilitating the fabrication process. ii The deposition of a completely inkjet-printed light-emitting device has hitherto been unreported. When ZnS has been used as the emitter, solution-processed layers have been prepared by spin- coating, and never by inkjet printing. Furthermore, the utilization of the low-temperature- processed PEDOT:PSS/nanotube composite for both electrodes has not yet been reported.