Geor:Ge Form.B~
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
About Queenspark Books
About QueenSpark Books QueenSpark Books was founded in 1972 as part of a campaign to save the historic Royal Spa in Brighton's Queen's Park from being converted to a casino. The campaign was successful and it inspired participants to start collecting memories of people living in Brighton and Hove to preserve for future generations. QueenSpark Books is now the longest-running organisation of its kind in the UK. th More than one hundred books later, as part of our 45 anniversary celebrations, we are making the original texts of many of our out-of-print books available for the first time in many years. We thank you for choosing this book, and if you can make a donation to QueenSpark Books, please click on the “donate” button on the book page on our website. This book remains the copyright of QueenSpark Books, so if reproducing any part of it, please ensure you credit QueenSpark Books as publisher. Foreword – Pullman Attendant by Bert Hollick, 1991 In 1935, fifteen year old Bert Hollick signed on at Brighton Station for his first shift on a Pullman Train. Working on the midnight shift from Victoria to Brighton including the famous Brighton Belle, he learned to ladle soup from a tureen at seventy-five miles per hour and serve a three-course lunch in a speedy fifty-eight minutes. Bert’s life story is told in a style that conveys wonderfully the atmosphere of the Pullman Cars, as well as providing interesting factual details of railway life. Bert worked at a time when a twelve to fourteen hour day was commonplace, and wages were a meagre £2 a week, despite providing a luxury service to everyday travellers. -
TPTV Schedule Nov 25Th – Dec 1St 2019
TPTV Schedule Nov 25th – Dec 1st 2019 Date Time Programme Synopsis Mon 25 00:00 Sudden Fear 1952. Drama. Directed by David Miller. Stars Joan Crawford, Jack Palance, Gloria Nov 19 Grahame & Bruce Bennett. After an actor marries a rich playwright, he plots with his mistress how to get rid of her. (SUBTITLES AVAILABLE) Mon 25 02:15 Beat Girl 1960. Drama. Directed by Edmond T. Greville and starring Noelle Adam, Christopher Nov 19 Lee and Oliver Reed. Paul, a divorcee, marries a French lady but his daughter is determined to spoil the relationship. Mon 25 04:00 Last Curtain 1937. An insurance investigator tracks a series of robberies to a gang who are hiding Nov 19 the stolen jewels in the produce of a bakery. First film from Joss Ambler, filmed at Pinewood. Mon 25 05:20 Honey West 1965. Matter of Wife and Death. Classic crime series produced by Aaron Spelling and Nov 19 starring Anne Francis. Someone tries to sink a ship carrying Honey and a woman who hired her. Mon 25 05:50 Dog Gone Early 1940s cartoon where 'dog' wants to find out how to win friends and influence Nov 19 Kitten cats and gets a few more kittens than he bargained for! Mon 25 06:00 Meet Mr 1954. Crime drama directed by Charles Saunders. Private detective Slim Callaghan Nov 19 Callaghan (Derrick De Marney) is hired to find out why a rich uncle changed his will. (SUBTITLES AVAILABLE) Mon 25 07:45 Say It With 1934. Drama musical. Directed by John Baxter. Two well-loved market flower sellers Nov 19 Flowers (Mary Clare and Ben Field) fall on hard times. -
Film Club Sky 328 Newsletter Freesat 306 AUGUST/SEPT 2020 Virgin 445
Freeview 81 Film Club Sky 328 newsletter Freesat 306 AUGUST/SEPT 2020 Virgin 445 Dear Supporters of Film and TV History, Hoping you are all well and enjoying a Lyons Maid or two on the hotter days while watching Talking Pictures TV – your own personal trip to the flicks every day and no fleas! This month we bring you a wonderful new DVD Box set from Renown Pictures – The Comedy Collection Volume 3! We thought it was time we all had a jolly good laugh and with 11 films over 3 discs, starring some of the greatest British character actors you will see, it’s an absolute bargain at £20 for all 3 discs with free UK postage. Titles include: A Hole Lot of Trouble with Arthur Lowe, Victor Maddern and Bill Maynard; A Touch of The Sun with Frankie Howerd, Ruby Murray and Alfie Bass, once lost British comedy Just William’s Luck, fully restored to its former glory, Come Back Peter, with Patrick Holt and Charles Lamb, also once lost and never before released on DVD, as well as Where There’s A Will with George Cole and Kathleen Harrison, plus many more! More details overleaf. There’s an extra special deal on our Comedy Collection Volumes 1 and 2 as well. Regarding our events this year and next year, there is good news and bad news. Finally, the manager at the St Albans Arena has come back to the office and has secured 28th March 2021 for us. Sad news as it doesn’t look like we will be able to go ahead with any other event this year, including Stockport on Sunday 4th October. -
The North of England in British Wartime Film, 1941 to 1946. Alan
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CLoK The North of England in British Wartime Film, 1941 to 1946. Alan Hughes, University of Central Lancashire The North of England is a place-myth as much as a material reality. Conceptually it exists as the location where the economic, political, sociological, as well as climatological and geomorphological, phenomena particular to the region are reified into a set of socio-cultural qualities that serve to define it as different to conceptualisations of England and ‘Englishness’. Whilst the abstract nature of such a construction means that the geographical boundaries of the North are implicitly ill-defined, for ease of reference, and to maintain objectivity in defining individual texts as Northern films, this paper will adhere to the notion of a ‘seven county North’ (i.e. the pre-1974 counties of Cumberland, Westmorland, Northumberland, County Durham, Lancashire, Yorkshire, and Cheshire) that is increasingly being used as the geographical template for the North of England within social and cultural history.1 The British film industry in 1941 As 1940 drew to a close in Britain any memories of the phoney war of the spring of that year were likely to seem but distant recollections of a bygone age long dispersed by the brutal realities of the conflict. Outside of the immediate theatres of conflict the domestic industries that had catered for the demands of an increasingly affluent and consuming population were orientated towards the needs of a war economy as plant, machinery, and labour shifted into war production. -
MARJORIE BEEBE—Ian
#10 silent comedy, slapstick, music hall. CONTENTS 3 DVD news 4Lost STAN LAUREL footage resurfaces 5 Comedy classes with Britain’s greatest screen co- median, WILL HAY 15 Sennett’s comedienne MARJORIE BEEBE—Ian 19 Did STAN LAUREL & LUPINO LANE almost form a team? 20 Revelations and rarities : LAUREL & HARDY, RAYMOND GRIFFITH, WALTER FORDE & more make appearances at Kennington Bioscope’s SILENT LAUGHTER SATURDAY 25The final part of our examination of CHARLEY CHASE’s career with a look at his films from 1934-40 31 SCREENING NOTES/DVD reviews: Exploring British Comedies of the 1930s . MORE ‘ACCIDENTALLY CRITERION PRESERVED’ GEMS COLLECTION MAKES UK DEBUT Ben Model’s Undercrank productions continues to be a wonderful source of rare silent comedies. Ben has two new DVDs, one out now and another due WITH HAROLD for Autumn release. ‘FOUND AT MOSTLY LOST’, presents a selection of pre- LLOYD viously lost films identified at the ‘Mostly Lost’ event at the Library of Con- gress. Amongst the most interesting are Snub Pollard’s ‘15 MINUTES’ , The celebrated Criterion Collec- George Ovey in ‘JERRY’S PERFECT DAY’, Jimmie Adams in ‘GRIEF’, Monty tion BluRays have begun being Banks in ‘IN AND OUT’ and Hank Mann in ‘THE NICKEL SNATCHER’/ ‘FOUND released in the UK, starting AT MOSTLY LOST is available now; more information is at with Harold Lloyd’s ‘SPEEDY’. www.undercrankproductions.com Extra features include a com- mentary, plus documentaries The 4th volume of the ‘ACCIDENTALLY PRESERVED’ series, showcasing on Lloyd’s making of the film ‘orphaned’ films, many of which only survive in a single print, is due soon. -
Dance Theatre in Notes
THEATRICAL COLLOQUIA DOI Number: 10.1515/tco-2017-0026 Dance Theatre in Notes Alice-Maria SAFTA Abstract: The fusing of arts enriches a spectacular setting for all human feelings to thrive and express themselves. The theatre in the arts and the art in the theatre, a sublime melding of purity and mystery, speaks striking truths for those with ears to hear them. “The floors” of theatres today enjoy classical dramatic pieces, as well as the staging of experiments, which in my opinion are a real necessity for the entire development of the creative human spirit. The need for free speech and expression gives us motivation to explore the meaning of the term “classical”. The latest trends in the art of modern dance are represented by a return to expression and theatricality, the narrative genre, as well as the historical account of the development of the plot, the restoration interventions in spoken word, chanting and singing; the concepts of art are undergoing a full recovery. Key words: fusion arts, performance roots, modern art, music hall and Jazz, primitive and current dance The fusing of arts enriches a spectacular setting for all human feelings to thrive and express themselves. The theatre in arts and the art in the theatre are a sublime melding of purity and mystery, speaking striking truths for those with ears to hear them. “The floors” of theatres today enjoy classical dramatic pieces, as well as the staging of experiments, which in my opinion are a real necessity for the entire development of the creative human spirit. The need for free speech and expression gives motivation for us to explore the meaning of the term “classical”. -
Theatre Archive Project
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Auston Cole – interview transcript Interviewer: Dominic Shellard 6 November 2007 Theatre-goer. Frank Adie; Tommy Cooper; Cecily Courtneidge; Noel Coward; G.H. Elliot; Roy Hudd; Jack and Claude Hulbert; London Coliseum; Murray and Mooney; music hall; new writing; Ivor Novello; Beryl Reid; Sheffield theatres; theatre seating; variety; Waiting for Godot; West End. DS: Well, welcome to the British Library Austin, and thank you very much indeed for agreeing to be interviewed for the AHRC British Library Theatre Archive Project. AC: Thank you. DS: Could I just ask you first of all whether you’re happy for the interview to deposited in the British Library Sound Archive. AC: I’m totally happy with that. DS: Thank you very much indeed. And perhaps we can start by discussing how you first became interested in the theatre. AC: That’s quite simple Dominic, and I’m glad you asked me that as a kick-off, because before the war my parents took me to London, to the theatre. And also we had two theatres in Cambridge. I was born in a village not far from Cambridge, and that was our weekend visiting town – now it’s a city. And I realised that anywhere I went, if I could get in theatre – that’s what as I thought of as I worked so hard, no matter all stages of my life – I found that when I’d finished that, the thought was ‘where can I get into the theatre?’. DS: Wonderful. AC: Now, as a consequence of that, little wonder then when the war came and I was recruited into a particular service of the Royal Navy. -
Fred Tomlin (Boom Operator) 1908 - ? by Admin — Last Modified Jul 27, 2008 02:45 PM
Fred Tomlin (boom operator) 1908 - ? by admin — last modified Jul 27, 2008 02:45 PM BIOGRAPHY: Fred Tomlin was born in 1908 in Hoxton, London, just around the corner from what became the Gainsborough Film Studios (Islington) in Poole Street. He first visited the studio as a child during the filming of Woman to Woman (1923). He entered the film industry as an electrician, working in a variety of studios including Wembley, Cricklewood and Islington. At Shepherd’s Bush studio he got his first experience as a boom operator, on I Was A Spy (1933). Tomlin claims that from that point until his retirement he was never out of work, but also that he was never under permanent contract to any studio, working instead on a freelance basis. During the 1930s he worked largely for Gaumont and Gainsborough on films such as The Constant Nymph (1933), Jew Suss (1934), My Old Dutch (1934), and on the Will Hay comedies, including Oh, Mr Porter (1937) and Windbag the Sailor (1936). During the war, Tomlin served in the army, and on his return continued to work as a boom operator on films and television (often alongside Leslie Hammond) until the mid 1970s. His credits include several films for Joseph Losey (on Boom (1968) and Secret Ceremony (1968)) and The Sea Gull (1968)for Sidney Lumet, as well as TV series such as Robin Hood and The Buccaneers and a documentary made in Cuba for Granada TV. SUMMARY: In this interview from 1990, Tomlin talks to Bob Allen about his career, concentrating mainly on the pre-war period. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Ask a Policeman Free
FREE ASK A POLICEMAN PDF The Detection Club,Agatha Christie,Dorothy L. Sayers,Anthony Berkeley,Gladys Mitchell,Helen Simpson | 336 pages | 08 Nov 2012 | HarperCollins Publishers | 9780007468621 | English | London, United Kingdom Ask a Policeman () directed by Marcel Varnel • Reviews, film + cast • Letterboxd The mirthful adventures of Police-Sergeant Samuel Dudfoot and his Ask a Policeman constables, Albert Brown and Jeremias Harbottle, who stage a fabricated crime-wave to save their jobsand then find themselves involved in the real thing. Derick Williams Jack Parry. Will Hay and his incompetent gang as village coppers! No other outcome then a comedy classic is possible! And might perhaps be Hay's Ask a Policeman too? The village of Turnbotham Round has the reputation of being the safest place in England with not a single crime committed in 10 years 4 months and 5 days. Which just happens to be the exact same amount of time that Sergeant Samuel Dudfoot Will Hay has been in charge of the local police station. Unfortunately when that information comes to the attention of the Chief Constable he threatens to close the station down and put Dudfoot and his two constables out of work, so it now falls to them to come up with some crime. Luckily, and unsurprisingly, the very thing they need has Ask a Policeman going on under their noses for at least the last 10 years 4 months…. This is a hugely enjoyable yarn about three incompetent and Ask a Policeman bent coppers who somehow manage to thwart a major smuggling operation. This is a lot of fun, I've liked Will Hay comedies since I first saw them as a boy, and this one Ask a Policeman solid, with snappy, amusing dialogue from the shady, but good-hearted, boys. -
TPTV Schedule September 24Th - 30Th 2018
TPTV Schedule September 24th - 30th 2018 DATE TIME PROGRAMME SYNOPSIS Mon 24 6:00 Piccadilly Incident 1946. War. Director: Herbert Wilcox. Stars Anna Neagle, Michael Wilding, Sep 18 Coral Browne & Edward Rigby. A missing Wren returns from a desert isle and finds her husband has a new wife and son. Mon 24 8:00 Hawkeye & the Way Station. 1957. Directed by Sam Newfield. Stars John Hart, Lon Sep 18 Last of the Chaney Jr & James Doohan. The daughter of Mingo Chief Nocona is Mohicans desired by two warring tribesmen. (Subtitles Available) Mon 24 8:30 Convict 99 1938. Comedy. Directed by Marcel Varnel. Stars Will Hay, Moore Marriott, Sep 18 Graham Moffat & Googie Withers. A school master is mistaken for a prison governor and assigned the charge of a prison. Mon 24 10:15 Glimpses of Glimpses: Made as an educational film showing our crops of hops & fruit. Sep 18 Southern England The film provides a startling glimpses of bygone days of all of the in 1968 Southern area of the UK including great aerial shots. Mon 24 10:35 The Lost Moment 1947. Drama. A publisher insinuates himself into the mansion of the Sep 18 centenarian lover of a renowned but long-dead poet in order to find his lost love letters. Starring Robert Cummings & Susan Hayward. Mon 24 12:20 Waterloo Road 1944. Drama. Director: Sidney Gilliat. Stars Stewart Granger, John Mills, Sep 18 Alastair Sim & Joy Shelton. After Jim reports for military duty, he suspects that his bride has been seeing another man. Mon 24 13:55 The Old Dark 1963. -
Comedy and Work
'You don’t have to be crazy to work, but it helps' : work in film comedies of the 1930s White, G Title 'You don’t have to be crazy to work, but it helps' : work in film comedies of the 1930s Authors White, G Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/37539/ Published Date 2013 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. You don’t have to be a crazy to work, but it helps: Work in comedies of the 1930s Glyn White, University of Salford Having recently published an overview of film, television and radio comedy (Mundy and White 2012) I am curious how relatively seldom work appears in the foreground of comedy texts. Comedy is drawn to controversial areas and ideological fractures in the social structure with issues of taste, class, gender, race and sexuality consistently appropriating the focus. Work is the background, the normal and quotidian against which the comic can emerge. Certainly there is humour to be found in work activities and environments, but work itself is so monolithic in our lives that our fondest wish is often to escape it and its domination of our time.