The Integration Between Chinese Characters Design and National Culture
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The Origin and Spread of the Jawi Script
Sub-regional Symposium on the Incorporation of the Languages of Asian Muslim Peoples into the Standardized Quranic Script 2008 ﻧﺪﻭﺓ November 7-5 ﺷﺒﻪ ,Kuala Lumpur ﺇﻗﻠﻴﻤﻴﺔ ,(SQSP) ﺣﻮﻝ:Project ﺇﺩﺭﺍﺝ ﻟﻐﺎﺕ ﺍﻟﺸﻌﻮﺏ ﺍﻹﺳﻼﻣﻴﺔ ﰲ ﺁﺳﻴﺎ ﰲ ﻣﺸﺮﻭﻉ ﺍﳊﺮﻑ ﺍﻟﻘﺮﺁﱐ 7_9 ﺫﻭ ﺍﻟﻘﻌﺪﺓ 1429 ﻫـ ﺍﳌﻮﺍﻓﻖ 5-7 ﻧﻮﻓﻤﱪ 2008 ﻡ ﻗﺎﻋﺔ ﳎﻠﺲ ﺍﻷﺳﺎﺗﺬﺓ : ﺍﳉﺎﻣﻌﺔ ﺍﻹﺳﻼﻣﻴﺔ ﺍﻟﻌﺎﳌﻴﺔ ﲟﺎﻟﻴﺰﻳﺎ THE ORIGIN AND SPREAD OF THE JAWI SCRIPT Amat Juhari Ph.D Bangi, Malaysia Sub-regional Symposium on the Incorporation of the Languages of Asian Muslim Peoples into the Standardized Quranic Script Project (SQSP), Kuala Lumpur, 5-7 November 2008 THE ORIGIN AND THE SPREAD OF THE JAWI SCRIPT SYNOPSIS This paper discusses the origin and the spread of the Jawi Script. Jawi Script is derived from the Arabic Script, but it later changed its name to Jawi because in Jawi Script there are six more new letters being added to it to represent the six Malay phonemes which are not found in the Arabic Language. The oldest known Jawi writing is the Terengganu Inscriptions dated 24 th February 1303 or 702 Hijrah. Later on Jawi Script was used extensively in the Sultanate of Malacca, the Sultanate of Old Johor, the Sultanate of Aceh, the Sultanate of Johor-Riau and other sultanates and kingdoms of South East Asia. Jawi Script had spread from Aceh in North Sumatra in the west to Ternate and Tidore in the Moluccas Islands in the eastern part of Indonesia, and then from Cambodia in the north to Banten in the south. Nowadays, about 16,000 Malay Jawi manuscripts are being preserved and kept in many libraries and archives around the world. -
Constitution of the Federation of Bosnia and Herzegovina
Emerika Bluma 1, 71000 Sarajevo Tel. 28 35 00 Fax. 28 35 01 Department for Legal Affairs CONSTITUTION OF THE FEDERATION OF BOSNIA AND HERZEGOVINA “Official Gazette of the Federation of Bosnia and Herzegovina”, 1/94, 13/97 CONSTITUTION OF THE FEDERATION OF BOSNIA AND HERZEGOVINA - consolidated translation, with amendments indicated - • The Constitution of the Federation of Bosnia and Herzegovina was adopted by the Constitutional Assembly of the Federation of BiH, at the session held on June 24, 1994. It was published in Slu`bene Novine Federacije Bosne i Hercegovine n. 1, 1994. • Amendment I to the Constitution of the Federation of Bosnia and Herzegovina was passed by the Constitutional Assembly of the Federation of BiH, at the session held on June 24th,1994. It was also published in Slu`bene Novine Federacije Bosne i Hercegovine n. 1, 1994. • Amendments II to XXIV to the Constitution of the Federation of Bosnia and Herzegovina were passed by the Constitutional Assembly of the Federation of BiH, at its 14th session held on June 5th,1996. They were published in Slu`bene Novine Federacije Bosne i Hercegovine n. 13, 1997. • Amendments XXV and XXVI to the Constitution of the Federation of Bosnia and Herzegovina were passed according to the procedure in Chapter VIII, finalized on May 8th, 1997. They were also published in Slu`bene Novine Federacije Bosne i Hercegovine n. 13, 1997. PREAMBLE I. ESTABLISHMENT OF THE FEDERATION Arts. 1-6 II. HUMAN RIGHTS A. General Arts. 1-7 B. Initial Appointment and Functions of the Ombudsmen Arts. 1-9 III. DIVISION OF RESPONSIBILITIES BETWEEN THE FEDERATION GOVERNMENT AND THE CANTONS Arts. -
The Chinese Script T � * 'L
Norman, Jerry, Chinese, Cambridge: Cambridge University Press, 1988. 1 3.1 Th e beginnings of Chinese writing 59 3 FISH HORSE ELEPHANT cow (yu) (m ii) (xiimg) (niu) " The Chinese script t � * 'l Figure 3.1. Pictographs in early Chinese writing 3.1 The beginnings of Chinese writing1 The Chinese script appears as a fully developed writing system in the late Shang .dynasty (fourteenth to eleventh centuries BC). From this period we have copious examples of the script inscribed or written on bones and tortoise shells, for the most part in the form of short divinatory texts. From the same period there also Figure 3.2. The graph fo r quiin'dog' exist a number of inscriptions on bronze vessels of various sorts. The former type of graphic record is referred to as the oracle bone script while the latter is com of this sort of graph are shown in Figure 3.1. The more truly representational a monly known· as the bronze script. The script of this period is already a fully graph is, the more difficult and time-consuming it is to depict. There is a natural developed writing system, capable of recording the contemporary Chinese lan tendency for such graphs to become progressively simplified and stylized as a guage in a complete and unambiguous manner. The maturity of this early script writing system matures and becomes more widely used. As a result, pictographs has suggested to many scholars that it must have passed through a fairly long gradually tend to lose their obvious pictorial quality. The graph for qui'in 'dog' period of development before reaching this stage, but the few examples of writing shown in Figure 3.2 can serve as a good illustration of this sort of development. -
IS 13194 (1991): Indian Script Code for Information Interchange - ISCII [LITD 20: Indian Language Technologies and Products]
इंटरनेट मानक Disclosure to Promote the Right To Information Whereas the Parliament of India has set out to provide a practical regime of right to information for citizens to secure access to information under the control of public authorities, in order to promote transparency and accountability in the working of every public authority, and whereas the attached publication of the Bureau of Indian Standards is of particular interest to the public, particularly disadvantaged communities and those engaged in the pursuit of education and knowledge, the attached public safety standard is made available to promote the timely dissemination of this information in an accurate manner to the public. “जान का अधकार, जी का अधकार” “परा को छोड न 5 तरफ” Mazdoor Kisan Shakti Sangathan Jawaharlal Nehru “The Right to Information, The Right to Live” “Step Out From the Old to the New” IS 13194 (1991): Indian script code for information interchange - ISCII [LITD 20: Indian Language Technologies and Products] “ान $ एक न भारत का नमण” Satyanarayan Gangaram Pitroda “Invent a New India Using Knowledge” “ान एक ऐसा खजाना > जो कभी चराया नह जा सकताह ै”ै Bhartṛhari—Nītiśatakam “Knowledge is such a treasure which cannot be stolen” AMENDMENT NO. 1 DECEMBER 2010 TO IS 13194 : 1991 INDIAN SCRIPT CODE FOR INFORMATION INTERCHANGE — ISCII (Page 4, clause 4.10 ) — Insert the following new clause after 4.10.2 : ‘4.10.3 Indian Rupee — ` is the symbol for Indian Rupee.’ [Page 5, Table 1 and 2, Hex Code (col F and row C), Dec. -
The Impact of Arabic Orthography on Literacy and Economic Development in Afghanistan
International Journal of Education, Culture and Society 2019; 4(1): 1-12 http://www.sciencepublishinggroup.com/j/ijecs doi: 10.11648/j.ijecs.20190401.11 ISSN: 2575-3460 (Print); ISSN: 2575-3363 (Online) The Impact of Arabic Orthography on Literacy and Economic Development in Afghanistan Anwar Wafi Hayat Department of Economics, Kabul University, Kabul, Afghanistan Email address: To cite this article: Anwar Wafi Hayat. The Impact of Arabic Orthography on Literacy and Economic Development in Afghanistan. International Journal of Education, Culture and Society . Vol. 4, No. 1, 2019, pp. 1-12. doi: 10.11648/j.ijecs.20190401.11 Received : October 15, 2018; Accepted : November 8, 2018; Published : January 31, 2019 Abstract: Currently, Pashto and Dari (Afghan Persian), the two official languages, and other Afghan languages are written in modified Arabic alphabets. Persian adopted the Arabic alphabets in the ninth century, and Pashto, in sixteenth century CE. This article looks at how the Arabic Orthography has hindered Literacy and Economic development in Afghanistan. The article covers a comprehensive analysis of Arabic Orthography adopted for writing Dari and Pashto, a study of the proposed Arabic Language reforms, and research conducted about reading and writing difficulty in Arabic script by Arab intellectuals. The study shows how adopting modified Latin alphabets for a language can improve literacy level which further plays its part in the economic development of a country. The article dives into the history of Romanization of languages in the Islamic World and its impact on Literacy and economic development in those countries. Romanization of the Afghan Official languages and its possible impact on Literacy, Economy, and Peace in Afghanistan is discussed. -
Ћирилица Из Нот Дед: Cyrillic Script from a Sociolinguistic Perspective in Macedonia, Montenegro and Serbia
1 Ћирилица из нот дед: Cyrillic Script from a Sociolinguistic Perspective in Macedonia, Montenegro and Serbia Aleksandra Salamurović (Jena)1 1. Introduction During 2012 and 2013 the question of script use in Serbia, specifically, the fact that Latin script prevails in public use, moved into the spotlight of public discussion, especially in multicultural Novi Sad (Salamurović 2015). After several months-long debates over scripts used on the building of the Center for Culture in Novi Sad, on bus displays and other public facilities, one creative citizen was obviously motivated to express their revolt by posting the following graffiti: Ћирилица из нот дед (“Cyrillics is not dead”), transcribing parts of English text into Serbian using the Cyrillic alphabet. On the other hand, in his current typological study on biscriptality in Slavic and non-Slavic languages, Slavist Daniel Bunčić proclaims in aphoristic form: “Monoscriptality can be cured - learn Cyrillic!” (Bunčić 2016a:16)2 emphasizing an additional value of learning and using the Cyrillic script. Besides both statements relating to Cyrillic script, they also have the common trait that they assign particular attitudes and values to the script. Those socio-cultural attributions are one of the most important features of the script and are of primary importance in selecting the script within biscriptal situations. Moreover, they are of particular interest for language policy and sociolinguistics of script. This paper will examine the current status of Cyrillic script in three South-Slavic countries: Serbia, Montenegro and Macedonia3, the first two being biscriptal in the sense of what Bunčić typologically describes as bigraphism (one language using two scripts, Bunčić 2016c:54), and the last, Macedonia, being typologically monoscriptal but still dealing with two different scripts. -
Section 18.1, Han
The Unicode® Standard Version 13.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2020 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 13.0. Includes index. ISBN 978-1-936213-26-9 (http://www.unicode.org/versions/Unicode13.0.0/) 1. -
The Origin and Evolvement of Chinese Characters
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Portal Czasopism Naukowych (E-Journals) BI WEI THE ORIGIN AND EVOLVEMENT OF CHINESE CHARACTERS Writing, the carrier of culture and the symbol of human civilization, fi rst appeared in Sumer1. Like other ancient languages of Egypt and India, ancient Sumerian symbols have been lost in the process of history, but only Chinese characters still remain in use today. They have played a signifi cant role in the development of Chinese lan- guage and culture. This article intends to display how Chinese characters were creat- ed and how they were simplifi ed from the ancient form of writing to more abstract. Origin of Chinese characters Chinese characters, in their initial forms, were beautiful and appropriately refl ected images in the minds of ancient Chinese that complied with their understanding of reality. Chinese people selected the way of expressing meaning by fi gures and pic- tures, and Chinese characters begun with drawings. Three Myths in Ancient Times It is diffi cult to determine the specifi c time when the Chinese characters emerged. There are three old myths about the origin of Chinese characters. The fi rst refers to the belief that Chinese characters were created by Fu Xi – the fi rst of Three Sovereigns2 in ancient China, who has drew the Eight Trigrams which have evolved into Chinese characters. The mysterious Eight Trigrams3 used for divination are composed of the symbols “–” and “– –”, representing Yang and Yin respectively. 1 I.J. Gelb, Sumerian language, [in:] Encyclopedia Britannica Online, Encyclopedia Britannica, re- trieved 30.07.2011, www.britannica.com. -
Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati
Component-I (A) – Personal details: Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. & Dr. K. Muniratnam Director i/c, Epigraphy, ASI, Mysore Dr. Sayantani Pal Dept. of AIHC, University of Calcutta. Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. Component-I (B) – Description of module: Subject Name Indian Culture Paper Name Indian Epigraphy Module Name/Title Kharosthi Script Module Id IC / IEP / 15 Pre requisites Kharosthi Script – Characteristics – Origin – Objectives Different Theories – Distribution and its End Keywords E-text (Quadrant-I) : 1. Introduction Kharosthi was one of the major scripts of the Indian subcontinent in the early period. In the list of 64 scripts occurring in the Lalitavistara (3rd century CE), a text in Buddhist Hybrid Sanskrit, Kharosthi comes second after Brahmi. Thus both of them were considered to be two major scripts of the Indian subcontinent. Both Kharosthi and Brahmi are first encountered in the edicts of Asoka in the 3rd century BCE. 2. Discovery of the script and its Decipherment The script was first discovered on one side of a large number of coins bearing Greek legends on the other side from the north western part of the Indian subcontinent in the first quarter of the 19th century. Later in 1830 to 1834 two full inscriptions of the time of Kanishka bearing the same script were found at Manikiyala in Pakistan. After this discovery James Prinsep named the script as ‘Bactrian Pehelevi’ since it occurred on a number of so called ‘Bactrian’ coins. To James Prinsep the characters first looked similar to Pahlavi (Semitic) characters. -
Chinese Calligraphy: Standard Script for Beginners Free
FREE CHINESE CALLIGRAPHY: STANDARD SCRIPT FOR BEGINNERS PDF Qu Lei Lei,Jane Portal | 32 pages | 21 Jun 2004 | BRITISH MUSEUM PRESS | 9780714124254 | English | London, United Kingdom Chinese script styles - Wikipedia In Chinese calligraphyChinese characters can be written according to five major styles. These styles are intrinsically linked to the history of Chinese script. When used in decorative ornamentation, such as book covers, movie posters, and wall hangings, characters are often written in ancient variations or simplifications that deviate from the modern standards used in Chinese, Japanese, Vietnamese or Korean. Modern variations or simplifications of characters, akin to Chinese Simplified characters or Japanese shinjitaiare occasionally used, especially since some simplified forms derive from cursive script shapes in the first place. The Japanese syllabaries of katakana and hiragana are used in calligraphy; the katakana were derived from the shapes of regular script characters and hiragana from those of cursive script. In Korea, the post- Korean War period saw the increased use of hangulthe Korean alphabet, in calligraphy. Today, this style of Chinese writing is used predominantly in sealshence the English name. Although seals name chopswhich make a signature-like impression, are carved in wood, jade and other materials, the script itself was originally written with brush and ink on bamboo books and other media, just like all other ancient scripts. However, because seals act like legal signatures in the cultures of ChinaJapanKoreaand Vietnamand because vermillion seal impressions are a fundamental part of the presentation of works of art such as calligraphy and painting, seals and therefore seal script remain ubiquitous. Clerical script characters are often "flat" in appearance, being wider than the preceding seal script and the modern standard script, both of which tend to be taller than they are wide; some versions of clerical are square, and others are wider. -
Myocrtool: Visualization System for Generating Associative Images of Chinese Characters in Smart Devices
Hindawi Complexity Volume 2021, Article ID 5583287, 14 pages https://doi.org/10.1155/2021/5583287 Research Article MyOcrTool: Visualization System for Generating Associative Images of Chinese Characters in Smart Devices Laxmisha Rai and Hong Li College of Electronic and Information Engineering, Shandong University of Science and Technology, Qingdao 266590, China Correspondence should be addressed to Laxmisha Rai; [email protected] Received 6 February 2021; Revised 12 March 2021; Accepted 16 April 2021; Published 11 May 2021 Academic Editor: Abd E.I.-Baset Hassanien Copyright © 2021 Laxmisha Rai and Hong Li. )is is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. Majority of Chinese characters are pictographic characters with strong associative ability and when a character appears for Chinese readers, they usually associate with the objects, or actions related to the character immediately. Having this background, we propose a system to visualize the simplified Chinese characters, so that developing any skills of either reading or writing Chinese characters is not necessary. Considering the extensive use and application of mobile devices, automatic identification of Chinese characters and display of associative images are made possible in smart devices to facilitate quick overview of a Chinese text. )is work is of practical significance considering the research and development of real-time Chinese text recognition, display of associative images and for such users who would like to visualize the text with only images. )e proposed Chinese character recognition system and visualization tool is named as MyOcrTool and developed for Android platform. -
Research and Discussion on the Stereotyped Writing Criticism of Jiangxi School
2017 3rd International Conference on Social Science, Management and Economics (SSME 2017) ISBN: 978-1-60595-462-2 Research and Discussion on the Stereotyped Writing Criticism of Jiangxi School Xiaolian Li1 Abstract The stereotyped writing criticism of Jiangxi School is an important school in Chinese literature history. It is not only an influential existence on literature, but also politically gives impact on historical development. Qing dynasty literature in almost all areas have made great progress that make the various forms of genre of Chinese classical literature have been into the comprehensive prosperity. The rhythm of the eight-part essay writing features can also be of composition structure shift from above, the inversion analysis of rhythm of the reasonable explanation. Eight-part essays writing have speaking format, the arrangement of each part of the article structure and should be treated according to certain programs. This paper integrates the related result to propose the new idea on the stereotyped writing criticism genre that propose the novel perspective for the related research areas. Keywords: Stereotyped Writing, Criticism, Jiangxi School Introduction In Ming dynasty, the imperial examinations in the four article in the eleventh year of Chenghua not to evolve into a new paradigm, namely in the main body of the article and eight couplet to complete the subject, this paper is unique to be the eight-part essays, and gradually replaced four article as system is the general term for righteousness. Initially this format is mostly appear in the sentence subject, then gradually covered other types of topic, became the most popular Chenghua and Hongzhi after made art paradigm.