Greek God and Goddesses
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Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Once and Future Antiquities in Science Fiction and Fantasy
ONCE AND FUTURE ANTIQUITIES IN SCIENCE FICTION AND FANTASY i Bloomsbury Studies in Classical Reception Bloomsbury Studies in Classical Reception presents scholarly monographs off ering new and innovative research and debate to students and scholars in the reception of Classical Studies. Each volume will explore the appropriation, reconceptualization and recontextualization of various aspects of the Graeco-Roman world and its culture, looking at the impact of the ancient world on modernity. Research will also cover reception within antiquity, the theory and practice of translation, and reception theory. Also available in the series: ANCIENT MAGIC AND THE SUPERNATURAL IN THE MODERN VISUAL AND PERFORMING ARTS edited by Filippo Carl à and Irene Berti ANCIENT GREEK MYTH IN WORLD FICTION SINCE 1989 edited by Justine McConnell and Edith Hall CLASSICS IN EXTREMIS by Edmund Richardson FRANKENSTEIN AND ITS CLASSICS edited by Jesse Weiner, Benjamin Eldon Stevens and Brett M. Rogers GREEK AND ROMAN CLASSICS IN THE BRITISH STRUGGLE FOR SOCIAL REFORM edited by Henry Stead and Edith Hall HOMER ’S ILIAD AND THE TROJAN WAR : DIALOGUES ON TRADITION Jan Haywood and Nao í se Mac Sweeney IMAGINING XERXES Emma Bridges JULIUS CAESAR ’S SELF - CREATED IMAGE AND ITS DRAMATIC AFTERLIFE Miryana Dimitrova OVID ’S MYTH OF PYGMALION ON SCREEN Paula James THE CODEX FORI MUSSOLINI Han Lamers and Bettina Reitz-Joosse THE GENTLE , JEALOUS GOD Simon Perris VICTORIAN CLASSICAL BURLESQUES Laura Monr ó s-Gaspar VICTORIAN EPIC BURLESQUES Rachel Bryant Davies ii ONCE AND FUTURE ANTIQUITIES IN SCIENCE FICTION AND FANTASY Edited by Brett M. Rogers and Benjamin Eldon Stevens iii BLOOMSBURY ACADEMIC Bloomsbury Publishing Plc 50 Bedford Square, London, WC 1B 3 DP , UK 1385 Broadway, New York, NY 10018, USA BLOOMSBURY , BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2019 Copyright © Brett M. -
Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them. -
Clas109.04 Rebirth Demeter & Hades
CLAS109.04 REBIRTH M Maurizio ch.4.1 HISTORY—Homeric Hymn to Demeter before class: skim HISTORY context; refer to leading questions; focus on ancient texts Active Reading FOCUS • H.Hom.2 & Plut.Mor. cf. CR04 H.Hom.Cer. G. Nagy trans. (Maurizio p.163‐174 is fine) use CR04 Plutarch Moralia: Isis & Osiris 15‐16 (Plut.Mor.357A‐D) NB read for one hour, taking notes (fill in worksheets) RAW notes & post discussion question @11h00 W Maurizio ch.4.3 COMPARE—In the Desert by the Early Grass before class: skim COMPARE context; refer to leading questions; focus on ancient text Active Reading FOCUS • Early Grass (edin‐na u2 saĝ‐ĝa2‐ke4) use CR04 Jacobsen 1987 translation (Maurizio p.188‐194 is NOT fine) NB read for one hour, taking notes; finish previous as necessary RAW notes & post discussion question @12h00 F Maurizio ch.4.2 THEORY—Foley 1994 before class: skim also modern 4.4 RECEPTION paragraph synopsis of Foley, H. 1994. “Question of Origins.” Womens Studies 23.3:193‐215 NB read for one hour, practice summarizing; finish previous as necessary tl; dr & post discussion responses @11h00 Q04 • QUOTE QUIZ Gen.6‐11, Aesch.Prom., H.Hom.Cer., Plut.Mor.357A‐D; Early Grass FINAL notes @23h59 DRAFT 01 @23h59 • following guidelines DEMETER & HADES How does myth represent the natural world (e.g. pre‐scientific explanation)? How does myth represent religious ritual? How does myth represent social order? Homeric Hymn to Demeter1 G. Nagy 1 I begin to sing of Demeter, the holy goddess with the beautiful hair. -
Myth and Origins: Men Want to Know
Journal of Literature and Art Studies, October 2015, Vol. 5, No. 10, 930-945 doi: 10.17265/2159-5836/2015.10.013 D DAVID PUBLISHING Myth and Origins: Men Want to Know José Manuel Losada Université Complutense, Madrid, Spain Starting with a personal definition of “myth”, this paper seeks to substantiate the claim that every myth is essentially etiological, in the sense that myths somehow express a cosmogony or an eschatology, whether particular or universal. In order to do that, this study reassesses Classical and Judeo-Christian mythologies to revisit and contrast the narratives of origin—of the cosmos, of the gods and of men—found in ancient polytheism and in Judeo-Christian monotheism. Taking into consideration how these general and particular cosmogonies convey a specific understanding of the passage of time, this article does not merely recount the cosmogonies, theogonies, and anthropogonies found in the Bible and in the works of authors from Classical Antiquity, but it also incorporates a critical commentary on pieces of art and literature that have reinterpreted such mythical tales in more recent times. The result of the research is the disclosure of a sort of universal etiology that may be found in mythology which, as argued, explains the origins of the world, of the gods, and of men so as to satisfy humankind’s ambition to unveil the mysteries of the cosmos. Myth thus functions in these cases as a vehicle that makes it possible for man to return the fullness of a primordial age, abandoning the fleeting time that entraps him and entering a time still absolute. -
Greek Creation Myth in the Beginning There Was Only the Infinite Space Known As Chaos. Inside This Void Was a Single Creature, N
Greek Creation Myth In the beginning there was only the infinite space known as Chaos. Inside this void was a single creature, Nyx, the bird with black wings. She laid a golden egg and for ages sat upon it. When it finally hatched, out came Eros, the god of love. One half of the shell rose up to become the sky, and the other half became the Earth. He named the Earth Gaia and the sky Uranus. Eros then made them fall in love. More… They had many children; among them were giants and Titans, one of which was name Atlas, who, due to his bad behavior was punished to forever hold the Earth and the sky apart. Two other children were named Cronus and Rhea, who married and ruled the world. They also had children. One was name Demeter, who was the Goddess of all things that grow. Hera was the Goddess of marriage and the birth of children. Hestia, as the goddess of the home and sacred hearth. Poseidon, god of the sea, Hades, god of the dead, and Zeus who became the God of the world and ruled the air and the sky. Before they were born, the universe prophesied that one of these children would overtake Cronus and rule the world. To avoid this fate, Cronus swallowed up each of his children as soon as they were born. All of them, except Zeus, who had been hidden by his mother Rhea. When he was fully grown, Zeus conquered Cronus in a great war and rescued his siblings. -
Chaos (Cosmogony)
Chaos (cosmogony) Chaos (Ancient Greek: χάος, romanized: khaos) refers to the void state preceding the creation of the universe or cosmos in the Greek creation myths, or to the initial "gap" created by the original separation of heaven and earth.[1][2][3] Contents Etymology Greco-Roman tradition Chaoskampf Biblical tradition Alchemy and Hermeticism Modern usage See also Notes References Etymology Greek χάος means "emptiness, vast void, chasm,[4] abyss", from the verb χαίνω, "gape, be wide open, etc.", h [5] [6] from Proto-Indo-European *ǵ eh2n-, cognate to Old English geanian, "to gape", whence English yawn. It may also mean space, the expanse of air, the nether abyss or infinite darkness.[7] Pherecydes of Syros (fl. 6th century BC) interprets chaos as water, like something formless which can be differentiated.[8] Greco-Roman tradition Hesiod and the Pre-Socratics use the Greek term in the context of cosmogony. Hesiod's Chaos has been interpreted as either "the gaping void above the Earth created when Earth and Sky are separated from their primordial unity" or "the gaping space below [9] the Earth on which Earth rests". Chaos by George Frederic Watts In Hesiod's Theogony, Chaos was the first thing to exist: "at first Chaos came to be" (or was)[10] but next (possibly out of Chaos) came Gaia, Tartarus and Eros (elsewhere the son of Aphrodite).[11] Unambiguously "born" from Chaos were Erebus and Nyx.[12] For Hesiod, Chaos, like Tartarus, though personified enough to have borne children, was also a place, far away, underground and "gloomy", beyond which lived the Titans.[13] And, like the earth, the ocean, and the upper air, it was also capable of being affected by Zeus' thunderbolts.[14] Passages in Hesiod's Theogony suggest that Chaos was located below Earth but above Tartarus.[15] Primal Chaos was sometimes said to be the true foundation of reality, particularly by philosophers such as Heraclitus. -
Comparative Mythology and Folktale Studies: Kore, Demeter, Baldr, and the Fairy Tale “Sleeping Beauty” Riccardo Ginevra Harvard Center for Hellenic Studies
CHS Kosmos Society Online Open House (May 15, 2020) Comparative Mythology and Folktale Studies: Kore, Demeter, Baldr, and the fairy tale “Sleeping Beauty” Riccardo Ginevra Harvard Center for Hellenic Studies A1. Ancient Indo-European Myths of Non-Functioning Deities: Demeter and Baldr (Ginevra 2020) • The Greek myth of Demeter and Kore-Persephone (Homeric Hymn to Demeter): Demeter’s daughter Kore-Persephone kidnapped by Hades, Lord of the Dead. Demeter searches for her, can’t find her. Enraged, leaves the other gods, takes shape of old woman, eventually arriving at palace of kings of Eleusis, Celeus and Metaneira. Demophon episode (below). Cosmic winter threatens humanity. Ending: Kore half year with Demeter (spring), half Hades (winter). • The Norse Baldr myth (Gylfaginning 49): Baldr fears for his life, precautions are taken (below), they fail. Baldr killed by a mistletoe twig thrown by Hǫðr. Baldr’s death is the unluckiest deed that ever happened among gods and mortals. Baldr’s mother Frigg sends the god Hermóðr to bring Baldr back from Hel, the Realm of the Dead. All efforts to bring Baldr back from the dead fail. End of Time: Baldr will come back and corn-fields will grow without sowing. A2. The Homeric Hymn to Demeter , the Baldr Myth, and the Modern Folktale “Sleeping Beauty” (ATU 410) (Ginevra 2019) “Demophon episode” of the Homeric Hymn and beginning of Baldr myth: close parallels in beginning of folktale type ATU 410 “Sleeping Beauty. Hom. Hymn DEMETER: The prince Demophon (‘he who shines on the people’) is BALDR myth: Baldr (‘shining’) is the son of the kings of the gods, Odin and Frigg. -
The Baroque Imagination of Alejo Carpentier, Derek Walcott, and Seamus Heaney: Folding the Periphery Into a Center
University of Miami Scholarly Repository Open Access Dissertations Electronic Theses and Dissertations 2012-05-06 The aB roque Imagination of Alejo Carpentier, Derek Walcott, and Seamus Heaney: Folding the Periphery into a Center Carmen M. Chiappetta University of Miami, [email protected] Follow this and additional works at: https://scholarlyrepository.miami.edu/oa_dissertations Recommended Citation Chiappetta, Carmen M., "The aB roque Imagination of Alejo Carpentier, Derek Walcott, and Seamus Heaney: Folding the Periphery into a Center" (2012). Open Access Dissertations. 771. https://scholarlyrepository.miami.edu/oa_dissertations/771 This Embargoed is brought to you for free and open access by the Electronic Theses and Dissertations at Scholarly Repository. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of Scholarly Repository. For more information, please contact [email protected]. UNIVERSITY OF MIAMI THE BAROQUE IMAGINATION OF ALEJO CARPENTIER, DEREK WALCOTT, AND SEAMUS HEANEY: FOLDING THE PERIPHERY INTO A CENTER By Carmen Chiappetta A DISSERTATION Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Philosophy Coral Gables, Florida May 2012 ©2012 Carmen Chiappetta All Rights Reserved UNIVERSITY OF MIAMI A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy THE BAROQUE IMAGINATION OF ALEJO CARPENTIER, DEREK WALCOTT, AND SEAMUS HEANEY: FOLDING THE PERIPHERY INTO A CENTER Carmen Chiappetta Approved: ________________ _________________ Sandra Pouchet Paquet, Ph.D. Terri A. Scandura, Ph.D. Professor of English Dean of the Graduate School ________________ _________________ Patrick McCarthy, Ph.D. Joel Nickels, Ph.D. -
The Enduring Myths of Ancient Greece
NATIONAL ENDOWMENT FOR THE HUMANITIES • VOLUME 5 NUMBER 1 • FEBRUARY 1984 Humanities The Enduring Myths of Ancient Greece The European Renaissance, through throughout because the purpose its rediscovery of the Greek (and was in the main preparation for many of the Latin) classics, estab modern literature; theories of myth, lished for the generations that fol its origins and functions were not lowed a common cultural back the prime concern. This is of course ground for secular literature and no longer the case; mythology as a art: the rich and varied mythology humanistic subject of study is now of ancient Greece. Its themes be concerned at least as much with came familiar not only to those theory as with content. The change who read the Greek classics in the has come about because of develop original but also to a larger audi ments in other fields. Previously ence who knew them through the unknown mythologies, those of medium of the Latin poets and to preliterate peoples, have been re still greater numbers who read corded and investigated by field an avidly the work of the great transla thropologists; archaeologists work tors of the period—Chapman, San- ing in the Middle East have dug up dys, Dryden, to mention only those and deciphered documents that writing in English. Until fairly late revealed forgotten mythologies— in the nineteenth century, a Euro Babylonian, Hittite, Ugaritic; folk pean writer or painter could count lorists have collected the oral nar on recognition of Greek mytholog rative traditions of shepherds and ical themes; Shakespeare, Milton, peasants. A wealth of comparative Pope, Keats, Browning and Tenny material, most of it not literary but son, like Tiepolo, Titian and Pous living and functioning in society, sin, could take for granted an audi has become available for compara ence familiar with the classical gods tive study. -
Greek Mythology Unit
Central Magnet School: Summer Reading Assignment 2018 Honors and Advanced Honors English I Summer reading will be evaluated during the first few weeks of school and will count on your first quarter grade. As you read, be sure to take notes on important characters, events, places, objects, and symbols. The evaluation of your reading will require you to be able to discuss specifics from the novel, so you must have a strong knowledge of the novel and thorough notes to study by the beginning of school. Honors and Advanced Honors English I students must read The Autobiography of Miss Jane Pittman by Ernest Gaines In addition, Advanced Honors English I students must also read Chapters 1 and 2 of Mythology by Edith Hamilton We will read through most of this book during the first semester, but for summer reading, you are required to read Chapters 1 and 2 and complete the assignment below. Again, this part is only for Adv. Honors students. Greek Mythology Terms Be familiar with each of the following terms. We will have a quiz over these terms during the first two weeks of school. Chapter 1 (I.i) Lesser Gods of Olympus Gorgons Mt. Olympus Graces Graiae nectar and ambrosia Muses Sirens Oracle at Delphi Fates The Underworld Twelve Great Olympians Erebus Chapter 2 (I.ii) Zeus (Jupiter) Tartarus Demeter (Ceres) Poseidon (Neptune) Charon Persephone Hades (Pluto) Cerberus Eleusis Hestia (Vesta) Elysian Fields Metaneira Hera (Juno) Styx Demophoön Ares (Mars) Erinyes (Furies) pomegranate seed Athena (Minerva) Phoebus Apollo Lesser Gods of Earth Dionysus (Bacchus) Aphrodite (Venus) Pan Zeus and Semele Hermes (Mercury) satyrs Thebes Artemis (Diana) Aeolus Pentheus Hephaestus (Vulcan) centaurs Teiresias Maenads (Bacchantes) Mythology Questions: Chapter 1: The Gods Answer the following in your own words, in complete sentences, on your own paper, and restate the question in your answer. -
Sophia Issue 1 Jun 2008
sophia Issue 1 Jun 2008 Greek myth in cinema The science behind cubism Cultural barriers to translation Biomedical science in Africa 1 Sophia Issue 1 This issue printed June 2008 Not for commercial distribution Articles are licensed under the Creative Commons Attribution-Noncommer- cial-No Derivative Works 2.0 UK: England & Wales License. To view a copy of this license, visit: http://creativecommons.org/licenses/by-nc-nd/2.0/uk/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Images are copyright and used with permission where attributed. All oth- ers are, to the best of our knowledge, sourced from the public domain or constitute fair use. Typeset in Arno Pro and Caecilia LT For further details see: www.sophiamagazine.co.uk 2 cover image Ben Cowd, UCL Architecture graduate. This architectural drawing was part of a design for an observatory and uses assemblies of laser-cut paper to form 2½-dimensional drawings. The lines burned by the laser are soft, sensuous and baroque yet have the precision and accuracy of the high-tech. See www.saraben-studio.com for more. contents Stubs Robin Clark – Bakerian Lecture, Royal Society ... Professor Horace Engdahl: The Hunger for Tears and The Nobel -Ex perience ... Interculturality, Politics and Society: Lessons from the Nordic Countries ... Don’t Mention Virginia Woolf: Reform in Bloomsbury ... Lovers in Lab Coats – Professor Joe Cain, Lunchtime Lecture (pp. 5–7) Articles The First Emperor: China’s Terracotta Army, Iside Carbone (p. 8) Music on the Mind, Dr David Hardoon (p. 14) Flexible Minds: Gender-Bending Experiments in Language, Dr Stavroula-Thaleia Kousta (p.