Chaos (Cosmogony)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
1 & 2 Samuel Series Lesson #176
1 & 2 Samuel Series Lesson #176 June 25, 2019 Dean Bible Ministries www.deanbibleministries.org Dr. Robert L. Dean, Jr. LEVIATHAN, TANNIN, AND RAHAV–PART 3 2 SAMUEL 7:18–29; PSALM 89:10 What the Bible Teaches About The Davidic Covenant Psa. 89:10, “You have broken Rahab in pieces, as one who is slain; You have scattered Your enemies with Your mighty arm.” comm masc sing abs Rahab, Rahav רהַב proper Rahab, literally, Rachav, name רָ חָב This term shows up in in Job 9:13; Job 26:12; Psalm 89:10; Isaiah 51:9. TWOT describes the verbal form in this manner: The basic meaning of the noun is arrogance. Rahav, can best be translated as “the arrogant one.” 1. God created all living things including Rahav, leviathan, behemoth, the sea, and the tannin. These are real, not mythological creatures and creation. 2. God in His omniscience designed all of these things. Their design was intentional, with a view to how they would be used as biblical symbols as well as mythological representations. Tracing these “sea monsters” 1. Yam 2. Tannin 3. Leviathan 4. Rahav 5. Behemoth GOD the Creator Mythological Deities All creatures: Yam, Leviathan, Behemoth, Tannin, Rahav designed with a purpose Uses God’s creatures to represent pagan deities [demons] and to describe origin myths. Referred to in the Bible: 1. As actual, historical creatures, and also 2. with a view to their mythological connotations to communicate God vs. evil. Job 9:13, “God will not turn back His anger; Beneath Him crouch the helpers of Rahav.” [NKJV: allies of the proud] Isa. -
Voices of Feminism Oral History Project: Roma, Catherine
Voices of Feminism Oral History Project Sophia Smith Collection, Smith College Northampton, MA CATHERINE ROMA Interviewed by JOYCE FOLLET June 19 and 20, 2005 Northampton, Massachusetts This interview was made possible with generous support from the Ford Foundation. © Sophia Smith Collection 2006 Sophia Smith Collection Voices of Feminism Oral History Project Narrator Catherine Roma was born in Philadelphia January 29, 1948, the youngest of three children of Italian-born parents. Her mother completed high school and, once married, was a community volunteer. Her father graduated from Princeton University and Temple Law School, but when his own father died young, he left legal practice to run the family’s barbershops in Philadelphia and other East Coast railroad terminals. Practicing Catholics, Catherine’s parents sent her to Germantown Friends School K-12; she remains a Convinced Friend. In the late 1960s and early 1970s, Roma earned a BA in music and an MM in Choral Conducting at the University of Wisconsin-Madison, where she became involved in socialist-feminist politics and began organizing a feminist choral group in 1974. Returning to Philadelphia the following year to teach music at Abington Friends School, she organized and conducted Anna Crusis, the first feminist women’s choir in the US. In 1983 she undertook the doctorate in musical arts at the University of Cincinnati, where she founded MUSE, the community chorus she continues to lead. Under Roma’s leadership, MUSE is a vital group in what has become a national and international grassroots movement of women’s choruses. MUSE is recognized as a model anti-racist community organization and a progressive force in Cincinnati politics. -
From Indo-European Dragon Slaying to Isa 27.1 a Study in the Longue Durée Wikander, Ola
From Indo-European Dragon Slaying to Isa 27.1 A Study in the Longue Durée Wikander, Ola Published in: Studies in Isaiah 2017 Document Version: Publisher's PDF, also known as Version of record Link to publication Citation for published version (APA): Wikander, O. (2017). From Indo-European Dragon Slaying to Isa 27.1: A Study in the Longue Durée. In T. Wasserman, G. Andersson, & D. Willgren (Eds.), Studies in Isaiah: History, Theology and Reception (pp. 116- 135). (Library of Hebrew Bible/Old Testament studies, 654 ; Vol. 654). Bloomsbury T&T Clark. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 LIBRARY OF HEBREW BIBLE/ OLD TESTAMENT STUDIES 654 Formerly Journal of the Study of the Old Testament Supplement Series Editors Claudia V. -
Physiology and Mysticism at Pherai. the Funerary Epigram for Lykophron
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 15 | 2002 Varia Physiology and Mysticism at Pherai. The Funerary Epigram for Lykophron Aphrodite A. Avagianou Electronic version URL: http://journals.openedition.org/kernos/1368 DOI: 10.4000/kernos.1368 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2002 ISSN: 0776-3824 Electronic reference Aphrodite A. Avagianou, « Physiology and Mysticism at Pherai. The Funerary Epigram for Lykophron », Kernos [Online], 15 | 2002, Online since 21 April 2011, connection on 20 April 2019. URL : http:// journals.openedition.org/kernos/1368 ; DOI : 10.4000/kernos.1368 Kernos Kernos 15 (2002), p. 75-89. Physiology and Mysticism at Pherai. The Funerary Epigram for Lykophron* Ta the starry heaven, where my saut will live. For historians of religion, a funerary epigram from Pherai dated to the early Hellenistic period1 has special interest. The text is as follows: Znvàc; ànà QU;,nc; IlEyéû,ou AUXOqJQillV 6 <PLÀLOXOU oo1;nL, àÀn8ElaL ôÈ Èx nUQàc; à8uvérrou' xut セキ Èv OÙQUVLOLC; èiOtQOLC; iJJtà nutQàc; àEQ8ElC;' oWIlU ôÈ IlntQàc; ÈlliiC; IlntÉQu yf\v XatÉXEL. I, Lykophron, the son of Philiskos, seem sprung from the root of great Zeus, but in truth am from the immortal fire; and l live among the heavenly stars uplifted by my father; but the body born of my mother oecupies mother-earth. The main idea of the epigram, that the soul of the dead goes to the astral heaven while the body returns to the earth, that is, the mother, is easy to grasp and it could be argued that this notion is a standard expression in funerary epigrams. -
Worthless Deities in the Hebrew Text
Worthless Deities Listed in the Hebrew Text by Kathryn QannaYahu I would like to thank my daughters Leviyah and Genevieve for their support, both encouragement and financial so that I could work on this study full time. I would also like to thank the Bozeman Public Library, especially Mary Ann Childs, who handled well over a hundred of my interlibrary loans during these two years. Subcategory Links Foreign Language Intro Study Intro Proto-Indo-Europeans and the Patriarchy From Clan Mother To Goddess Ancestor Worship/Cult of the Dead Therafiym Molek/Melek Nechushthan and Sherafiym Astral Cult Seal of God – Mark of the Beast Deities Amurru / Amorite Ugaritic / Canaanite Phoenician / Felishthiym [Philistine] / Carthaginian Syrian / Aramean Babylonian / Assyrian Map of Patron Deity City Names Reference Book List Foreign Language Intro This study incorporates many textual elements that need their own introduction because of all the languages presented. For the Hebrew, I use a Hebrew font that you will not be able to view without a download, unless you happen to have the font from another program. If you should see odd letters strung together where a name or word is being explained, you probably need the font. It is provided on my fonts page http://www.lebtahor.com/Resources/fonts.htm . Since Hebrew does not have an upper and lower case, another font used for the English quoting of the Tanak/Bible is the copperplate, which does not have a case. I use this font when quoting portions of the Tanak [Hebrew Bible], to avoid translator emphasis that capitalizing puts a slant on. -
An Example Reinterpreting the British Isles' Most Detailed Account of a Sea Serpent Sight
RESEARCH ARTICLE Ethnobiology and Conservation 2019, 8:12 (12 October 2019) doi:10.15451/ec2019-10-8.12-1-31 ISSN 22384782 ethnobioconservation.com Ethnobiology and Shifting Baselines: An Example Reinterpreting the British Isles’ Most Detailed Account of a Sea Serpent Sighting as Early Evidence for PrePlastic Entanglement of Basking Sharks Robert L. France ABSTRACT Recognizing shifts in baseline conditions is necessary for understanding longterm changes in populations as a prelude to implementing presentday management actions and setting future restoration goals for anthropogenicallyaltered marine ecosystems. Examining historical information contained within anecdotal accounts from nontraditional sources has previously proven useful in this regard. Herein, I scrutinize eyewitness accounts and accompanying illustrations published in nineteenthcentury natural history journals which together comprise the most detailed description of sighting a purported sea serpent in the British Isles. I then reinterpret this anecdote (as well as complementary evidence offered by cryptozooloogists in its support obtained from other published journal articles of similarly described unidentified marine objects), suggesting it to provide one of the earliest reports of the nonlethal entanglement of an animal—in this case what I believe to have been a basking shark—in European waters. The present work suggests that the entanglement of sharks in fishing gear or hunting equipment has a much longer environmental history than is commonly believed, and provides another example of how ethnozoological studies can contribute toward recognizing past fishingrelated pressures and baseline shifts in affected populations. Sharks, it seems, have been subjected to the impacts of not just direct fishery exploitation but also through becoming bycatch, long before the advent and widespread use of plastic in the middle of the twentieth century. -
The Salt Daemon
Journal of Jungian Scholarly Studies 22 Vol. 12, No. 1, 2017 The Salt Daemon Susan Courtney, Ph.D.* Jung’s inquiry into the interconnectivity of psyche and matter and body and soul included alchemical studies and his psychoid theory, which was loosely based on the dynamics of the electromagnetic field. Using Jung’s presentational methodology in which psyche and physis are held evenly, this study presents salt as a liminal, psychophysical substance animating body and soul, world and anima mundi. Salts dissociate in the solutions of the body and sea, creating the electrolytic spark of life, just as alchemical sal in solutio signals a dissociative, incoherent yet psychoactive state, which seeks recrystallization—coagulatio or coherence. The rhythmic movement between incoherence and coherence is self-organized by a fieldlike guiding force of the psychoid that I call the salt daemon, which is entangled with other such salt spirits. The salt daemon’s alternation between uneasiness and calm—the sensate conscience— works toward increasingly differentiated body-soul coherence: the alchemical sal sapientiae, embodied wisdom. Several years ago, I followed the Clackamas River toward its source in the Cascade Range of Oregon, hoping to find in this wilderness a living image evoking the unity of psyche and matter—a mysterium to which Jung had devoted much of his career. While I sat in quiet contemplation, I heard the word salt, in a faint, feminine voice, rise like a mist from the river, and an image moved across my mind’s eye of salts leaching from the clay embankment and sparking and flashing in the flow of water. -
Universal War Version 1.7 Better Looking Edition
Universal War Version 1.7 Better Looking Edition The Universal War I haven’t much time to recount any ridiculous histories before our time runs short, little Human. I will explain what I can. I will start at the beginning. After GOD died by his own hand Heaven was left empty and the OLD LAW was slowly abandoned by the Angels. The Demiurges, the only children of GOD, rebuilt the great works of Heaven. All 7,777,777,777 worlds were connected and for a time they were content to remain apart. They learned many secrets from the universe and lived in enlightenment and virtuous philosophy. It was not to last, of course. Their hunger grew. The Demiurges were warriors, not fat poets. They built weapons so great and powerful that reality itself was torn apart. With the order of the Angels gone, the Demiurges were free to do as they pleased and soon the Age of Prosperity led to the Age of Conquest. Wealth bred indulgence and want. Want… the curse of life itself. So began The Universal War. 7,777,777,777 universes burned. Worlds burned. And they went mad. You wouldn’t understand it Human. One must see it but you will see it soon. The Universal War ended when the Prime Angels intervened. The OLD LAW was upheld but it was far too late… Vigintillions were slaughtered and entire galaxies were lost forever. The God Gates were shut down and the ancient secrets of the Universe were lost. How quickly they forget. That was 500,000,000 years ago. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
The Spirit Mercurius of Rabelais
University of Richmond UR Scholarship Repository Master's Theses Student Research 5-1977 The pirS it Mercurius of Rabelais Dorothy S. Wyatt Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Part of the French and Francophone Language and Literature Commons Recommended Citation Wyatt, Dorothy S., "The pS irit Mercurius of Rabelais" (1977). Master's Theses. 1272. http://scholarship.richmond.edu/masters-theses/1272 This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. THE SPIRIT MERCURIUS OF RABELAIS BY DOROTHY S. WYATT A THESIS SUBMITTED TO THE GRADUATE FACULTY OF THE UNIVmSITY OF RICHMOND IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS IN FRENCH MA.Y 1977 The purpose of this paper is to investigate the presence of salt and Mercurius in Rabelais' Gargantua and Pantagruel. This element and this alchemical personification of the process of transformation will be viewed in light of works of psychoanalysis and alchemical symbolism by c. G. Jung. To broach a study of this type implies an overlap of psychoanalytical theory and critical literary theory. This study is being done in order to ascertain the conscious and subconscious influence of the author. Psychoanalytical approaches to works of world literature are not unheard of. Freudian interpretation of French literature in particular is evidenced in works such as A Reading of Proust by Wallace Fowlie and Memories and Dreamss A Freudian Look at Proust by Barbara Baroody. -
Archetypal Alchemy: the Transformation of the Psyche-Matter Continuum
Archetypal Alchemy: The Transformation of the Psyche-Matter Continuum by Stanton Marlan Presented to the International Alchemy Conference in Las Vegas on Oct. 5-7, 2007 www.AlchemyConference.com I'd like to begin with an Invocation since alchemical work requires assistance, if not from others from an other and from nature – in this instance a soror mystica: Oh soror, assist me with the work, for it is not for the sake of "I" but for the stone, and though I am unworthy of the art, I am also foolish, and so I go again to the prima materia dark and laden in mist and of unknown origin. Help me to transform you unknown one to achieve the stone and to be transformed by it. Page 1 of 27 Page 2 of 27 Fig. 254. The alchemical laboratory illuminated by Sol and Luna uniting in the sign of ten. Virgin’s Milk For me, alchemy began in an innocent love of nature. Its roots emerged in my childhood wonder in an elementary sensate engagement with “matter,” with stones, color transformations, and the excitement of living nature. I loved to play in the dirt and saw the dark earth as a cosmos teaming with life. The discovery of stones filled me with pleasure and I reveled in their variety of size, shape, texture, and color. I collected them and returned to this play daily. There was something mysterious about them, foreign yet more intimate in some ways than the world of human discourse around me. They held a secret and my secret was with them. -
Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them.