Archetypal Alchemy: the Transformation of the Psyche-Matter Continuum
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Gustavo Barcellos
Slightly at Odds: James Hillman's therapy Gustavo Barcellos Published online on 01 December 2015 www.arquetipica.com.br Slightly at Odds: James Hillman's therapy Gustavo Barcellos In 1987, year that celebrated the 25th anniversary of C. G. Jung’s death, James Hillman presented – in Milan, at the Italian Center of Analytical Psychology – a reflection on the old master, whereby, together with other equally interesting issues, trying at the same time absorb, understand and process it, argued that the therapy that we inherited from Jung, would leave the individual engaged in his daily round “slightly at odds with the daily round, displacing the usual, releasing the captive image and alleviating the suffering of Sophia in the material”.1 The text of this reflection was published in 1988, on the first issue of the now extinct British journal of archetypal psychology and art, Sphinx (edited by Noel Cobb e Eva Loewe), and is fundamental to comprehend how Hillman understood Jung. In my opinion, this image speaks even more precisely about the therapy that Hillman himself left us as his legacy, which was also called “image focused therapy”. Archetypal psychology places us, as patients, and psychology itself as an investigative field, in an essentially critical position, in a slight, albeit constant conflict with all daily things. The expression “slightly” always seemed interesting to me. Undoubtedly, the first aspect of this “James Hillman therapy” is the therapy of ideas. As with many others, James Hillman’s ideas modified my understanding of psy- chology, particularly the practice of psychotherapy. Hillman changed our way of think- ing and moving ahead with Jungian psychology. -
2019-DJA-Overview.Pdf
PACIFICA GRADUATE INSTITUTE M.A./PH.D. IN DEPTH PSYCHOLOGY WITH SPECIALIZATION IN JUNGIAN AND ARCHETYPAL STUDIES PACIFICA GRADUATE INSTITUTE | 249 LAMBERT ROAD, CARPINTERIA, CALIFORNIA 93013 | PACIFICA.EDU M.A./PH.D. IN DEPTH PSYCHOLOGY WITH SPECIALIZATION IN JUNGIAN AND ARCHETYPAL STUDIES (DJA) The Jungian and Archetypal Studies Specialization (DJA) is for students interested in exploring what Jung called archetypes: universal principles and organizing patterns that pre-condition and animate human experience from the depths of the collective unconscious, a universal dimension of the psyche common to each of us. The program curriculum enables students to develop a comprehensive understanding of the process of psychological development and transformation that Jung called “individuation,” which leads to the realization of the deeper Self, the greater universal person within us. This was the main focus of Jung’s study of alchemy. Jungian ideas inspired the polytheism of James Hillman’s archetypal psychology. For Hillman, gods and goddesses pervade everything. By engaging mythopoetically with life, and recognizing the gods and goddesses in all things, one can participate in the process Hillman called “soul-making.” This rigorous, creative exploration of Jungian and with the course material. The coursework itself is aligned archetypal psychology provides students with a range with Jung’s emphasis on the “ineluctable psychological of theories, skills, and practices they can apply directly necessity” of individuation, the process by which one might to their professional, personal, and creative lives, while attain deep self-knowledge, further the development of addressing the collective challenges and opportunities consciousness, and better understand the unconscious of our moment in history. -
The Salt Daemon
Journal of Jungian Scholarly Studies 22 Vol. 12, No. 1, 2017 The Salt Daemon Susan Courtney, Ph.D.* Jung’s inquiry into the interconnectivity of psyche and matter and body and soul included alchemical studies and his psychoid theory, which was loosely based on the dynamics of the electromagnetic field. Using Jung’s presentational methodology in which psyche and physis are held evenly, this study presents salt as a liminal, psychophysical substance animating body and soul, world and anima mundi. Salts dissociate in the solutions of the body and sea, creating the electrolytic spark of life, just as alchemical sal in solutio signals a dissociative, incoherent yet psychoactive state, which seeks recrystallization—coagulatio or coherence. The rhythmic movement between incoherence and coherence is self-organized by a fieldlike guiding force of the psychoid that I call the salt daemon, which is entangled with other such salt spirits. The salt daemon’s alternation between uneasiness and calm—the sensate conscience— works toward increasingly differentiated body-soul coherence: the alchemical sal sapientiae, embodied wisdom. Several years ago, I followed the Clackamas River toward its source in the Cascade Range of Oregon, hoping to find in this wilderness a living image evoking the unity of psyche and matter—a mysterium to which Jung had devoted much of his career. While I sat in quiet contemplation, I heard the word salt, in a faint, feminine voice, rise like a mist from the river, and an image moved across my mind’s eye of salts leaching from the clay embankment and sparking and flashing in the flow of water. -
Alchemical on the New York Times Best-Seller List for Nearly a Year
JAMES HILLMAN (b. 1926 – d. 2011) was a pioneering psychologist whose imaginative psychology has entered cultural history, affecting lives and minds in a wide range of fields. He is considered the originator of Archetypal Psychology. Hillman received his Ph.D. from the University of Zurich in 1959 where he studied with Carl Jung and held the first directorship at the C. G. Jung Institute until 1969. In 1970, he became the editor of SPRING JOURNAL, a publication dedicated to psychology, philosophy, mythology, arts, humanities, and cul- tural issues and to the advancement of Archetypal Psychology. Hillman returned to the United States to take the job of Dean of Graduate Studies at the University of Dallas after the first International Archetypal Conference was held there. Hillman, in 1978 along with Gail Thomas, Joanne Stroud, Robert Sardello, Louise Cowan, and Donald Cowan, co-founded The Dallas Institute of Humanities and Culture in Dallas, Texas. The Uniform Edition of the Writings of James Hillman is published by Spring Publications, Inc. in conjunction with The Dallas Institute of Humanities and Culture. The body of his work comprises scholarly studies in several fields including psychology, philosophy, mythology, art, and cultural studies. For the creativity of his thinking, the author of A Terrible Love of War (2004), The Force of Character and the Lasting Life (1999), and Soul’s Code: In Search of Character and Calling (1996) was lchemical A on the New York Times best-seller list for nearly a year. Re-Visioning Psychology (1975), which was nominated for a Pulitzer Prize, The Myth of Analysis (1972), and Suicide and the Soul (1964) received many honors, including the Medal of the Presidency of the Italian Republic. -
The Spirit Mercurius of Rabelais
University of Richmond UR Scholarship Repository Master's Theses Student Research 5-1977 The pirS it Mercurius of Rabelais Dorothy S. Wyatt Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Part of the French and Francophone Language and Literature Commons Recommended Citation Wyatt, Dorothy S., "The pS irit Mercurius of Rabelais" (1977). Master's Theses. 1272. http://scholarship.richmond.edu/masters-theses/1272 This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. THE SPIRIT MERCURIUS OF RABELAIS BY DOROTHY S. WYATT A THESIS SUBMITTED TO THE GRADUATE FACULTY OF THE UNIVmSITY OF RICHMOND IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS IN FRENCH MA.Y 1977 The purpose of this paper is to investigate the presence of salt and Mercurius in Rabelais' Gargantua and Pantagruel. This element and this alchemical personification of the process of transformation will be viewed in light of works of psychoanalysis and alchemical symbolism by c. G. Jung. To broach a study of this type implies an overlap of psychoanalytical theory and critical literary theory. This study is being done in order to ascertain the conscious and subconscious influence of the author. Psychoanalytical approaches to works of world literature are not unheard of. Freudian interpretation of French literature in particular is evidenced in works such as A Reading of Proust by Wallace Fowlie and Memories and Dreamss A Freudian Look at Proust by Barbara Baroody. -
Alchemical Reference in Antony and Cleopatra
SYDNEY STUDIES Alchemical Reference in Antony and Cleopatra LYNDALL ABRAHAM Lepidus: Your serpent of Egypt is bred now of your mud by the operation of your sun: so is your crocodile. (II.vii.26-7) The phrase "the operation of your sun" is a distinctly alchemical term. It refers to the opus alchymicum as a whole and is first known to occur in one of the oldest and most famous alchemical documents, the Emerald Table: "What I have said concerning the operation of the Sun is finished."1 The Tabula Smaragdina or Emerald Table, ascribed to Hermes Tris megistus or the Egyptian Thoth, was not only one of the most important sources of medieval alchemy, but continued to be considered as the basis of alI alchemical law by alchemists right through to the seventeenth cen tury. The earliest known version was discovered by E. J. Holmyard in an eighth-century Arabic text, and it was translated into Latin around the time of the thirteenth century. The first English translation appears as a part of Roger Bacon's The Mirror of Alchimy (London 1597). The con tents of the influential Table occur repeatedly in both Renaissance and seventeenth-century alchemical treatises, including John Dee's Monas Hieroglyphica (1564: reprinted in 1591 and included in the alchemical anthology Theatrum Chemicum in 1602), the De Alchemia (1541-Table included in full), George Ripley's The Compound of Alchymie (1591), William Bloomfield's Bloomfield's Blossoms, Thomas Norton's Ordinal of Alchemy (1477), and Michael Maier's Atalanta Fugiens (1617).2 In Euphrates or The Waters -
Archetypal Psychology, Dreamwork, and Neoplatonism
19 Gregory Shaw 19 Archetypal Psychology, Dreamwork, and Neoplatonism I. Introduction Not easy this – and so esoteric, occult. James Hillman ccording to James Hillman, archetypal psychology is rooted in the Neoplatonic tradition of Plotinus, Porphyry, Iamblichus and Proclus.1 C.G.Jung, whom Hillman credits with being the “first immediate fa Ather” of archetypal psychology,2 was influenced by the Neoplatonists both directly and indirectly, while Henry Corbin, the “second immediate father” was even more directly influenced by Neoplatonists as evidenced by his work on Suhrawardi, Avicenna, and Ibn Arabi who carried the voice and vision of earlier Platonists, including their emphasis on the reality of the imaginal world so central to archetypal psychology.3 If Jung’s psychology can be read as a kind of Christian (monotheistic) Neoplatonism, the Neoplatonism of archetypal psy chology understands itself to be more polytheistic, reflecting more directly the thinking of Plotinus and other non-Christian Neoplatonists. Since archetypal psychology sees itself as rooted in, or at least inspired by Ne oplatonism, a closer examination of the currents of thought among the Neoplaton ists should shed light on certain characteristics of archetypal psychology. Specifi cally, I will argue that the theurgical Neoplatonism of Iamblichus (c.245–c.325) shares many theoretical assumptions developed by Hillman and that the theurgical rites advocated by Iamblichus bear remarkable similarities to the “dreamwork” of Robert Bosnak, a Dutch psychologist and student of Hillman, who developed a ritual practice of encountering imaginal entities. Yet before fruitful comparisons can be made between Iamblichean Neoplatonism and its contemporary expres sions, a significant misunderstanding by Hillman must be addressed. -
PDF Download Chaos Ebook
CHAOS PDF, EPUB, EBOOK Patricia Cornwell | 400 pages | 20 Oct 2016 | HarperCollins Publishers | 9780008150631 | English | London, United Kingdom Chaos - Wikipedia Do you know the person or title these quotes desc Login or Register. Save Word. Definition of chaos. Keep scrolling for more. Examples of chaos in a Sentence The loss of electricity caused chaos throughout the city. Recent Examples on the Web Seattle police made at least 10 arrests Saturday evening when Breonna Taylor protests devolved into chaos and violence as demonstrators set fires and damaged property and allegedly committed assaults in the Capitol Hill neighborhood. First Known Use of chaos 15th century, in the meaning defined at sense 3. History and Etymology for chaos Latin, from Greek — more at gum. Learn More about chaos. Time Traveler for chaos The first known use of chaos was in the 15th century See more words from the same century. From the Editors at Merriam-Webster. More Definitions for chaos. English Language Learners Definition of chaos. Kids Definition of chaos. Comments on chaos What made you want to look up chaos? Get Word of the Day daily email! Test Your Vocabulary. Love words? Need even more definitions? The awkward case of 'his or her'. Take the quiz Forms of Government Quiz Name that government! Take the quiz Spell It Can you spell these 10 commonly misspelled words? In the later cosmologies Chaos generally designated the original state of things, however conceived. The modern meaning of the word is derived from Ovid , who saw Chaos as the original disordered and formless mass, from which the maker of the Cosmos produced the ordered universe. -
The Philosophers' Stone: Alchemical Imagination and the Soul's Logical
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2014 The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life Stanton Marlan Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Marlan, S. (2014). The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/874 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Stanton Marlan December 2014 Copyright by Stanton Marlan 2014 THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan Approved November 20, 2014 ________________________________ ________________________________ Tom Rockmore, Ph.D. James Swindal, Ph.D. Distinguished Professor of Philosophy Professor of Philosophy Emeritus (Committee Member) (Committee Chair) ________________________________ Edward Casey, Ph.D. Distinguished Professor of Philosophy at Stony Brook University (Committee Member) ________________________________ ________________________________ James Swindal, Ph.D. Ronald Polansky, Ph.D. Dean, The McAnulty College and Chair, Department of Philosophy Graduate School of Liberal Arts Professor of Philosophy Professor of Philosophy iii ABSTRACT THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan December 2014 Dissertation supervised by Tom Rockmore, Ph.D. -
Chaos in the Old World Free
FREE CHAOS IN THE OLD WORLD PDF Fantasy Flight Games | none | 01 Jan 2015 | Fantasy Flight Games | 9781589946514 | English | United States Old Chaos | Dark Souls 2 Wiki Chaos in the Old World makes you a god. Yet, as you and your fellow powers of Chaos seek domination by corruption and conquest, you must vie Chaos in the Old World only against each other, but also against the desperate denizens of the Old World Chaos in the Old World fight to banish you back to the maelstrom of the Realm of Chaos. Chaos in the Old World features three ways to win, and gives you an unparalleled opportunity to reshape the world in your image. Every turn you corrupt the landscape, dominating its inhabitants, and battle with the depraved followers of rival gods. Each god has a unique deck of gifts and abilities, and can upgrade their followers into deadly foes. Summon forth living manifestations of Chaos, debased and hidden cultists, and the horrifying greater daemons - beings capable of destroying near everything in their path. Sign In Don't have an account? Start a Wiki. Chaos in the Old World is a board game for players set in the Warhammer Fantasy setting. Khorne, the Blood God, the Skulltaker, lusts for death and battle. Nurgle, the Plaguelord, the Father of Corruption, luxuriates in filth Chaos in the Old World disease. Tzeentch, the Changer of Ways, the Great Conspirator, plots the fate of the universe. Slaanesh, the Prince of Pleasure and Pain, the Lord of Temptations, lures even the most steadfast to his six deadly seductions. -
Alchemical Transformation and the Grief-Threshold in H.D.'S Helen in Egypt
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 6-1-2012 Alchemical Transformation and the Grief-Threshold in H.D.'s Helen in Egypt Eliza C. Bennett University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Literature in English, North America Commons Recommended Citation Bennett, Eliza C., "Alchemical Transformation and the Grief-Threshold in H.D.'s Helen in Egypt" (2012). Electronic Theses and Dissertations. 66. https://digitalcommons.du.edu/etd/66 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. ALCHEMICAL TRANSFORMATION AND THE GRIEF-THRESHOLD IN H.D.’S HELEN IN EGYPT __________ A Thesis Presented to the Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Master of Literary Studies __________ by Eliza C. Bennett June 2012 Advisor: Dr. W. Scott Howard Author: Eliza Bennett Title: ALCHEMICAL TRANSFORMATION AND THE GRIEF-THRESHOLD IN H.D.’S HELEN IN EGYPT Advisor: Dr. W. Scott Howard Degree Date: June 2012 Abstract In H.D’s lyric epic, Helen in Egypt, Helen of Troy experiences a phenomenological transformation in the brazier of the heart, which burns both on the beach of her new home in Egypt and in the depths of her psychic life. I have envisioned a process by which Helen psychologically enters into the brazier’s flames to begin an alchemical process, so that she might see the beauty of the earth emerge and understand the rhythmic significance of the heart’s perception. -
Dictionary of Alchemy Contents
Dictionary of Alchemy Contents Foreword ........................................................ 5 Air - Aristotle .............................................. 6 Calcination ................................................... 8 Dissolution ................................................... 10 Elements ........................................................12 Fermentation ................................................ 13 Gnosis ............................................................. 14 Hermaphrodite .............................................15 Iron ................................................................. 16 Jung .................................................................17 Kabbalah ........................................................ 18 Lead ................................................................. 19 Maat ................................................................ 20 Newton ........................................................... 22 The One ..........................................................23 Paracelsus ......................................................24 Queen .............................................................. 2 6 Rubedo ............................................................26 Salt .................................................................28 Thoth ..............................................................30 Venus .............................................................. 32 Water ..............................................................32