The Enduring Myths of Ancient Greece
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Flowers in Greek Mythology
Flowers in Greek Mythology Everybody knows how rich and exciting Greek Mythology is. Everybody also knows how rich and exciting Greek Flora is. Find out some of the famous Greek myths flower inspired. Find out how feelings and passions were mixed together with flowers to make wonderful stories still famous in nowadays. Anemone:The name of the plant is directly linked to the well known ancient erotic myth of Adonis and Aphrodite (Venus). It has been inspired great poets like Ovidius or, much later, Shakespeare, to compose hymns dedicated to love. According to this myth, while Adonis was hunting in the forest, the ex- lover of Aphrodite, Ares, disguised himself as a wild boar and attacked Adonis causing him lethal injuries. Aphrodite heard the groans of Adonis and rushed to him, but it was too late. Aphrodite got in her arms the lifeless body of her beloved Adonis and it is said the she used nectar in order to spray the wood. The mixture of the nectar and blood sprang a beautiful flower. However, the life of this 1 beautiful flower doesn’t not last. When the wind blows, makes the buds of the plant to bloom and then drifted away. This flower is called Anemone because the wind helps the flowering and its decline. Adonis:It would be an omission if we do not mention that there is a flower named Adonis, which has medicinal properties. According to the myth, this flower is familiar to us as poppy meadows with the beautiful red colour. (Adonis blood). Iris: The flower got its name from the Greek goddess Iris, goddess of the rainbow. -
Once and Future Antiquities in Science Fiction and Fantasy
ONCE AND FUTURE ANTIQUITIES IN SCIENCE FICTION AND FANTASY i Bloomsbury Studies in Classical Reception Bloomsbury Studies in Classical Reception presents scholarly monographs off ering new and innovative research and debate to students and scholars in the reception of Classical Studies. Each volume will explore the appropriation, reconceptualization and recontextualization of various aspects of the Graeco-Roman world and its culture, looking at the impact of the ancient world on modernity. Research will also cover reception within antiquity, the theory and practice of translation, and reception theory. Also available in the series: ANCIENT MAGIC AND THE SUPERNATURAL IN THE MODERN VISUAL AND PERFORMING ARTS edited by Filippo Carl à and Irene Berti ANCIENT GREEK MYTH IN WORLD FICTION SINCE 1989 edited by Justine McConnell and Edith Hall CLASSICS IN EXTREMIS by Edmund Richardson FRANKENSTEIN AND ITS CLASSICS edited by Jesse Weiner, Benjamin Eldon Stevens and Brett M. Rogers GREEK AND ROMAN CLASSICS IN THE BRITISH STRUGGLE FOR SOCIAL REFORM edited by Henry Stead and Edith Hall HOMER ’S ILIAD AND THE TROJAN WAR : DIALOGUES ON TRADITION Jan Haywood and Nao í se Mac Sweeney IMAGINING XERXES Emma Bridges JULIUS CAESAR ’S SELF - CREATED IMAGE AND ITS DRAMATIC AFTERLIFE Miryana Dimitrova OVID ’S MYTH OF PYGMALION ON SCREEN Paula James THE CODEX FORI MUSSOLINI Han Lamers and Bettina Reitz-Joosse THE GENTLE , JEALOUS GOD Simon Perris VICTORIAN CLASSICAL BURLESQUES Laura Monr ó s-Gaspar VICTORIAN EPIC BURLESQUES Rachel Bryant Davies ii ONCE AND FUTURE ANTIQUITIES IN SCIENCE FICTION AND FANTASY Edited by Brett M. Rogers and Benjamin Eldon Stevens iii BLOOMSBURY ACADEMIC Bloomsbury Publishing Plc 50 Bedford Square, London, WC 1B 3 DP , UK 1385 Broadway, New York, NY 10018, USA BLOOMSBURY , BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2019 Copyright © Brett M. -
The Common Wine Cult of Christ and the Orphic Dionysos: the Wine and Vegetation Saviour Deity Dionysos As Model for the Dying and Rising Christ
REL 4990, MA thesis. Culture and Ideas, History of Religion. Autumn 2010. Maritha E. Gebhardt. Page: 1 The common wine cult of Christ and the Orphic Dionysos: the wine and vegetation saviour deity Dionysos as model for the dying and rising Christ. MA Thesis, Master's Programme in Culture and Ideas, History of Religion, Department of Culture and Oriental Languages, Autumn 2010, by Maritha Elin Gebhardt. Synopsis: In 2005 the Hebrew University Excavation Project unearthed a small incense burner from the fourth century C.E. in the Jewish capital of the Galilee, Sepphoris, depicting a crucified figure, Bacchic satyrs and maenads, and the Christian representation of the sacrifice of Isaac in symbolic form as a ram caught in the thicket of a bush. Five years later the book Orphism and Christianity in Late Antiquity, by Herrero de Jáuregui, refers to two large funerary cloths, one depicts a Dionysiac scene similar to the murals from the Villa dei Misteri and the other one show scenes from the life of Jesus and Mary, both found in the same tomb in Egypt. Both of these depictions testify to the continued syncretism of the Orphic and the Christian symbols and that people in the Hellenistic era found the figure of Christ similar to the Bacchic Orpheus. In my thesis I claim that the dying and rising saviour deity of Dionysos is the forerunner to the dying and rising saviour deity of Christ. I claim that I will prove this by showing that the cult of Christ is a wine cult. The epiphany of Jesus was as a human guest at a party, turning water into wine at the wedding-feast at Cana in John 2:1-11, likewise the epiphany of the wine-god Dionysos is in a similar scene as the Cana-miracle, where he turns water into wine (Achilleus Tatius' De Leucippes et Clitophontis amoribus 2.2:1-2.3:1). -
Robert Graves the White Goddess
ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters. -
The Baroque Imagination of Alejo Carpentier, Derek Walcott, and Seamus Heaney: Folding the Periphery Into a Center
University of Miami Scholarly Repository Open Access Dissertations Electronic Theses and Dissertations 2012-05-06 The aB roque Imagination of Alejo Carpentier, Derek Walcott, and Seamus Heaney: Folding the Periphery into a Center Carmen M. Chiappetta University of Miami, [email protected] Follow this and additional works at: https://scholarlyrepository.miami.edu/oa_dissertations Recommended Citation Chiappetta, Carmen M., "The aB roque Imagination of Alejo Carpentier, Derek Walcott, and Seamus Heaney: Folding the Periphery into a Center" (2012). Open Access Dissertations. 771. https://scholarlyrepository.miami.edu/oa_dissertations/771 This Embargoed is brought to you for free and open access by the Electronic Theses and Dissertations at Scholarly Repository. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of Scholarly Repository. For more information, please contact [email protected]. UNIVERSITY OF MIAMI THE BAROQUE IMAGINATION OF ALEJO CARPENTIER, DEREK WALCOTT, AND SEAMUS HEANEY: FOLDING THE PERIPHERY INTO A CENTER By Carmen Chiappetta A DISSERTATION Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Philosophy Coral Gables, Florida May 2012 ©2012 Carmen Chiappetta All Rights Reserved UNIVERSITY OF MIAMI A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy THE BAROQUE IMAGINATION OF ALEJO CARPENTIER, DEREK WALCOTT, AND SEAMUS HEANEY: FOLDING THE PERIPHERY INTO A CENTER Carmen Chiappetta Approved: ________________ _________________ Sandra Pouchet Paquet, Ph.D. Terri A. Scandura, Ph.D. Professor of English Dean of the Graduate School ________________ _________________ Patrick McCarthy, Ph.D. Joel Nickels, Ph.D. -
A Dictionary of Mythology —
Ex-libris Ernest Rudge 22500629148 CASSELL’S POCKET REFERENCE LIBRARY A Dictionary of Mythology — Cassell’s Pocket Reference Library The first Six Volumes are : English Dictionary Poetical Quotations Proverbs and Maxims Dictionary of Mythology Gazetteer of the British Isles The Pocket Doctor Others are in active preparation In two Bindings—Cloth and Leather A DICTIONARY MYTHOLOGYOF BEING A CONCISE GUIDE TO THE MYTHS OF GREECE AND ROME, BABYLONIA, EGYPT, AMERICA, SCANDINAVIA, & GREAT BRITAIN BY LEWIS SPENCE, M.A. Author of “ The Mythologies of Ancient Mexico and Peru,” etc. i CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1910 ca') zz-^y . a k. WELLCOME INS77Tint \ LIBRARY Coll. W^iMOmeo Coll. No. _Zv_^ _ii ALL RIGHTS RESERVED INTRODUCTION Our grandfathers regarded the study of mythology as a necessary adjunct to a polite education, without a knowledge of which neither the classical nor the more modem poets could be read with understanding. But it is now recognised that upon mythology and folklore rests the basis of the new science of Comparative Religion. The evolution of religion from mythology has now been made plain. It is a law of evolution that, though the parent types which precede certain forms are doomed to perish, they yet bequeath to their descendants certain of their characteristics ; and although mythology has perished (in the civilised world, at least), it has left an indelible stamp not only upon modem religions, but also upon local and national custom. The work of Fruger, Lang, Immerwahr, and others has revolutionised mythology, and has evolved from the unexplained mass of tales of forty years ago a definite and systematic science. -
Sophia Issue 1 Jun 2008
sophia Issue 1 Jun 2008 Greek myth in cinema The science behind cubism Cultural barriers to translation Biomedical science in Africa 1 Sophia Issue 1 This issue printed June 2008 Not for commercial distribution Articles are licensed under the Creative Commons Attribution-Noncommer- cial-No Derivative Works 2.0 UK: England & Wales License. To view a copy of this license, visit: http://creativecommons.org/licenses/by-nc-nd/2.0/uk/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Images are copyright and used with permission where attributed. All oth- ers are, to the best of our knowledge, sourced from the public domain or constitute fair use. Typeset in Arno Pro and Caecilia LT For further details see: www.sophiamagazine.co.uk 2 cover image Ben Cowd, UCL Architecture graduate. This architectural drawing was part of a design for an observatory and uses assemblies of laser-cut paper to form 2½-dimensional drawings. The lines burned by the laser are soft, sensuous and baroque yet have the precision and accuracy of the high-tech. See www.saraben-studio.com for more. contents Stubs Robin Clark – Bakerian Lecture, Royal Society ... Professor Horace Engdahl: The Hunger for Tears and The Nobel -Ex perience ... Interculturality, Politics and Society: Lessons from the Nordic Countries ... Don’t Mention Virginia Woolf: Reform in Bloomsbury ... Lovers in Lab Coats – Professor Joe Cain, Lunchtime Lecture (pp. 5–7) Articles The First Emperor: China’s Terracotta Army, Iside Carbone (p. 8) Music on the Mind, Dr David Hardoon (p. 14) Flexible Minds: Gender-Bending Experiments in Language, Dr Stavroula-Thaleia Kousta (p. -
HARVARD CHS FELLOW 2014-2015 [email protected] HOUR 25: a COMPANION PROJECT to HEROES X 05/07/2015
MARIA G. XANTHOU HARVARD CHS FELLOW 2014-2015 [email protected] HOUR 25: A COMPANION PROJECT TO HEROES X 05/07/2015 MOTHERS OF HEROES AND MONSTERS: ALTHAEA AND CALLIRHOE I. ALTHAEA, MOTHER OF MELEAGROS 1. Il. 9.538-580 “Thereat the Archer-goddess, the child of Zeus, waxed “ἣ δὲ χολωσαµένη δῖον γένος ἰοχέαιρα wroth and sent against him a fierce wild boar, white of ὦρσεν ἔπι χλούνην σῦν ἄγριον ἀργιόδοντα, tusk, [540] that wrought much evil, wasting1 the orchard 540 ὃς κακὰ πόλλ᾽ ἕρδεσκεν ἔθων Οἰνῆος ἀλωήν: land of Oeneus; many a tall tree did he uproot and cast πολλὰ δ᾽ ὅ γε προθέλυµνα χαµαὶ βάλε δένδρεα µακρὰ upon the ground, aye, root and apple blossom therewith. αὐτῇσιν ῥίζῃσι καὶ αὐτοῖς ἄνθεσι µήλων. But the boar did Meleager, son of Oeneus, slay, when τὸν δ᾽ υἱὸς Οἰνῆος ἀπέκτεινεν Μελέαγρος he had gathered out of many cities huntsmen [545] πολλέων ἐκ πολίων θηρήτορας ἄνδρας ἀγείρας and hounds; for not of few men could the boar have 545 καὶ κύνας: οὐ µὲν γάρ κε δάµη παύροισι βροτοῖσι: been slain, so huge was he; and many a man set he τόσσος ἔην, πολλοὺς δὲ πυρῆς ἐπέβησ᾽ ἀλεγεινῆς. upon the grievous pyre. But about his body the ἣ δ᾽ ἀµφ᾽ αὐτῷ θῆκε πολὺν κέλαδον καὶ ἀϋτὴν goddess brought to pass much clamour and shouting ἀµφὶ συὸς κεφαλῇ καὶ δέρµατι λαχνήεντι, concerning his head and shaggy hide, between the Κουρήτων τε µεσηγὺ καὶ Αἰτωλῶν µεγαθύµων. Curetes and the great-souled Aetolians. [550] Now so 550 ὄφρα µὲν οὖν Μελέαγρος ἄρηι φίλος πολέµιζε, long as Meleager, dear to Ares, warred, so long went τόφρα δὲ Κουρήτεσσι κακῶς ἦν, οὐδὲ δύναντο it ill with the Curetes, nor might they abide without τείχεος ἔκτοσθεν µίµνειν πολέες περ ἐόντες: their wall, for all they were very many. -
The Odyssey – Background Information
Name: Period: Date: Ms. Lopez The Odyssey – Background Information The world’s most famous epic poems—Homer’s Iliad and Odyssey—were composed between 900 and 700 B.C. The poems describe legendary events that probably can be traced to real historical struggles for control of the waterways leading from the Aegean Sea to the Sea of Marmara and the Black Sea. These real battles would have taken place as early as 1200 B.C., a time that was at least as long ago for Homer’s audience as the Pilgrims’ landing at Plymouth Rock is for us. What is an Epic? Epics are long narrative poems that tell of the adventures of heroes who embody the values of their particular civilizations. For centuries, the Greeks used the Iliad and the Odyssey in their schools to teach Greek virtues. Therefore, it is not surprising that later cultures, while admiring Homer’s epics, created their own epics that imitated Homer’s style but conveyed their own value systems. Some epics that follow the basic patterns established by Homer’s two stories are Rome’s Aeneid, France’s Song of Roland, Italy’s Divine Comedy by Dante, the Anglo-Saxon Beowulf, the very ancient Sumerian tale of Gilgamesh, and India’s Mahabharata and Ramayana. The Iliad is the primary model for the epic of war. It deals with the events of the Trojan War. The Odyssey is the model for the epic of the long journey. It is literally the journey home from the Trojan War for Odysseus, the king of Ithaca. -
Bulfinch's Mythology
Bulfinch's Mythology Thomas Bulfinch Bulfinch's Mythology Table of Contents Bulfinch's Mythology..........................................................................................................................................1 Thomas Bulfinch......................................................................................................................................1 PUBLISHERS' PREFACE......................................................................................................................3 AUTHOR'S PREFACE...........................................................................................................................4 STORIES OF GODS AND HEROES..................................................................................................................7 CHAPTER I. INTRODUCTION.............................................................................................................7 CHAPTER II. PROMETHEUS AND PANDORA...............................................................................13 CHAPTER III. APOLLO AND DAPHNEPYRAMUS AND THISBE CEPHALUS AND PROCRIS7 CHAPTER IV. JUNO AND HER RIVALS, IO AND CALLISTODIANA AND ACTAEONLATONA2 AND THE RUSTICS CHAPTER V. PHAETON.....................................................................................................................27 CHAPTER VI. MIDASBAUCIS AND PHILEMON........................................................................31 CHAPTER VII. PROSERPINEGLAUCUS AND SCYLLA............................................................34 -
For a Falcon
New Larousse Encyclopedia of Mythology Introduction by Robert Graves CRESCENT BOOKS NEW YORK New Larousse Encyclopedia of Mythology Translated by Richard Aldington and Delano Ames and revised by a panel of editorial advisers from the Larousse Mvthologie Generate edited by Felix Guirand and first published in France by Auge, Gillon, Hollier-Larousse, Moreau et Cie, the Librairie Larousse, Paris This 1987 edition published by Crescent Books, distributed by: Crown Publishers, Inc., 225 Park Avenue South New York, New York 10003 Copyright 1959 The Hamlyn Publishing Group Limited New edition 1968 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the permission of The Hamlyn Publishing Group Limited. ISBN 0-517-00404-6 Printed in Yugoslavia Scan begun 20 November 2001 Ended (at this point Goddess knows when) LaRousse Encyclopedia of Mythology Introduction by Robert Graves Perseus and Medusa With Athene's assistance, the hero has just slain the Gorgon Medusa with a bronze harpe, or curved sword given him by Hermes and now, seated on the back of Pegasus who has just sprung from her bleeding neck and holding her decapitated head in his right hand, he turns watch her two sisters who are persuing him in fury. Beneath him kneels the headless body of the Gorgon with her arms and golden wings outstretched. From her neck emerges Chrysor, father of the monster Geryon. Perseus later presented the Gorgon's head to Athene who placed it on Her shield. -
Greek Mythology / Apollodorus; Translated by Robin Hard
Great Clarendon Street, Oxford 0X2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Robin Hard 1997 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published as a World’s Classics paperback 1997 Reissued as an Oxford World’s Classics paperback 1998 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Apollodorus. [Bibliotheca. English] The library of Greek mythology / Apollodorus; translated by Robin Hard.